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Charlie Cobra Reviews (1840 KP) rated Cruella (2021) in Movies
Jun 2, 2021 (Updated Jun 3, 2021)
The Acting- great performances by both Emma Stone and Emma Thompson (2 more)
The costume designs and wardrobe were amazing to see
The soundtrack was phenomenal - great music
Original cartoon Cruella vs this Cruella (1 more)
The pacing was sparratic and movie ran a little too long
Part Devil Wears Prada, Part The Joker, Surprisingly Splendid
https://youtu.be/Ja_Cl-9IKNI
I have to say this movie really wasn't on the top of my list for "must watch" movies as much as I like Disney movies and Emma Stone as an actress (loved her in Superbad as Jules, lol) but I really liked this movie and it was really good. Emma Stone was fantastic as Estella/Cruella and this movie really came off as a mix of Devil Wears Prada and The Joker in my opinion. I wasn't sure if I was going to like it in the beginning because I was weary of the concept of them trying to turn this villain into a good guy or giving them a compelling reason for their "villainy" ways but I'm a sucker for revenge movies. I have to say it had me right away with what happens to her mother and It was "hook, line and sinker" for me and I was along for the ride. I like how the movie kept the characters of Jasper and Horace which if I remember correctly were the name of her two helpers the skinny and fat one from the cartoons who helped her steal all those puppies so that was pretty cool as well. I really can't say how much I loved the soundtrack for this movie, it was just hit after hit, song after song the whole way through the film. Lots of great oldie music from around the times that they movie was supposed to be set in which was 1970's. There were some issues that I had with the movie like how it portrays Cruella when she's so horrible in the cartoons, how the plot turns into a whole heist situation, and how it takes until the end of the movie to answer a lot of the questions that were building up the whole movie. The movie did have good things too, such as the acting being great, especially the performances by Emma Stone and Emma Thompson, the setting and time period fitting the story in 1970's London and the clothes and the fashion, not to mention the soundtrack that knocked it out of the park. I give this movie a 7/10, unfortunately it doesn't get my "must see" seal of approval and I wouldn't suggest shelling out $30 on top of your Disney Plus subscription to see this movie by yourself. However, if you plan on watching as a family it is definitely worth it to watch it in the comfort of your own home and not worry about movie theater etiquette or prices especially if you have young ones. If your not in a rush to watch it, I would wait until it becomes free to watch on Disney Plus which has been announced as Friday August 27th, so around 3 months. If you want to hear more of what I thought about the movie stick around for the spoiler section review.
-------------------------------------------------------
Spoiler Section Review:
https://youtu.be/PvPC_yAMwFQ
I guess my spoiler section review ran a little long so if your interested in what else I had to say check out the full review on my website or check out my spoiler section video on YouTube.
I have to say this movie really wasn't on the top of my list for "must watch" movies as much as I like Disney movies and Emma Stone as an actress (loved her in Superbad as Jules, lol) but I really liked this movie and it was really good. Emma Stone was fantastic as Estella/Cruella and this movie really came off as a mix of Devil Wears Prada and The Joker in my opinion. I wasn't sure if I was going to like it in the beginning because I was weary of the concept of them trying to turn this villain into a good guy or giving them a compelling reason for their "villainy" ways but I'm a sucker for revenge movies. I have to say it had me right away with what happens to her mother and It was "hook, line and sinker" for me and I was along for the ride. I like how the movie kept the characters of Jasper and Horace which if I remember correctly were the name of her two helpers the skinny and fat one from the cartoons who helped her steal all those puppies so that was pretty cool as well. I really can't say how much I loved the soundtrack for this movie, it was just hit after hit, song after song the whole way through the film. Lots of great oldie music from around the times that they movie was supposed to be set in which was 1970's. There were some issues that I had with the movie like how it portrays Cruella when she's so horrible in the cartoons, how the plot turns into a whole heist situation, and how it takes until the end of the movie to answer a lot of the questions that were building up the whole movie. The movie did have good things too, such as the acting being great, especially the performances by Emma Stone and Emma Thompson, the setting and time period fitting the story in 1970's London and the clothes and the fashion, not to mention the soundtrack that knocked it out of the park. I give this movie a 7/10, unfortunately it doesn't get my "must see" seal of approval and I wouldn't suggest shelling out $30 on top of your Disney Plus subscription to see this movie by yourself. However, if you plan on watching as a family it is definitely worth it to watch it in the comfort of your own home and not worry about movie theater etiquette or prices especially if you have young ones. If your not in a rush to watch it, I would wait until it becomes free to watch on Disney Plus which has been announced as Friday August 27th, so around 3 months. If you want to hear more of what I thought about the movie stick around for the spoiler section review.
