Search
Search results
Gareth von Kallenbach (971 KP) rated That's My Boy (2012) in Movies
Aug 7, 2019
Adam Sandler movies have often been a mixed bag. For every “The Wedding Singer” and “50 First Dates” there are several forgettable offerings like “Little Nicky”, “I Now Prounounce You Chuck and Larry”, and “8 Crazy Nights”. To be fair there’ve also been several guilty pleasures such as “Happy Gilmore” and “The Waterboy” along the way. Sadly, his recent offerings, culminating in the disastrous “Jack and Jill”, have given me very low expectations for his new film “That’s My Boy” which pairs Sandler with former Saturday Night Live star Andy Samberg.
Sandler stars as Donny, a down-on his luck former celebrity who gained notoriety after impregnating his teacher at 13. While the teacher (Eva Amurri Martino) went on to a 30-year prison sentence, Donny used his notoriety to become a pop culture sensation. Unfortunately for Donny fame was fleeting and he wasted the money he had accumulated along the way. We soon learn Donny faces a prison sentence unless he comes up with $45,000 to pay back taxes.
Desperate, he turns to his estranged son Todd (Andy Samberg), who has pretty much disowned his father and does not even go by is given birth name. Todd is about to marry a socialite named Jamie (Leighton Meester), and since he is a numbers genius with an extremely bright future with a partnership pending, the arrival of his crude, drunken father, is a disaster in the making. Passing himself off as long-lost friend, Donny attempts to reconnect with his son and naturally this happens over some very vulgar and awkward moments, not all of which are limited to bachelor party scenes.
Of course anybody who has seen any of Sandler’s films will know the formula that follows: crude situations followed by conflict, mixed with celebrity cameos and an ’80s soundtrack tossed in with a few laughs along the way towards a tidy ending. To say that there is a definite formula to his films would be an understatement and Sandler gives the impression that he’s making up many of the scenes as he goes along, all the while sporting a hybrid Boston/Little Nicky accent.
What ultimately sells the film is the energy and effort that the cast puts into their performances. While the plot can be charitably described as disjointed, there are several scenes that are LOL-inducing, especially those with James Caan as an angry priest and with Vanilla Ice and Todd Bridges lampooning their faded glory.
While the film is a bit cruder than most of Sandler’s usual fare it is, for the most part, good-natured and lighthearted. Obviously nobody is expected to take the film seriously. Samberg does a good job playing the restrained uptight Todd, and in the scenes where he lets loose, shows solid working chemistry with Sandler.
While it is not a great cinematic comedy it certainly has more than its fair share of laughs along the way, just as long as you’re willing to overlook the lackluster plot and uneven pacing of the film.
Sandler stars as Donny, a down-on his luck former celebrity who gained notoriety after impregnating his teacher at 13. While the teacher (Eva Amurri Martino) went on to a 30-year prison sentence, Donny used his notoriety to become a pop culture sensation. Unfortunately for Donny fame was fleeting and he wasted the money he had accumulated along the way. We soon learn Donny faces a prison sentence unless he comes up with $45,000 to pay back taxes.
Desperate, he turns to his estranged son Todd (Andy Samberg), who has pretty much disowned his father and does not even go by is given birth name. Todd is about to marry a socialite named Jamie (Leighton Meester), and since he is a numbers genius with an extremely bright future with a partnership pending, the arrival of his crude, drunken father, is a disaster in the making. Passing himself off as long-lost friend, Donny attempts to reconnect with his son and naturally this happens over some very vulgar and awkward moments, not all of which are limited to bachelor party scenes.
Of course anybody who has seen any of Sandler’s films will know the formula that follows: crude situations followed by conflict, mixed with celebrity cameos and an ’80s soundtrack tossed in with a few laughs along the way towards a tidy ending. To say that there is a definite formula to his films would be an understatement and Sandler gives the impression that he’s making up many of the scenes as he goes along, all the while sporting a hybrid Boston/Little Nicky accent.
What ultimately sells the film is the energy and effort that the cast puts into their performances. While the plot can be charitably described as disjointed, there are several scenes that are LOL-inducing, especially those with James Caan as an angry priest and with Vanilla Ice and Todd Bridges lampooning their faded glory.
