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David McK (3248 KP) rated Leviathan (The Lost Fleet: Beyond the Frontier, #5) in Books
Jan 30, 2019
Book #5 in the 'Beyond the Frontier' sub-set of the 'The Lost Fleet' series of books (so book # 11 if read in order, or roughly #14 if you include 'The Lost Stars' spin-off series), in which 'Black Jack' Geary is in pursuit of rogue AI ships, created by how own government, which have since malfunctioned and attacked Alliance ships.
Unlike the previous in the series ([b: Steadfast|17230200|Steadfast (Spellcaster, #2)|Claudia Gray|https://d.gr-assets.com/books/1372091229s/17230200.jpg|23745045]), the majority of this is given over to (numerous) and relativistic space-time battles, instead of to the politicking of before. Perhaps too much so, however ...
(It's almost as if [a: Jack Campbell|55547|Jack Campbell|https://d.gr-assets.com/authors/1302415236p2/55547.jpg] has over-compensated from what appears to be a common criticism of the previous)
Unlike the previous in the series ([b: Steadfast|17230200|Steadfast (Spellcaster, #2)|Claudia Gray|https://d.gr-assets.com/books/1372091229s/17230200.jpg|23745045]), the majority of this is given over to (numerous) and relativistic space-time battles, instead of to the politicking of before. Perhaps too much so, however ...
(It's almost as if [a: Jack Campbell|55547|Jack Campbell|https://d.gr-assets.com/authors/1302415236p2/55547.jpg] has over-compensated from what appears to be a common criticism of the previous)
It's hard to believe this is now book number 15 in [a:Simon Scarrow|60636|Simon Scarrow|https://images.gr-assets.com/authors/1240832197p2/60636.jpg]'s now-so-called 'Eagles of the Empire' series: a series that, originally, was set during the Roman invasion of Brittania (in [b:Under the Eagle|578428|Under the Eagle (Eagle, #1)|Simon Scarrow|https://images.gr-assets.com/books/1315349321s/578428.jpg|565359]) and that had Carto as being junior to Macro - a situatuion that, by this point in their ongoing adventures, has reversed itself with Cato now the more senior of the two.
As this starts, Macro and Cato are on their way back to Rome (after the events of [b:Britannia|25028364|Britannia (Eagle, #14)|Simon Scarrow|https://images.gr-assets.com/books/1439580823s/25028364.jpg|44703249]: a novel in which, at the end, Cato received some unfortunate news. Distressibng news that, as the plot develops, becomes more and more only the tip of the iceberg (and that leads me to wonder if the author was letting his real-life experiences influence him when he was writing this? Or am I just reading too much into it? (as he has not been shy about sharing certain aspects on social media)), with this plot leading Cato and Macro to join a compny of the Praetorian Guard on an extended campaign, in which they have to defend a slave mine from a local uprising in Spain - an uprising that, to be fair, has a pretty valid reason behind it.
Once again, a thoroughly enjoyable read.
As this starts, Macro and Cato are on their way back to Rome (after the events of [b:Britannia|25028364|Britannia (Eagle, #14)|Simon Scarrow|https://images.gr-assets.com/books/1439580823s/25028364.jpg|44703249]: a novel in which, at the end, Cato received some unfortunate news. Distressibng news that, as the plot develops, becomes more and more only the tip of the iceberg (and that leads me to wonder if the author was letting his real-life experiences influence him when he was writing this? Or am I just reading too much into it? (as he has not been shy about sharing certain aspects on social media)), with this plot leading Cato and Macro to join a compny of the Praetorian Guard on an extended campaign, in which they have to defend a slave mine from a local uprising in Spain - an uprising that, to be fair, has a pretty valid reason behind it.
Once again, a thoroughly enjoyable read.
Cyn Armistead (14 KP) rated Saltation (Theo Waitley, #2; Liaden Universe, #14) in Books
Mar 1, 2018
[b:Saltation (Theo Waitley, #2)|6669085|Saltation (Theo Waitley, #2) (Liaden Universe, #13)|Sharon Lee|http://photo.goodreads.com/books/1276362333s/6669085.jpg|6131174] is good enough that I finished [b:Fledgling (Theo Waitley, #1)|5585180|Fledgling (Theo Waitley, #1) (Liaden Universe, #12)|Sharon Lee|http://photo.goodreads.com/books/1256005889s/5585180.jpg|5756422], then read it in one sitting. It simply has the sort of momentum that doesn't allow for good stopping points — something that is true of many of the Liaden Universe novels.