-------------------------------------------------------
Spoiler Section Review:
https://youtu.be/PvPC_yAMwFQ
I guess my spoiler section review ran a little long so if your interested in what else I had to say check out the full review on my website or check out my spoiler section video on YouTube.
TravelersWife4Life (31 KP) rated Season of Hope in Books
Feb 24, 2021
<a href="https://travelingwife4life.wordpress.com/2020/08/15/season-of-hope-celebrate-lit">my link text</a>
Are you ready for a heart-searching, feel good, happily-ever-after type story? Well, then this is a book you definitely need to read! This is my first time reading a book by Carol James and I enjoyed the way she developed her story.
From the start, there is great tension and emotions between the characters without them being over the top or dramatic. They feel natural given the situation presented. Both Hope and her son were cute characters and I liked the conflicts between Hope and Josh. I felt they were very likely to happen to real people. The only thing I did not like was the way Hope’s son Mattie phrased things at times, it seemed like Carol James was trying to hard to get him to sound like a kid. Otherwise, I thought the characters were very well done.
The setting of this book takes place in a little Texas town near Fort Worth! I love all things Texas, and this was a fun addition to the storyline since I knew a couple of the places mentioned. The time period is set in the 1970’s right after the Vietnam War. I thought it was a unique timeline that I have not read very many books about. I truly enjoyed it.
I give the book 4 out of 5 stars for the creative characters, the interesting setting, and for the very prevalent aspects of finding faith and forgiveness.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Are you ready for a heart-searching, feel good, happily-ever-after type story? Well, then this is a book you definitely need to read! This is my first time reading a book by Carol James and I enjoyed the way she developed her story.
From the start, there is great tension and emotions between the characters without them being over the top or dramatic. They feel natural given the situation presented. Both Hope and her son were cute characters and I liked the conflicts between Hope and Josh. I felt they were very likely to happen to real people. The only thing I did not like was the way Hope’s son Mattie phrased things at times, it seemed like Carol James was trying to hard to get him to sound like a kid. Otherwise, I thought the characters were very well done.
The setting of this book takes place in a little Texas town near Fort Worth! I love all things Texas, and this was a fun addition to the storyline since I knew a couple of the places mentioned. The time period is set in the 1970’s right after the Vietnam War. I thought it was a unique timeline that I have not read very many books about. I truly enjoyed it.
I give the book 4 out of 5 stars for the creative characters, the interesting setting, and for the very prevalent aspects of finding faith and forgiveness.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
BankofMarquis (1832 KP) rated Gosford Park (2001) in Movies
Mar 24, 2020
Underneath it all...and Altman film
Do you like DOWNTON ABBEY? Do you like Agatha Christie Murder Mysteries? Do you like the 1970's British television series UPSTAIRS DOWNSTAIRS? If your answer to any of these questions is yes, then do I have a film for you.
GOSFORD PARK is an English Murder Mystery, set in the 1920's, featuring an All Star Cast, Directed by a 7 time Oscar nominee. It received critical acclaim in the year it was released (2001), earned 7 Oscar nominations (including Best Picture) and won the Oscar for Best Original Screenplay (Julian Fellowes...who would go on to create/write DOWNTON ABBEY).
Set in an English Country Manor, overseen by overbearing Lord William McCordle (Michael Gambon, the 2nd Albus Dumbledore in the Harry Potter films), GOSFORD PARK tells of the trials, tribulations, loves and death (yes, there's a murder) of a host of characters both Upstairs (the wealthy) and Downstairs (the servants).
And what a cast it is! Kristin Scott Thomas, Maggie Smith, Charles Dance, Jeremy Northam, Tom Hollander and Bob Balaban lead the group of the wealthy, while Helen Mirren, Alan Bates, Clive Owen, Kelly MacDonald, Eileen Atkins and Emily Watson head up the cast of servants below the stairs.
Both Maggie Smith and Helen Mirren were nominated for an Oscar for Best Supporting Actress for their work in this film (both losing to Jennifer Connelly for A BEAUTIFUL MIND).
