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The Final Destination (2009)
2009 | Action | Horror
82 mins
After a young man's premonition of a deadly race-car crash helps saves the lives of his peers, Death sets out to collect those who evaded their end.
| Produced by | Warner Bros. Pictures |
| Director | David R. Ellis |
| Writer | Eric Bress |
| Cast | Bobby Campo, Shantel VanSanten, Mykelti Williamson, Nick Zano, Haley Webb, Krista Allen, Andrew Fiscella and Justin Welborn |
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The Final Destination (2009) Reviews & Ratings (20)
| 9-10 |  |
|
10.0% (2) |
| 7-8 |  |
|
35.0% (7) |
| 5-6 |  |
|
25.0% (5) |
| 3-4 |  |
|
20.0% (4) |
| 1-2 |  |
|
10.0% (2) |
The Final Destination (2009) reviews from people you don't follow
LeftSideCut (3776 KP) rated
Sep 18, 2019 (Updated Oct 25, 2019)
A big stinking low
There's not a whole lot of positive things to say about the fourth entry into the Final Destination franchise.
For starters, there's not one character here to root for. Every one is unlikable - you could argue that the writers were trying to make them this unlikable on purpose, so we as an audience can revel in their inevitably over the top death, but that tactic doesn't work, as shown throughout this pile of horse sh*t.
At this point in the franchise, much like the third film, it feels as though the kills are the main draw.
And to be honest, it's all very boring this time around. The writers try to be creative here and there, but the overuse of CGI and 3D gimmicks on show make the death scenes unintentionally goofy and cheap looking, rather than having any of the shock value carried by the first two films.
The lack of practical effects is mind boggling, as once again, stunt co-ordinator David R. Ellis directs, the same man responsible for the fantastic highway scene in FD2. The extra features show that he used practical effects whilst filming but for some unknown reason, the finished film just has CGI spaffed over everything.
You're not missing out on much if you give this one a pass.
For starters, there's not one character here to root for. Every one is unlikable - you could argue that the writers were trying to make them this unlikable on purpose, so we as an audience can revel in their inevitably over the top death, but that tactic doesn't work, as shown throughout this pile of horse sh*t.
At this point in the franchise, much like the third film, it feels as though the kills are the main draw.
And to be honest, it's all very boring this time around. The writers try to be creative here and there, but the overuse of CGI and 3D gimmicks on show make the death scenes unintentionally goofy and cheap looking, rather than having any of the shock value carried by the first two films.
The lack of practical effects is mind boggling, as once again, stunt co-ordinator David R. Ellis directs, the same man responsible for the fantastic highway scene in FD2. The extra features show that he used practical effects whilst filming but for some unknown reason, the finished film just has CGI spaffed over everything.
You're not missing out on much if you give this one a pass.
LoganCrews (2861 KP) created a video
Oct 22, 2020 (Updated Oct 22, 2020)
LoganCrews (2861 KP) rated
Oct 22, 2020
Rigorously uncared for - chock full of series-worst dirt acting, bullshit writing, and some of the lamest CGI you'll ever encounter in a studio picture this millennium. All-around just pathetic, has an unshakable sense that this was rushed and indifferently shat out beyond belief... however... it's also only 82 minutes including credits and is quite possibly the most playful one until this point in wringing the tension out of the deaths where - outside of the eyesore opening premonition (two in a row so far for the series) - there isn't even a semi-weak one to speak of. Swift, vicious, full of trashy spills, and has Mykelti Williamson - truthfully this would be a great time if anyone involved actually gave a shit about it and it didn't come out in that 2-3 year period where everyone thought 2004-looking F-tier 3D which no question ranks among one of the worst trends in cinema was the best thing ever. The racist being dragged down the street is not only a top 20 franchise demise, but actually lands more effectively now than it ever did. Fair enough. Glad they followed up this planned series ender ( l m f a o ) with an actual movie, though.
Movie Metropolis (309 KP) rated
Jun 10, 2019
Touted to be the last film in the series, The Final Destination is even more disappointing than its predecessor and thankfully not the final outing for the franchise.
Utilising sloppy 3D effects that cheapened the film’s look was a bad move by director David R. Ellis and even the main disaster was uninspiring to watch – a NASCAR race just didn’t cut it after already having a vehicular disaster in Final Destination 2. The climax however, staged in a cinema, is incredibly clever.
Add to this some truly dreadful acting and awful dialogue and it makes for a low-point that thankfully was reversed just two years later. Unbelievably, this was also the most successful of the series.
https://moviemetropolis.net/2017/10/15/final-destination-franchise-reviews/
Utilising sloppy 3D effects that cheapened the film’s look was a bad move by director David R. Ellis and even the main disaster was uninspiring to watch – a NASCAR race just didn’t cut it after already having a vehicular disaster in Final Destination 2. The climax however, staged in a cinema, is incredibly clever.
Add to this some truly dreadful acting and awful dialogue and it makes for a low-point that thankfully was reversed just two years later. Unbelievably, this was also the most successful of the series.
https://moviemetropolis.net/2017/10/15/final-destination-franchise-reviews/
The Final Destination (2009) reviews from people you don't follow
Follows the same Final destination formula but it seems less impressive this time round. The deaths are not quite as creative as the other films on the whole and some of the effects used just don't fit in with the rest of the film. Probably put in for the 3D cinema release. Still ok for fans of the first 3, but probably the weakest overall for me.
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