"A film of perfectly realized proportions about broken marriages and failed utopian ideals. Slyly understated and very funny, this portrait of a Swedish commune in the mid 1970s is filled with vivid, affectionately-drawn characters, incredibly sympathetic children, and, in the end, a profoundly moving final scene. When I have lost hope in humanity (which sadly occurs more frequently than I would like) I re-watch this stirringly beautiful film and feel my faith in the world restored."

"This is the lone book that doesn’t touch upon textile arts, but I would be remiss to not mention Princenthal’s exploration of the rise of gender-based art, born of an era of increased sexual violence against women. From Yoko Ono’s Cut Piece to Emma Sulkowicz’s 2014 piece Carry That Weight, Unspeakable Acts: Women, Art, and Sexual Violence in the 1970s looks at how women artists create work in response to living with the constant threat of sexual violence"