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What We Lose

2017 | Fiction & Poetry | Gender Studies

From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age—a deeply felt meditation on race, sex, family, and country

Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love.

In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.



Published by Penguin Random House

Literary Fiction

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Suswatibasu (1703 KP) rated

Mar 3, 2018  
What We Lose
What We Lose
Zinzi Clemons | 2017 | Fiction & Poetry, Gender Studies
8
8.0 (1 Ratings)
Book Rating
Wonderful variety but something missing
This is an interesting literary debut from Zinzi Clemmons, with many semi-autobiographical elements discussing her heritage.

Thandi, a girl of mixed race, has to endure taking care of her dying mother, all the while battling various social aspects of living as a daughter of a South African and an American parent. Written in different formats, from a text message to hip hop lyrics, Clemmons explores the rich tapestry of her life and layers it with various threads.

While I mostly enjoyed this story, I do feel there is something missing and could have been weaved together a little more clearly.