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Blood Communion: A Tale of Prince Lestat (The Vampire Chronicles, #13)
7.7
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The Vampire Chronicles continue with a riveting, rich saga--part adventure, part suspense--of Prince...
Vampire horror
Blackberry Wine
7.3
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Like her well-received 1999 novel, Chocolat, Harris's latest outing unfolds around the arrival of an...
France
ClareR (5721 KP) rated The Second Sight of a Zachary Cloudesley in Books
Nov 11, 2023
I don’t quite know how I can write anything about this book and still do it justice! It’s a wide sweeping novel, that takes the reader from a clockmakers in London to Constantinople.
Starting in 1754, Zachary is born on the day that his mother dies. His father, Abel, loves him fiercely, and wants to always do his best for him, which brings a Mrs Grace Morley and her baby daughter Leonora into their lives. She’s a strong, forceful woman who is to leave an impression on everyone that meets her.
After a near-fatal accident leaves Zachary blind in one eye, his father sends him to live part of the year with his Aunt Frances. This is another strong, independent woman who is determined to make Zachary the son she never had. She sees in Zachary the gift that his mother had: the ability to read people and see inside to their hopes, wishes and dreams - and also their not-so-positive thoughts.
Abel finds himself forced to go to Constantinople, and Zachary begins to have visions that send him on a chase across Europe to find his father after he loses contact with him.
The descriptions of London, Frances’ house and land, and those of Constantinople are rich and detailed - I could have been there. I was gripped from the first page, immersed in an 18th century world where lives were at stake and a boy had to be brave to save the life of his father. I loved Aunt Frances and Tom, Abel’s apprentice, who both join the Cloudesley’s in Constantinople.
The love between the characters is bright and clear, and their losses are the readers losses as well (I cried). This is historical fiction, an adventure story with a dash of fantasy and the love of family and good friends.
Highly recommended.
Starting in 1754, Zachary is born on the day that his mother dies. His father, Abel, loves him fiercely, and wants to always do his best for him, which brings a Mrs Grace Morley and her baby daughter Leonora into their lives. She’s a strong, forceful woman who is to leave an impression on everyone that meets her.
After a near-fatal accident leaves Zachary blind in one eye, his father sends him to live part of the year with his Aunt Frances. This is another strong, independent woman who is determined to make Zachary the son she never had. She sees in Zachary the gift that his mother had: the ability to read people and see inside to their hopes, wishes and dreams - and also their not-so-positive thoughts.
Abel finds himself forced to go to Constantinople, and Zachary begins to have visions that send him on a chase across Europe to find his father after he loses contact with him.
The descriptions of London, Frances’ house and land, and those of Constantinople are rich and detailed - I could have been there. I was gripped from the first page, immersed in an 18th century world where lives were at stake and a boy had to be brave to save the life of his father. I loved Aunt Frances and Tom, Abel’s apprentice, who both join the Cloudesley’s in Constantinople.
The love between the characters is bright and clear, and their losses are the readers losses as well (I cried). This is historical fiction, an adventure story with a dash of fantasy and the love of family and good friends.
Highly recommended.
Hazel (1853 KP) rated The Winner's Curse (The Winner's Trilogy, #1) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Winner’s Curse</i> is the first book in the <i>Winner’s Trilogy</i> by American author Marie Rutkoski. It is a novel that mixes together rumours, lies, love and warfare to create an incredible new story for young adults.
It is set in a similar society to that of the 18th century or earlier (in Europe at least) except that for women there are only two lifestyles. By the age of twenty they must decide whether to marry or join the military. By women, that means Valorian women. Ever since the defeat of the Herrani during the Herran war many years ago, the Valorian have made them slaves and looked down on them, whilst seizing their lavish properties and enforcing Valorian customs.
