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M. Night Shyamalan recommended Jaws (1975) in Movies (curated)

Jaws (1975)

1975 | Thriller

8.4

(99 Ratings)

Movie Favorite Watch

"Jaws is the next poster on my wall, I’m staring at it right now. You are about to be introduced to, in my opinion, the greatest craftsman storyteller the cinema has ever seen and with a vehicle that had literally the perfect balance — and he brought that. It was [Steven Spielberg’s] balance of humor and artistry and the genre. It was the culminating of that balance. I screened that movie for my crew — I forgot which movie, two or three movies ago, and it’s just incredible to watch the balancing act of the humor. Roy Schieder’s trying to understand about what’s going on in the town about the shark and there’s this lady complaining to him about the kids that are karate chopping the fence. It’s genius because life moves on, and this is like real life. It’s the collision of a perfect story from the book with great sensibilities for entertainment and humor. Spielberg gets the precision of the craft and thinking about the shot with the me lieu of the time, and does in that docu-1970s style, which is my favorite time period in cinema ever."

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Neil Gaiman recommended If... (1968) in Movies (curated)

If... (1968)

1968 | Crime, Drama

7.5

(2 Ratings)

Movie Favorite

"""The first one would be Lindsay Anderson’s If… It’s a film that I love because it allows me sometimes try and explain what it was like to be a kid at an English Public School — I was a scholarship boy in the early 1970s — late ’60s where you were in — even though it’s set earlier than that and was made earlier than that — you were in a culture that hasn’t changed. I remember just watching it and suddenly feeling understood. Which was a completely new one for me. I’d be, you know, This is my world. It was like, OK, here is something Malcolm McDowell–starring, the idea of kids — while we didn’t actually shoot up the school in rebellion, it was the kind of strange stuffy environment that needed to come tumbling down, and I’d never seen that before depicted on film. For years I wondered about why some sequences were in black and white, and many years later I was reading an interview with Lindsey Anderson and discovered it was because they ran out of money for color film, so they just went over to black and white stock, which works in several places through the story."""

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Rowan Atkinson recommended This Is Spinal Tap (1984) in Movies (curated)

"I’ll start with This is Spinal Tap. It sort of took an American perspective to show the characters and the attitudes surrounding British rock bands in the 1970s and 1980s, which, I guess, was what it was supposed to be, and I just thought the characters drawn were so excellent. And yet, it was odd, because everyone involved was American. You’d think it’d be just the kind of thing that some British writers or comedians could’ve done better, but clearly we didn’t. And I thought Christopher Guest, et al., did it fantastically well. It’s just always a kind of reassuringly funny film. The best comedy is watching humans interact, and people with their own petty ambitions, and self delusions, and all that sort of stuff. And that movie is absolutely brim full of it. If they say that comedy is essentially exaggerated truth, that was almost the perfect exemplar of it, where it’s almost a documentary. Well, it is obviously a mockumentary, but you don’t have to exaggerate much for it to become inherently comic. So that’s kind of what it is. It’s a perfect exaggeration, but exaggerated not very much."

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ClareR (6054 KP) rated Kindred: A Graphic Novel Adaptation in Books

Sep 8, 2020

Kindred is the story of a black woman who is repeatedly transported from her 1970s apartment to Antebellum Maryland - and it’s not a place where any black person would really want to be.

I haven’t read the original novel, so I can’t compare them - but this is really good in its own right. It’s rich in both dialogue and artistry - the pictures are at times graphic (when Dana, the lead character, is whipped and her ensuing injuries), and there is talk of the white plantation owner raping ‘his’ slaves. Dana learns that her purpose is to keep the plantation owners son, Rufus, alive - which isn’t easy when he seems set on doing things that put his life in danger. Dana learns that Rufus is in fact her great great (great?) grandfather, and he has yet to sire the child that will ensure Dana’s existence.

This isn’t a book for the faint-hearted, and I’m so glad I’ve read it - all thanks go to my local library, who have started providing graphic novel ebooks. A graphic novel habit is an expensive one, so it’s great that they’re able to do this!