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The Noise of Time

2017 | Fiction & Poetry

"Barnes's Masterpiece" (Observer). In May 1937, a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return. "Stunning." (Sunday Times). "A profound meditation on power and the relationship of art and power...It is a masterpiece of sympathetic understanding...I don't think Barnes has written a finer, more truthful or more profound book." (Scotsman). "A tour de force by a master novelist at the top of his game." (Daily Express).



Published by Vintage Publishing

Edition Unknown
ISBN 9781784703325
Language English
Edition Hardcover
ISBN 9781910702604
Language English

Images And Data Courtesy Of: Vintage Publishing.
This content (including text, images, videos and other media) is published and used in accordance with Fair Use.

The Noise of Time Reviews & Ratings (3)
9-10
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7-8
66.7% (2)
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The Chocolate Lady (94 KP) rated

Oct 7, 2020  
The Noise of Time
The Noise of Time
Julian Barnes | 2017 | Fiction & Poetry
8
8.3 (3 Ratings)
Book Rating
What is power? What is art? Who holds the power? Who does art belong to? In his latest novel, “The Noise of Time,” Julian Barnes investigates these questions via the life of Dmitri Shostakovich, a man who composed music under the thumb of oppression in Soviet Russia. Read more about this book in my review here. https://tcl-bookreviews.com/2018/04/21/music-and-silence/
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Suswatibasu (1703 KP) rated

Oct 9, 2017 (Updated Oct 9, 2017)  
The Noise of Time
The Noise of Time
Julian Barnes | 2017 | Fiction & Poetry
9
8.3 (3 Ratings)
Book Rating
Historical fiction at its very best
There is a huge amount of non-fiction elements of this bleak novel about one of Russia's most noted composers and musicians Dmitri Shostakovich, who fought inner demons for the majority of his life due to the immense pressures and threats posed by the Soviet Union.

From his complex relationships with women, to the government, the artist was forced to live a life of paranoia, after many of his fellow composers and musicologists mysteriously disappeared following talks with the "Power" at the Big House. There were many moments where it resembled Room 101 from George Orwell's 1984, and the oppressive atmosphere that Shostakovich had to live through.

In the end, Julian Barnes explains that agreeing to Stalin's and Khrushchev's demands had been the ultimate downfall to his health. and in many ways it was a fate worse than death. It is grim and tragic to think about such an important composer in history being treated in such way.
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