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Mark @ Carstairs Considers (2084 KP) rated The Proof of the Pudding in Books
Nov 9, 2023
Of Poison Gardens and Poisonous Dinner Parties
Lady Georgie has hired a new chef from France, and he is a hit in the community. In fact, Georgie’s neighbor, Sir Mortimer Mordred, has hired him to provide the dinner at the end of the open house he is hosting to show off his poison garden. The next morning, a few of the guests are sick, and one dies. Could Georgie’s chef be a poisoner?
As is usual for this series, the book takes a while to set the story in motion, but once it does, I was hooked. Georgie gets a fun new sleuthing partner that I loved. The climax, while a little unconventional, works well for this book and answers all of our questions. It was great to see the series regulars again and see them continue to grow. Meanwhile, the new characters are great. We get some funny scenes and reminders of what was going on in Europe in the 1930’s. While the two are very different in tone, they are balanced perfect. I enjoyed this latest entry in the series, and fans will as well.
As is usual for this series, the book takes a while to set the story in motion, but once it does, I was hooked. Georgie gets a fun new sleuthing partner that I loved. The climax, while a little unconventional, works well for this book and answers all of our questions. It was great to see the series regulars again and see them continue to grow. Meanwhile, the new characters are great. We get some funny scenes and reminders of what was going on in Europe in the 1930’s. While the two are very different in tone, they are balanced perfect. I enjoyed this latest entry in the series, and fans will as well.
ClareR (5589 KP) rated The Paris Library in Books
Mar 2, 2021
The Paris Library tells the story of the occupation of Paris from a different point of view - that of the librarians. Historical fiction is one of my favourite genres, books are my favourite things, so it was a pretty safe bet that I’d enjoy this book!
In 1930’s - 1940’s Paris, we follow Odile, a young woman who wants to be a librarian in the American Library. She gets her dream job - much to her parents dismay. She meets and falls in love with a young police officer, but life begins to get much more difficult when the Germans invade France, occupying Paris. Odile’s twin brother is imprisoned in a camp after he is captured on the front, and her Jewish subscribers at the library are forbidden from going there. Odile’s wartime experiences are fascinating to read about, and I really enjoyed these flashbacks.
We also meet Lily in the 1980’s - Odile’s neighbour in the small Montana town that they both live in. They become good friends when Lily decides that she wants to write a school report about France during the Occupation. Odile teaches Lily to speak French, and they share a love of books. Odile becomes a grandmotherly figure in Lily’s life, and I loved the relationship between the two of them.
I found this book so interesting: when I was reading about Lily, I was desperate to know what would happen in the next Paris flashback, and when I was reading about Odile’s Paris, I wanted to know what would happen to Lily in her next section. I would say that this is the sign of a good book!
The Parisian sections weren’t gratuitously violent - in fact the Nazi heading the library department of the invading forces seemed to be a reasonable man. It’s made clear that the characters don’t like the Germans, and we’re told that Jews go missing, but the German’s themselves are very low key. This is about Odile’s experience, and Lily’s life in the 80’s. And the power of books.
The bravery of the Parisian librarians was admirable, especially as they could have been imprisoned or killed if their acts of resistance had ever been revealed.
I wouldn’t hesitate to recommend this book - it was a pleasure to read.
In 1930’s - 1940’s Paris, we follow Odile, a young woman who wants to be a librarian in the American Library. She gets her dream job - much to her parents dismay. She meets and falls in love with a young police officer, but life begins to get much more difficult when the Germans invade France, occupying Paris. Odile’s twin brother is imprisoned in a camp after he is captured on the front, and her Jewish subscribers at the library are forbidden from going there. Odile’s wartime experiences are fascinating to read about, and I really enjoyed these flashbacks.
We also meet Lily in the 1980’s - Odile’s neighbour in the small Montana town that they both live in. They become good friends when Lily decides that she wants to write a school report about France during the Occupation. Odile teaches Lily to speak French, and they share a love of books. Odile becomes a grandmotherly figure in Lily’s life, and I loved the relationship between the two of them.
I found this book so interesting: when I was reading about Lily, I was desperate to know what would happen in the next Paris flashback, and when I was reading about Odile’s Paris, I wanted to know what would happen to Lily in her next section. I would say that this is the sign of a good book!
The Parisian sections weren’t gratuitously violent - in fact the Nazi heading the library department of the invading forces seemed to be a reasonable man. It’s made clear that the characters don’t like the Germans, and we’re told that Jews go missing, but the German’s themselves are very low key. This is about Odile’s experience, and Lily’s life in the 80’s. And the power of books.