Directed by Robert Altman (M*A*S*H, NASHVILLE), GOSFORD PARK is much of what you would expect from an Altman film...many, many people living their lives, sometimes intersecting with others, often times just going off on their own, tied together by the circumstances of being in this giant manor house on a weekend of a murder.
It is an ambitious, "Oscar bait" film that succeeds for the most part. And, if you are into the costumes, sets, Interior Design and intimate scenes of people talking, then you will be richly rewarded by this film.
I loved this film when it first came out and was anxiously looking forward to re-visiting it.
While I still liked it during this viewing, I did find the pacing to be languid and I started finding myself being frustrated by threads and character direction that just sort of petered out or ended all together with no real resolution. I know this was on purpose, for Altman would argue that this is what happens in real life, but I found this frustrating.
But this film has much, much going for it and if you haven't seen this - or haven't seen this in awhile - and are a fan of these types of films, then GOSFORD PARK will be a very rewarding 2 hours and 11 minutes of a movie going experience.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
GOSFORD PARK is an English Murder Mystery, set in the 1920's, featuring an All Star Cast, Directed by a 7 time Oscar nominee. It received critical acclaim in the year it was released (2001), earned 7 Oscar nominations (including Best Picture) and won the Oscar for Best Original Screenplay (Julian Fellowes...who would go on to create/write DOWNTON ABBEY).
Set in an English Country Manor, overseen by overbearing Lord William McCordle (Michael Gambon, the 2nd Albus Dumbledore in the Harry Potter films), GOSFORD PARK tells of the trials, tribulations, loves and death (yes, there's a murder) of a host of characters both Upstairs (the wealthy) and Downstairs (the servants).
And what a cast it is! Kristin Scott Thomas, Maggie Smith, Charles Dance, Jeremy Northam, Tom Hollander and Bob Balaban lead the group of the wealthy, while Helen Mirren, Alan Bates, Clive Owen, Kelly MacDonald, Eileen Atkins and Emily Watson head up the cast of servants below the stairs.
Both Maggie Smith and Helen Mirren were nominated for an Oscar for Best Supporting Actress for their work in this film (both losing to Jennifer Connelly for A BEAUTIFUL MIND).
Directed by Robert Altman (M*A*S*H, NASHVILLE), GOSFORD PARK is much of what you would expect from an Altman film...many, many people living their lives, sometimes intersecting with others, often times just going off on their own, tied together by the circumstances of being in this giant manor house on a weekend of a murder.
It is an ambitious, "Oscar bait" film that succeeds for the most part. And, if you are into the costumes, sets, Interior Design and intimate scenes of people talking, then you will be richly rewarded by this film.
I loved this film when it first came out and was anxiously looking forward to re-visiting it.
While I still liked it during this viewing, I did find the pacing to be languid and I started finding myself being frustrated by threads and character direction that just sort of petered out or ended all together with no real resolution. I know this was on purpose, for Altman would argue that this is what happens in real life, but I found this frustrating.
But this film has much, much going for it and if you haven't seen this - or haven't seen this in awhile - and are a fan of these types of films, then GOSFORD PARK will be a very rewarding 2 hours and 11 minutes of a movie going experience.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
ClareR (5561 KP) rated The Illustrated Child in Books
Oct 26, 2020
Romilly and her father Tobias move in to a run-down house in the countryside when she is 9 years old. Her father is an eccentric artist, and she doesn’t know anything about her mother. Later, Monty the cat joins Romilly and her friend Stacey on adventures in the local countryside, in what seems to be an idyllic childhood.
Tobias creates a series of beautifully illustrated books starring both Romilly and Monty, and their lives are changed. They find fame, as readers believe that the books are a kind of treasure hunt - which, incidentally, reminded me of the Kit Williams book, Masquerade, published in the late 1970’s. Strangers start to camp out in their garden, digging holes all over their land to find the treasure - meaning that Romilly is unable to leave the house.
Life changes again when Tobias’ behaviour becomes more and more erratic, Romilly’s mother comes back in to her life, and she meets her grandmother. Things seem to be continuously changing, and nothing is consistent - there’s no stability in Romilly’s life.
This book was not at all what I expected. It started out as something of an idyllic childhood, but as time went on, Romilly’s life is irrevocably changed. I felt so much sadness for her, and there were times when I was almost in tears (you might need a hanky!). This deals with some pretty serious themes: dementia, mental illness, death and child abuse. All the way through I was rooting for Romilly and hoping that she would get the help that she needed and deserved. This is such a beautifully written book, and I would have no hesitation in recommending it.