At the end of Fledgling, Theo was sponsored into pilot school by Scout Cho sig'Radia. Saltation begins with her time there, just as politically naive as ever, but a much more confident person than she was at the beginning of Fledgling. Many of the characters from Fledgling reappear, including Win Ton, Kamele, and Jen Sar. There are new characters too, though, such as Kara ven'Arith and Orn Ald yos'Senchul (who, by the way, also appear in a free story, <a href="http://baen.com/LandedAlien.asp">Landed Alien</a>, that has just been released at the Baen web site and should be read after Saltation).
Theo is a legal adult now, but a very young one, and she has plenty of growing up left to do. That said, this is a young ADULT novel, not a children's book — while it isn't discussed specifically, Theo does take a lover.
She continues to flex and stretch into an admirable heroine. She isn't perfect, by any means, being sometimes short-tempered and not understanding social cues easily. She's someone readers can relate to, though, and that is important. We were brought up concurrent with the end of [b:I Dare|1103876|I Dare (Liaden Universe, #11)|Sharon Lee|http://photo.goodreads.com/books/1181013406s/1103876.jpg|1644933], which was vastly satisfying. I will go right on with reading [b:Ghost Ship|9762449|Ghost Ship (Liaden Universe, #14, Theo Waitley, #3)|Sharon Lee|http://photo.goodreads.com/books/1327880001s/9762449.jpg|14651808], because I definitely want to know more!
At the end of Fledgling, Theo was sponsored into pilot school by Scout Cho sig'Radia. Saltation begins with her time there, just as politically naive as ever, but a much more confident person than she was at the beginning of Fledgling. Many of the characters from Fledgling reappear, including Win Ton, Kamele, and Jen Sar. There are new characters too, though, such as Kara ven'Arith and Orn Ald yos'Senchul (who, by the way, also appear in a free story, <a href="http://baen.com/LandedAlien.asp">Landed Alien</a>, that has just been released at the Baen web site and should be read after Saltation).
Theo is a legal adult now, but a very young one, and she has plenty of growing up left to do. That said, this is a young ADULT novel, not a children's book — while it isn't discussed specifically, Theo does take a lover.
She continues to flex and stretch into an admirable heroine. She isn't perfect, by any means, being sometimes short-tempered and not understanding social cues easily. She's someone readers can relate to, though, and that is important. We were brought up concurrent with the end of [b:I Dare|1103876|I Dare (Liaden Universe, #11)|Sharon Lee|http://photo.goodreads.com/books/1181013406s/1103876.jpg|1644933], which was vastly satisfying. I will go right on with reading [b:Ghost Ship|9762449|Ghost Ship (Liaden Universe, #14, Theo Waitley, #3)|Sharon Lee|http://photo.goodreads.com/books/1327880001s/9762449.jpg|14651808], because I definitely want to know more!
David McK (3248 KP) rated The Shepherd's Crown in Books
Jan 28, 2019
THE FINAL DISCWORLD BOOK
Those four words were always going to make a long-time Discworld reader feel quite emotional, making it hard to objectively review the novel itself: are you reviewing this last peek into Pratchett's mirror reality, or are you reviewing the entire 41-book series? I'm going to try both:
THE SERIES
The first Disworld book I read (I'm pretty sure it was [b: Pyramids|64217|Pyramids (Discworld, #7)|Terry Pratchett|https://images.gr-assets.com/books/1439098306s/64217.jpg|968512]) wasn't actually the first in the series (that would be [b: The Colour of Magic|833512|The Colour of Magic The Illustrated Screenplay|Vadim Jean|https://images.gr-assets.com/books/1347346368s/833512.jpg|17589693]), although I did later go back and read the earlier works. Reading them in order released (as opposed to one of the numerous Discworld Reading Order Guides: I'm quite partial to the 'Unofficial Discworld Reading Order Guide'), you can see how Terry Pratchett's writing style evolved, how he moved from outright satire to a more subtle comedy fantasy that holds a mirror up to real-world issues. Personally, I feel he was at his best at around the mid-way point of the series (say, [b: Maskerade|64305|Maskerade The Play|Terry Pratchett|https://images.gr-assets.com/books/1170622047s/64305.jpg|62427] or [b: Men at Arms|7557548|Men at Arms The Play|Terry Pratchett|https://images.gr-assets.com/books/1353573652s/7557548.jpg|9910828], after he'd found his feet (so-to-speak), but before the 'embuggerance' of his posterior cortical atrophy set in and the novels - perhaps understandably - started becoming almost too serious.