The bravery of the Parisian librarians was admirable, especially as they could have been imprisoned or killed if their acts of resistance had ever been revealed.
I wouldn’t hesitate to recommend this book - it was a pleasure to read.
RəX Regent (349 KP) rated Snow White and the Seven Dwarfs (1937) in Movies
Mar 7, 2019
Darker than you might expect...
Contains spoilers, click to show
The first of Walt Disney's historic features was a pleasure to watch. Beautifully animated with deceptively gentle strokes, we are delicately guided through the Brothers Grimm's fairy tale. But this is still a fairy tale and a 1930′s film, made at a time where stories were not so toned down for our children, and a healthy dose of fear and horror was not shied away from.
Snow White is definitely a ditsy princess, so innocent that her counter has to be the personification of pure evil and she certainly is. The Queen, represents some of our darkest emotions, and there is little effort to tone this down, which I liked, a lot. She is evil, driven by her vain jealously to firstly attempt to have Snow White murdered, and then failing that, to poison her into a narcoleptic state and have her buried alive! Is this what you now think of a s Disney film, with a U rating? No, but thanks to this and the following films successes, this is a prized classic and untouchable. I think that this is a true family movie, with as much darkness as there is light, with some great musical numbers, indelible characters and an animation style which is truly timeless.
I mean this is a musical which was made in Technicolor less than ten years after the innovation of sound was introduced to black and white films. This is a film which children feel a part of and don't even compare to black and white's of the same era, which of course, they hate and don't feel are real.
Hats off to Walt, who I must admit, I've never really been a fan of, but I'm working my way through his classics and am liking what I am seeing so far.
Snow White is definitely a ditsy princess, so innocent that her counter has to be the personification of pure evil and she certainly is. The Queen, represents some of our darkest emotions, and there is little effort to tone this down, which I liked, a lot. She is evil, driven by her vain jealously to firstly attempt to have Snow White murdered, and then failing that, to poison her into a narcoleptic state and have her buried alive! Is this what you now think of a s Disney film, with a U rating? No, but thanks to this and the following films successes, this is a prized classic and untouchable. I think that this is a true family movie, with as much darkness as there is light, with some great musical numbers, indelible characters and an animation style which is truly timeless.
I mean this is a musical which was made in Technicolor less than ten years after the innovation of sound was introduced to black and white films. This is a film which children feel a part of and don't even compare to black and white's of the same era, which of course, they hate and don't feel are real.
Hats off to Walt, who I must admit, I've never really been a fan of, but I'm working my way through his classics and am liking what I am seeing so far.
Kristina (502 KP) rated Infinity + One in Books
Dec 7, 2020
Oh my gosh, I absolutely loved this book! I had read Amy's 'Making Faces' and wasn't a big fan, so I was a little apprehensive when I started reading Infinity + One. Thankfully, I'm not the type to base an opinion on one experience, because I would have missed out on the awesomeness that is Bonnie and Clyde. When it started out, I was drawn in by the overwhelming emotions Bonnie felt. Though connecting the infamous Bonnie and Clyde to the current duo is made before we're even introduced to the two, I was immediately curious as to how their story would pan out compared to the 1930's couple. I didn't miss the parallel: where Bonnie and Clyde, circa 1930, had brought death and destruction, Bonnie and Clyde, circa 2014, brought kindness and love. Despite being infuriated that Bonnie refused to contact her family or the police for so long, which only made their situation worse, I started to feel sorry for her, because it seemed like everything she did only screwed things up more. I was enraptured from the beginning, both fearing and longing for the end. I took Clyde's perspective on how their road trip would turn out, especially because the "old" Bonnie and Clyde's death was so central to the story.
**Spoiler Alert**
I'm so happy the ending was the complete opposite of what really happened 80 years ago. All the twists and turns given by the media had me confused and, for the most part, I assumed Bonnie's grandmother was throwing in a few false accusations and even setting things up to make the story more appalling, so I was truly shocked when it was revealed that Hank was behind most of the unexplained charges. My favorite part, though, was when William spoke on the television about his dream of Minnie and Fish. I literally got chills as I read that part. Honestly, if someone had told me something like that happened in reality, I'd accuse them of being a liar or a fool, but for a book (where I can suspend my beliefs), I thought it was perfect.
**Spoiler Alert**
I'm so happy the ending was the complete opposite of what really happened 80 years ago. All the twists and turns given by the media had me confused and, for the most part, I assumed Bonnie's grandmother was throwing in a few false accusations and even setting things up to make the story more appalling, so I was truly shocked when it was revealed that Hank was behind most of the unexplained charges. My favorite part, though, was when William spoke on the television about his dream of Minnie and Fish. I literally got chills as I read that part. Honestly, if someone had told me something like that happened in reality, I'd accuse them of being a liar or a fool, but for a book (where I can suspend my beliefs), I thought it was perfect.
