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Barry Lyndon (1975)
Barry Lyndon (1975)
1975 | Drama, History, War

"I think [Barry Lyndon is] the ultimate movie for men. I think it’s a classic story of how you go through life, and also, for me, it’s Kubrick’s most emotional film. I know everyone accused him of being very cold, but the last movement of that movie is, I think, piercing and just beautifully told. There’s kind of this inevitability of incident that starts happening at about an hour before Barry Lyndon ends. It’s breathtaking in terms of the narrative control along with the visual control of that movie. Even though it’s very different from the [William Makepeace] Thackeray novel it’s based on — the Thackeray book is actually funnier and kinda faster, [while] Kubrick makes it a little more glacial and stately — but it still is a phenomenally beautiful movie made at the height of the great American studio era. It’s really a pinnacle of 1970s American moviemaking. And I think Ryan O’Neal was incredibly poignant in that film. And the music? The sensory experience of seeing Barry Lyndon, you can’t really make those movies anymore. It’s not even in our DNA anymore. I don’t think the sensibility even exists to build movies like Barry Lyndon. And that’s just a huge loss."

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Awix (3310 KP) rated I, Claudius in TV

Aug 27, 2019 (Updated Aug 27, 2019)  
I, Claudius
I, Claudius
1976 | Biography, Comedy, Drama, History
It is entirely possible some modern viewers may take issue with this hugely acclaimed and influential drama simply because it was made entirely on videotape in TV studios, and some of the 1970s old-age make-up has not, well, aged well. I can't help but feel a bit sorry for these people, for this is one of the great TV treats of all time: the aged Emperor Claudius sits down to retell his family history, a horrifying tale of jealousy, lust, treachery, sexual perversion, murder, and insanity (quite how much of it is actually true is another issue).

A very unusual story by any standards: the main character isn't even born until well into the first episode, and the main villain dies of old age halfway through. Best to ignore the odd structure and enjoy the vicious black comedy the tale is dripping with, with an extraordinary cast making the most of a set of witty, sophisticated scripts. Hard to choose who shines the most: Brian Blessed is restrained as Augustus, Sian Phillips chilling as the psychopathic Livia, John Hurt hilarious and terrifying at the same time as the lunatic Caligula. Derek Jacobi carries the whole thing with warmth, wit and pathos. One of the masterpieces of TV drama.