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2015 | Fiction & Poetry
'We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, "I feel a bit lightheaded; maybe you should drive ..."' Hunter S. Thompson is roaring down the desert highway to Las Vegas with his attorney, the Samoan, to find the dark side of the American Dream. Armed with a drug arsenal of stupendous proportions, the duo engage in a surreal succession of chemically enhanced confrontations with casino operators, police officers and assorted Middle Americans. This stylish reissue of Hunter S. Thompson's iconic masterpiece, a controversial bestseller when it appeared in 1971, features the brilliant Ralph Steadman illustrations of the original. It brings to a new generation the hallucinatory humour and nightmare terror of Hunter S. Thompson's musings on the collapse of the American Dream.
Hunter S. Thompson
(Author)
| Published by | HarperCollins Publishers |
| Edition | Unknown |
| ISBN | 9780007204496 |
| Language | English |
| Edition | Paperback |
| ISBN | 9780679785897 |
| Language | English |
Images And Data Courtesy Of: HarperCollins Publishers.
This content (including text, images, videos and other media) is published and used in accordance
with Fair Use.
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Johnny Depp recommended (curated)
Sass Perilla (36 KP) rated
Aug 9, 2019
Whilst I understand that America’s post counter-culture, folksy racism/ misogyny/ homophobia [insert prejudice here] is subject to criticism by the author, there was more than one occasion where I found the discriminatory language jarringly unnecessary. It really dates the piece.
That said, on the whole, this is a really excellent read, and I was in equal parts disgusted and amused by the antics, and found myself (to some degree of shame) identifying with some of the scrapes and situations the Doctor of Journalism and his legal crony got themselves into- I mean who hasn’t found a casualty or two in their bathrooms following an impromptu house party? (Although I do wonder how events might read to those who avoided misspending their youth...)
It’s a short, pithy searing indictment of American culture, society and the tacit implication (or actually come to think of it- pretty explicit statement) that substance abuse is the only way to deal with and make sense of the chaos. So, one could argue, still pretty relevant.
Violence is frequently a first recourse, the idealisation of capitalism is metaphorically “burned to the ground” (yet antithetically also a cause for admiration) and towards the end a primate bites into an old man’s skull. What’s not to like?
Anthony Bourdain recommended (curated)
Daniel Radcliffe recommended (curated)
Thompson regarded it as a "failed experiment"' in Gonzo Journalism due to the fact it was edited several times before publication. Typically, a Gonzo work would be written by and about the author in the present, sent away without being edited, resulting in a stream-of-consciousness narrative and more personality. Gonzo works are far more revealing, fiction-like and personal than typical works of journalism. Despite the fact it was edited, however, I feel F&L still emulates everything Thompson wanted in a true Gonzo way. He holds nothing back, reveals everything and created a story than could be fiction. It is a drug-fuelled look at the failure of the American Dream, an astute analysis of Thompson's society and a weird book that will stay with you forever.