Many thanks to the publisher and NetGalley for my e-ARC.
Tobias creates a series of beautifully illustrated books starring both Romilly and Monty, and their lives are changed. They find fame, as readers believe that the books are a kind of treasure hunt - which, incidentally, reminded me of the Kit Williams book, Masquerade, published in the late 1970’s. Strangers start to camp out in their garden, digging holes all over their land to find the treasure - meaning that Romilly is unable to leave the house.
Life changes again when Tobias’ behaviour becomes more and more erratic, Romilly’s mother comes back in to her life, and she meets her grandmother. Things seem to be continuously changing, and nothing is consistent - there’s no stability in Romilly’s life.
This book was not at all what I expected. It started out as something of an idyllic childhood, but as time went on, Romilly’s life is irrevocably changed. I felt so much sadness for her, and there were times when I was almost in tears (you might need a hanky!). This deals with some pretty serious themes: dementia, mental illness, death and child abuse. All the way through I was rooting for Romilly and hoping that she would get the help that she needed and deserved. This is such a beautifully written book, and I would have no hesitation in recommending it.
Many thanks to the publisher and NetGalley for my e-ARC.
BankofMarquis (1832 KP) rated Airplane! in Apps
Mar 27, 2020
Holds Up Well
Doctor: Can you fly this plane, and land it?
Striker: Surely you can't be serious.
Doctor: I am serious... and don't call me Shirley.
And that, in a nutshell, is the humor to be found in the 1980 laugh-a-minute comedy AIRPLANE brought to us by the demented minds of David Zucker, Jim Abrahams and Jerry Zucker. If you haven't seen this flick in awhile - or if you have NEVER seen it - check it out, you'll be glad you did.
Parodying Disaster Movies that were all the rage in the 1970's, AIRPLANE tells the tale of an airliner who's flight crew is incapacitated by food poisoning and it is up to a Stewardess and her on again/off again former fighter pilot (fighting PTSD) boyfriend to land the plane and save the passengers.
And...along the way we have a hodgepodge of quirky, weird characters that are not afraid to sling a joke in a deadpan style. It is an unusual film to watch.
And...make sure you put your phone down and actually WATCH this film, for there is quite a bit of visual humor that you need to be paying attention to to catch it...humor such as...
Kramer: Steve, I want every light you can get poured onto that field.
Steve: Bein' done right now.
[On the runway, a truck dumps a full load of lamps onto the ground]
Also...the verbal humor needs to be paid attention to...
Doctor: What was it we had for dinner tonight?
Elaine: Well, we had a choice of steak or fish.
Doctor: Yes, yes, I remember, I had lasagna.
All of this delivered with a deadpan wink in the eye by such dramatic 1960's and '70's TV stalwarts as Leslie Nielsen, Lloyd Bridges and Robert Stack. Add to that the wholesome cuteness of leads Robert Hayes and Julie Hagerty with fun cameos by the likes of Kareem Abdul-Jabbar and Mrs. Cleaver herself, Barbara Billingsly ("Excuse me stewardess, I speak jive) and a fun time was had by all.
Finally, I would be remiss if I didn't single out the craziness of the character Johnny (Stephen Stucker). He flits in and out of this film (in some cases quite literally) throwing non-sequiturs at the screen that had me laughing out loud on my umpteenth viewing of this film. Non-sequiturs like...
Steve: Johnny, what can you make out of this?
[Hands him the weather briefing]
Johnny: This? Why, I can make a hat or a brooch or a pterodactyl...
This film gave myself and my family some much need yuks - even my "eye rolling" 19 year old College Freshman was heard guffawing out loud from time to time.
So...check out AIRPLANE - you'll be glad you did.
Letter Grade:: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Oh...and one other thing...
Kramer: Do you know what it's like to fall in the mud and get kicked... in the head... with an iron boot? Of course you don't, no one does. It never happens. Sorry, Ted, that's a dumb question... skip that...
Striker: Surely you can't be serious.
Doctor: I am serious... and don't call me Shirley.
And that, in a nutshell, is the humor to be found in the 1980 laugh-a-minute comedy AIRPLANE brought to us by the demented minds of David Zucker, Jim Abrahams and Jerry Zucker. If you haven't seen this flick in awhile - or if you have NEVER seen it - check it out, you'll be glad you did.