Throughout the series, there was a rich tapestry of characters introduced, from CMOT Dibbler through to the Patrician of Ankh-Morpork, with certain groups of characters (e.g. The City Watch) effectively becoming a sub-series in their own right. One of those groups - Granny Weatherwax (first introduced in [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611] and The Witches of Lancre (first introduced in [b: Wyrd Sisters|233664|Wyrd Sisters The Play|Terry Pratchett|https://images.gr-assets.com/books/1388363090s/233664.jpg|17589683] - would later themselves have 'guest spots' in another group of such characters, ostensibly written for Young Adult Readers but still very enjoyable for older; the Nac Mac Feegles (Crivens!) and Tiffany Aching, both of who first appeared in [b: The Wee Free Men|7881001|The Wee Free Men The Beginning (Discworld, #30 & #32)|Terry Pratchett|https://images.gr-assets.com/books/1388181365s/7881001.jpg|22017239]. Which nicely brings me to:
THE NOVEL ITSELF
'The Shepherd's Crown' sees a return of both Tiffany Aching, now a young Witch setting out on her career path, and those Nac Mac Feegles. There's a strong sense of change throughout, kicked off by the surprising early exit of a previous major character in the entire series, leading to old foes - the Elves - to try to make their way back into the world. These Elves, remember, are *not* the dainty do-gooders of Tolkien: these are nasty, malicious, self-serving creatures who last attempted to invade in [b: Lords and Ladies|34529|Lords and Ladies (Discworld, #14; Witches #4)|Terry Pratchett|https://images.gr-assets.com/books/1469186110s/34529.jpg|1185086], before eventually being defeated by Granny Weatherwax, Nanny Ogg and Magrat Garlik. Those three characters make a return in this, as well as bit-parts for the Arch-Chancellor of Unseen University, Ponder Stibbons (and HEX) alongside King Verence and the Patrician. Despite all these, the novel, however, is really Tiffany's story, and of how she finds her feet in the circumstances into which she is rather abruptly thrown. There's also a plot element that recalls [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611]: that of a person wanting to do a role that is generally considered to be that for a member of the opposite sex.
As always, footnotes are present and correct, with the novel even raising a few laugh-out-loud moments. While the story does finish with the words 'THE END', the world itself will continue on: all that has come to an end is our ability to peek into it.
In the words of the Nac Mac Feegle: "Waily waily waily ..."
Rating for the series: 5*
Rating for the novel: 4*
Those four words were always going to make a long-time Discworld reader feel quite emotional, making it hard to objectively review the novel itself: are you reviewing this last peek into Pratchett's mirror reality, or are you reviewing the entire 41-book series? I'm going to try both:
THE SERIES
The first Disworld book I read (I'm pretty sure it was [b: Pyramids|64217|Pyramids (Discworld, #7)|Terry Pratchett|https://images.gr-assets.com/books/1439098306s/64217.jpg|968512]) wasn't actually the first in the series (that would be [b: The Colour of Magic|833512|The Colour of Magic The Illustrated Screenplay|Vadim Jean|https://images.gr-assets.com/books/1347346368s/833512.jpg|17589693]), although I did later go back and read the earlier works. Reading them in order released (as opposed to one of the numerous Discworld Reading Order Guides: I'm quite partial to the 'Unofficial Discworld Reading Order Guide'), you can see how Terry Pratchett's writing style evolved, how he moved from outright satire to a more subtle comedy fantasy that holds a mirror up to real-world issues. Personally, I feel he was at his best at around the mid-way point of the series (say, [b: Maskerade|64305|Maskerade The Play|Terry Pratchett|https://images.gr-assets.com/books/1170622047s/64305.jpg|62427] or [b: Men at Arms|7557548|Men at Arms The Play|Terry Pratchett|https://images.gr-assets.com/books/1353573652s/7557548.jpg|9910828], after he'd found his feet (so-to-speak), but before the 'embuggerance' of his posterior cortical atrophy set in and the novels - perhaps understandably - started becoming almost too serious.
