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VITALY: The Misadventures of a Ukrainian Orphan
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Be Inspired with This True Story About a Ukrainian Orphan That Did Whatever He Could to Chase His...
memoir Ukraine
Purple Phoenix Games (2266 KP) rated Sprawlopolis in Tabletop Games
Jun 12, 2019
One of the best parts of the board gaming experience is finding a fun group of people with whom to play! Sometimes, though, coordinating a game night is easier said than done. We all must occasionally forego the group experience and face the world as the Lonely Only. But fear not! The world of solo-play is a vast and exciting realm! What follows is a chronicle of my journey into the solo-playing world – notes on gameplay, mechanics, rules, difficulty, and overall experience with solo variations of commonly multiplayer games! I hope this will provide some insight as you continue to grow your collection, or explore your already owned games!
If you had the chance to design a city, how would you do it? Would you have a park on every block for some nice greenery, or do you think a large commercial district will bring in more people? What about housing – would people live right in the heart of the city, or would they live more on the outskirts? The day has finally come where those decisions are up to you! Well, mostly. You’ve been hired to help design the ultimate city! The city officials have given you some specific requirements, but beyond that, the plans are up to you! Can you meet their needs while also maximizing your space? It’s time to put your skills to the test and build the best city ever!
Sprawlopolis is a cooperative card placement game of only 18 cards. Given 3 random scoring conditions, you must draw and play cards into the city to fulfill those requirements. Meet or exceed their score, and you win the game! Fail to do so, and you have not succeeded in building the city up to specifications. Be careful how you decide to place your cards, however, because depending on the scoring conditions in play, certain placements could result in negative points at the end of the game. Working together, you and your team must decide which cards to play at what time to ensure that the requirements are all met. Solo play is identical to cooperative play, except that you just always have a hand of 3 cards from which to play. The score to beat each game is dependent on the scoring conditions, so this game isn’t just another beat-your-own-high-score game – you actually have a specific number in mind.
For a game with only 18 cards, there is a lot of variability in Sprawlopolis. I have yet to play 2 identical games. The layout of each card is unique, as are all of the scoring conditions, so the possibilities are endless… almost! I also enjoy playing this game solo because it requires a decent amount of strategy. Three things factor into your final score (the scoring conditions, block groupings, and roads) and it is impossible to succeed by focusing on only one of them. Your strategy is always changing based on the cards in your hand, and you really have to think about how to best utilize each card for maximum end-game points. Depending on when and where you play a card, it could change the entire city so you have to be thinking about the big picture, literally! And a neat thing about Sprawlopolis is that you can overlap cards. So maybe a card you played earlier is not really ideal anymore, given your current hand, so you can just cover up either a portion of it or the entire card!
The hardest thing about Sprawlopolis for me is that certain combinations of scoring conditions can be difficult to complete. One may give you points for a certain type of city block, but then another may take away as many, or more, points for that same type of city block. Or one gives you points for certain roads, but all roads result in negative points during end-game scoring. Since the scoring conditions are chosen randomly, there’s not really a way to negate this unless you just re-draw those cards. You usually can’t just look at a scoring condition combination and know if it will be difficult or not either – you just have to try it. I’m not saying they’re impossible necessarily, just harder to successfully complete.
Overall, I think Sprawlopolis is a neat game. It’s fast and easy to learn, yet strategic enough to keep you coming back for more games. I like to use it as a nice light filler game between some bigger games, or I just like to play it if I’ve got a quick 15 minutes to spare! Sprawlopolis is a fun game to play with a group, and it’s also a fun game to play solo. In my arsenal of solo games, it’s definitely one on standby.
https://purplephoenixgames.wordpress.com/2019/02/11/solo-chronicles-sprawlopolis/
If you had the chance to design a city, how would you do it? Would you have a park on every block for some nice greenery, or do you think a large commercial district will bring in more people? What about housing – would people live right in the heart of the city, or would they live more on the outskirts? The day has finally come where those decisions are up to you! Well, mostly. You’ve been hired to help design the ultimate city! The city officials have given you some specific requirements, but beyond that, the plans are up to you! Can you meet their needs while also maximizing your space? It’s time to put your skills to the test and build the best city ever!
