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Travis Knight recommended Yojimbo (1961) in Movies (curated)

 
Yojimbo (1961)
Yojimbo (1961)
1961 | Action, Adventure, Classics
8.4 (9 Ratings)
Movie Favorite

"An utter masterpiece from the great Akira Kurosawa. Curiously, a Dashiell Hammet novel provided the inspiration for this film. I love that an American pulp novel from the 1920s was the spark for a staggering work of genius from Japan over three decades later. It demonstrates how art can transcend barriers across time, space, and culture and speak to us in a meaningful way. Yojimbo was remade as Sergio Leone’s spaghetti western classic A Fistful of Dollars, which I saw and loved long before I knew the original even existed. But when I discovered Yojimbo, it was like a gift from the universe. Everything else paled in comparison. Yojimbo is part western, part gangster noir, part samurai story, all awesome. It’s so good. Plus, if Kubo’s dad looks a wee bit like Kurosawa’s resplendent muse Toshiro Mifune, that’s not necessarily a coincidence."

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Phillip Youmans recommended Touki Bouki (1973) in Movies (curated)

 
Touki Bouki (1973)
Touki Bouki (1973)
1973 | Drama
(0 Ratings)
Movie Favorite

"First up, Touki Bouki. It’s such a raw experimental work. I love its visual honesty and color palette. It also speaks to such an interesting experience within the diaspora – the idea of feeling sort of alienated by your own home. By Djibril Diop Mambéty, it speaks on a ton of things: cultural domination, neocolonialism, how you can feel alienated from your own culture. A visceral and brutal film made in the ’70s in Senegal. It starts with this beautiful wide static shot. We [the audience] are on sticks looking out as this herd starts to approach, and the color palette is insane. Like I said, it was made in the early ’70s, and they don’t shy away from showing anything. I don’t want to go too deep into what they don’t shy away from, because it’s a lot."

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John Krasinski recommended The Godfather (1972) in Movies (curated)

 
The Godfather (1972)
The Godfather (1972)
1972 | Crime, Drama

"Only because it’s everybody’s number one choice. I kinda feel, in this day and age — not to be sounding bad in any way — we live in a culture where something’s good, and some people will say it’s awesome, and they may not have even seen it or they didn’t like it. But they want to agree with the cultural zeitgeist. I feel like that movie has stood up to time [and] criticism, and yet everybody can find the exact same reasons as to why it’s awesome. I mean, it’s so well-written. It’s a slow movie that you’re still riveted by. It’s [got] character development unlike anything I’ve ever seen before. And of course, the performances are wild."

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That's All Very Well, But... by McCarthy
That's All Very Well, But... by McCarthy
1996 | Rock
1.0 (1 Ratings)
Album Favorite

"McCarthy are indie icons of ours – we’ve covered at least three of their songs. They showed how you could fuse music and politics. They were one of the great protest bands but it was never the gurning, spittle-in-your-face confrontational stance that some bands take. There was always some kind of sarcasm in there that would cut its subject down to its knees, and this lyric is a perfect example of that. It talks to working-class disaffection and foreshadows New Labour’s obsession with gentrification and trying to drag people into the new culture with Wi-Fi and coffee houses everywhere: “Once there was class war/ But not any longer/ Because, baby, we are all bourgeois now.”"

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Wayne's World (1992)
Wayne's World (1992)
1992 | Comedy
A fun movie (3 more)
Great music
Perfect duo with Wayne and garth
Great cast
A true classic
This is a fantastic movie which is still relevant today.

Contains the famous bohemium rhapsody scene in the car at the beginning of the movie and just shows how fun the movie is going to be.

The duo of Wayne and Garth works well, you can't have 1 without the other. It has a great cast overall. Tia Carrere (Cassandra) is a fantastic singer and personally does the best cover of the ballroom blitz at the end. Quite gorgeous too.

You have a young Rob Lowe who never seems to age, Lara Flynn Boyle cast perfectly as the phsycho ex girlfriend and Kurt Fuller as the producer.

The pacing is fantastic, there is not 1 boring scene in the movie and I have to give it a 10 because I cannot find a fault in my opinion. Characters talking to the camera is fun (I love breaking the 4th wall), the pop culture references like a suprise terminator reference, the 1 liners and even Garth's dancing is fun.