Parodying Disaster Movies that were all the rage in the 1970's, AIRPLANE tells the tale of an airliner who's flight crew is incapacitated by food poisoning and it is up to a Stewardess and her on again/off again former fighter pilot (fighting PTSD) boyfriend to land the plane and save the passengers.
And...along the way we have a hodgepodge of quirky, weird characters that are not afraid to sling a joke in a deadpan style. It is an unusual film to watch.
And...make sure you put your phone down and actually WATCH this film, for there is quite a bit of visual humor that you need to be paying attention to to catch it...humor such as...
Kramer: Steve, I want every light you can get poured onto that field.
Steve: Bein' done right now.
[On the runway, a truck dumps a full load of lamps onto the ground]
Also...the verbal humor needs to be paid attention to...
Doctor: What was it we had for dinner tonight?
Elaine: Well, we had a choice of steak or fish.
Doctor: Yes, yes, I remember, I had lasagna.
All of this delivered with a deadpan wink in the eye by such dramatic 1960's and '70's TV stalwarts as Leslie Nielsen, Lloyd Bridges and Robert Stack. Add to that the wholesome cuteness of leads Robert Hayes and Julie Hagerty with fun cameos by the likes of Kareem Abdul-Jabbar and Mrs. Cleaver herself, Barbara Billingsly ("Excuse me stewardess, I speak jive) and a fun time was had by all.
Finally, I would be remiss if I didn't single out the craziness of the character Johnny (Stephen Stucker). He flits in and out of this film (in some cases quite literally) throwing non-sequiturs at the screen that had me laughing out loud on my umpteenth viewing of this film. Non-sequiturs like...
Steve: Johnny, what can you make out of this?
[Hands him the weather briefing]
Johnny: This? Why, I can make a hat or a brooch or a pterodactyl...
This film gave myself and my family some much need yuks - even my "eye rolling" 19 year old College Freshman was heard guffawing out loud from time to time.
So...check out AIRPLANE - you'll be glad you did.
Letter Grade:: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Oh...and one other thing...
Kramer: Do you know what it's like to fall in the mud and get kicked... in the head... with an iron boot? Of course you don't, no one does. It never happens. Sorry, Ted, that's a dumb question... skip that...
RəX Regent (349 KP) rated We Own the Night (2007) in Movies
Feb 25, 2019
Crime movie for crime movie fans
Contains spoilers, click to show
This is a crime film for crime movie fans. It has it all, from sex, violence, wires and gritty hits. But at its heart is family, here driven by the two leads, Mark Wahlberg and Jequium Phoenix, reunited in yet another of James Grey's films. The tone is dark, with a realistic look as we are taken on trip back to 1988 and a fictional cop family, led by the Deputy Chief Of Police (NYPD) Robert Duvall, who is the father to Wahlberg's up and coming cop, with Phoenix's nightclub manager, who is not a criminal as such, but is a disappointment to his family.
As the trio become embroiled in an organised crime syndicate, they find themselves under a very personal attack and must take down the mob boss to save their lives. The problem with this film is that it plods its way through, lacking enough tension or high key performances to carry, what to me, should have been a taunt screenplay. Instead, it's a bit flat, with Phoenix's trademark sleepy performance. On the other hand, it's quite good, driven by real motivations and characters, is what saves this from 5/10 rating is a fantastically low-key car chase which looked and felt phenomenal, ending with tragedy which would drive the story in a more dubious direction.
Phoenix will end up being granted special dispensation to become a cop in order to track down the mobster, a plot point that I found to be a little far-fetched, though maybe this sort of thing has happened, I don't know but it just tipped the film over the edge of plausibility. I feel that We Own The Night, the motto of the now disbanded NYPD Street Crime Unit, which is headed up here by the fictional Captain Joseph Grusinsky (Wahlberg) thinks very highly of itself as a top quality crime drama, up there with the likes of The Godfather (1972) and Heat (1995), but it is not. It's good and better if you like the genre, but this is a film set in the late 80′s, made in the style of The Godfather light, which was a quintessential 1970′s movie. It needed to pack more of a punch or have some of the style which films such as those of Michael Mann or Martin Scorsese.
A decent story, good cinematography and noble effort but failed to blow me away.