Sprawlopolis is a cooperative card placement game of only 18 cards. Given 3 random scoring conditions, you must draw and play cards into the city to fulfill those requirements. Meet or exceed their score, and you win the game! Fail to do so, and you have not succeeded in building the city up to specifications. Be careful how you decide to place your cards, however, because depending on the scoring conditions in play, certain placements could result in negative points at the end of the game. Working together, you and your team must decide which cards to play at what time to ensure that the requirements are all met. Solo play is identical to cooperative play, except that you just always have a hand of 3 cards from which to play. The score to beat each game is dependent on the scoring conditions, so this game isn’t just another beat-your-own-high-score game – you actually have a specific number in mind.
For a game with only 18 cards, there is a lot of variability in Sprawlopolis. I have yet to play 2 identical games. The layout of each card is unique, as are all of the scoring conditions, so the possibilities are endless… almost! I also enjoy playing this game solo because it requires a decent amount of strategy. Three things factor into your final score (the scoring conditions, block groupings, and roads) and it is impossible to succeed by focusing on only one of them. Your strategy is always changing based on the cards in your hand, and you really have to think about how to best utilize each card for maximum end-game points. Depending on when and where you play a card, it could change the entire city so you have to be thinking about the big picture, literally! And a neat thing about Sprawlopolis is that you can overlap cards. So maybe a card you played earlier is not really ideal anymore, given your current hand, so you can just cover up either a portion of it or the entire card!
The hardest thing about Sprawlopolis for me is that certain combinations of scoring conditions can be difficult to complete. One may give you points for a certain type of city block, but then another may take away as many, or more, points for that same type of city block. Or one gives you points for certain roads, but all roads result in negative points during end-game scoring. Since the scoring conditions are chosen randomly, there’s not really a way to negate this unless you just re-draw those cards. You usually can’t just look at a scoring condition combination and know if it will be difficult or not either – you just have to try it. I’m not saying they’re impossible necessarily, just harder to successfully complete.
Overall, I think Sprawlopolis is a neat game. It’s fast and easy to learn, yet strategic enough to keep you coming back for more games. I like to use it as a nice light filler game between some bigger games, or I just like to play it if I’ve got a quick 15 minutes to spare! Sprawlopolis is a fun game to play with a group, and it’s also a fun game to play solo. In my arsenal of solo games, it’s definitely one on standby.
https://purplephoenixgames.wordpress.com/2019/02/11/solo-chronicles-sprawlopolis/
Haley Mathiot (9 KP) rated How to Knit a Wild Bikini in Books
Apr 27, 2018
Rating: 3.5
Nikki's bad knee has ended her career as a chef, and she has switched to being a personal cook for a journalist of a very popular men's magazine. Jay Buchanan needs a cook for one month, and no more. He has sworn off women for the rest of the year (due to women being so darn complicated) and is hesitant to hire a female cook. Desperate to get the job and pay the bills, Nikki claims to be a lesbian so he'll hire her and not be worried about his "year-without-women" coming to an end. Jay agrees, as long as she pretends to be his girlfriend… to get the clingy girl-next-door to give him some space. Nikki is now a girlfriend-fake-lesbian-chef-with-some-benefits. Emphasis on the some.
Nikki is pretty sure she can handle one month of cooking for a rich, stuck-up, spoiled, gorgeous man, as long as she keeps their relationship strictly professional, and keeps up her facades. But she doesn't take into account the idea of Jay falling in love with her… and her falling right back. But Nikki has some ghosts in her closet. Can she let go of them and learn to love Jay?
How to Knit a Wild Bikini was a cute, slightly sappy, yet enjoyable read. The characters were likeable—definitely likeable, in Jay's case—and the pacing was good. The writing wasn't horrible but it wasn't anything spectacular.
I gave it an extra half a star because it was addicting! I couldn't put it down. The title and cover could have been better, since there was no knit bikini, only the mention of one. I wouldn't read the sequel, but I did enjoy this one.
It was, in some ways, unrealistic. Nikki had a lot of stuff in her past, and her reactions weren't always in line with them. It surprised me how much the author was able to put into this story. There were a lot of little "mini-stories" woven into it… it almost felt ridiculous, but then again it was still fun to read. Sometimes, for a summer read, you just need a book that let's you goof off. This is one of them.
