Arrival (2016)

2016 | Drama | Mystery | Sci-Fi

116 mins

When twelve mysterious spacecraft appear around the world, linguistics professor Louise Banks is tasked with interpreting the language of the apparent alien visitors.



Produced by 21 Laps Entertainment
Director Denis Villeneuve
Writer Eric Heisserer
Cast Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Mark O'Brien (IX), Tzi Ma, Abigail Pniowsky and Julia Scarlett Dan

Background Image Courtesy: arrivalmovie.com.
Images And Data Courtesy Of: 21 Laps Entertainment.
This content (including text, images, videos and other media) is published and used in accordance with Fair Use.

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Sarah

Added this item on Feb 23, 2017

Arrival (2016) Reviews & Ratings (47)
9-10
31.9% (15)
7-8
51.1% (24)
5-6
17.0% (8)
3-4
0.0% (0)
1-2
0.0% (0)

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Arrival (2016) reviews from people you don't follow
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Sheridan (209 KP) rated

Feb 3, 2019  
Arrival (2016)
Arrival (2016)
2016 | Drama, Mystery, Sci-Fi
Different concept (2 more)
Interesting characters
Cool aliens
A little slow (1 more)
Confusing at times
Time. Is it really what we think it is?
If you're looking for a gritty, action packed sci fi - this is not it. This is more of a thought provoking trope through the human concept of time. Our time is linear, we go from A to Z, birth to death, start to finish. This alien encounter twists that ideal into something that your mind may have trouble wrapping around and if you're into working out the finer details it's definitely worth watching a second time. Overall it's an interesting movie, however it is a little slow and at times can be tedious, it never had me on the edge of my chair or dying to know what happens next, however, it is a decent film. It doesn't go in my favourites list, nor is it something I'd watch again, but it is a thought provoking movie with interesting characters.
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LukeRMcLaughlin (16 KP) rated

Jun 7, 2020  
Arrival (2016)
Arrival (2016)
2016 | Drama, Mystery, Sci-Fi
Cinematography (5 more)
Non-Traditional Storytelling
Direction
Special Effects
Creature
Amy Adams
Academy Snub (0 more)
Sci-Fi Eye Candy
Denis Villeneuve effectively presents a Sci-Fi film with as much heart as it does terrifying visuals. Amy Adams is an absolute powerhouse and deserved recognition from the Academy in this film. Brilliant cinematography throughout, bookended by remarkable writing. A must-see for Science Fiction fans. 10/10
(2)   
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TheDefunctDiva (304 KP) rated

Jun 25, 2018  
Arrival (2016)
Arrival (2016)
2016 | Drama, Mystery, Sci-Fi
Amy Adams is always amazing. As is my alliteration in that last sentence. Engaging plot immersed me in emotion. Loved it. (0 more)
It made me sob for about 1/2 hour after I watched it. (0 more)
Aliens and Anguish
(1)   
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Awix (3310 KP) rated

Mar 13, 2018  
Arrival (2016)
Arrival (2016)
2016 | Drama, Mystery, Sci-Fi
SF movie that dares to attempt to be a serious, thoughtful drama; almost feels like a Christopher Nolan pastiche. Linguistics expert Amy Adams is recruited to try and make contact when enigmatic giant squid-things appear in vast spacecraft scattered across the planet.

Well, as a language-teaching professional, I have to say that Adams' approach to teaching the squid English is deeply suspect, but in all other respects this is an impressive film that is not afraid to credit its audience with intelligence. Possibly the only film featuring both the US army and Jeremy Renner in which he does not play some sort of special-forces sharpshooter. Perhaps a little bit too slow, chilly, and cerebral to really succeed as an entertainment, but still well worth watching, even if it is ultimately easier to admire than to like.
(1)   
Arrival (2016) reviews from people you don't follow
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Bird (1704 KP) rated

