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Sharp Objects reviews from people you don't follow
Brilliantly dark and intriguing
It’s rare to find a tv show like this nowadays. I’ve watched the entire series across two evenings, and for me this is definitely not a common occurrence!
I love Amy Adams (and not just because I’m jealous of her hair), she’s a fantastic actress and is brilliant as the haunted and troubled Camille. She’s supported by a great cast and there is a lot of well done character development. Even if Adora is one of the most infuriating characters I’ve seen on screen for some time. The series itself is very dark, covering everything from Camille's past to the current murder and disappearance of the young girls. Everything from the music to the directing and cinematography is perfect for this story, and every episode left me wanting to watch more.
My only criticisms are that the ending was a tiny bit predictable (I’ve probably read too many books, and I haven’t even read this one!), and whilst I enjoyed delving into Camille’s past and family, I found that the story about the two girls wasn’t quite in the forefront after the first couple of episodes. I know the reasons for this, but for me the investigation could’ve been a little more prominent.
I love Amy Adams (and not just because I’m jealous of her hair), she’s a fantastic actress and is brilliant as the haunted and troubled Camille. She’s supported by a great cast and there is a lot of well done character development. Even if Adora is one of the most infuriating characters I’ve seen on screen for some time. The series itself is very dark, covering everything from Camille's past to the current murder and disappearance of the young girls. Everything from the music to the directing and cinematography is perfect for this story, and every episode left me wanting to watch more.
My only criticisms are that the ending was a tiny bit predictable (I’ve probably read too many books, and I haven’t even read this one!), and whilst I enjoyed delving into Camille’s past and family, I found that the story about the two girls wasn’t quite in the forefront after the first couple of episodes. I know the reasons for this, but for me the investigation could’ve been a little more prominent.

LoganCrews (2861 KP) rated
Nov 26, 2020
"𝘠𝘰𝘶 𝘮𝘢𝘥𝘦 𝘮𝘦 𝘣𝘭𝘦𝘦𝘥..."
Decay in all its forms, *very* HBO - right down to the opening credits sequences - in the best ways. If I have one complaint it's that I wish this were an episode longer to really settle into its final moments before the jaw-dropping rug-pull ending (and maybe I wish it was a little more physically gross when it calls for it) - but I digress, this is phenomenal television all the same. Flynn is as complex a writer as ever and Jean-Marc Vallée is at some of his most fully engrossing. As someone living in a tawdry small town just like this it does a bangup job at showing how those types of areas prey upon their little boys and girls, and bears witness to the differing ways their subsequent rage manifests between each gender. You know yourself much less than everyone else *thinks* they know you, if you aren't peering directly into their eyes you aren't safe from disparaging remarks even from your supposed closest allies - the moment in episode 5 where the camera keeps switching POVs while somebody glares at someone else, who then glares at someone else, who then glares at someone else, etc., etc. does a good job at exemplifying this. Adams, Messina, and particularly Clarkson, Scanlen, Perkins, and Czerny are sublime as these haunted enigmas of people. Gives away some of its themes a touch too on-the-nose later in the game but nonetheless a grim, fragmented, trancelike nightmare of hatred. Magnetic as hell.
Decay in all its forms, *very* HBO - right down to the opening credits sequences - in the best ways. If I have one complaint it's that I wish this were an episode longer to really settle into its final moments before the jaw-dropping rug-pull ending (and maybe I wish it was a little more physically gross when it calls for it) - but I digress, this is phenomenal television all the same. Flynn is as complex a writer as ever and Jean-Marc Vallée is at some of his most fully engrossing. As someone living in a tawdry small town just like this it does a bangup job at showing how those types of areas prey upon their little boys and girls, and bears witness to the differing ways their subsequent rage manifests between each gender. You know yourself much less than everyone else *thinks* they know you, if you aren't peering directly into their eyes you aren't safe from disparaging remarks even from your supposed closest allies - the moment in episode 5 where the camera keeps switching POVs while somebody glares at someone else, who then glares at someone else, who then glares at someone else, etc., etc. does a good job at exemplifying this. Adams, Messina, and particularly Clarkson, Scanlen, Perkins, and Czerny are sublime as these haunted enigmas of people. Gives away some of its themes a touch too on-the-nose later in the game but nonetheless a grim, fragmented, trancelike nightmare of hatred. Magnetic as hell.

LoganCrews (2861 KP) created a video
Nov 26, 2020 (Updated Nov 27, 2020)
Gripping, moving and thought-provoking, this short series follows a troubled journalist who returns to her childhood hometown to chronicle the investigation into a recent death and new disappearance of young girls. The series covers her issues, her family troubles, the town's history and the underlying layer of grime beneath the Southern hospitality. There are a number of strands to this series, all of which could have filled a series on their own, and are seamlessly intertwined to one complete storyline.
Excellently acted, written and directed, this series does not put a foot wrong.
Excellently acted, written and directed, this series does not put a foot wrong.
Katie (868 KP) Dec 2, 2018 (Updated Dec 2, 2018)
Katie (868 KP) Dec 2, 2018