There was a fun combination of an untouchable free spirited woman, a stuck-up but slightly desperate sexy man, and hand-painted knitting needles. This one is perfect for an afternoon on a couch with a pair of knitting needles (If you're talented enough to knit and read at the same time. It does take skill.)
Content/Recommendation: Some language and sex. Ages 18+
Nikki's bad knee has ended her career as a chef, and she has switched to being a personal cook for a journalist of a very popular men's magazine. Jay Buchanan needs a cook for one month, and no more. He has sworn off women for the rest of the year (due to women being so darn complicated) and is hesitant to hire a female cook. Desperate to get the job and pay the bills, Nikki claims to be a lesbian so he'll hire her and not be worried about his "year-without-women" coming to an end. Jay agrees, as long as she pretends to be his girlfriend… to get the clingy girl-next-door to give him some space. Nikki is now a girlfriend-fake-lesbian-chef-with-some-benefits. Emphasis on the some.
Nikki is pretty sure she can handle one month of cooking for a rich, stuck-up, spoiled, gorgeous man, as long as she keeps their relationship strictly professional, and keeps up her facades. But she doesn't take into account the idea of Jay falling in love with her… and her falling right back. But Nikki has some ghosts in her closet. Can she let go of them and learn to love Jay?
How to Knit a Wild Bikini was a cute, slightly sappy, yet enjoyable read. The characters were likeable—definitely likeable, in Jay's case—and the pacing was good. The writing wasn't horrible but it wasn't anything spectacular.
I gave it an extra half a star because it was addicting! I couldn't put it down. The title and cover could have been better, since there was no knit bikini, only the mention of one. I wouldn't read the sequel, but I did enjoy this one.
It was, in some ways, unrealistic. Nikki had a lot of stuff in her past, and her reactions weren't always in line with them. It surprised me how much the author was able to put into this story. There were a lot of little "mini-stories" woven into it… it almost felt ridiculous, but then again it was still fun to read. Sometimes, for a summer read, you just need a book that let's you goof off. This is one of them.
There was a fun combination of an untouchable free spirited woman, a stuck-up but slightly desperate sexy man, and hand-painted knitting needles. This one is perfect for an afternoon on a couch with a pair of knitting needles (If you're talented enough to knit and read at the same time. It does take skill.)
Content/Recommendation: Some language and sex. Ages 18+
Haley Mathiot (9 KP) rated One Scream Away (Sheridan, #1) in Books
Apr 27, 2018
Seven years ago, Chevy Bankes did something horrific to Beth. She’s been living with her ghosts ever since then. Beth has learned to live on her own and has raised her daughter by herself. But she isn’t prepared to face Bankes when she finds out that he’s been released from prison, and that now he’s after her. Neil, an ex-FBI agent, has somehow gotten himself roped into the case. Now it’s causing him to have to dig up his own ghosts and face them, too. Can two people who lost love earlier in their lives learn to love each other, can Beth keep her daughter out of Bankes’ hands, and can Neil save the woman he loves from her worst nightmare?
One Scream Away was one of those books that you stay up late reading and that you can’t put down, and that you yell at whoever interrupts you because it was so addicting good. It was exciting, suspenseful, romantic, mysterious… everything a book should be.
Without giving away anything, there were many parts in this book that I felt my heart rip when I read what happened. The characters were tangible, like I could pluck them out of the book and set them on my table and watch the rest of the story play out. But they were also relatable, so most of the time I felt like the characters themselves.
Pacing and plot were fantastic in this one. It was impossible to see what would happen next, and Kate Brady keeps you guessing until the very last page, and surprises you at the end.
The writing was not the strongest point. It wasn’t bad per se, it just wasn’t very good either. Acceptably mediocre is the best phrase I can think of, because it wasn’t Dante, but it wasn’t hard to read.
My only other complaint was that a lot of the times, Brady describes what things look like, but not what things feel like. Although the characters were very relatable, I found my own imagination supplying the feelings of the characters while I read this.
