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Interview with the Vampire (1994)
Interview with the Vampire (1994)
1994 | Fantasy, Horror
How can a movie that does practically everything wrong still be so thoroughly enchanting? A fundamentally baffling, scalding hot trainwreck of epic proportions that hasn't held up to the passage of time really at all - a miscalculated weirdo relic of pop culture history. I think a lot of this film's appeal has to do with the fact that it's complete lightning in a bottle - for better or for worse we will never see another movie like this again: mopey, homoerotic rococo vampires stumble around through a flounderingly-paced pre-π˜›π˜Έπ˜ͺ𝘭π˜ͺ𝘨𝘩𝘡 template for lectures on moral dilemmas and a gallery of some of the most lush period visuals of the 90s (from the sweltering plantations of the 1700s south to the decadence of gothic European high-life, it's all orgasmically displayed). Also this is maybe the best use of "Sympathy For The Devil" in a film, even if it is an inferior cover. The fact that Brad Pitt wanted to die the entire time while filming for this woefully underconstructed character actually makes it the only thing that works with it, considering his only defining feature is... that he wants to die. A totally birdbrained brothel of jagged writing and wicked scenery-chewing from a glorious cast (you know you're in for a treat when Christian Slater gives the most restrained performance lol), actually pretty great even though it disembowels a lot of the original text's depth. Full-tilt camp.
  
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The Brilliant Death
The Brilliant Death
Amy Rose Capetta | 2018 | Young Adult (YA)
8
7.8 (4 Ratings)
Book Rating
It's not often that I like a relationship more than I like the separate parts of it, but that's the case with The Brilliant Death. I love Teo and Cielo together. As a couple they are amazing. I like them individually, but together they are something unique and lovely. By the end of the book, they can both switch genders at will, and they love each other for who they are, not what bodies they happen to be wearing.

This book plays with the gender binary, giving us two characters who dance from boy to girl and back again when it's convenient for them. Teo uses this ability to masquerade as her brother, going to the capital city when summoned by the ruler of her country after the assassination of her father.

If Teo's name and the use of the word "strega" hadn't given it away, the book is very Italian-inspired. The family ties, the landscape, the names, the atmosphere is unmistakably Italian. While that's still a Western European culture, it's not one we actually see in fantasy that often, which makes this book more enthralling.

While Teo juggles loyalties to family, country, and friends, Cielo is on a mission to find out what happened to their mother. Falling in love isn't in the plan for either of them, but when is it, really?

I loved the magic, the characters, and the setting of this one, and I really hope there's going to be a sequel. The plot was definitely left open enough to allow for one, though I could be happy with this as a standalone, too.

You can read all my reviews at http://goddessinthestacks.com