Aug 26, 2017  
Arrival (2016)
Arrival (2016)
2016 | Drama, Mystery, Sci-Fi
Amy Adams performs well on the whole - very well cast (2 more)
Some intelligent plot moves and on the whole the premise feels relatively original
Keeps you watching.
Feels a little too moralistic and utopian-wannabe in parts. (2 more)
Some plot holes, especially around the romance angle
Probably need a new spaceship designer!
Interesting premise, but cheesy in places
(1)   
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Suswatibasu (1703 KP) rated

Aug 7, 2017  
Arrival (2016)
Arrival (2016)
2016 | Drama, Mystery, Sci-Fi
Intelligent science fiction
This film is a linguist's dream. Finally an intelligent sci-fi showing the importance of communication in understanding others. It's beautifully shot and it mixes a bit of a Nolan style mystery into it. It is slightly inconceivable at times but that's the premise of a science fiction film.
(1)   
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Sarah (7800 KP) rated

Aug 5, 2017  
Arrival (2016)
Arrival (2016)
2016 | Drama, Mystery, Sci-Fi
The twist/ending (2 more)
Amy Adams
Visual effects
A little slow paced (0 more)
Not your average sci-fi
This isn't your average action filled sci-fi, and it's quite slow paced, however it's a great original take on first contact. The effects are fantastic and there's a very strong performance from Amy Adams who is probably my favourite actress at the moment. The ending and twist was also fantastic. Not everyone would agree on this as it can be seen as confusing, but I thought it was a great way to end and was completely unexpected.
(1)   
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Bob Mann (459 KP) rated

Sep 29, 2021  
Arrival (2016)
Arrival (2016)
2016 | Drama, Mystery, Sci-Fi
Wow – what a surprise.
Sometimes I can get very irritated by a trailer for giving too much away (case in point, “Room” – which I recut – and more recently “Passengers”). Sometimes I can get very excited by a really good teaser trailer (case in point, “10 Cloverfield Lane”). But most of the time a “ho hum” trailer typically drives the expectation of a “ho hum” film: “Jack Reacher: Never Look Back” being a good recent example. Then there is “Arrival”…
Because the trailer for “Arrival” belies absolutely nothing about the depth and complexity of the film. At face value, it looks like a dubious “Close Encounters” wannabe, with a threat of movement towards the likes of “Independence Day” and “The 5th Wave”. Actually what you get is a film that approaches the grandeur of “Close Encounters” but interlaces it with the intellectual depth of “Inception”, the mystery of “Intersteller” and a heavy emotional jolt or two of “Up”.

Amy Adams (“Batman vs Superman”) plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning. For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don’t. Banks is approached by Colonel Weber (Forest Whitaker) and offered the job of trying to communicate with the aliens: where did they come from? why are they here? Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them. Assisted by Ian Donelly (Jeremy Renner, “Mission Impossible IV/V”, “Avengers”), a theoretical physicist, the pair try to crack the code against a deadline set by the inexorable rise of international tensions – driven by China’s General Chang (Tzi Ma, “Veep”; “24”).

Steven Spielberg made a rare error of judgement by adding scenes in his “Special Edition” of “Close Encounters of the Third Kind” showing everyman power guy Roy Neary (Richard Dreyfuss) entering the alien spacecraft. Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but – perversely – seems to be pulled off with mastery and aplomb. The aliens are well rendered, and the small scale nature of the set (I’m sure I’ve been in similar dingy waiting rooms in UK railway stations!) is cleverly handled by the environmental conditions.

But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work. To say any more would deliver spoilers, which I won’t do. But this is a masterly piece of science-fiction writing. The screenplay was by Eric Heisserer – someone with a limited scriptwriting CV of horror film reboots/sequels such as “Final Destination 5”, “The Thing” and “A Nightmare on Elm Street” – so the portents were not good, which just adds to the surprise. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about “They have a word for it in Hungary” for example went right over my head.

Denis Villeneuve (“Sicario”) deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed. This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking. The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story (such as her book) that still generated debate with my better half on the drive home.

Amy Adams and Jeremy Renner are first rate and an effectively moody score by Jóhann Jóhannsson (“Sicario”; “The Theory of Everything”) round off the other high-point credits for me.
An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.