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Anil Kapoor recommended The Godfather (1972) in Movies (curated)

 
The Godfather (1972)
The Godfather (1972)
1972 | Crime, Drama

"Everything just fell in place. The right people, the right director, the right script, the right timing, what the world was going through. Everything just fell right. So Godfather, Slumdog Millionaire, Laurel & Hardy, and Chaplin. Well, it’s too early to talk about Slumdog, but I’m sure after 50 or 100 years people are going to say that everything just fell in the right [place] for Slumdog. The Godfather is not [just] an American hit, it’s really a worldwide film. Anywhere [you go]: China, Japan, Mexico. Everywhere students of cinema, ordinary people, everybody just loved the film. It’s got that cinematic magic, The Godfather. And, you know, it’s the lighting, the camerawork, the editing, the performances, the casting, the colors, the costumes. It was cinema at its best, and I’m sure it is something which, as you say, was written. Just everything fell in place. It doesn’t happen with everybody, it’s [when] people are [from] a certain kind of work culture [that] these things happen normally. What I like about The Godfather [is that] it’s very classical. [Coppola] just leaves the camera. You never see the camera moving. It’s very static and it’s the actors [who are moving]. [But] still you create the magic. You don’t have to juggle the camera to attract attention. The music also is very subtle. Everything is subtle. Your mind is throbbing, your [hairs are] rising, you’re on the edge of your seat, but still everything is so calm and relaxed. It’s cinema at its best. Slumdog? That’s also cinema at its best but everything [is] movement. There’s so much movement, there’s so much energy, the script is moving, the screenplay, the camera is moving, the actors are moving, everything is moving. But still, you understand the story. It is in control. Still, it moves you."

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I Call Myself A Feminist: The View from Twenty-Five Women Under Thirty
I Call Myself A Feminist: The View from Twenty-Five Women Under Thirty
Victoria Pepe | 2016 | Philosophy, Psychology & Social Sciences
8
8.0 (1 Ratings)
Book Rating
Very inspiring book about what means to be feminist today and why it's still so important. Everything I have always said about being feminist (when I was told that I was the only one to think that, that feminism is not what I was trying to sell them, but it's a bunch of angry women that hate man and consider sex as rape) everything about equality, culture, education - issues that concern men as well as women - everything is in this book. Now I need to translate it and give it to everyone who told me at least once "you are overreacting, it's just a joke!"
  
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This book has one of the best forewords I've ever seen. Bornstein explains that since 1994, when the book was first published, language has changed a lot, and terms that were used regularly then, like transsexual, are highly offensive now. So she has heavily rewritten the book to change the language, but she goes on to say that language is an always-changing thing, and in five or six years this edition, too, might be offensive in the language used. Then she apologizes for that. My favorite lines are one of the last paragraphs of the foreword:

"Now, if anything you read in this book makes you feel bad or wrong or small and weak, then please know that I said something wrong. This book was written many years ago, and the culture I wrote it in is not the culture in which you're reading it. So, if you find anything to be personally insulting, please accept my apology and keep reading with the knowledge that your identity and how you express your gender are correct only when you feel they are correct."

It was a wonderful note to start the book on. I just loved "if you are offended, if this invalidates your identity, then I AM WRONG." Bornstein transitioned in the 80s, and has been an outspoken advocate of queer and trans people most of her life. She is definitely a figure in queer history that more people should read about.

The rest of the book is every bit as good as the foreword. Bornstein absolutely destroys the concept of gender in this book, dissecting it and looking at all the parts and pieces to attempt to figure out why society is so set on the binary system. She more than makes her case that gender is a spectrum, not an either/or. And not just a spectrum between "more male" and "more female" but a colorful kaleidoscope of gender expression and identity. She does not shy away from sensitive topics like surgeries and anatomy. She talks to the reader like she's your favorite outrageous aunt, sitting in the family room gossiping over heavily-spiked tea.

The formatting was occasionally confusing; she has the usual justified text, but then she has left-aligned passages (usually quotes from other people) and right-aligned passages (side-bar like content; I'm unclear if these are notes she made on the original text or what, but it generally clarifies or alters what the main text is talking about.)

I would HIGHLY recommend this book for anyone who wants to learn more about gender issues. Bornstein has an incredibly entertaining way of writing, and she loves to challenge what we think of as gender.

You can find all my reviews and more at http://goddessinthestacks.com
  
In an age where chivalry thrives, danger abounds also. Follow six stories of love and honor that will warm your heart during these cold winter months.

With settings ranging from the years 1367 to 1815, there is a wide variety of stories in this collection. Each author brings to life the mystery and romance of the time in their own unique ways. The beauty of the language and the oddity of the customs is always a pleasure to learn more about. The Middle Ages has always held a fascination for me. Times were so different then that it is sometimes hard for me to understand why things happened the way they did. But this collection was eye opening to the culture of the time and inspired me to look up different aspects of the era. This is a nice collection and the stories are short and easy to read. My personal favorite was A Stranger's Kiss by Yvonne Lehman. Even though most of the time I was frustrated with the main character for not speaking out what was on her heart. I realised however, that in the real world, we could save so much stress and confusion if we would only speak out. Unfortunately, this doesn't always happen right away. Fear and doubt riddle us until we no longer know what to do. But in the end the truth will win out and justice will reign.

I received a free digital copy of The Knight's Bride from Barbour Publishing Inc. through NetGalley in exchange for my honest review.