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Dracula (English) (1931)

1931 | Horror

85 mins United States

The vampire Count Dracula travels from Transylvania to England and preys upon a young woman named Mina, as her fiancé John Harker and vampire hunter Abraham Van Helsing try to save her.



Produced by Universal Pictures
Director Tod Browning
Writer Garrett Fort
Cast Bela Lugosi, David Manners, Helen Chandler, Edward van Sloan, Dwight Frye, Herbert Bunston and Frances Dade


Universal Dracula Vampire Universal Horror Universal Monsters

Main Image Courtesy: Universal Pictures.
Background Image Courtesy: Universal Pictures.
Images And Data Courtesy Of: Universal Pictures.
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Dracula (English) (1931) Reviews & Ratings (24)
9-10
41.7% (10)
7-8
33.3% (8)
5-6
25.0% (6)
3-4
0.0% (0)
1-2
0.0% (0)

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Dracula (English) (1931) reviews from people you don't follow
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LeftSideCut (3776 KP) rated

Jul 6, 2020  
Dracula (English) (1931)
Dracula (English) (1931)
1931 | Horror
7
7.8 (24 Ratings)
Movie Rating
It goes without saying that the importance of Dracula cannot be understated. Releasing in 1931, it was Universal Studios first steps into the horror genre, not long after 'talkies' became a thing, and surely paved the way for he mountain of horror titles that have come along since.

Bela Lugosi is Dracula, and though there have been fine portrayals of the titular vampire since, his performance lay the ground work for how a lot of media realise vampires to this day. He cuts a striking figure, he's suave and sinister, and the thick European accent is paramount to how he made Dracula a classic.
I first saw Dracula when I was a kid, and having watched it again recently, it's still a striking experience. While there may not be anything inherently frightening or scary by today's standards, the old black and white style, paired with long moments of uncomfortable silence (Director Tod Browning has exclusively worked on silent films before this), make for a suitably eerie atmosphere.

It's obviously a film that shows it age, but still hasn't lost any of it's charm. The version I watched recently was a Blu Ray restoration, and it's clear how lovingly that restoration has been implemented. Watching a film from the 30s look so crystal clear is something special.
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Dianne Robbins (1738 KP) rated

Sep 7, 2018  
Dracula (English) (1931)
Dracula (English) (1931)
1931 | Horror
8
7.8 (24 Ratings)
Movie Rating
Watch 1931's Dracula starring Bela Lugosi. Then the 1931 Spanish version of Dracula. The American version filmed during the day and the Spanish cast and crew used the exact same sets to film at the exact time, only at night, instead. It's quite a study in film to compare the two. From the cinematography, to the lighting, the sounds, costumes, acting, and more. The Spanish version is very sensual and passionate while the American one is, well, bloodless, but still good.
(3)   
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Matthew Krueger (10051 KP) rated

Mar 10, 2020  
Dracula (English) (1931)
Dracula (English) (1931)
1931 | Horror
9
7.8 (24 Ratings)
Movie Rating
Bela Lugosi (0 more)
I am Dracula
Dracula- such a classic film, such a excellent film. It is so perfect, its a masterpeice. This film really started "the unviersal monsters franchise", this and "Frankenstien". Without those two films, we would have no "unverisal monsters", we would have no "monster/creature films", i mean we still would but their wouldnt be good/the same. So thanks to this film and frankenstein, we got "the universal monster franchise" and films about "monsters/creatures". Also if it wasnt for "Dracula" and "Nosferatu", we wouldnt have any movies about vampires. So once again thanks to "Dracula" and "Nosferatu" we have movies about vampires.

The plot: The dashing, mysterious Count Dracula (Bela Lugosi), after hypnotizing a British soldier, Renfield (Dwight Frye), into his mindless slave, travels to London and takes up residence in an old castle. Soon Dracula begins to wreak havoc, sucking the blood of young women and turning them into vampires. When he sets his sights on Mina (Helen Chandler), the daughter of a prominent doctor, vampire-hunter Van Helsing (Edward Van Sloan) is enlisted to put a stop to the count's never-ending bloodlust.