Whatchareadin (174 KP) rated The Incidental Spy in Books
Apr 9, 2019
In the mid 1930's, Lena comes to Chicago in the United States to escape what was happening to Jews in Germany at the time. Quickly she learns English and get a job at the local University in the Physics Department. This is where she meets her husband, Karl. After his tragic death, Lena has to find a way to support herself and her young son. When she meets Hans and agrees to work with him she feels she has no other choice in order to survive and protect her family.
I wasn't sure where this book was going to take me, but I'm glad I was along for the ride. What would you do if you were faced with a situation where either choice seemed like the wrong answer? If I was faced with the same predicament, I can't say that I wouldn't have chosen the same as Lena. If you say no, you could lose your family, if you say yes, you can lose a whole lot more. Lena is brave and stoic in her efforts to keep her and her son alive. She finds help in unlikely sources and is able to keep herself and her son safe in the process.
Libby Fischer Hellmann writes a great story that keeps the reader hooked from the start. I can't wait to read more by this author.
I wasn't sure where this book was going to take me, but I'm glad I was along for the ride. What would you do if you were faced with a situation where either choice seemed like the wrong answer? If I was faced with the same predicament, I can't say that I wouldn't have chosen the same as Lena. If you say no, you could lose your family, if you say yes, you can lose a whole lot more. Lena is brave and stoic in her efforts to keep her and her son alive. She finds help in unlikely sources and is able to keep herself and her son safe in the process.
Libby Fischer Hellmann writes a great story that keeps the reader hooked from the start. I can't wait to read more by this author.
Sean Farrell (9 KP) rated To Kill a Mockingbird in Books
Mar 15, 2018
I think it's safe to assume that most people know this book is about a girl named Scout Finch growing up in the American south of the 1930's as it still deals with racism. Seeing as the book is primarily about the experiences of a young girl, the parts about Atticus Finch defending a black man at trial, while important to the plot, are not nearly as prominent as some might recall from having read the book at school, myself included. Still, it's always an interesting book, full of remembrances of youthful activities that are likely to stir up at least an occasional moment of fond nostalgia among most people. While there is a lot that is very specific to the south in here, the principal themes are pretty universal; growing up, our relationships with & views of our families, learning to deal with society's expectations for us, and of course, just how messed up that society can often be. It may perhaps paint a slightly too rosy picture of the way things were at the time, but the inherent optimism fits in with the perspective from which it's being told. It's very hard not to be moved by this book. Whether it wants you to feel joy, suspense, or sorrow, it does a masterful job of bending you to its will. A true American classic.
ClareR (5589 KP) rated Miss Aldridge Regrets in Books
Nov 13, 2023
Miss Aldridge Regrets is a great murder mystery set on board the Queen Mary en route to New York in the 1930’s. And boy, does Miss Aldridge have some regrets!
When a man claiming to be the fixer for a man that her father used to work with in New York appears and offers her the Broadway role of a lifetime, Lena Aldridge can’t refuse. Especially as the husband of her best friend has died in rather unusual circumstances and she could easily be dragged into the aftermath.
Whilst on board the Queen Mary, Lena meets the Abernathy’s, a very wealthy American family. But all is not as it seems, and soon murder is committed on board, and Lena is left thinking that she is in danger too.
This is a novel dripping in glamour, and Lena isn’t always comfortable with that. She comes from a very different background. Everyone seems to be very accepting of her and her ‘Italian’ looks, but if the truth comes out to the Americans, her standing could be changed in an instant.
This was fast paced, and left me guessing up to the last page. The book ends with Lena in New York, so I’m looking forward to the next book to see just what she gets up to, and whether she will actually return to England.
When a man claiming to be the fixer for a man that her father used to work with in New York appears and offers her the Broadway role of a lifetime, Lena Aldridge can’t refuse. Especially as the husband of her best friend has died in rather unusual circumstances and she could easily be dragged into the aftermath.
Whilst on board the Queen Mary, Lena meets the Abernathy’s, a very wealthy American family. But all is not as it seems, and soon murder is committed on board, and Lena is left thinking that she is in danger too.
This is a novel dripping in glamour, and Lena isn’t always comfortable with that. She comes from a very different background. Everyone seems to be very accepting of her and her ‘Italian’ looks, but if the truth comes out to the Americans, her standing could be changed in an instant.
This was fast paced, and left me guessing up to the last page. The book ends with Lena in New York, so I’m looking forward to the next book to see just what she gets up to, and whether she will actually return to England.