As the trio become embroiled in an organised crime syndicate, they find themselves under a very personal attack and must take down the mob boss to save their lives. The problem with this film is that it plods its way through, lacking enough tension or high key performances to carry, what to me, should have been a taunt screenplay. Instead, it's a bit flat, with Phoenix's trademark sleepy performance. On the other hand, it's quite good, driven by real motivations and characters, is what saves this from 5/10 rating is a fantastically low-key car chase which looked and felt phenomenal, ending with tragedy which would drive the story in a more dubious direction.
Phoenix will end up being granted special dispensation to become a cop in order to track down the mobster, a plot point that I found to be a little far-fetched, though maybe this sort of thing has happened, I don't know but it just tipped the film over the edge of plausibility. I feel that We Own The Night, the motto of the now disbanded NYPD Street Crime Unit, which is headed up here by the fictional Captain Joseph Grusinsky (Wahlberg) thinks very highly of itself as a top quality crime drama, up there with the likes of The Godfather (1972) and Heat (1995), but it is not. It's good and better if you like the genre, but this is a film set in the late 80′s, made in the style of The Godfather light, which was a quintessential 1970′s movie. It needed to pack more of a punch or have some of the style which films such as those of Michael Mann or Martin Scorsese.
A decent story, good cinematography and noble effort but failed to blow me away.
ClareR (5561 KP) rated Space Hopper in Books
Feb 9, 2021
Space Hopper is a wonderful story about the love of mothers and daughters, loss, reconnection and time travel. Quite a mix there, and that’s exactly what drew me to this book.
Who, in Faye’s position, wouldn’t take the opportunity to visit someone they had loved and lost? What makes it all the more intriguing is the fact that this person is Faye’s mother. Although Faye is happily married with two young children, she feels a gap in her life - and the person she wants to fill that gap is her mother. But she died when Faye was 8 years old. When she accidentally steps inside the Space Hopper box that she has kept since childhood, that strength of feeling transports her back to the 1970’s and her childhood home.
This isn’t a book that you can rationalise, so it’s best not to, after all, it’s the strength of Faye’s feelings, I think, that take her back in time. It’s a very sad book at times, and if I was faced with Faye’s decision - to stay with my family or to see my mum after not seeing her for 30 years - I would be hard pressed to make the right choice. After all, what IS the right choice?
It does seem a little selfish of Faye to choose to go somewhere where she might not be able to return from, but there’s no doubting Faye’s love for her husband and children. But to be able to speak to her mum as an adult after so long - you can imagine how compelling that must have been for Faye.
I really enjoyed this, and I have so many thoughts about it that I could go on and on about it! It would make such a good book club book - there’s so much to discuss.
The writing is quite beautiful, and I cried at the end - I think that says it all, really.
Many thanks to The Pigeonhole for serialising this thought-provoking book.
Who, in Faye’s position, wouldn’t take the opportunity to visit someone they had loved and lost? What makes it all the more intriguing is the fact that this person is Faye’s mother. Although Faye is happily married with two young children, she feels a gap in her life - and the person she wants to fill that gap is her mother. But she died when Faye was 8 years old. When she accidentally steps inside the Space Hopper box that she has kept since childhood, that strength of feeling transports her back to the 1970’s and her childhood home.
This isn’t a book that you can rationalise, so it’s best not to, after all, it’s the strength of Faye’s feelings, I think, that take her back in time. It’s a very sad book at times, and if I was faced with Faye’s decision - to stay with my family or to see my mum after not seeing her for 30 years - I would be hard pressed to make the right choice. After all, what IS the right choice?
It does seem a little selfish of Faye to choose to go somewhere where she might not be able to return from, but there’s no doubting Faye’s love for her husband and children. But to be able to speak to her mum as an adult after so long - you can imagine how compelling that must have been for Faye.
I really enjoyed this, and I have so many thoughts about it that I could go on and on about it! It would make such a good book club book - there’s so much to discuss.
The writing is quite beautiful, and I cried at the end - I think that says it all, really.
Many thanks to The Pigeonhole for serialising this thought-provoking book.
Phillip McSween (751 KP) rated Swinging Safari (2019) in Movies
Oct 29, 2019
Whomp Whomp...
I was strongly hoping I had found a hidden gem in Swinging Safari. Not so much…Taking place in 70’s Australia, it follows the lives of three neighborhood families and how their lives swing out of control when they get a little too close.