The title, <i>The Winner’s Curse</i>, is a concept that relates to the winner of an auction. Whilst they have won the item they have also lost by paying out more money than other bidders felt it was worth. This is what happens to seventeen-year-old Lady Kestrel, a Valorian, when, with an unexplainable impulse, she hires Arin, a Herrani slave, for an extortionate amount of money. Put to work as a blacksmith, Arin becomes intrigued with Kestrel, and she with him, and they soon start to form a friendship – although rumours suggest something more.
It is not, however, simply the cost of a slave that <i>The Winner’s Curse</i> refers to. The Herrani are planning an attack on the Valorian Empire, and Kestrel being a General’s daughter could unknowingly reveal vital information. The emergence of a second Herran war is imminent, but Kestrel and Arin’s relationship complicate things further.
Whilst similar to other novels with lovers belonging to opposing families, it is more original regarding the circumstances, secrets and lies, which makes, not just the characters, but the reader question what their true feelings and intentions are.
It is an excellent, fast paced read, and definitely recommended.
<i>The Winner’s Curse</i> is the first book in the <i>Winner’s Trilogy</i> by American author Marie Rutkoski. It is a novel that mixes together rumours, lies, love and warfare to create an incredible new story for young adults.
It is set in a similar society to that of the 18th century or earlier (in Europe at least) except that for women there are only two lifestyles. By the age of twenty they must decide whether to marry or join the military. By women, that means Valorian women. Ever since the defeat of the Herrani during the Herran war many years ago, the Valorian have made them slaves and looked down on them, whilst seizing their lavish properties and enforcing Valorian customs.
The title, <i>The Winner’s Curse</i>, is a concept that relates to the winner of an auction. Whilst they have won the item they have also lost by paying out more money than other bidders felt it was worth. This is what happens to seventeen-year-old Lady Kestrel, a Valorian, when, with an unexplainable impulse, she hires Arin, a Herrani slave, for an extortionate amount of money. Put to work as a blacksmith, Arin becomes intrigued with Kestrel, and she with him, and they soon start to form a friendship – although rumours suggest something more.
It is not, however, simply the cost of a slave that <i>The Winner’s Curse</i> refers to. The Herrani are planning an attack on the Valorian Empire, and Kestrel being a General’s daughter could unknowingly reveal vital information. The emergence of a second Herran war is imminent, but Kestrel and Arin’s relationship complicate things further.
Whilst similar to other novels with lovers belonging to opposing families, it is more original regarding the circumstances, secrets and lies, which makes, not just the characters, but the reader question what their true feelings and intentions are.
It is an excellent, fast paced read, and definitely recommended.
The First Iron Lady: A Life of Caroline of Ansbach
Book
Often compared to Catherine the Great or Elizabeth I, Caroline of Ansbach is the great queen Britain...
LeftSideCut (3778 KP) rated Sleepy Hollow (1999) in Movies
Apr 20, 2020 (Updated Apr 20, 2020)
Sleepy Hollow is one of those films that I will always love. I first saw it when I was 13, when DVDs were still pretty new, and I would watch it over and over again.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
Deep Thinking: Where Machine Intelligence Ends and Human Creativity Begins
Book
In May 1997, the world watched as Garry Kasparov, the greatest chess player in the world, was...
computing technology science biography
Between the Sunset and the Sea: A View of 16 British Mountains
Book
'I watched the mirror for a last view, for now, of the frozen mountains of Glen Coe. As the road...
Bob Mann (459 KP) rated Love And Friendship (2016) in Movies
Sep 29, 2021
Beckinsale excels in a comic tale of Girl Power in the 1790’s.
Set in 1790, Kate Beckinsale plays Lady Susan Vernon, an 18th century cuckoo-like ‘MILF’ (actually, more ‘LILF’, but using the ‘Lady’ term loosely) who with her glamourous demeanor is lusted after by both younger beaus as well as married aristocracy: an example being Lord Manwaring (Lochlann O’Mearáin).
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
The Treasure of Rigmore House (Betwixt the Sea and Shore #3)
8.0
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An heiress forced to choose a husband by her next birthday. A former selkie bent on revenge. Can...
Historical Fantasy Romance