Content: There was no elicit sex in this book, although scenes are mentioned and skipped over. There was a lot of language (hey, we’re talking about FBI agents and Police officers and Serial Killers here.) and some rather vulgar details. Murder is not exactly pleasant. Although it wasn’t mapped out in extreme detail, the images left in the reader’s mind are ones that are not for the faint of heart. Or stomach.
Recommendation: Ages 18+
One Scream Away was one of those books that you stay up late reading and that you can’t put down, and that you yell at whoever interrupts you because it was so addicting good. It was exciting, suspenseful, romantic, mysterious… everything a book should be.
Without giving away anything, there were many parts in this book that I felt my heart rip when I read what happened. The characters were tangible, like I could pluck them out of the book and set them on my table and watch the rest of the story play out. But they were also relatable, so most of the time I felt like the characters themselves.
Pacing and plot were fantastic in this one. It was impossible to see what would happen next, and Kate Brady keeps you guessing until the very last page, and surprises you at the end.
The writing was not the strongest point. It wasn’t bad per se, it just wasn’t very good either. Acceptably mediocre is the best phrase I can think of, because it wasn’t Dante, but it wasn’t hard to read.
My only other complaint was that a lot of the times, Brady describes what things look like, but not what things feel like. Although the characters were very relatable, I found my own imagination supplying the feelings of the characters while I read this.
Content: There was no elicit sex in this book, although scenes are mentioned and skipped over. There was a lot of language (hey, we’re talking about FBI agents and Police officers and Serial Killers here.) and some rather vulgar details. Murder is not exactly pleasant. Although it wasn’t mapped out in extreme detail, the images left in the reader’s mind are ones that are not for the faint of heart. Or stomach.
Recommendation: Ages 18+
Haley Mathiot (9 KP) rated The Fire Lord's Lover (The Elven Lords, #1) in Books
Apr 27, 2018
Dominic has spent years perfecting his rock-hard shell, keeping his human heart under lock and key, for fear of getting hurt again. His brutal horrible father has tortured him for his softness and lack of black fire magic for years, and Dominic can’t handle any more. So he isn’t prepared for a kind, sweet, tender-hearted wife…
Cassandra has been raised in the catholic school, but trained in to fight in the rebellion as a death-dance assassin. She is sent to marry the son of the Imperial Fire Lord, so that she can get close enough to the Fire Lord to kill him. She knows it’s a death mission, and she’s fully prepared… but she’s not so sure she wants to part with Dominic once she breaks down his hard exterior shell.
As Dominic and Cassandra begin to love each other, Dominic starts to worry about Cassandra’s mission, and Cassandra worries about Dominic’s father trying to kill him. How can two people who love each other protect each other, if protection of the one ends with death for the other? And what of the evil Fire Lord’s hate towards the people and the rebellion against the elves?
I enjoyed The Fire Lord’s Lover from start to finish. The characters were developed quickly and I liked them, the dialogue felt right, and the pacing was great.
The most important thing about The Fire Lord’s Lover, the thing that made it good, was the character’s love for each other. It didn’t feel sappy and fake, centered around physical attraction. It was real and it had reason behind it. Cassandra and Dominic needed each other, and the people needed them together.
At first, I didn’t really like the ending. I almost got a little annoyed at it… but the more I thought about it, the more I liked it—a lot like It’s Not Summer Without You. I didn’t quite like it at first, even though I knew why Kennedy had done what she did… but then I thought back over it again, envisioned in my mind how it would play out, and was very pleased. I won’t spoil it! But I will say that it was surprisingly satisfying.
Content: I thought the love scenes were slightly overkill… I was literally skipping chunks of pages at a time (I don’t read the scenes). There was a little bit of language, but it wasn’t bad and I felt it was appropriate.
Recommendation: Ages 18+
I’ve got a giveaway for 2 copies of The Fire Lord’s Lover up for grabs, and (soon) my ARC will be available for swap at ARC Swap.
Cassandra has been raised in the catholic school, but trained in to fight in the rebellion as a death-dance assassin. She is sent to marry the son of the Imperial Fire Lord, so that she can get close enough to the Fire Lord to kill him. She knows it’s a death mission, and she’s fully prepared… but she’s not so sure she wants to part with Dominic once she breaks down his hard exterior shell.