Throughout the series, there was a rich tapestry of characters introduced, from CMOT Dibbler through to the Patrician of Ankh-Morpork, with certain groups of characters (e.g. The City Watch) effectively becoming a sub-series in their own right. One of those groups - Granny Weatherwax (first introduced in [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611] and The Witches of Lancre (first introduced in [b: Wyrd Sisters|233664|Wyrd Sisters The Play|Terry Pratchett|https://images.gr-assets.com/books/1388363090s/233664.jpg|17589683] - would later themselves have 'guest spots' in another group of such characters, ostensibly written for Young Adult Readers but still very enjoyable for older; the Nac Mac Feegles (Crivens!) and Tiffany Aching, both of who first appeared in [b: The Wee Free Men|7881001|The Wee Free Men The Beginning (Discworld, #30 & #32)|Terry Pratchett|https://images.gr-assets.com/books/1388181365s/7881001.jpg|22017239]. Which nicely brings me to:
THE NOVEL ITSELF
'The Shepherd's Crown' sees a return of both Tiffany Aching, now a young Witch setting out on her career path, and those Nac Mac Feegles. There's a strong sense of change throughout, kicked off by the surprising early exit of a previous major character in the entire series, leading to old foes - the Elves - to try to make their way back into the world. These Elves, remember, are *not* the dainty do-gooders of Tolkien: these are nasty, malicious, self-serving creatures who last attempted to invade in [b: Lords and Ladies|34529|Lords and Ladies (Discworld, #14; Witches #4)|Terry Pratchett|https://images.gr-assets.com/books/1469186110s/34529.jpg|1185086], before eventually being defeated by Granny Weatherwax, Nanny Ogg and Magrat Garlik. Those three characters make a return in this, as well as bit-parts for the Arch-Chancellor of Unseen University, Ponder Stibbons (and HEX) alongside King Verence and the Patrician. Despite all these, the novel, however, is really Tiffany's story, and of how she finds her feet in the circumstances into which she is rather abruptly thrown. There's also a plot element that recalls [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611]: that of a person wanting to do a role that is generally considered to be that for a member of the opposite sex.
As always, footnotes are present and correct, with the novel even raising a few laugh-out-loud moments. While the story does finish with the words 'THE END', the world itself will continue on: all that has come to an end is our ability to peek into it.
In the words of the Nac Mac Feegle: "Waily waily waily ..."
Rating for the series: 5*
Rating for the novel: 4*
Cyn Armistead (14 KP) rated Ghost Ship (Theo Waitley, #3; Liaden Universe, #15) in Books
Mar 1, 2018
Theo Waitley has met her father's Clan and been Seen by the Delm of Korval now, at the end of both [b:I Dare|1103876|I Dare (Liaden Universe, #11)|Sharon Lee|http://photo.goodreads.com/books/1181013406s/1103876.jpg|1644933] and [b:Saltation (Theo Waitley, #2)|6669085|Saltation (Theo Waitley, #2) (Liaden Universe, #13)|Sharon Lee|http://photo.goodreads.com/books/1276362333s/6669085.jpg|6131174]. She does not, however, consider herself of Korval — she is a Waitley, as is reasonable for a young woman raised in a matrilineal culture. She did, however, take two issues to the Delm for solving, and one has been resolved: she has been reunited with her missing father.
However, she also carries the Captain's key to the sentient ship Bechimo, and that ship is looking for her. The Delm chose to put that issue aside, trusting that it would solve itself, given enough time. How much time, though, and in what manner?
In the meantime, she acts as courier for Uncle, one obviously known to the Clan and not as an ally — although not necessarily as an enemy, either. As his courier, she flies his ship, Arin's Toss, which is hunted by his enemies, including the Department of the Interior.
Theo acquits herself as well as any child of Korval could in meeting her challenges. She continues to experience more than the usual number of them, though, because of her Terran rearing and Liaden appearance. It seems to me that a father as dutiful as Jen Sar Kiladi (or Daav yos'Phellium) would have given her more preparation to encounter Liaden society.