And of course, you cant forgot about the amazing and fantasic Bela Lugosi. When you think of Dracula, you think of him. He was so perfect as Dracula.

Like i said before this film is a masterpiece and my second favorite film of "the unverisal monster franchise".
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Awix (3310 KP) rated

Feb 11, 2020  
Dracula (English) (1931)
Dracula (English) (1931)
1931 | Horror
7
7.8 (24 Ratings)
Movie Rating
The first official screen version of Dracula has a reputation for being sluggish and stagey that is not entirely undeserved; we should bear in mind it was adapted from a play and released at a time when some cinemas were still not wired for sound (a silent version with intertitles was produced from the same footage). Nevertheless this is in many ways the version of the story that nearly all the others have been made in response to, whether they are riffing on it or reacting against it.

It's slow, and camp, and there are some interesting performance styles on display, but every now and then a moment slips through which is genuinely interesting, and which you can tell has inspired some of the movies that followed. Virtually no actual blood or visual horror, of course, but then it's not in and of itself actually scary. It is, however, the template and raw material from which most other Dracula movies (and many other vampire movies) have been drawn, and worth watching just for that reason.
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Dracula (English) (1931) reviews from people you don't follow
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RəX Regent (349 KP) rated

Mar 7, 2019  
Dracula (English) (1931)
Dracula (English) (1931)
1931 | Horror
6
7.8 (24 Ratings)
Movie Rating
Where it all began...
Contains spoilers, click to show
The year was 1931: Two years after the success of The Jazz Singer and the final introduction of sound movies into the mainstream, sound was still revolutionising the industry. But in 1931, a bit like 3D now, there was still much confusion over to how make films, with directors, producers and actors alike, were still moving over from the suddenly dated silent era, with varying success.

Tod Browning was a man who would unfortunately find little success in the sound era, but not necessarily because he couldn't move with the times, but because his career was derailed a couple of years later by his disturbing horror pic, Freaks.

Dracula was shot THREE times. One, this one, was the conventional sound version that we all know. An other was shot at night and in Spanish for the benefit of that audience, which the studio supposedly preferred. This was quite common at this time, but little known nowadays. And the third was a straight forward silent version for the many theatres still un-equipped to handle sound.

But the styles of the silent era are all over this film. From the long silent reactions shots and the over acting, especially by Bela Lagosi in the titular role. This was also the adaptation of the stage adaptation of Bram Stoker's chiller, and was faithfully adapted from that source, hence the lack of more complex special effects, with bats on strings and fog machines, over more cinematic effects.

The transformation scenes for example, where the Count morphs from a bat to the undead human occur off-screen, rather than some form of cross fade etc. Is this a choice driven by lack of money? Lack of cinematic ambition of a choice to stick to the stage material? To be honest, I have too little knowledge or experience of Tod Browning's work to suggest a reason, but when all's said and done, it did work.

Let's be honest, this is 80 years old and is not the least bit scary and it is hard not to laugh, but in context, I'm sure it worked well at the time and the story is well conveyed. Lagosi's undead performance is hammy by today's standards but he was somewhat likable. He was very deliberate, slow and the silent era has certainly left its scars, as the subtly of sound performing was yet to take hold.

But this is the sort of film were silent melodramatic acting still worked. This is of course a piece Gothic Horror, the home of melodrama if ever there was one. This is surly a product of its time, both as the industry went through one of it's most dramatic changes, which ended so many careers as well a created so many new ones, but it's also, let's not forget, the first direct adaptation of Bram Stoker's book, besides the 1922 German version, Nosferatu, which changes a fair few details to try to get around the copyright, failing to do so mind, resulting in failed bid to have every copy of the film destroyed.

This is the film that ingrained the image of the Dracula that we know today into popular culture. This was were the Universal horror franchise began. For whatever faults it has by today's standards, it did something right.
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