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ClareR (5911 KP) rated One of Them in Books

May 12, 2021  
One of Them
One of Them
Musa Okwonga | 2021 | Biography
8
8.0 (1 Ratings)
Book Rating
This is a memoir in short, punchy chapters, of Musa Okwonga’s experience of Eton College. Musa’s mother, a widowed doctor, supports Musa’s wish to go to one of the leading public schools in the country, and pays 50% of the fees that his scholarship doesn’t cover. It’s still a lot of money - and what does he get for that?

Well. I would say that I’m firmly in the anti- public/ private school camp, but I can’t find any fault in Musa’s education. He seems to have really enjoyed his time at Eton. He received a well-rounded education, and it comes across, largely speaking, as a caring institution. He does have some trouble with other boys: racist comments for example. He doesn’t seem to register these instances, and only finds out through another ex-student once he has left.

I liked how Musa looks at the reasons behind Brexit, about our continuing culture of the ‘Haves’ and “Have Nots’, and how if those who went to institutions such as Eton were less self-serving, just how much good they could contribute to this country. Instead, their attitudes seem to have contributed to the rise of the far right.

It’s a really interesting, if short, book, and well worth a read.

Many thanks to The Pigeonhole, Unbound and to Musa for reading along.
  
We Summon the Darkness (2019)
We Summon the Darkness (2019)
2019 | Horror, Thriller
This is fun but there's no reason it shouldn't be gorier, crazier, more inventive, and/or more insightful given the film's insanely clever choice to frame a horror/slasher flick through the lens of religious sects vs. metal culture in the 80s - but I digress, perfectly serviceable fluff trash as it stands. Daddario is awesome in it, and I just can't get enough of Knoxville as a deliciously fire-and-brimstone pastor. I at least appreciate the formality - I'm glad this wasn't an obnoxiously meta "hey, remember this?" nostalgia soundboard like droves of films or shows detrimentally feel the need to become whenever they're set in the 80s now. But at the same time, there's so much potential for super bombastic kills and nuanced commentary that never was, and in their place it just tends to lumber for no real reason. Otherwise entertaining solely on principle, with another dependably cool score from Timothy Williams keeping things entertaining. And yes the twist is as righteous as everyone says. Not going to shake a stick at the amount of blood, enjoyment, and amped-up performances this does end up delivering - it's a decent little throwback slasher on its own - but God could you imagine if like Adam Wingard had made this? Holy hell what a picture that would have been.