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BookInspector (124 KP) rated Monstress, Volume 1: Awakening in Books

Sep 24, 2020

This novel follows Maika Halfwolf, a teenage girl who suffered immensely after her mother’s death. She has lost one hand, but because of some science experiment, she is possessed by something very powerful. I loved the mysterious and unique characters, that fit perfectly in this strange world the author created. I really liked Maika as well, she is a very strong female protagonist, and her journey is very violent but eventful.

The narrative is quite complex and layered as well. There are many things happening in this comics at once, and it is definitely an adult book, it contains plenty of bloody killings and swearwords. The plot travels to the past, explaining some of the events, and there are these useful lectures from the professor Tam Tam, explaining many things in the book, and it is told by a cat! 😀 It has plenty of twists and turns and was an absolute pleasure to read.

So, to conclude, it is not a surprise that this series keeps winning many awards, the artwork is magnificent and the storytelling is impeccable. The characters are unique and mysterious and I loved the first book greatly. I know there will be 18 issues combined into one book and it will be released in July, and I will be saving hard to get it, it is too good to miss. 🙂 If you like fantasy comics, cats and very beautifully created characters, this book is definitely for you! Enjoy. 🙂

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LoganCrews (2861 KP) rated The Phantom of the Opera (2005) in Movies

Sep 20, 2020

The Phantom of the Opera (2005)

2005 | Drama, Horror, Musical

7.3

(20 Ratings)

Movie Rating

I have to admire the spectacle but I found this to be mostly didactic, repetitious as a musical (there's only like 3.5 good songs and the rest are just unendurable variants of the exact same one) and nearly nonexistent as a romance. I do admit this almost works as a total campfest, Gerard Butler totally butchering these classical-inspired ballads that require flawless vocal range is actually pretty hilarious. On the flipside I spent most of the time in complete awe of how astonishing Emmy Rossum is in this, only 18 years old at the time and effortlessly nails every formidable note not to mention looks the part seamlessly. This is through and through her movie, every inch top to bottom. I should also add that the movie looks extraordinary - the sets, the costumes, the makeup, the cast, all of it. But would some fucking choreography every now and again kill these people? The stakes, too, are paper-thin - things just happen without delving too deeply (if at all) into the consequences/implications of them so a good chunk of scenes just pass through without making any sort of effect. Lastly this gets docked extra points for ruining the best part of the musical by making it too obvious that Christine was going to give The Phantom the ring from the start of that moment. I have seen much worse, though; this would have been noticeably better if they'd just gotten more people who could sing.

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Colin Farrell recommended Paris, Texas (1984) in Movies (curated)

Paris, Texas (1984)

1984 | International, Drama, Romance

8.8

(4 Ratings)

Movie Favorite

"The whole feel of this film was something that woke me up to cinema in a way. Before this film it was very much an Amblin world for me. Lots of Indiana Jones and John Hughes and Willy Wonka (the original) and Van Damme action movies and Richard Pryor comedies like Brewster’s Millions, etc. Then a friend introduced me to Paris, Texas. The aching loneliness and sense of lost love that pervades the film from the arid desolation of the desert landscape to the haunting strings of Ry Cooder’s soundtrack just blew me away. Maybe I was 17 or 18 when I saw it, but it stayed with me, and I go back to it about once a year. It also has one of the most honest portrayals of the loss of love between a couple, and the inherent danger within the nature of obsession. This lost love is broken down for the audience in what, to me, is possibly most quietly powerful monologue ever delivered in any film I’ve seen; when Harry Dean Stanton’s character, Travis, finally sits with the woman he loved and lost, and he recounts their story to her. Travis has to turn the chair around, so he’s facing away from her while he speaks. I assume because it’s too much to look at her while he’s expressing where and how such love disintegrated. Yeah, it’s a beautiful, beautiful film."

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