Hotel Scarface
Book
Miami, December 31, 1979. Lock your doors. Watch your backs. Raise your glasses. Miami is about to...
Bilal Philips
Podcast
Dr. Abu Ameenah Bilal Philips was born in Kingston, Jamaica, and grew up in Toronto, where he...
On Sondheim: An Opinionated Guide
Book
Stephen Sondheim's Company appeared in 1970, and the American musical theatre has never been the...
St Peter's, Cardross: Birth, Death and Renewal
Diane Watters and Angus Farquhar
Book
The ruin of St Peter's College has sat on a wooded hilltop above the village of Cardross for more...
European House
Book
Provides a comprehensive compilation of works by acclaimed international architects and interior...
Anwar Al-Sadat: Transforming the Middle East
Book
Part of The World in A Life series, this brief, inexpensive text provides insight into the life of...
A Very Courageous Decision: The Inside Story of Yes Minister
Book
The behind-the-scenes story of one of the most successful and admired sitcoms of the 1980s In 1977...
Going in Style (2017)
Movie Watch
Oscar winners Morgan Freeman (Million Dollar Baby), Michael Caine (The Cider House Rules, Hannah and...
LoganCrews (2861 KP) rated Disorder (Maryland) (2015) in Movies
Dec 7, 2020
𝘊𝘰𝘶𝘭𝘥 𝘵𝘩𝘦𝘴𝘦 𝘴𝘦𝘯𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘮𝘢𝘬𝘦 𝘮𝘦 𝘧𝘦𝘦𝘭 𝘵𝘩𝘦 𝘱𝘭𝘦𝘢𝘴𝘶𝘳𝘦𝘴 𝘰𝘧 𝘢 𝘯𝘰𝘳𝘮𝘢𝘭 𝘮𝘢𝘯?
𝘓𝘰𝘴𝘦 𝘴𝘦𝘯𝘴𝘢𝘵𝘪𝘰𝘯𝘴, 𝘴𝘱𝘢𝘳𝘦 𝘵𝘩𝘦 𝘪𝘯𝘴𝘶𝘭𝘵𝘴, 𝘭𝘦𝘢𝘷𝘦 𝘵𝘩𝘦𝘮 𝘧𝘰𝘳 𝘢𝘯𝘰𝘵𝘩𝘦𝘳 𝘥𝘢𝘺
𝘐'𝘷𝘦 𝘨𝘰𝘵 𝘵𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵, 𝘭𝘰𝘴𝘦 𝘵𝘩𝘦 𝘧𝘦𝘦𝘭𝘪𝘯𝘨
𝘛𝘢𝘬𝘦 𝘵𝘩𝘦 𝘴𝘩𝘰𝘤𝘬 𝘢𝘸𝘢𝘺"
- "Disorder", Joy Division 1979
Sort of like if 𝘛𝘩𝘦 𝘎𝘶𝘦𝘴𝘵 existed in the same universe as 𝘋𝘳𝘪𝘷𝘦. Not too much you haven't seen before but a total technical marvel - very few times before has a camera been *this* intrinsically linked to a character's psyche: constantly shifting focus, shifting in and out of reality, overanalyzing every little minutia to the point of near blinding anxiety - if it isn't a threat yet it'll be hyperfocused on until it becomes one, real or not. The sort of moviemaking that makes you second guess everything you just saw right through to its bone-chilling ending. That being said it does strain in the home stretch but not only is this sort of stylish, synthy slow burn thriller inherently fun to me - but it says something interesting when the only time this settles down is during the kind of dangerous situation this character is scrambling to find, only in moments of repose do things become truly jangled - where "the calm before the storm" *is* the storm, and vice-versa. Schoenaerts is incredible in it, the type of towering, volatile performance that makes you break a sweat. Every time this guy moves suddenly it about makes my heart stop and when he finally cracks a genuine smile an hour+ in it's a momentous occasion. At first you may think (not so unjustifiably given Hollywood's history with PTSD) that the title is a reductive swipe at his affliction, but as the movie progresses you realize it signifies his commanding search for some semblance of order in his life. Far from flawless but for the most part precisely what I was hoping for out of it.
The Last Line: My Autobiography
Book
Irish national hero, a Celtic great and their most-capped player, Patrick 'Packie' Bonner is a...