As Dominic and Cassandra begin to love each other, Dominic starts to worry about Cassandra’s mission, and Cassandra worries about Dominic’s father trying to kill him. How can two people who love each other protect each other, if protection of the one ends with death for the other? And what of the evil Fire Lord’s hate towards the people and the rebellion against the elves?
I enjoyed The Fire Lord’s Lover from start to finish. The characters were developed quickly and I liked them, the dialogue felt right, and the pacing was great.
The most important thing about The Fire Lord’s Lover, the thing that made it good, was the character’s love for each other. It didn’t feel sappy and fake, centered around physical attraction. It was real and it had reason behind it. Cassandra and Dominic needed each other, and the people needed them together.
At first, I didn’t really like the ending. I almost got a little annoyed at it… but the more I thought about it, the more I liked it—a lot like It’s Not Summer Without You. I didn’t quite like it at first, even though I knew why Kennedy had done what she did… but then I thought back over it again, envisioned in my mind how it would play out, and was very pleased. I won’t spoil it! But I will say that it was surprisingly satisfying.
Content: I thought the love scenes were slightly overkill… I was literally skipping chunks of pages at a time (I don’t read the scenes). There was a little bit of language, but it wasn’t bad and I felt it was appropriate.
Recommendation: Ages 18+
I’ve got a giveaway for 2 copies of The Fire Lord’s Lover up for grabs, and (soon) my ARC will be available for swap at ARC Swap.
Rachel King (13 KP) rated Last Sacrifice in Books
Feb 11, 2019
I waited a long time to read this book, but it was still well worth the wait. In typical Rose fashion, she disregards the practical advice of her friends and family to try and help those she cares about most. Embarking on a road trip around the eastern United States, she searches for the clues to the missing Dragomir heir, all the while growing closer to the newly-Moroi Demitri. All the while, Lissa navigates the intricacies of the Royal Court and deals with being thrust into the running for the new Queen.
All the recognizable faces from throughout the series make an appearance in the final book, as any good series finale would do. All but one of the loose ends were resolved decently, such as dealing with the problem of the Dashkov brothers.
The trials that Lissa goes through to be declared a valid candidate for Queen were interesting in that they forced her to rely on only herself and tested her inner strength and resolve. They showed a maturity in her that goes far beyond her young 18 years.
Of course, the biggest anticipation for me was the final outcome of who would end up with Rose - Dimitri or Adrian. While at first I disliked Adrian, he seemed to prove his worthiness to me throughout the series. The road trip, though, forces Dimitri to heal from his memories as Strigoi and face some things about himself. Without giving away Rose's choice, I am happy with it, though I feel sorry for the man that got left behind. The promise of the spin-off series, Bloodlines, centered around the Alchemist Sydney, gives me hope that he will find someone who matches him better than Rose did.
The ending answers my own question of what the title was referring to, though it was a bit predictable. I am thrilled about the outcome of the Queen's replacement, and I really hope that the spin-off series will also show some of the new Queen's life. What was not predictable for me was the revelation of who murdered the previous queen - I made the same assumption early on as most of Rose's allies did, and I was just as surprised as they were over who really did it - and I'm still kind of disappointed, since I liked the character responsible and I feel as betrayed as many of the others did by the news. When the characters can feel that real, I know it's good writing.
All the recognizable faces from throughout the series make an appearance in the final book, as any good series finale would do. All but one of the loose ends were resolved decently, such as dealing with the problem of the Dashkov brothers.
The trials that Lissa goes through to be declared a valid candidate for Queen were interesting in that they forced her to rely on only herself and tested her inner strength and resolve. They showed a maturity in her that goes far beyond her young 18 years.
Of course, the biggest anticipation for me was the final outcome of who would end up with Rose - Dimitri or Adrian. While at first I disliked Adrian, he seemed to prove his worthiness to me throughout the series. The road trip, though, forces Dimitri to heal from his memories as Strigoi and face some things about himself. Without giving away Rose's choice, I am happy with it, though I feel sorry for the man that got left behind. The promise of the spin-off series, Bloodlines, centered around the Alchemist Sydney, gives me hope that he will find someone who matches him better than Rose did.
