A married couple is forced to reckon with their idealized image of their son, adopted from war-torn Eritrea, after an alarming discovery by a devoted high school teacher threatens his status as an all-star student.
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Luce (Kelvin Harrison Jr) is the perfect student. Captain of the high school track team, a passionate member of the school debating society, a great writer and a polite, grown-up young man that just seems too good to be true. Luce was adopted at the age of 9 from war-torn Eritrea by white couple Amy (Naomi Watts) and Peter (Tim Roth, sporting a pretty dodgy American accent). Following years of therapy and the devoted efforts of Amy and Peter, he seems to have successfully put his horrific and traumatic childhood behind him, embracing his future in America.
But then one day, Luce's history teacher, Harriet Wilson (Octavia Spencer) becomes disturbed by a recent assignment that Luce has submitted. The purpose of the assignment was to write an essay in the style and thinking of a historical figure of their choosing - an idea which Luce seems to have embraced a little too passionately with his choice of Frantz Fanon, a black philosopher who was highly supportive of violent revolution. At the same time, a search of Luce's locker reveals some highly explosive fireworks, and Harriet is worried to the point where she calls Amy into the school in order to discuss her concerns.
The assignment, and the fireworks discovery, leads to a series of conflicts among all of the main characters. Luce remains polite and calm throughout, claiming that he was merely doing what was asked of him for the assignment. He states that his locker is shared with friends, so the fireworks must belong to one of them. Tensions are also high between Luce’s parents, seemingly regarding some lingering resentment they have about the fact that Luce is not their biological child. Meanwhile, Harriet is involved in a series of cool, calm stand offs with Luce, each of them believing that there is more to the other than meets the eye.
There are a lot of times during Luce where motivations and actions of characters aren’t very clear. A number of tense moments occur along the way too, in order to try and ramp up the tension, including the introduction of Harriet’s mentally ill sister, horrible racist graffiti on Harriet’s house and accusations of sexual assault. You never know who to trust or what to think, and it all feels as though it’s building towards something big.
Unfortunately though, that’s not the case, and it all just kind of fizzles out towards the end. It’s clear that the filmmakers are more interested in delivering undertones of privilege and prejudice throughout, promoting more questions than they provide answers, and that’s not for me. Overall a pretty solid movie, let down in its delivery towards the end.
Luce was an interesting film to watch, it shows a lot of different relationships and as such it's a very wordy sort of film. I'm not averse to wordy films but they can be a little dry to watch, luckily in this case the main cast are engaging and keep you interested.
Had we not been blessed with such a great performance from Kelvin Harrison Jr as Luce I think this would have failed to make it out of the blocks. Luce becomes something very serious in his hands and the swing in the character left me with an uneasy feeling as I watched. The one frustrating thing I found was that I could sense the insincerity in all of his responses so I was frustrated that it was only really Miss Wilson that picked up on it. I understand that it's a necessary part of the story... but still.
Octavia Spencer didn't disappoint as Harriet Wilson. She got to give a good range as she devolves after going head to head with Luce. I think she probably managed to cover every emotion and handles either end of the spectrum very well.
Tim Roth and Naomi Watts play Luce's adoptive parents. Roth is someone I love on screen but Watts is an unknown entity for me as I've only seen her in 2005's King Kong. There's obviously a certain amount of tension/conflict between the couple but even taking that into consideration I didn't feel there was much of a rapport between them. Even when you take into account the conflict in the film I couldn't quite find it in me to feel anything for the couple, good or bad. Roth as Peter was good and brought across the slightly bitter side of the character well but Watt's Amy didn't seem to have enough emotion behind her. I'd have said that Amy in particular could have stood to be a little grittier, at least a small part of her did need to be a bit of a pushover but combined with her activities in the film the character didn't feel entirely believable.
Luce was enjoyable to watch but looking back I'm less enthusiastic despite the good performances at the front of it. The good sadly didn't outway the average for me and at times it became a little confusing, but it's still a solid film.
From the full review previously posted on: http://emmaatthemovies.blogspot.com/2019/10/luce-movie-review.html
Incendiary, confrontational filmmaking that doesn't pull a single punch but also has the foresight to not offer a single easy answer to its repertoire of timely themes and obscured ideologies. All that and it also manages to be one hell of a pulse-pounding thriller that almost solely consists of sprawling, uncomfortable dialogue exchanges fired one right after the other with minimal diversions. Feels like a ticking time bomb that could explode at any moment. Every character is definable and every performance therein is fearless - that's all to say that this is undoubtedly the freshest take on small-minded suburbia we've had in seemingly forever; if ever there were a film for this current volatile period in American history where countless amounts of its long-standing racial injustices are being very justifiably put into question - this would be one them. On a personal preference, this also just happens to be just how I like my dramas: talky, deeply character-driven, morally ambiguous, gradually explosive, and very glossy aesthetic-wise. One of the best movies I've ever seen.
