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Blast of Silence (1961)
Blast of Silence (1961)
1961 | Crime, Drama, Thriller
(0 Ratings)
Movie Favorite

"One of my favorite mini-genres is the B crime movie from the late fifties and early sixties. It was a unique period in American cinema that gave birth to these half-cocked, no-budget movies that were made by some visionary filmmakers. They’re all super raw and gritty, very existential, and absolutely innovative in technique. It’s no wonder that the French New Wave filmmakers all discovered them and ripped them off (I’m looking at you, Jean-Pierre Melville). Movies like Don Siegel’s The Lineup and Irving Lerner’s Murder by Contract (both of which have popped up on the new Criterion Channel recently!) embody this subgenre, but the high point for me is Allen Baron’s Blast of Silence, which seems to grow in stature every year. It’s hard to describe it. Imagine if Orson Welles was a crazed junkie on the Bowery in the late 1950s and somehow conned someone out of $20k to make a bleak movie about a hit man. It’s sorta part Point Blank, part Taxi Driver, part Shadows, and it’s as hardboiled as they come. It’s also one of the great New York City movies, with amazing time-capsule photography in all the boroughs and near pristine documentary coverage of streets. The Criterion disc also unearthed another absolute gem: a 1990 documentary in which Baron visits all the locations from the film. Oh, and the Criterion cover art, by comic artist Sean Phillips, is maybe my favorite cover! And the edition also includes a graphic novel based on the film! (Damn, should I have put this first?)"

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Night of the Living Dead (1968)
Night of the Living Dead (1968)
1968 | Horror
Acting (4 more)
Soundtrack
Characters
Ending
Genuinely Frightening
Fight Scenes (0 more)
Almost the perfect horror movie!
This film is basically a horror masterpiece, with it's only downside being some of the worst movie punches I've ever seen near the ending. These are barely worth mentioning but this is the only downside I could find apart from all the clichés, which this movie invented anyway, so you can hardly count that against it!

The story is of course typical, but with a little bit of a science-fiction element I wasn't aware of, so that was a nice surprise! But it is worth mentioning the small, enclosed setting which makes the film all that much scarier and makes it a genuinely frightening movie.

All of the actors played their parts to perfection, and the perfect blend of different character traits among the 6 main characters provides the film with another layer of horror.




The soundtrack is beautiful. An unusual score consisting of strings, horns and synthesisers, all at different times. It is reminiscent of 1950s and early 1960s Kaiju films.

Finally, the ending. The ending is a masterpiece, and certainly not the typical zombie ending. I'll leave it there to leave the "surprise" intact.

Overall, apart from the aforementioned punches, a total masterpiece, and I can't wait to watch Dawn of the Dead when it arrives!

P.S. The original quality of the film is quite poor, but the 4K remaster is stunning, so I definitely recommend the Criterion Collection 4K remaster as the film quality is dramatically improved.
  
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David McK (3425 KP) rated 11.22.63 in Books

Oct 31, 2022  
11.22.63
11.22.63
Stephen King | 2012 | Horror, Science Fiction/Fantasy, Thriller
6
8.8 (47 Ratings)
Book Rating
I don't know why, but for some reason I've never really taken to Stephen King's novels all that much.

I don't know whether that's because he's best known as a horror writer (with that being my least favourite genre), or whether because as a UK native I don't have quite the same cultural touchstones as King himself (or other American readers/writers), but there you have it.

(And, as an aside, I find that date format of 11.22.63 to be very disconcerting - I'm more used to dd/mm/yy i.e. 22/11/63 instead of 11.22.63)

Anyway, with all that said, I decided to give this a chance after it was recommended to me by a friend as 'a bit like Quantum Leap. I would have thought it was right up your street' (and I'm paraphrasing there somewhat).

I can see where he was coming from - this is a time travel novel, after all, here dealing with the JFK assassination - with the hero of the piece out to stop that assassination after finding a 'wormhole' back in time to the late 1950s.

Now that I've read it, I can say that it is definitely immersive with some solid world building, but boy does the middle section draaagggg: I was tempted, at one point, to just skip forward a good chunk (I didn't) to see if anything of note would happen ...

In short? Enjoyable enough, yes, but not enough to make me want to change my outlook on other King novels.
  
The Eagle of the Ninth
The Eagle of the Ninth
6
6.0 (2 Ratings)
Book Rating
So, this is history (and told in the foreword of this novel): Sometime about the year AD 117, the Roman Ninth Legion marched north to deal with an uprising among the Caledonian tribes (in what is now Scotland), and were never heard of again. Also, nearly eighteen hundred years later during excavations at Silchester, a wingless Roman Eagle was dug up, buried under the fields.

But how did it come to be there?

While no-one knows for certain, those 2 facts together form the starting point for this story, which sees the son of the last commander of said Legion traveling North 'beyond the [Hadrians] wall' to search for and return said Eagle after his partial recovery from his laming during an attack on his outpost, and after he hears rumours of an Imperial Eagle in the Celts hands.

He is accompanied on this journey by his freed slave, whom he had previously (before the journey, during his recovery) rescued from the Arena.

While I had previously seen the 2011 film of the same name, I'd actually never read the source material before, so was unable to say how truly it stuck to the same.

Now I have, and I have to say: said movie does stick remarkably close, even if not entirely faithfully. the book, I found, could be a bit slow at times, and also tended to gloss over the less pleasant (shall we say) aspects of Roman society, with the Romans largely portrayed as civilized as compared to the uncouth Barbarians.

But then again, this is -supposedly - a children's book, and also a product of its time (first published, remember, in the 1950s).