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Brett Anderson recommended Low by David Bowie in Music (curated)

 
Low by David Bowie
Low by David Bowie
1977 | Rock
9.3 (4 Ratings)
Album Favorite

"I have a weird relationship with David Bowie. There's a part of me that didn't want to include him out of bloody-mindedness, not out of any disrespect to him but because I get sick of talking about David Bowie, what with all those comparisons we drew. People said that Suede were like a mixture of The Smiths and Bowie, when actually there are all these other comparisons that could have been made. But I can't get away from the fact that he is a huge influence on what I do, and you can't get away from the fact that he simply is one of the greatest artists of all time and he made some of the greatest music of the 1970s, and six or seven unbelievably good records. Low is just one of them, I could have chosen Hunky Dory, Space Oddity, Scary Monsters, Young Americans. But I've chosen Low because I love the mystery of it, even though it's not his best song album - there's no 'Quicksand' or anything like that. You can tell that he's shifting, and looking for something else. My favourite track on it is 'Warszawa', with its amazing Wagnerian stirring in the music. Suede's 'Europe Is Our Playground' had a sense that it was a version of that. I love the way Low doesn't explain itself, and that it's a really odd record. I love the chronology of it, the fact that three of my favourite records ever were all made around the same time: Low, Never Mind The Bollocks and Music For Airports."

Source
  
For Sarah, Raquel and David: An Anthology by Legendary Stardust Cowboy
(0 Ratings)
Album Favorite

"It's hard to describe the Ledge. He was discovered on The Gong Show many years ago in America. He basically just shouts and screams. He's a cowboy. He was recording in the 1970s but he's still going now. This is his latest compilation. I met him a couple of months ago when I was on my American tour. Bowie's a big fan too. He got the idea for the name Ziggy Stardust from the Ledge and he covered 'I Took a Trip (On a Gemini Spaceship)' on one of his albums [Heathen, 2002]. The Ledge is an extraordinary character. He plays the bugle during some of his tracks. If you ever see him, bring earmuffs. He's not very musical. I used to play his song 'Paralyzed' before my gigs at the Marquee in '77 just to confuse the audience and set the tone for the night. Complete pandemonium. Some of the songs he writes are… [trails off, lost for words] He's obsessed with Nasa and space flights, which I'm into too. I loved the space missions. The visuals and the way they got there. It's science fact. They were like cowboys in space. But The Ledge took it one step further. I'd be quite interested to see what other people think if they check him out. He's not to everybody's taste. The album is an anthology of tracks like 'My Underwear Froze to the Clothesline' and 'Standing in a Trashcan'. It's all good stuff. The names refer to Fergie [Duchess of York], Raquel Welch and Bowie. They're all fans of the Ledge. [laughs]"

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The Book of Guilt
The Book of Guilt
Catherine Chidgey | 2025 | Fiction & Poetry, Science Fiction/Fantasy
10
10.0 (1 Ratings)
Book Rating
I absolutely loved The Book of Guilt. I wasn’t quite sure what I was in for when I started: identical triplets in a children’s home with a distinctly 1950s feel to it, even though it’s set in the 1970s. I think that’s to do with the fact that there is an alternative history - WW2 does not go quite the same way.

Everything about the atmosphere in the home, from the three shift-working “Mothers” (Mother Morning, Mother Afternoon and Mother Night), to their lessons from the Book of Knowledge, to their dreams being recorded in the Book of Dreams and their misdemeanours in the Book of Guilt.

Life begins to change in the Sycamore Home, and as it does, it raises so many questions about the things that the boys have been told.

I couldn’t put this down, and read it in two days. It gave me Kazuo Ishiguro’s Never Let Me Go vibes (not too much of a spoiler!). The boys are regarded with suspicion and fear, which made me feel for them even more. The addition of the Minister for Loneliness (a great idea, by the way) added an outsiders view to the concept of the Sycamore Homes.

The writing is mesmerising, the characters are rounded and very human (regardless of other characters opinions), and both the setting, the plot, and the ending were just perfect.

This is only my second Catherine Chidgey novel (the first was Remote Sympathy, and that was also a top read for me), and I really need to read more!