Acting: 10
Beginning: 3
Characters: 5
There are some instances in movies where the characters alone are enough to carry the movie (see Everybody Wants Some!!). Not so much here. Outside of the two main characters, the rest of the cast was pretty unlovable. Their lack of redeeming qualities made it hard for me to root for anything good to happen to any of them. Typically when the characters suck, the rest of the movie isn’t far behind. Unless of course it’s an action movie…
Cinematography/Visuals: 10
I have no idea what 1970’s Australia looks like but I feel like I was right in the heart of it here. The way this movie captures certain scenes is pure magic and, in some case, extremely original. One scene in particular features all the adults inside playing games and drinking while the kids are outside doing daredevil stunts for a makeshift film. It’s hilarious watching the adults argue while the kids are trying to put out a fire…a fire they purposefully set upon one of the kids. Extremely well done.
Conflict: 5
It’s not that there wasn’t conflict here. It’s just that I didn’t really care enough about it for it to be substantial. Again, conflict against characters you don’t care about is tough for me to enjoy. I was looking for more, something more meaningful.
Entertainment Value: 5
The fun factor of this movie is few and far between. It has its moments, but overall, it feels very average. Dead Horse: Drab characters really put a damper on this movie as a whole.
Memorability: 6
I can honestly say that there are a couple of unique scenes that I’ve never seen before in any other movie. I don’t want to ruin things by diving too much into the dynamics, but there are some flashes of greatness here that I really appreciated. As a whole, the movie was more forgettable than anything.
Pace: 6
Plot: 1
Resolution: 10
I have to say, despite its flaws, this movie has one of my favorite endings of film. Without spoiling anything, we’ll just say it definitely goes out with a bang. It’s a glimpse of what the movie could have been as a whole.
Overall: 61
Swinging Safari sadly strikes out for me. Despite an endearing relationship between the two young characters and a few beautiful shots and setpieces, the movie has glaring holes that can’t be plugged up. I will have to look for my gem elsewhere.
Acting: 10
Beginning: 3
Characters: 5
There are some instances in movies where the characters alone are enough to carry the movie (see Everybody Wants Some!!). Not so much here. Outside of the two main characters, the rest of the cast was pretty unlovable. Their lack of redeeming qualities made it hard for me to root for anything good to happen to any of them. Typically when the characters suck, the rest of the movie isn’t far behind. Unless of course it’s an action movie…
Cinematography/Visuals: 10
I have no idea what 1970’s Australia looks like but I feel like I was right in the heart of it here. The way this movie captures certain scenes is pure magic and, in some case, extremely original. One scene in particular features all the adults inside playing games and drinking while the kids are outside doing daredevil stunts for a makeshift film. It’s hilarious watching the adults argue while the kids are trying to put out a fire…a fire they purposefully set upon one of the kids. Extremely well done.
Conflict: 5
It’s not that there wasn’t conflict here. It’s just that I didn’t really care enough about it for it to be substantial. Again, conflict against characters you don’t care about is tough for me to enjoy. I was looking for more, something more meaningful.
Entertainment Value: 5
The fun factor of this movie is few and far between. It has its moments, but overall, it feels very average. Dead Horse: Drab characters really put a damper on this movie as a whole.
Memorability: 6
I can honestly say that there are a couple of unique scenes that I’ve never seen before in any other movie. I don’t want to ruin things by diving too much into the dynamics, but there are some flashes of greatness here that I really appreciated. As a whole, the movie was more forgettable than anything.
Pace: 6
Plot: 1
Resolution: 10
I have to say, despite its flaws, this movie has one of my favorite endings of film. Without spoiling anything, we’ll just say it definitely goes out with a bang. It’s a glimpse of what the movie could have been as a whole.
Overall: 61
Swinging Safari sadly strikes out for me. Despite an endearing relationship between the two young characters and a few beautiful shots and setpieces, the movie has glaring holes that can’t be plugged up. I will have to look for my gem elsewhere.
BankofMarquis (1832 KP) rated All That Jazz (1979) in Movies
Oct 1, 2020
Full Blown Fosse (and that's a good thing)
After THE FRENCH CONNECTION, JAWS, MARATHON MAN and SORCERER (and, if I'm honest, JAWS II), my brother and I thought Roy Scheider was just about the toughest son-of-a-gun on the planet, so when he asked if I wanted to check out the latest "Roy Scheider flick", I jumped at the chance.