Bethy (8 KP) rated To Kill a Mockingbird in Books
May 13, 2019
Set in 1930's America, yet timeless and relatable
If I told you this book is written from the viewpoint of a child you might think it to be immature and frivolous.
If you skimmed the surface a suppose you could see it that way - you're guided through the everyday life of Jean Louise and her family, playing with her brother, petty school issues and fights.
It's an easy read because we can all relate to this little tom boy, from getting annoyed at being told what to wear, getting muddy in the yard, being excited about cake baked by the neighbours.
You find yourself rolling along with the kids, enjoying some nostalgia, only to realise an abundance of adult issues have been cleverly addressed throughout, racism, segregation, nazis, rape, death, drug abuse, isolation and loss.
The more you consider this concept, the more you realise how well written this book is! You feel safe, you are with the innocent and constantly told "it's not time to worry yet", all the while you are facing some of the worst human kind has to offer.
When you realise this you are left with a longing for the naivety of the young, an admiration for their ability to have everything made better with curling up on your father's lap and actually believing someone when they say "it's not time to worry yet".
Despite the adult content and melancholy, this book leaves you feeling warm and hopeful for the human condition.
If you skimmed the surface a suppose you could see it that way - you're guided through the everyday life of Jean Louise and her family, playing with her brother, petty school issues and fights.
It's an easy read because we can all relate to this little tom boy, from getting annoyed at being told what to wear, getting muddy in the yard, being excited about cake baked by the neighbours.
You find yourself rolling along with the kids, enjoying some nostalgia, only to realise an abundance of adult issues have been cleverly addressed throughout, racism, segregation, nazis, rape, death, drug abuse, isolation and loss.
The more you consider this concept, the more you realise how well written this book is! You feel safe, you are with the innocent and constantly told "it's not time to worry yet", all the while you are facing some of the worst human kind has to offer.
When you realise this you are left with a longing for the naivety of the young, an admiration for their ability to have everything made better with curling up on your father's lap and actually believing someone when they say "it's not time to worry yet".
Despite the adult content and melancholy, this book leaves you feeling warm and hopeful for the human condition.
Mark @ Carstairs Considers (2084 KP) rated Murder at the Palace in Books
Jun 14, 2019
First Days are Murder
When Nora Paige’s movie star husband is caught having an affair with a co-star, she decides it is time to start over. Fortunately, Nora’s friend Robbie needs someone to manage the Palace Theater up in San Francisco. However, Nora’s first day doesn’t go as planned. She’s barely met the staff when she finds a dead body in the backup ice maker in the basement. Naturally, she doesn’t recognize the victim, but none of the staff know who he is either. Could his murder be tied to the death of the previous manager? And, if that shock weren’t enough, Nora starts to see a hallucination that just might be the ghost of an usherette named Trixie from the 1930’s. Is Nora going crazy? Can she figure out what is going on?
Since I rarely do paranormal cozies, I almost skipped this book, but I was so drawn to the classic movies theme that I had to give it a try. I’m very glad I did because it was fun. While we find the body early on, the set up, including introducing Trixie to the mix, does slow thing down at the beginning, but there is a strong mystery for Nora to solve. Nora, Trixie, and the rest of the cast are a hoot, and I can’t wait to hang out with all of them again. And there is plenty of talk about old movies. While I haven’t seen many of the movies mentioned yet, the discussion certainly made me want to fix that. I’m already buying my ticket for the next entry in this series.
Since I rarely do paranormal cozies, I almost skipped this book, but I was so drawn to the classic movies theme that I had to give it a try. I’m very glad I did because it was fun. While we find the body early on, the set up, including introducing Trixie to the mix, does slow thing down at the beginning, but there is a strong mystery for Nora to solve. Nora, Trixie, and the rest of the cast are a hoot, and I can’t wait to hang out with all of them again. And there is plenty of talk about old movies. While I haven’t seen many of the movies mentioned yet, the discussion certainly made me want to fix that. I’m already buying my ticket for the next entry in this series.
BankofMarquis (1832 KP) rated The Sting (1973) in Movies
Mar 29, 2020
On my list of All Time Favorite Films
I'll come right out and say it - the 1973 Academy Award winning film for Best Picture, THE STING, is one of the greatest films of all time. It's well written, well acted, well directed with a memorable musical score and characters, situations, costumes and set design that become richer over time and through repeated viewings.
Set in Chicago in the gangster-ridden, depression era mid-1930's, THE STING tells the tale of two con man who join forces for the ultimate con of a vile N.Y. Gangster who is responsible for killing a friend of theirs.