While the film is a bit cruder than most of Sandler’s usual fare it is, for the most part, good-natured and lighthearted. Obviously nobody is expected to take the film seriously. Samberg does a good job playing the restrained uptight Todd, and in the scenes where he lets loose, shows solid working chemistry with Sandler.
While it is not a great cinematic comedy it certainly has more than its fair share of laughs along the way, just as long as you’re willing to overlook the lackluster plot and uneven pacing of the film.
Cyn Armistead (14 KP) rated Ghost Ship (Theo Waitley, #3; Liaden Universe, #15) in Books
Mar 1, 2018
Theo Waitley has met her father's Clan and been Seen by the Delm of Korval now, at the end of both [b:I Dare|1103876|I Dare (Liaden Universe, #11)|Sharon Lee|http://photo.goodreads.com/books/1181013406s/1103876.jpg|1644933] and [b:Saltation (Theo Waitley, #2)|6669085|Saltation (Theo Waitley, #2) (Liaden Universe, #13)|Sharon Lee|http://photo.goodreads.com/books/1276362333s/6669085.jpg|6131174]. She does not, however, consider herself of Korval — she is a Waitley, as is reasonable for a young woman raised in a matrilineal culture. She did, however, take two issues to the Delm for solving, and one has been resolved: she has been reunited with her missing father.
However, she also carries the Captain's key to the sentient ship Bechimo, and that ship is looking for her. The Delm chose to put that issue aside, trusting that it would solve itself, given enough time. How much time, though, and in what manner?
In the meantime, she acts as courier for Uncle, one obviously known to the Clan and not as an ally — although not necessarily as an enemy, either. As his courier, she flies his ship, Arin's Toss, which is hunted by his enemies, including the Department of the Interior.
Theo acquits herself as well as any child of Korval could in meeting her challenges. She continues to experience more than the usual number of them, though, because of her Terran rearing and Liaden appearance. It seems to me that a father as dutiful as Jen Sar Kiladi (or Daav yos'Phellium) would have given her more preparation to encounter Liaden society.
[b:Ghost Ship|9762449|Ghost Ship (Liaden Universe, #14, Theo Waitley, #3)|Sharon Lee|http://photo.goodreads.com/books/1327880001s/9762449.jpg|14651808] certainly isn't limited to Theo's story. We rejoin Val Con and pregnant Miri as they move to Surebleak, and check in with Daav as he settles in to being Daav again after his long sojourn as Kiladi. There are also appearances by Pat Rin, Natesa, Quin, Padi, Shan, and other family members. Definitely an ensemble cast this time out, and just as absorbing as fans have come to expect.
However, she also carries the Captain's key to the sentient ship Bechimo, and that ship is looking for her. The Delm chose to put that issue aside, trusting that it would solve itself, given enough time. How much time, though, and in what manner?
In the meantime, she acts as courier for Uncle, one obviously known to the Clan and not as an ally — although not necessarily as an enemy, either. As his courier, she flies his ship, Arin's Toss, which is hunted by his enemies, including the Department of the Interior.
Theo acquits herself as well as any child of Korval could in meeting her challenges. She continues to experience more than the usual number of them, though, because of her Terran rearing and Liaden appearance. It seems to me that a father as dutiful as Jen Sar Kiladi (or Daav yos'Phellium) would have given her more preparation to encounter Liaden society.
[b:Ghost Ship|9762449|Ghost Ship (Liaden Universe, #14, Theo Waitley, #3)|Sharon Lee|http://photo.goodreads.com/books/1327880001s/9762449.jpg|14651808] certainly isn't limited to Theo's story. We rejoin Val Con and pregnant Miri as they move to Surebleak, and check in with Daav as he settles in to being Daav again after his long sojourn as Kiladi. There are also appearances by Pat Rin, Natesa, Quin, Padi, Shan, and other family members. Definitely an ensemble cast this time out, and just as absorbing as fans have come to expect.
Kirk Bage (1775 KP) rated Norman F**king Rockwell by Lana Del Rey in Music
Mar 3, 2020
I have had a mixed relationship with the music of Lana Del Rey since her sensational debut album, Born To Die in 2010. I loved that album, and played it a lot! I still do. But always felt like it wasn’t really for me, yet I couldn’t help replaying it and humming the tunes. I also loved the lyrics, with their scathing satire of American life and values, and their downbeat vibe, always on the point of mania or depression, but never crying out for help, merely saying “look, this is our world, fuck it!” The trouble was, for the next 4 albums, despite one or two standout songs, the message and tone got mired in monotony and lack of memorable melodies – although the lyrics were still there.
