The London DMS Bus
Book
Vilified as the great failure of all London Transport bus classes, the DMS family of Daimler...
Tripoli: A History
Book
It has been called a "Noble Possession", abused as "A Nest of Corsairs" and extolled as "The Pearl...
Before Pictures
Book
Douglas Crimp is the rare art critic whose work profoundly influenced a generation of artists. He is...
Aiming High: The Life of Ski and Travel Pioneer Erna Low
Mark Frary and Roger Lloyd Pack
Book
Erna Low, born in Vienna in 1909, was instrumental in starting what has become a multimillion pound...
They Can't Kill Us All: The Story of Black Lives Matter
Book
'A devastating front-line account of the police killings and the young activism that sparked one of...
Gustav Mahler: v.2: Wunderhorn Years - Chronicles and Commentaries
Book
A work of painstaking and imaginative scholarship presented in eminently readable language. MUSICAL...
The Biopolitics of Gender
Book
Winner, 2017 International Studies Association's Feminist Theory and Gender Studies Section Best...
Johnny Messias (25 KP) rated The Irishman (2019) in Movies
Oct 14, 2019
An extended cinematic love letter to some of the finest actors of the last 40 years, and to a bygone era of US history, The Irishman is reassuringly brilliant. Like the best Scorsese joints, its business is power brokers, mobsters and underground schemers, but often as a comedy of manners. De Niro anchors the story, yes as mob enforcer but also as a kind of killer Forrest Gump; “connected” to some key milestones in 1960s America; Bay of Pigs, Jimmy Hoffa’s teamsters, RFK, then later the shadow of Nixon. Famously, we see De Niro’s titular character Frank in his 20s, 30s, 40s, right up until the old age home. Scorsese uses computerised de-aging technology to achieve the effect make-up artists might have parlayed. It works well—mostly. What grips you and takes you in is the bravura acting. Al Pacino gives a wonderful performance as Jimmy Hoffa. He goes full “Pacino” with speeches and grandstanding but it is the lilt of this voice (all sing song) in quiet moments that makes this the best we’ve seen from Al in many a year. Joe Pesci as well. He’s kind of the centre of this world, as the mobster who links up De Niro to Pacino’s Hoffa. Pesci speaks quietly and carefully; you sense how much power he has without any of the violence that was trademark in his famous Casino and Goodfellas roles. Over nearly 3.5 hours (never seems long) what you get is a beautifully written, shot, edited and performed drama about loyalty, friendship and a creeping sense of regret. All with the backdrop of this fascinating period: JFK, Union movements, Cuba, Fidel Castro. It lingers long in the memory and it’s one to cherish, since we surely won’t see its like again.
When Broadway Went to Hollywood
Book
The Wizard of Oz, Gigi, Top Hat, High Society - some of the most popular movie musicals ever made...
Listen Again: A Momentary History of Pop Music
Book
Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint...