"""It’s a cliché, perhaps, but I can’t say this about any other song: I can literally remember the first time I heard ‘Lithium’. I remember being in the room when my sister put it on, almost in the dark and I remember thinking ‘What the hell is this?’ Much like any other kid really. But it properly blew me away in one sitting and that’s never happened since. And with the people in that room, I started a band within a few months. We played together till I was about 17 or 18. “How do you even talk about Nirvana? Everything about them is so perfectly packaged, but in an accidental way - the way they look, the way Kurt sings, the way Dave plays. It’s a ‘lightning strike’ sort of band, and you can’t really copy it, you can’t really take anything from it except attitude. “The lyrics are kind of awful if you actually sit down and go through them, but when you’re 14 they’re absolutely amazing. All of it works really well for a really specific time in your life. It’s absolute dynamite, and still is, I see more Nirvana t-shirts now than I did when I was a kid."""

"My mum was into Björk, and at the time I was just like, ahh it’s just my mum’s music, so I was listening at maybe teenage years, 13 or 14 but then really got into it at 18. Like, ‘Oh I get this, this is actually more me than I thought it was’. That whole album of Debut, ‘Human Behaviour-, production wise, content, just sound - when you hear them drums, they’re so gritty and cyclical. I think that was the main thing I was trying to get across with my album, that sound. Björk, I think is the master of that, whatever she does she creates a world in her own albums. So whether you listen to Debut, Vespertine, Vulnicura, Post - all of her records have an identical feeling when you listen to them and I'm like, ‘okay, I've stepped into Björk’s domain’. I don't know how she does it, but I was trying to do something like that with Dark Matter, like this is the sound. This record is very different to everything else and it’s got a sound that can make you feel something - feeling and emotion and response to sound and vibrations was something I was kind of going for with my record."