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On the Road
8.5
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Book
Five decades after it was first published, Jack Kerouac's seminal Beat novel On the Road finally...
Rational Action: The Sciences of Policy in Britain and America, 1940-1960
Book
During World War II, the Allied military forces faced severe problems integrating equipment,...
Jeremy Workman recommended Blast of Silence (1961) in Movies (curated)
Careers For Women
Book
New York in the late 1950s. A city, and a world, on the cusp of change… Maggie Gleason is...
Fiction gender studies
The Conscience of the Folk Revival: The Writings of Israel 'Izzy' Young
Book
Israel G. “Izzy” Young was the proprietor of the Folklore Center in Greenwich Village from the...
The Forgiving Kind
Book
In this masterful new novel, set in 1950s North Carolina, the acclaimed author of The Road to...
Otway93 (580 KP) rated Night of the Living Dead (1968) in Movies
Oct 1, 2022
Acting (4 more)
Soundtrack
Characters
Ending
Genuinely Frightening
Almost the perfect horror movie!
This film is basically a horror masterpiece, with it's only downside being some of the worst movie punches I've ever seen near the ending. These are barely worth mentioning but this is the only downside I could find apart from all the clichés, which this movie invented anyway, so you can hardly count that against it!
The story is of course typical, but with a little bit of a science-fiction element I wasn't aware of, so that was a nice surprise! But it is worth mentioning the small, enclosed setting which makes the film all that much scarier and makes it a genuinely frightening movie.
All of the actors played their parts to perfection, and the perfect blend of different character traits among the 6 main characters provides the film with another layer of horror.
The soundtrack is beautiful. An unusual score consisting of strings, horns and synthesisers, all at different times. It is reminiscent of 1950s and early 1960s Kaiju films.
Finally, the ending. The ending is a masterpiece, and certainly not the typical zombie ending. I'll leave it there to leave the "surprise" intact.
Overall, apart from the aforementioned punches, a total masterpiece, and I can't wait to watch Dawn of the Dead when it arrives!
P.S. The original quality of the film is quite poor, but the 4K remaster is stunning, so I definitely recommend the Criterion Collection 4K remaster as the film quality is dramatically improved.
The story is of course typical, but with a little bit of a science-fiction element I wasn't aware of, so that was a nice surprise! But it is worth mentioning the small, enclosed setting which makes the film all that much scarier and makes it a genuinely frightening movie.
All of the actors played their parts to perfection, and the perfect blend of different character traits among the 6 main characters provides the film with another layer of horror.
The soundtrack is beautiful. An unusual score consisting of strings, horns and synthesisers, all at different times. It is reminiscent of 1950s and early 1960s Kaiju films.
Finally, the ending. The ending is a masterpiece, and certainly not the typical zombie ending. I'll leave it there to leave the "surprise" intact.
Overall, apart from the aforementioned punches, a total masterpiece, and I can't wait to watch Dawn of the Dead when it arrives!
P.S. The original quality of the film is quite poor, but the 4K remaster is stunning, so I definitely recommend the Criterion Collection 4K remaster as the film quality is dramatically improved.
I don't know why, but for some reason I've never really taken to Stephen King's novels all that much.
I don't know whether that's because he's best known as a horror writer (with that being my least favourite genre), or whether because as a UK native I don't have quite the same cultural touchstones as King himself (or other American readers/writers), but there you have it.
(And, as an aside, I find that date format of 11.22.63 to be very disconcerting - I'm more used to dd/mm/yy i.e. 22/11/63 instead of 11.22.63)
Anyway, with all that said, I decided to give this a chance after it was recommended to me by a friend as 'a bit like Quantum Leap. I would have thought it was right up your street' (and I'm paraphrasing there somewhat).
I can see where he was coming from - this is a time travel novel, after all, here dealing with the JFK assassination - with the hero of the piece out to stop that assassination after finding a 'wormhole' back in time to the late 1950s.
Now that I've read it, I can say that it is definitely immersive with some solid world building, but boy does the middle section draaagggg: I was tempted, at one point, to just skip forward a good chunk (I didn't) to see if anything of note would happen ...
In short? Enjoyable enough, yes, but not enough to make me want to change my outlook on other King novels.
I don't know whether that's because he's best known as a horror writer (with that being my least favourite genre), or whether because as a UK native I don't have quite the same cultural touchstones as King himself (or other American readers/writers), but there you have it.
(And, as an aside, I find that date format of 11.22.63 to be very disconcerting - I'm more used to dd/mm/yy i.e. 22/11/63 instead of 11.22.63)
Anyway, with all that said, I decided to give this a chance after it was recommended to me by a friend as 'a bit like Quantum Leap. I would have thought it was right up your street' (and I'm paraphrasing there somewhat).
I can see where he was coming from - this is a time travel novel, after all, here dealing with the JFK assassination - with the hero of the piece out to stop that assassination after finding a 'wormhole' back in time to the late 1950s.
Now that I've read it, I can say that it is definitely immersive with some solid world building, but boy does the middle section draaagggg: I was tempted, at one point, to just skip forward a good chunk (I didn't) to see if anything of note would happen ...
In short? Enjoyable enough, yes, but not enough to make me want to change my outlook on other King novels.
ClareR (5950 KP) rated The Book of Guilt in Books
Jul 17, 2025
I absolutely loved The Book of Guilt. I wasn’t quite sure what I was in for when I started: identical triplets in a children’s home with a distinctly 1950s feel to it, even though it’s set in the 1970s. I think that’s to do with the fact that there is an alternative history - WW2 does not go quite the same way.
Everything about the atmosphere in the home, from the three shift-working “Mothers” (Mother Morning, Mother Afternoon and Mother Night), to their lessons from the Book of Knowledge, to their dreams being recorded in the Book of Dreams and their misdemeanours in the Book of Guilt.
Life begins to change in the Sycamore Home, and as it does, it raises so many questions about the things that the boys have been told.
I couldn’t put this down, and read it in two days. It gave me Kazuo Ishiguro’s Never Let Me Go vibes (not too much of a spoiler!). The boys are regarded with suspicion and fear, which made me feel for them even more. The addition of the Minister for Loneliness (a great idea, by the way) added an outsiders view to the concept of the Sycamore Homes.
The writing is mesmerising, the characters are rounded and very human (regardless of other characters opinions), and both the setting, the plot, and the ending were just perfect.
This is only my second Catherine Chidgey novel (the first was Remote Sympathy, and that was also a top read for me), and I really need to read more!
Everything about the atmosphere in the home, from the three shift-working “Mothers” (Mother Morning, Mother Afternoon and Mother Night), to their lessons from the Book of Knowledge, to their dreams being recorded in the Book of Dreams and their misdemeanours in the Book of Guilt.
Life begins to change in the Sycamore Home, and as it does, it raises so many questions about the things that the boys have been told.
I couldn’t put this down, and read it in two days. It gave me Kazuo Ishiguro’s Never Let Me Go vibes (not too much of a spoiler!). The boys are regarded with suspicion and fear, which made me feel for them even more. The addition of the Minister for Loneliness (a great idea, by the way) added an outsiders view to the concept of the Sycamore Homes.
The writing is mesmerising, the characters are rounded and very human (regardless of other characters opinions), and both the setting, the plot, and the ending were just perfect.
This is only my second Catherine Chidgey novel (the first was Remote Sympathy, and that was also a top read for me), and I really need to read more!