I had all but given up hope of her becoming an artist of real worth by the end of the decade. It was a case of “remember when Lana Del Rey was the next big thing?” So, I was not expecting her sixth album to be not only very very good again, but potentially her best work to date, even surpassing Born To Die! You could hear it on the first listen – which for me took till December last year, despite its late August release. The reviews had been great, the award nominations rolled in and my attention was caught by this artist once again.
It took only a handful of listens before I had decided this was a great album! And now I am playing it a couple of times a week, continuing to get more out of the lyrics every time. It also plays really well as quiet background music, or loud, as a melancholy rock-out – a trick that isn’t easy to achieve. Her knowing nod to pop culture references, and the divine mixture of 50s Americana, folk and blues, can be a wonderful thing when it works. With six singles already released, there is proof this album has a more solid backbone tune-wise than the previous four efforts.
The task now is making her brand popular again in the singles market, as not one of the six released made it into the top 40, either stateside or in UK. However, the album was #3 in America and #1 in the UK, which gives me more hope that what we are seeing is the maturing of a genuine music artist, and not just an act, existing for sales. There are many, especially solo female artists, that could follow that example; worry more about making good music and less about “the product” and great things can happen.
For me, I love tracks 1-5 played in that order: they are all great tunes, and Venice Bitch at a playing time of 9:38 is an epic pop opus that makes me want to stand up and applaud! The final track, Hope is a Dangerous Thing for a Woman Like Me to Have, But I Have It, is also highly praiseworthy, summing up the message of the whole work beautifully. And it is a fine, honest, feminist, strong yet always vulnerable message. California is a long way away from my world, but I feel I know what she is talking about, somehow.
Look out also for some mesmeric retro home-movie videos on YouTube that segue some of the songs into a dreamy montage. Big fan!
I had all but given up hope of her becoming an artist of real worth by the end of the decade. It was a case of “remember when Lana Del Rey was the next big thing?” So, I was not expecting her sixth album to be not only very very good again, but potentially her best work to date, even surpassing Born To Die! You could hear it on the first listen – which for me took till December last year, despite its late August release. The reviews had been great, the award nominations rolled in and my attention was caught by this artist once again.
It took only a handful of listens before I had decided this was a great album! And now I am playing it a couple of times a week, continuing to get more out of the lyrics every time. It also plays really well as quiet background music, or loud, as a melancholy rock-out – a trick that isn’t easy to achieve. Her knowing nod to pop culture references, and the divine mixture of 50s Americana, folk and blues, can be a wonderful thing when it works. With six singles already released, there is proof this album has a more solid backbone tune-wise than the previous four efforts.
The task now is making her brand popular again in the singles market, as not one of the six released made it into the top 40, either stateside or in UK. However, the album was #3 in America and #1 in the UK, which gives me more hope that what we are seeing is the maturing of a genuine music artist, and not just an act, existing for sales. There are many, especially solo female artists, that could follow that example; worry more about making good music and less about “the product” and great things can happen.
For me, I love tracks 1-5 played in that order: they are all great tunes, and Venice Bitch at a playing time of 9:38 is an epic pop opus that makes me want to stand up and applaud! The final track, Hope is a Dangerous Thing for a Woman Like Me to Have, But I Have It, is also highly praiseworthy, summing up the message of the whole work beautifully. And it is a fine, honest, feminist, strong yet always vulnerable message. California is a long way away from my world, but I feel I know what she is talking about, somehow.
Look out also for some mesmeric retro home-movie videos on YouTube that segue some of the songs into a dreamy montage. Big fan!
Tom Turner (388 KP) rated The Magician's Apprentice (Black Magician, #0.5) in Books
Apr 30, 2021
I would like to say I loved this book, but there is part of me resisting that solely because I didn't feel satisfied by its ending. It felt to me that it wasn't tied up properly. It kind of felt there should have been a couple more pages. I also thought that seeing as Tessia is the title and main character of the book that it was a shame the final scene (though mentioning her) doesn't feature her.