The ending answers my own question of what the title was referring to, though it was a bit predictable. I am thrilled about the outcome of the Queen's replacement, and I really hope that the spin-off series will also show some of the new Queen's life. What was not predictable for me was the revelation of who murdered the previous queen - I made the same assumption early on as most of Rose's allies did, and I was just as surprised as they were over who really did it - and I'm still kind of disappointed, since I liked the character responsible and I feel as betrayed as many of the others did by the news. When the characters can feel that real, I know it's good writing.
Bong Mines Entertainment (15 KP) rated Suicidal Since 1995 by Ängie in Music
Jun 7, 2019
Ängie is an electric-pop singer from Stockholm, Sweden. Not too long ago, she released an explosive debut EP, entitled, “Suicidal Since 1995”.
Ängie – “Dope”
The 7-track project begins with the boomin’ lead single, “Dope”, produced by Canto. Everything about this song is dope, down to the title. Also, it’s hypnotizing frequency is so addictive that it has clocked well over a quarter of a million views on YouTube, and that’s within a month of its release.
The artist described “Dope” as a love song where she confuses love with the rush for music and drugs. In the music video, she performs among various vices including drugs, vehicles, and animals.
The second song, “Boss”, is a flirtatious ditty about foreplay in the back of a vehicle. It’s straight to the point, hot, and steamy. Also, it’s a remake of Lana Del Rey’s “You Can Be the Boss”, from the singer’s “Unreleased” album.
Not too long ago, we covered the third track, “Here For My Habits”, which is also the second single from Suicidal Since 1995.
“Here For My Habits”
On the song, Ängie talks about her sexual-invitation experiences with dealers from her past. She explains how some of them tried to hit on her, some even falling in love with her.
The fourth track, “We Run”, is a song about a drug-induced nighttime romance, perpetrated in the dark or secrecy. But when the sun comes up, the hypnotic-tranced lovers run for cover.
The fifth track, “2013”, speaks about living young, wild, and free. Also, lyrics of hiding from cops and papa indicates a certain level of paranoia due to probably smoking too much bomb weed and drinking alcoholic beverages. Then a deep thought sinks in, “18, I can’t believe where the time’s gone?”
The sixth track, “Coke Ain’t Brain”, takes the volume up another notch. The song speaks of someone being addicted to Mary Jane (marijuana) and now they’re trapped to a ball and chain with Charlie (cocaine) stuffed in their nose.
The seventh song, “Venus in Fur”, is laidback, trancey, with a backdrop made of fluffy pillows. When the singer sings, “I am tired, I am weary. I could sleep for a thousand years,” listeners might find themselves under her spell.
Overall, “Suicidal Since 1995” is a solid debut project worth listening to. It has replay value and we highly recommend adding it to your music library.
https://www.bongminesentertainment.com/angie-suicidal-since-1995/
Ängie – “Dope”
The 7-track project begins with the boomin’ lead single, “Dope”, produced by Canto. Everything about this song is dope, down to the title. Also, it’s hypnotizing frequency is so addictive that it has clocked well over a quarter of a million views on YouTube, and that’s within a month of its release.
The artist described “Dope” as a love song where she confuses love with the rush for music and drugs. In the music video, she performs among various vices including drugs, vehicles, and animals.
The second song, “Boss”, is a flirtatious ditty about foreplay in the back of a vehicle. It’s straight to the point, hot, and steamy. Also, it’s a remake of Lana Del Rey’s “You Can Be the Boss”, from the singer’s “Unreleased” album.
Not too long ago, we covered the third track, “Here For My Habits”, which is also the second single from Suicidal Since 1995.
“Here For My Habits”
On the song, Ängie talks about her sexual-invitation experiences with dealers from her past. She explains how some of them tried to hit on her, some even falling in love with her.
The fourth track, “We Run”, is a song about a drug-induced nighttime romance, perpetrated in the dark or secrecy. But when the sun comes up, the hypnotic-tranced lovers run for cover.
The fifth track, “2013”, speaks about living young, wild, and free. Also, lyrics of hiding from cops and papa indicates a certain level of paranoia due to probably smoking too much bomb weed and drinking alcoholic beverages. Then a deep thought sinks in, “18, I can’t believe where the time’s gone?”
