"Just as Metzl explains how seemingly pro-white policies are killing whites, Forman explains how blacks themselves abetted the mass incarceration of other blacks, beginning in the 1970s. Amid rising crime rates, black mayors, judges, prosecutors and police chiefs embraced tough-on-crime policies that they promoted as pro-black with tragic consequences for black America."

"As racial capitalism deprives black communities of resources, assimilationists ignore or gentrify these same spaces in the name of ‘development’ and ‘integration.’ To be antiracist is not only to promote equity among racial groups, but also among their spaces, something the black power movement of the 1960s and 1970s understood well, as Joseph’s chronicle makes clear."

"A masterpiece and one of the key achievements of 1970s New Hollywood—maybe only behind the Godfather films. Its mix of loving classicism, European influences, and ’70s permissiveness is jolting and desperately real. American small-town life has never been rendered with such empathy, unapologetic frankness, sadness, and despair. Timothy Bottoms’s performance is the most wrenching portrayal of male adolescence ever."

"I can’t help but include this book on any list I’d ever make of books I love. It is bewitching, playful, poetic, and really beautiful. Ingrid Caven looks like Marlene Dietrich and sings like Lotte Lenya. She was Fassbinder’s muse on film and Schuhl’s in life, and the book creates a fictive plane of reality in between all four, plus postwar German history, plus the 1970s."

"This novel, based on the story of King Lear and set in an Iowa farming community in the late 1970s, has a phenomenal narrator. Ginny never betrays her voice; she’s initially naive and always straightforward. Yet she manages to drop deft charges of insight on virtually every page. A devastating and gorgeous account of fathers and daughters, husbands and wives, toxic masculinity, corrosive secrets…and an abiding heroine."

"When, in the 1970s, I began to search for films made by women that would reflect feminist engagement with cinema at the time, Jeanne Dielman appeared as the perfect answer to a feminist cinephile’s dream. Akerman conjured up a world and a rhythm of life that had never appeared on the screen before, and did so with an extraordinary and radical beauty, political intelligence and mastery of both storytelling and filmmaking."