I have picked up copies of Trudi Canavan's books in shops a number of times over the years, but I never bought one because I didn't want to invest in a trilogy if I wasn't completely "with it". So when I realised that this book was a stand-alone novel, but was set in the world (albeit a few hundred years before!) some of her other books I jumped at the chance of reading it.
From my first paragraph you'll probably think I ended up disappointed, but you'd be wrong. Until the very end I really really enjoyed this. The characters were well formed and it was lovely to have a story of war where you see both sides of said war, and the juxtaposition of Stara and Tessia's stories was intriguing but perhaps not played to its full potential. The two different cultures were very well constructed, and by having the Stara strand meant you never fully demonised the Sachakans, making them a more fully constructed culture - one that is eerily familiar.
My mind keeps wondering while I felt disappointed, and I guess I felt I needed more, and maybe this is because Canavan is more used to writing trilogies, maybe this is what is needed, I'd love to read a story of Tessia and Jayan as they built the Guild with the others. I feel there could be a whole book in that alone. It would have been nice to have at least got a glimpse of it. Given that it is a central part of the Black Magician trilogy I feel that could have been nice. Maybe all these niggles I'm feeling will be sorted when I read said trilogy, and I certainly will do, and maybe I'd have felt more satisfied if I'd read this in publication order. Who knows I may come back one day and re- review this book after re-reading it following reading the other six book set in this world.
I'm glad to have read this book, and I am excited to read more Trudi Canavan. I guess me saying that when I don't have the butterflies in the stomach I get at the end of reading a book is something in itself.
I have picked up copies of Trudi Canavan's books in shops a number of times over the years, but I never bought one because I didn't want to invest in a trilogy if I wasn't completely "with it". So when I realised that this book was a stand-alone novel, but was set in the world (albeit a few hundred years before!) some of her other books I jumped at the chance of reading it.
From my first paragraph you'll probably think I ended up disappointed, but you'd be wrong. Until the very end I really really enjoyed this. The characters were well formed and it was lovely to have a story of war where you see both sides of said war, and the juxtaposition of Stara and Tessia's stories was intriguing but perhaps not played to its full potential. The two different cultures were very well constructed, and by having the Stara strand meant you never fully demonised the Sachakans, making them a more fully constructed culture - one that is eerily familiar.
My mind keeps wondering while I felt disappointed, and I guess I felt I needed more, and maybe this is because Canavan is more used to writing trilogies, maybe this is what is needed, I'd love to read a story of Tessia and Jayan as they built the Guild with the others. I feel there could be a whole book in that alone. It would have been nice to have at least got a glimpse of it. Given that it is a central part of the Black Magician trilogy I feel that could have been nice. Maybe all these niggles I'm feeling will be sorted when I read said trilogy, and I certainly will do, and maybe I'd have felt more satisfied if I'd read this in publication order. Who knows I may come back one day and re- review this book after re-reading it following reading the other six book set in this world.
I'm glad to have read this book, and I am excited to read more Trudi Canavan. I guess me saying that when I don't have the butterflies in the stomach I get at the end of reading a book is something in itself.
Lee Ronaldo recommended Meet The Beatles! by The Beatles in Music (curated)
BookInspector (124 KP) rated The Waking Land (The Waking Land, #1) in Books
Sep 24, 2020
The blurb of this novel tells pretty much all the necessary information. Elanna was kept away from her parents for fourteen years, in a different country, with a different culture and different way of living. She always wanted to be a botanist, because she loved plants. She was accused of King’s murder, so the only chance she had was to run. While on the run, she finds out, that she has a great gift and she supposed to be the one, who leads her country to independence.
This book has a great variety of characters to choose from. I loved their bravery and strong personalities. My favourite ones were El and Jahan. I loved their kindness and all the adventures which they had together in this novel. El is a very confused young woman, who is trying to make the right choice, even though it breaks her heart. She is emotionally torn between two countries who are at war because she has ties with both of them, it is hard for her to make the decisions, and this whole process was very interesting to watch for me.
I liked the plot of this book, but I found some of the parts quite repetitive. There is quite a bit of action going on in this novel, so that was what kept me going. I liked the adventure parts of it, filled with some really lovely and subtle romance. I think that author used her love for music and nature really well in this novel, I loved the overall setting of this book. It has some sex and violence in this novel, but it is not overwhelming, and I am really great full to the author, for keeping this novel quite elegant, when it used to come to violence.
