"An utter masterpiece from the great Akira Kurosawa. Curiously, a Dashiell Hammet novel provided the inspiration for this film. I love that an American pulp novel from the 1920s was the spark for a staggering work of genius from Japan over three decades later. It demonstrates how art can transcend barriers across time, space, and culture and speak to us in a meaningful way. Yojimbo was remade as Sergio Leone’s spaghetti western classic A Fistful of Dollars, which I saw and loved long before I knew the original even existed. But when I discovered Yojimbo, it was like a gift from the universe. Everything else paled in comparison. Yojimbo is part western, part gangster noir, part samurai story, all awesome. It’s so good. Plus, if Kubo’s dad looks a wee bit like Kurosawa’s resplendent muse Toshiro Mifune, that’s not necessarily a coincidence."

"First up, Touki Bouki. It’s such a raw experimental work. I love its visual honesty and color palette. It also speaks to such an interesting experience within the diaspora – the idea of feeling sort of alienated by your own home. By Djibril Diop Mambéty, it speaks on a ton of things: cultural domination, neocolonialism, how you can feel alienated from your own culture. A visceral and brutal film made in the ’70s in Senegal. It starts with this beautiful wide static shot. We [the audience] are on sticks looking out as this herd starts to approach, and the color palette is insane. Like I said, it was made in the early ’70s, and they don’t shy away from showing anything. I don’t want to go too deep into what they don’t shy away from, because it’s a lot."