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Eilidh G Clark (177 KP) rated The Portrait of Mr W.H. in Books

May 14, 2017

The Portrait of Mr W.H.

Oscar Wilde | 2014 | Fiction & Poetry

8.0

(1 Ratings)

Book Rating

Quick read. Great insight into the Victorian fin de siecle . Great suspence. (0 more)

Too quick. I wanted more. (0 more)

. As a paradox to the realism and ethics of the period, decadent writers, artists, and poets challenged a society that strove for a standard in public discourse.

First published in 1889, Oscar Wilde’s The Portrait of Mr W.H., is a short story about the efforts of three characters trying to discover the identity of Shakespeare’s Mr W.H. ; the dedicatee of his many sonnets. Wilde’s novel is a prime example of decadent literature and aestheticism, which, as a result, challenges the Victorian ideals of moral decency and public rectitude. The author uses paradox in the novel to present a theory that contradicts the conservative critics of Shakespeare’s sonnets.

Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.

On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.

Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.