The writing style is pleasant to read, but I don’t understand, why fantasy books have such complicated names in them. For me, it makes these books more difficult to read and it doesn’t add any charm at all. The chapters were quite long, but they were divided into smaller chunks, so it was quite easy to read it. I really liked the ending of this book, I think it rounded up the story really nicely, and there will be a second part published this year, so I am quite curious to see what it has to offer. So, to conclude, I think this book has all the right attributes necessary for this type of novel, it has magic, brave heroine who is kind and sweet, political disputes and the right amount of romance. Please do give this book a try and I hope you will enjoy it 🙂
This book has a great variety of characters to choose from. I loved their bravery and strong personalities. My favourite ones were El and Jahan. I loved their kindness and all the adventures which they had together in this novel. El is a very confused young woman, who is trying to make the right choice, even though it breaks her heart. She is emotionally torn between two countries who are at war because she has ties with both of them, it is hard for her to make the decisions, and this whole process was very interesting to watch for me.
I liked the plot of this book, but I found some of the parts quite repetitive. There is quite a bit of action going on in this novel, so that was what kept me going. I liked the adventure parts of it, filled with some really lovely and subtle romance. I think that author used her love for music and nature really well in this novel, I loved the overall setting of this book. It has some sex and violence in this novel, but it is not overwhelming, and I am really great full to the author, for keeping this novel quite elegant, when it used to come to violence.
The writing style is pleasant to read, but I don’t understand, why fantasy books have such complicated names in them. For me, it makes these books more difficult to read and it doesn’t add any charm at all. The chapters were quite long, but they were divided into smaller chunks, so it was quite easy to read it. I really liked the ending of this book, I think it rounded up the story really nicely, and there will be a second part published this year, so I am quite curious to see what it has to offer. So, to conclude, I think this book has all the right attributes necessary for this type of novel, it has magic, brave heroine who is kind and sweet, political disputes and the right amount of romance. Please do give this book a try and I hope you will enjoy it 🙂
Nicole Hadley (380 KP) rated The Seekers (Amish Cooking Class, #1) in Books
Jun 16, 2018
Showing Amish culture
Contains spoilers, click to show
The Seekers is the first installment to Wanda Brunstetter's newest series, Amish Cooking Class. I really enjoyed this book. In The Seekers, Heidi starts an Amish cooking class. I loved all the different individuals and their own stories and what bought each one to the cooking class held by Heidi.
This book revolves around a woman named Heidi Troyer and her Amish cooking class.Heidi Troyer and her husband of eight years, Lyle, have no children yet. She loves her Lyle and their life together but desires children, also. Lyle refuses to adopt, believing that if it is God’s will, Heidi will be able to conceive a child. Heidi considers giving cooking classes since cooking has come naturally to her and classes won’t take time away from her husband. Heidi will lead six lessons over the next three months.
The Lord prepares students for her first class. The students come with different problems to the classes and through out the book, they find solutions. First is Loretta, a widow and single mother of two little kids that just wants to learn a more simpler way of life. She wants to know more about being Amish, so learning Amish cooking in an Amish home sounds beneficial.
Second, Charlene is engaged to a wonderful man, but has no experience in the kitchen. Her financé has a mother who is an expert cook and doesn’t like Charlene. She doesn’t want her future mother-in-law to know she can’t cook.
Third is Eli, is a young widowed man who is part of the Amish community and also doesn't know how to cook much of anything. His wife had been killed by a hit-and-run driver. He couldn’t cook, and eats out frequently after work.
Fourth, Kendra is a young lady who got pregnant out of wedlock and was kicked out of her home by her dad so he wouldn’t be embarrassed in front of church or social friends. The young man also left her.
Last but not least is Ron. He pulls his older RV into the Troyer’s yard, hungry and broke. He tells Heidi and Lyle the first lie, that his rig needs repairs and he needs a place to park until he can repair it. He ends up in the cooking class without planning to be there. The Troyers share their food and time, but he holds his secrets close. A Viet Nam vet with PTSD, Ron always finds ways to justify what he does.
Most of the characters are very likable. We see Heidi as a three-dimensional woman of faith, and get to know her students through their everyday lives. I love how this book focuses so much on God. I also love the recipes and how after each class she gives a notecard with the recipe and a verse on the back.