The sixth track, “Coke Ain’t Brain”, takes the volume up another notch. The song speaks of someone being addicted to Mary Jane (marijuana) and now they’re trapped to a ball and chain with Charlie (cocaine) stuffed in their nose.
The seventh song, “Venus in Fur”, is laidback, trancey, with a backdrop made of fluffy pillows. When the singer sings, “I am tired, I am weary. I could sleep for a thousand years,” listeners might find themselves under her spell.
Overall, “Suicidal Since 1995” is a solid debut project worth listening to. It has replay value and we highly recommend adding it to your music library.
https://www.bongminesentertainment.com/angie-suicidal-since-1995/
Movie Metropolis (309 KP) rated Pan (2015) in Movies
Jun 11, 2019
Where's the magic? Where's the sparkle?
The mesmerising story of Peter Pan has been told by numerous directors, playwrights and novelists over the years with Disney’s brilliant animation being one of the highlights in a series of standout moments.
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Kristy H (1252 KP) rated The Precious One in Books
Feb 13, 2018
I've loved Marisa de los Santos since I read "Love Walked In" 8 or so years ago. She has a lovely, poetic way with words and "The Precious One" doesn't disappoint there. It's told in the alternating voices of two sisters: Taisy, a grown woman, who has always wondered why her domineering father, Wilson, was never a true father to her, and who has been basically estranged from him since 18, and Willow, her 16-year-old half sister, Wilson's pride and joy.
After Wilson suffers a heart attack, he summons for Taisy and her twin, Marcus. Only Taisy -- still longing for the fatherly approval she could never attain-- comes. There she learns that Wilson wants her to write a book about his scholarly life. As she embarks on that quest, she learns more than she bargained for about her father, her halfsister, her stepmother, and herself.
Here's the thing about this book. Much of it is incredibly implausible. It's kind of insanely implausible. There's a line where Willow, who is truly this pure, kind child of 16, after being isolated her entire life by her father, is talking to a school friend and asking how anyone could possibly be so nice. That's how I feel about half the characters in the book. Willow, said friend, Luka, Taisy... we also meet Taisy's high school boyfriend, Ben, whom she abandoned when the Wilson craziness happiness. Even he's amazingly nice.
They're all so kind and amazing and introspective. Well, except for Wilson, who is a completely horrible person: even after you learn about his past, he's just an ass.
But it doesn't matter if the characters seem a little too nice, or things happen a little to easily. There's definitely adversity, and poor Willow is certainly put through the wringer in a short period in this book. You find yourself rooting for her (she's just so nice, dammit) and Taisy (she's just so feisty and kind, dammit!) and for their relationship(s). There's also a beautiful moment, where things sort of come full circle, and you find yourself amazed about de los Santos' writing all over again.
It's a pretty book, and a romantic book, and a slightly improbable book, but still a good read nonetheless. Rated 4 stars here, probably truly a 3.5 rating (there's a little de los Santos nostalgia that goes into that rating).
Note: I received a free ebook copy of this novel from Edelweiss in return for a honest review.
After Wilson suffers a heart attack, he summons for Taisy and her twin, Marcus. Only Taisy -- still longing for the fatherly approval she could never attain-- comes. There she learns that Wilson wants her to write a book about his scholarly life. As she embarks on that quest, she learns more than she bargained for about her father, her halfsister, her stepmother, and herself.
Here's the thing about this book. Much of it is incredibly implausible. It's kind of insanely implausible. There's a line where Willow, who is truly this pure, kind child of 16, after being isolated her entire life by her father, is talking to a school friend and asking how anyone could possibly be so nice. That's how I feel about half the characters in the book. Willow, said friend, Luka, Taisy... we also meet Taisy's high school boyfriend, Ben, whom she abandoned when the Wilson craziness happiness. Even he's amazingly nice.
They're all so kind and amazing and introspective. Well, except for Wilson, who is a completely horrible person: even after you learn about his past, he's just an ass.
