Amadeus (1984)

"""The second movie that stuck with me more than any others was Amadeus. Because that guy did that. You know what I mean? I remember when Prince died a few years ago, I had a Twitter at that time (I don’t have it anymore). But all I put out on my little Twitter was, “We lost our Mozart today.” And I think that’s true. I look at Bohemian Rhapsody and they did a very nice job with it — the kid is very good, this Rami Malek. It was a good movie, but [Freddie Mercury’s] not Mozart. I think [with Amadeus] they did as good a job [as they could] without doing a documentary in the era of 400 years ago or, actually, however many years ago it was. I go back to when Lawrence climbed on a motorcycle at the end of Lawrence of Arabia. And that’s the same thing [with Amadeus]: When Mozart is writing the piece at the end of the movie and Salieri cannot even keep up with him. He’s that quick and he’s that ahead and Salieri says, “No, no, you go too fast, you go too fast, you have to slow down, slow down.” But there’s no slowing down. “Are you with me, are you with me?” And he says, “Yes, yes, I think I get it.” And Mozart says, “And now … 400 voices,” and Salieri just drops the pen and says, “Well that can’t be done. We can’t do that.” And then within five minutes, we see him lying in a potter’s field grave at 26 years old."""

"It’s a brilliant film about Mozart. If you don’t really know much about classical music, you hear the songs but you don’t think about the people behind them. This film turned that concept on its head, and turned him into this licentious part animal. The actor’s got this amazing high-pitched laugh that’s so funny.”"