This book revolves around a woman named Heidi Troyer and her Amish cooking class.Heidi Troyer and her husband of eight years, Lyle, have no children yet. She loves her Lyle and their life together but desires children, also. Lyle refuses to adopt, believing that if it is God’s will, Heidi will be able to conceive a child. Heidi considers giving cooking classes since cooking has come naturally to her and classes won’t take time away from her husband. Heidi will lead six lessons over the next three months.
The Lord prepares students for her first class. The students come with different problems to the classes and through out the book, they find solutions. First is Loretta, a widow and single mother of two little kids that just wants to learn a more simpler way of life. She wants to know more about being Amish, so learning Amish cooking in an Amish home sounds beneficial.
Second, Charlene is engaged to a wonderful man, but has no experience in the kitchen. Her financé has a mother who is an expert cook and doesn’t like Charlene. She doesn’t want her future mother-in-law to know she can’t cook.
Third is Eli, is a young widowed man who is part of the Amish community and also doesn't know how to cook much of anything. His wife had been killed by a hit-and-run driver. He couldn’t cook, and eats out frequently after work.
Fourth, Kendra is a young lady who got pregnant out of wedlock and was kicked out of her home by her dad so he wouldn’t be embarrassed in front of church or social friends. The young man also left her.
Last but not least is Ron. He pulls his older RV into the Troyer’s yard, hungry and broke. He tells Heidi and Lyle the first lie, that his rig needs repairs and he needs a place to park until he can repair it. He ends up in the cooking class without planning to be there. The Troyers share their food and time, but he holds his secrets close. A Viet Nam vet with PTSD, Ron always finds ways to justify what he does.
Most of the characters are very likable. We see Heidi as a three-dimensional woman of faith, and get to know her students through their everyday lives. I love how this book focuses so much on God. I also love the recipes and how after each class she gives a notecard with the recipe and a verse on the back.
Emma @ The Movies (1786 KP) rated Late Night (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Show me Emma Thompson in a trailer and I'll show you a film that's going to the top of my must-see list. Comedy, drama, she can do it all, and as Katherine Newbury she got to do a bit of both.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
Gotham is the kind of show where I wonder whether they tried to save money by just having the interns write the script. It's got that stilted, on-the-nose kind of dialogue that makes me just feel bad for the actors. For a while I thought the quality of the writing varied from scene to scene, but it was really just that a certain few actors (those that play Fish Mooney, Ed Nygma, and Harvey Bullock spring to mind) that were able to transcend the material they were working with, while others struggled and some just seemed to give up.
Season one starts off promisingly enough for a superhero themed crime show. The premise is solid - we get to watch how these superheroes and supervillians come to be. And that is really the draw that keeps me watching - the character driven moments where we see Nygma descend into madness, the Penguin rise through the ranks of the underworld, Mooney wrestle to keep control of her little patch of Gotham. The conflict James Gordon faces in the first season - a Lawful Good character up against rampant, insidious, and impossible to root up corruption throughout every level of Gotham's government is genuinely interesting and feels like a relevant emotional thread that keeps you going through all of the schlocky and improbable events. All three seasons seem to have a firm grasp of their season plot arc and tentpole moments, setting up the next season nicely for whatever main villain and evil will be explored, but I feel like the tone of the show has shifted wildly. The show can't decide if it's gritty or campy, whether it's a comic book or a crime procedural. It handwaves technology and superpowers in a way that fails to establish in-world rules or limitations. So every super power is all-powerful until plot convenient. I also just personally hate the third season "blood virus" arc and the non-canonical Mad Hatter who speaks in rhyming couplets.
Speaking of which, I'd love to tell the writers that a mass of contradictory, plot-convenient impulses does not a strong female character make. Barbara Kean's story arc makes absolutely no sense. Lee Thompkins seems only to exist to push Gordon to do things he wouldn't otherwise, and Selina Kyle is easily swapped out with every spunky street urchin ever.
I almost want to be offended that every single queer character is, or ends up being, a baddie, but honestly I think that's probably just because the antagonists are more interesting and fleshed out characters to begin with. Still, there's some serious issues with representation (shocker). The third season introduces a really icky variant of the Born Sexy Yesterday trope (watch the video by the Pop Culture Detective, it's worth it.)