But it doesn't matter if the characters seem a little too nice, or things happen a little to easily. There's definitely adversity, and poor Willow is certainly put through the wringer in a short period in this book. You find yourself rooting for her (she's just so nice, dammit) and Taisy (she's just so feisty and kind, dammit!) and for their relationship(s). There's also a beautiful moment, where things sort of come full circle, and you find yourself amazed about de los Santos' writing all over again.
It's a pretty book, and a romantic book, and a slightly improbable book, but still a good read nonetheless. Rated 4 stars here, probably truly a 3.5 rating (there's a little de los Santos nostalgia that goes into that rating).
Note: I received a free ebook copy of this novel from Edelweiss in return for a honest review.
Kristy H (1252 KP) rated Inheriting Edith in Books
Feb 13, 2018
Maggie falls into a job housecleaning as a way to pay the bills. A college graduate, her work at a publishing firm barely lets her eke by. But she finds comfort in cleaning, even if it might not be the most glamorous trade in the world. Still, as a single mom, she's not exactly wealthy. So when a former employer and friend, Liza, passes away and leaves Maggie a home in a beach town, Sag Harbor, she's amazed. The only catch? Maggie must stay in the house with Liza's elderly mother, Edith, who is in the early stages of Alzheimer's. She's also a feisty, opinionated woman who is reeling from the loss of her only daughter. Neither Maggie nor Edith are too happy with this arrangement, but Maggie moves in with two-year-old Lucy in town. Slowly the two woman learn more about each other-- and their past.
This is an interesting little novel. The characters within are enjoyable and endearing. I took to Maggie immediately, as well as her sweet daughter. Even prickly Edith is one to root for. The supporting cast, particularly Edith's friend, Esther, are lovely. Still, somehow, the novel felt a little flat to me. As if it was trying too hard, or conversely, not enough. The book was good, but felt a little predictable, and the plot seemed to just barely scrape at the surface of the hard issues it dealt with: depression, Alzheimer's, adoption. It seemed like there could have been so much more depth of feeling and intensity shown in dealing with these hard subjects. I kept thinking back on one of my all-time favorite books, [b:Elizabeth Is Missing|18635113|Elizabeth Is Missing|Emma Healey|https://images.gr-assets.com/books/1388883559s/18635113.jpg|24946905], which is just this gorgeous, heartfelt story of a woman struggling with Alzheimer's and the daughter caring for her. In that novel, you could truly feel the pain of the characters. Here, they just sort of slide through, as if all these real problems can't truly touch them.
Still, it was a fun book, and as I said, the characters are endearing and often humorous at times. There is a lot of backstory that goes into Edith's early life, which is interesting, even if some of it becomes a tad farfetched. I'm glad I read it, but I wish it would have done more with its serious subjects and its lovely little cast. 3.5 stars.
I received a copy of this novel from the publisher and Librarything - thank you! It is available everywhere as of 10/18/2016.
This is an interesting little novel. The characters within are enjoyable and endearing. I took to Maggie immediately, as well as her sweet daughter. Even prickly Edith is one to root for. The supporting cast, particularly Edith's friend, Esther, are lovely. Still, somehow, the novel felt a little flat to me. As if it was trying too hard, or conversely, not enough. The book was good, but felt a little predictable, and the plot seemed to just barely scrape at the surface of the hard issues it dealt with: depression, Alzheimer's, adoption. It seemed like there could have been so much more depth of feeling and intensity shown in dealing with these hard subjects. I kept thinking back on one of my all-time favorite books, [b:Elizabeth Is Missing|18635113|Elizabeth Is Missing|Emma Healey|https://images.gr-assets.com/books/1388883559s/18635113.jpg|24946905], which is just this gorgeous, heartfelt story of a woman struggling with Alzheimer's and the daughter caring for her. In that novel, you could truly feel the pain of the characters. Here, they just sort of slide through, as if all these real problems can't truly touch them.
Still, it was a fun book, and as I said, the characters are endearing and often humorous at times. There is a lot of backstory that goes into Edith's early life, which is interesting, even if some of it becomes a tad farfetched. I'm glad I read it, but I wish it would have done more with its serious subjects and its lovely little cast. 3.5 stars.
I received a copy of this novel from the publisher and Librarything - thank you! It is available everywhere as of 10/18/2016.