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Cunning Women

2021 | Fiction & Poetry

When it is no longer safe to be a witch, they call themselves cunning.

1620s Lancashire. Away from the village lies a small hamlet, abandoned since the Plague, where only one family dwells amongst its ruins. Young Sarah Haworth, her mother, brother and little sister Annie are a family of outcasts by day and the recipients of visitors by night. They are cunning folk: the villagers will always need them, quick with a healing balm or more, should the need arise. They can keep secrets too, because no one would believe them anyway.

When Sarah spies a young man taming a wild horse, she risks being caught to watch him calm the animal. And when Daniel sees Sarah he does not just see a strange, dirty thing, he sees her for who she really is: a strong creature about to come into her own. But can something as fragile as love blossom between these two in such a place as this?

When a new magistrate arrives to investigate the strange ends that keep befalling the villagers, he has his eye on one family alone. And a torch in his hand.

Cunning Women is the powerful reckoning of a young woman with her wildness, a heartbreaking tale of young love and a shattering story of the intolerance that reigned during the long shadow of the Pendle Witch Trials, when those who did not conform found persecution at every door.



Published by Windmill Books

Historical fiction Witches Witchcraft Gothic 17th century England

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ClareR

Added this item on May 15, 2021

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ClareR (5824 KP) rated

May 15, 2021  
Cunning Women
Cunning Women
Elizabeth Lee | 2021 | Fiction & Poetry
9
9.0 (1 Ratings)
Book Rating
Cunning Women is everything I love about historical fiction.
I’m on a bit of a 17th century bender at the moment, and witches seem to crop up frequently. Basically, if you were female, didn’t have a man about the place (preferably one you were married to) and knew things other than washing, cleaning and popping out babies, you risked being accused of witchcraft. Add to that a birthmark, and/ or an opinion or two, AND not going to church regularly, then you might as well start picking your own stake out.

Sarah and her mother, brother and little sister, all live in a hamlet abandoned after all the inhabitants died of plague, known as the Plague Village. They have no money and little income after the death of Sarah’s father, and what money they do have comes from selling potions, small spells and begging. They’re outcasts, and there’s an atmosphere of dank, dark poverty in where they live and what they wear. They are avoided by pretty much everyone in the village - it seems to be a really lonely existence.

Then comes a spark of hope when Sarah meets the local farmer’s son, Daniel. He lives a very different life: one of open spaces, plenty of food, light and comfort. He’s treated poorly by his father and a farm hand, but he’s never hungry, and his living conditions are so much better than those of the Haworth family.

This is a story that feels so raw and real. You just know that it’s not going to be a happy ending. How can it? DOn’t get me wrong - I rather like endings that are unresolved or just plain unpleasant (weird, I know), but the youth of these protagonists had me hoping throughout for a better life for them.

Ahh, the 17th century - great to read about, but I’ve never been so glad to have been born in the 1970’s!

This is a really enjoyable, heartfelt historical fiction novel, and I’m so pleased that I got the chance to read it. Many thanks to Windmill Books for providing me with an e-arc through NetGalley.
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