Still, I think the casting is pretty great, acting ability aside. The costuming is good, although everything is hampered by the show's refusal to nail down any sort of time period. The dream sequences in the first two seasons are beautiful. I love Oswald Cobblepot and Ed Nygma, and I'd love to see the actor who plays Bruce Wayne master more than just his admittedly very good "holding back tears" expression.
If you're looking for something campy, if you like your villians and your superheroes, and if you need something to watch while you fold laundry or go to sleep, I would recommend this show. It's a show that thrives on tired old tropes, but it lifts those tropes from its source material, so fans of comics might enjoy it, or might be aggrieved at the retconning of beloved old character's backstories.
Whatever you do, don't call Nymga insane. He's better now. He has a certificate.
Season one starts off promisingly enough for a superhero themed crime show. The premise is solid - we get to watch how these superheroes and supervillians come to be. And that is really the draw that keeps me watching - the character driven moments where we see Nygma descend into madness, the Penguin rise through the ranks of the underworld, Mooney wrestle to keep control of her little patch of Gotham. The conflict James Gordon faces in the first season - a Lawful Good character up against rampant, insidious, and impossible to root up corruption throughout every level of Gotham's government is genuinely interesting and feels like a relevant emotional thread that keeps you going through all of the schlocky and improbable events. All three seasons seem to have a firm grasp of their season plot arc and tentpole moments, setting up the next season nicely for whatever main villain and evil will be explored, but I feel like the tone of the show has shifted wildly. The show can't decide if it's gritty or campy, whether it's a comic book or a crime procedural. It handwaves technology and superpowers in a way that fails to establish in-world rules or limitations. So every super power is all-powerful until plot convenient. I also just personally hate the third season "blood virus" arc and the non-canonical Mad Hatter who speaks in rhyming couplets.
Speaking of which, I'd love to tell the writers that a mass of contradictory, plot-convenient impulses does not a strong female character make. Barbara Kean's story arc makes absolutely no sense. Lee Thompkins seems only to exist to push Gordon to do things he wouldn't otherwise, and Selina Kyle is easily swapped out with every spunky street urchin ever.
I almost want to be offended that every single queer character is, or ends up being, a baddie, but honestly I think that's probably just because the antagonists are more interesting and fleshed out characters to begin with. Still, there's some serious issues with representation (shocker). The third season introduces a really icky variant of the Born Sexy Yesterday trope (watch the video by the Pop Culture Detective, it's worth it.)
Still, I think the casting is pretty great, acting ability aside. The costuming is good, although everything is hampered by the show's refusal to nail down any sort of time period. The dream sequences in the first two seasons are beautiful. I love Oswald Cobblepot and Ed Nygma, and I'd love to see the actor who plays Bruce Wayne master more than just his admittedly very good "holding back tears" expression.
If you're looking for something campy, if you like your villians and your superheroes, and if you need something to watch while you fold laundry or go to sleep, I would recommend this show. It's a show that thrives on tired old tropes, but it lifts those tropes from its source material, so fans of comics might enjoy it, or might be aggrieved at the retconning of beloved old character's backstories.
Whatever you do, don't call Nymga insane. He's better now. He has a certificate.
James P. Sumner (65 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 21, 2019
The best Zom-com since its predecessor!
When "Zombieland (2009)" first came out, I was sceptical about it, as it looked like it would be nothing but a gore-fest packed with silly and cringe-worthy cheap laughs. But then it started and 'For Whom The Bell Tolls' began playing and I knew I was in for a treat!
Fast-forward a decade, and I entered "Zombieland: Double Tap (2019)" with similar scepticism. I was concerned the studios were going to take what had become a modern classic and simply rehash it in a poor attempt to cash in on its previous success. But then it started and 'Master of Puppets' began playing and I knew I was in for a treat!
Picking up seamlessly where the first one left off, both in terms of story and tone, Double Tap begins with the our group of heroes approaching the White House, which they decide is a good place to lay down some roots in the post-apocalyptic, zombie-infested world they find themselves in.
It isn't long before the youngest member of the group, Little Rock, tires of their attempt at normality, desperate for interaction with any survivors her own age. After Wichita and Columbus fall out, the sisters take off, prompting a road trip for Tallahassee and Columbus to bring them back.
This is a masterclass in how a comedy movie should be executed. Laughs are frequent but not forced. The script is well-written and packed with the same sharp, witty dialogue found in its predecessor. And it manages to maintain its pacing for the duration - something few films can pull off. Too often, comedy films start off with an hilarious first act, but then runs out of steam by Act 2 before ruining the final act by trying to be too serious.