[b:Ghost Ship|9762449|Ghost Ship (Liaden Universe, #14, Theo Waitley, #3)|Sharon Lee|http://photo.goodreads.com/books/1327880001s/9762449.jpg|14651808] certainly isn't limited to Theo's story. We rejoin Val Con and pregnant Miri as they move to Surebleak, and check in with Daav as he settles in to being Daav again after his long sojourn as Kiladi. There are also appearances by Pat Rin, Natesa, Quin, Padi, Shan, and other family members. Definitely an ensemble cast this time out, and just as absorbing as fans have come to expect.
However, she also carries the Captain's key to the sentient ship Bechimo, and that ship is looking for her. The Delm chose to put that issue aside, trusting that it would solve itself, given enough time. How much time, though, and in what manner?
In the meantime, she acts as courier for Uncle, one obviously known to the Clan and not as an ally — although not necessarily as an enemy, either. As his courier, she flies his ship, Arin's Toss, which is hunted by his enemies, including the Department of the Interior.
Theo acquits herself as well as any child of Korval could in meeting her challenges. She continues to experience more than the usual number of them, though, because of her Terran rearing and Liaden appearance. It seems to me that a father as dutiful as Jen Sar Kiladi (or Daav yos'Phellium) would have given her more preparation to encounter Liaden society.
[b:Ghost Ship|9762449|Ghost Ship (Liaden Universe, #14, Theo Waitley, #3)|Sharon Lee|http://photo.goodreads.com/books/1327880001s/9762449.jpg|14651808] certainly isn't limited to Theo's story. We rejoin Val Con and pregnant Miri as they move to Surebleak, and check in with Daav as he settles in to being Daav again after his long sojourn as Kiladi. There are also appearances by Pat Rin, Natesa, Quin, Padi, Shan, and other family members. Definitely an ensemble cast this time out, and just as absorbing as fans have come to expect.
David McK (3248 KP) rated Mr. Midshipman Hornblower (Hornblower Saga: Chronological Order, #1) in Books
Jan 28, 2019
I remember when I read this at first, just before the Ioan Gruffudd led TV series, as part of a collection entitled 'The Young Hornblower', thinking that this would make a good TV series (although, when it cam e out, I also remember thinking that he was to old for the role as written here - he's meant to be all of about 14!).
I was also completely unaware at the time, and only found out within the last couple of weeks, that this is also (technically) a prequel - i.e. written later, but set earlier - to more than a few of Forester's other Hornblower works.
Set during the Napoleonic Wars, these are your typical 'boys own' adventures of naval derring-do, that quite obviously set the template for other authors to follow (think [a:Bernard Cornwell|12542|Bernard Cornwell|https://images.gr-assets.com/authors/1240500522p2/12542.jpg] 'Sharpe' Series, or [a:Patrick O'Brian|5600|Patrick O'Brian|https://images.gr-assets.com/authors/1212630063p2/5600.jpg] 'Master and Commander' series).
Based on real life events, these novels (according to Wikipedia!) were also written in such a way that Hornblower was always off elsewhere when great naval battles occured during those wars, hence the reason he is never caught up in Trafalgar!
This particular entry, however, follows Hornblower's early career from when he first came on board (as a sea-sick Midshipman at Spithead), up until he receives his promotion to Lieutenant whilst a prisoner of the Spanish authorities, taking in night-time raids, 'cutting-out' expeditions, a (failed) attempt to start a revolt in France and his first examination for Lietunancy.
I was also completely unaware at the time, and only found out within the last couple of weeks, that this is also (technically) a prequel - i.e. written later, but set earlier - to more than a few of Forester's other Hornblower works.
Set during the Napoleonic Wars, these are your typical 'boys own' adventures of naval derring-do, that quite obviously set the template for other authors to follow (think [a:Bernard Cornwell|12542|Bernard Cornwell|https://images.gr-assets.com/authors/1240500522p2/12542.jpg] 'Sharpe' Series, or [a:Patrick O'Brian|5600|Patrick O'Brian|https://images.gr-assets.com/authors/1212630063p2/5600.jpg] 'Master and Commander' series).
Based on real life events, these novels (according to Wikipedia!) were also written in such a way that Hornblower was always off elsewhere when great naval battles occured during those wars, hence the reason he is never caught up in Trafalgar!
This particular entry, however, follows Hornblower's early career from when he first came on board (as a sea-sick Midshipman at Spithead), up until he receives his promotion to Lieutenant whilst a prisoner of the Spanish authorities, taking in night-time raids, 'cutting-out' expeditions, a (failed) attempt to start a revolt in France and his first examination for Lietunancy.