From everything I have read about it, the script by David S. Ward (who won an Oscar for his work) arrived pretty much finished. He shaped the story of the con men - and the myriad pieces of misdirection - fully before shopping it around to the studios. Universal jumped all over it and tabbed veteran Director George Roy Hill (BUTCH CASSIDY AND THE SUNDANCE KID) to helm the picture. Hill - being no dummy - saw this as a vehicle to re-team Newman and Redford (stars of Butch Cassidy) and the rest...as they say...is history.
Newman and Redford are perfectly cast as veteran grifter Henry Gondorff (Newman) and up and coming grifter Johnny Hooker (Redford). They have an ease of playing off of each other - each one complimenting the other one - both giving in their scenes with the other one which makes the scenes more rich and alive. They are joined by a veritable "who's who" of late '60's/early '70's character actors - Harold Gould, Eileen Brennan, Charles Durning, Ray Walston and Dana Elcar - all of them bring their "A" game and they are fun to watch. Special notice should be made to Robert Earl Jones (father of James Earl Jones) as Luther, the character who's fate propels the plot forward.
But...none of this would work if you didn't have a "bad guy" that was interesting to watch - and to root against - and bad guys don't get much better...and badder...than Robert Shaw's Doyle Lonnegan. Shaw plays Lonnegan as a physically tough boss who doesn't suffer failure, but is smart enough to avoid obvious traps. He is a worthy adversary of Gondorff and Hooker's and it is fun to watch Newman, Redford and Shaw play off each other. One other note - it was with this performance that Universal recommended Shaw to young Director Stephen Spielberg for his "shark flick" JAWS.
Edith Head won her 8th (and last) Oscar for the magnificent period costumes in this film and Marvin Hamlisch won for the Music - a surprising hit on the pop charts of re-channeled Scott Joplin tunes. The set design won an Oscar - as did the Director, George Roy Hill. All in all, the film won 7 out of the 11 Oscars it was nominated for (Redford was nominated for Best Actor, but did not win).
THE STING is a well crafted film. One that tells a timeless story and that stands the test of time as a testament of how great of an achievement in film this is. It is one of my All Time favorites.
Letter Grade: the rare A+
5 stars (out of 5) and you can take that to the Bank(ofMarquis)
Set in Chicago in the gangster-ridden, depression era mid-1930's, THE STING tells the tale of two con man who join forces for the ultimate con of a vile N.Y. Gangster who is responsible for killing a friend of theirs.
From everything I have read about it, the script by David S. Ward (who won an Oscar for his work) arrived pretty much finished. He shaped the story of the con men - and the myriad pieces of misdirection - fully before shopping it around to the studios. Universal jumped all over it and tabbed veteran Director George Roy Hill (BUTCH CASSIDY AND THE SUNDANCE KID) to helm the picture. Hill - being no dummy - saw this as a vehicle to re-team Newman and Redford (stars of Butch Cassidy) and the rest...as they say...is history.
Newman and Redford are perfectly cast as veteran grifter Henry Gondorff (Newman) and up and coming grifter Johnny Hooker (Redford). They have an ease of playing off of each other - each one complimenting the other one - both giving in their scenes with the other one which makes the scenes more rich and alive. They are joined by a veritable "who's who" of late '60's/early '70's character actors - Harold Gould, Eileen Brennan, Charles Durning, Ray Walston and Dana Elcar - all of them bring their "A" game and they are fun to watch. Special notice should be made to Robert Earl Jones (father of James Earl Jones) as Luther, the character who's fate propels the plot forward.
But...none of this would work if you didn't have a "bad guy" that was interesting to watch - and to root against - and bad guys don't get much better...and badder...than Robert Shaw's Doyle Lonnegan. Shaw plays Lonnegan as a physically tough boss who doesn't suffer failure, but is smart enough to avoid obvious traps. He is a worthy adversary of Gondorff and Hooker's and it is fun to watch Newman, Redford and Shaw play off each other. One other note - it was with this performance that Universal recommended Shaw to young Director Stephen Spielberg for his "shark flick" JAWS.
Edith Head won her 8th (and last) Oscar for the magnificent period costumes in this film and Marvin Hamlisch won for the Music - a surprising hit on the pop charts of re-channeled Scott Joplin tunes. The set design won an Oscar - as did the Director, George Roy Hill. All in all, the film won 7 out of the 11 Oscars it was nominated for (Redford was nominated for Best Actor, but did not win).
THE STING is a well crafted film. One that tells a timeless story and that stands the test of time as a testament of how great of an achievement in film this is. It is one of my All Time favorites.
Letter Grade: the rare A+
5 stars (out of 5) and you can take that to the Bank(ofMarquis)