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated BlacKkKlansman (2018) in Movies
Aug 20, 2018
The first real Oscar contender of 2018
The first shot of the 2018 Oscar race has been fired and it is Spike Lee's BLACKkKLANSMAN. If you are an "Oscar completest" I highly recommend you check this film out as you will be hearing it's name called (probably many times) when the Oscar nominations are revealed.
But...is it a good film?
For the most part, yes.
Based on the incredible true story of Colorado Springs undercover office, Ron Stallworth, an African-American, who was able to infiltrate the KKK via the phone. He then needs a surrogate to keep the subterfuge up in face to face meetings.
In playing Stallworth, relative newcomer John David Washington (son of Denzel) shows that he has inherited at least some of his famous father's acting chops. His portrayal of Washington shows a conflicted man, determined to do his job while juggling his feelings and responsibilities of being a black man in early 1970's America.
Laura Harrier (Liz in SPIDERMAN: HOMECOMING) matches Washington beat for beat as Black activist - and potential love interest - Patrice Dumas who has razor-sharp focus on changing the plight of African Americans and drives Stallworth to thinking about more than just his job.
Other strong performances comes from Topher Grace (as KKK Head David Duke), Robert John Burke as Chief Bridges and Corey Hawkins in an extended cameo as Kwame Ture (aka 1960's Black Activist Stokely Carmichael). I really liked the passion and furvor Hawkins brought to this part.
But...the standout performance in this film comes from Adam Driver as the "white face" of Ron Stallworth to the KKK. He portrays Flip Zimmerman who has been constantly denying his Jewish heritage to pass as a WASP in this world and when he comes face to face with race hatred, he must confront his own inner feelings towards his own past. This is another strong performance by Driver (who is much, much more than just Kylo Ren) and I expect to hear his name called when Oscar nominations are announced.
But...good acting aside...this is a Spike Lee "joint" in all the ways (good and bad) that Spike Lee directs his films. There is a cleanliness in the way he drives the narrative never losing focus on what the main theme of the proceedings needs to be. He paints interesting pictures on the screen and crafts a strong, message picture that should be seen by all.
But...he does have a tendency to overplay his hand, hitting the audience over the head over and over again with his themes to the point of me wanting to say to the screen "all right already, I get it!". This knocks the film down just a hair.
But...that is the price of admission for a very good Spike Lee film, one that I highly recommend you see.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
But...is it a good film?
For the most part, yes.
Based on the incredible true story of Colorado Springs undercover office, Ron Stallworth, an African-American, who was able to infiltrate the KKK via the phone. He then needs a surrogate to keep the subterfuge up in face to face meetings.
In playing Stallworth, relative newcomer John David Washington (son of Denzel) shows that he has inherited at least some of his famous father's acting chops. His portrayal of Washington shows a conflicted man, determined to do his job while juggling his feelings and responsibilities of being a black man in early 1970's America.
Laura Harrier (Liz in SPIDERMAN: HOMECOMING) matches Washington beat for beat as Black activist - and potential love interest - Patrice Dumas who has razor-sharp focus on changing the plight of African Americans and drives Stallworth to thinking about more than just his job.
Other strong performances comes from Topher Grace (as KKK Head David Duke), Robert John Burke as Chief Bridges and Corey Hawkins in an extended cameo as Kwame Ture (aka 1960's Black Activist Stokely Carmichael). I really liked the passion and furvor Hawkins brought to this part.
But...the standout performance in this film comes from Adam Driver as the "white face" of Ron Stallworth to the KKK. He portrays Flip Zimmerman who has been constantly denying his Jewish heritage to pass as a WASP in this world and when he comes face to face with race hatred, he must confront his own inner feelings towards his own past. This is another strong performance by Driver (who is much, much more than just Kylo Ren) and I expect to hear his name called when Oscar nominations are announced.
But...good acting aside...this is a Spike Lee "joint" in all the ways (good and bad) that Spike Lee directs his films. There is a cleanliness in the way he drives the narrative never losing focus on what the main theme of the proceedings needs to be. He paints interesting pictures on the screen and crafts a strong, message picture that should be seen by all.
But...he does have a tendency to overplay his hand, hitting the audience over the head over and over again with his themes to the point of me wanting to say to the screen "all right already, I get it!". This knocks the film down just a hair.
But...that is the price of admission for a very good Spike Lee film, one that I highly recommend you see.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)