Yes, I'm looking at you "Baywatch (2017)"!
But Double Tap doesn't suffer from any of that. It retains the heart that made it stand out the first time around, whilst building on the laughs and relationships between the characters.
I found this film a little more meta than I remember the first one being. Lots of references to Zombie pop culture, like "The Walking Dead" and "Dawn of the Dead" - both of which Columbus refers to as unrealistic, which is ironically funny.
Of course, being a sequel, you need to introduce some new faces. The first one is Madison, played brilliantly by the beautiful Zoey Deutch. When the airhead blonde stereotype first appears, you immediately cringe and worry she's going to be the annoying tag-along that hopefully dies... yet the character is written in such a way that she effortlessly fits into the group and quickly becomes a likeable addition.
Next is Nevada, portrayed by the ever-reliable Rosario Dawson. She's a hard-hitting, Zombie-killing, Elvis-loving beauty who is an immediate and obvious match for Tallahassee.
And speaking of him, Woody Harrelson again steals the show with his incredibly funny, heart-warming and cringe-inducing turn as the violent Redneck. His lines are hilarious, even when they're not meant to be, and they're delivered inch-perfect every time.
The soundtrack is spot-on, and the visuals fit the type of movie this is trying to be. Overall, this film is a real treat. It flies by, provides many, many laughs, and also tugs on the heart strings just a little bit. It has everything that made the first one great, and it adds just enough to make this feel like more than just a remake.
Oh, and without spoiling things, it ain't over 'til the credits stop rolling... just saying! :-)
Not to be missed!
Fast-forward a decade, and I entered "Zombieland: Double Tap (2019)" with similar scepticism. I was concerned the studios were going to take what had become a modern classic and simply rehash it in a poor attempt to cash in on its previous success. But then it started and 'Master of Puppets' began playing and I knew I was in for a treat!
Picking up seamlessly where the first one left off, both in terms of story and tone, Double Tap begins with the our group of heroes approaching the White House, which they decide is a good place to lay down some roots in the post-apocalyptic, zombie-infested world they find themselves in.
It isn't long before the youngest member of the group, Little Rock, tires of their attempt at normality, desperate for interaction with any survivors her own age. After Wichita and Columbus fall out, the sisters take off, prompting a road trip for Tallahassee and Columbus to bring them back.
This is a masterclass in how a comedy movie should be executed. Laughs are frequent but not forced. The script is well-written and packed with the same sharp, witty dialogue found in its predecessor. And it manages to maintain its pacing for the duration - something few films can pull off. Too often, comedy films start off with an hilarious first act, but then runs out of steam by Act 2 before ruining the final act by trying to be too serious.
Yes, I'm looking at you "Baywatch (2017)"!
But Double Tap doesn't suffer from any of that. It retains the heart that made it stand out the first time around, whilst building on the laughs and relationships between the characters.
I found this film a little more meta than I remember the first one being. Lots of references to Zombie pop culture, like "The Walking Dead" and "Dawn of the Dead" - both of which Columbus refers to as unrealistic, which is ironically funny.
Of course, being a sequel, you need to introduce some new faces. The first one is Madison, played brilliantly by the beautiful Zoey Deutch. When the airhead blonde stereotype first appears, you immediately cringe and worry she's going to be the annoying tag-along that hopefully dies... yet the character is written in such a way that she effortlessly fits into the group and quickly becomes a likeable addition.
Next is Nevada, portrayed by the ever-reliable Rosario Dawson. She's a hard-hitting, Zombie-killing, Elvis-loving beauty who is an immediate and obvious match for Tallahassee.
And speaking of him, Woody Harrelson again steals the show with his incredibly funny, heart-warming and cringe-inducing turn as the violent Redneck. His lines are hilarious, even when they're not meant to be, and they're delivered inch-perfect every time.
The soundtrack is spot-on, and the visuals fit the type of movie this is trying to be. Overall, this film is a real treat. It flies by, provides many, many laughs, and also tugs on the heart strings just a little bit. It has everything that made the first one great, and it adds just enough to make this feel like more than just a remake.
Oh, and without spoiling things, it ain't over 'til the credits stop rolling... just saying! :-)
Not to be missed!