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The Asphyx (1972) reviews from people you don't follow
Early 70s British costume-drama horror movie, so you know roughly what to expect - scientist consumed with hubris decides to play God, learns the hard way he doesn't have the full set of qualifications for the gig. But this is really a rather morbid Victorian melodrama, an impression which is only heightened by how primitive some of the special effects are (the asphyx puppet in particular is a bit of an eye-popper).
At a time when the average Hammer horror was brazenly carnal and exploitative, and Amicus' line of portmanteaus was recycling the same jokey twist endings, The Asphyx takes itself wholly seriously and is positively bleak throughout - the whole movie is about death and despair, and the effects this can have on people. (At one point the plot boils down to a race between two characters to see which one of them can commit suicide first.) The intensity of the telling (good performances from the leads) makes it somewhat mesmerising to watch, even if it's a slightly chilly and unsettling experience.
At a time when the average Hammer horror was brazenly carnal and exploitative, and Amicus' line of portmanteaus was recycling the same jokey twist endings, The Asphyx takes itself wholly seriously and is positively bleak throughout - the whole movie is about death and despair, and the effects this can have on people. (At one point the plot boils down to a race between two characters to see which one of them can commit suicide first.) The intensity of the telling (good performances from the leads) makes it somewhat mesmerising to watch, even if it's a slightly chilly and unsettling experience.