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When the Tripods Came (The Tripods #4)
When the Tripods Came (The Tripods #4)
John Christopher | 1988 | Dystopia, Science Fiction/Fantasy, Young Adult (YA)
7
8.5 (2 Ratings)
Book Rating
Fourth books in trilogies are inherently inelegant and awkward beasts; Christopher's final Tripods novel is unsurprisingly no exception. 1980s Earth is visited by alien invaders, who (initially at least) are easily repelled. But it turns out that your mum was right when she said that too much TV was bad for your health...

A bit dated, but that's the least of the book's issues. A prequel to the main series was really not required, and the main catalyst for writing it seems to have been the Tripods TV show which was broadcast three or four years earlier. (The TV show the Masters use to take over the world bears a suspicious resemblance to the TV adaptation of the first two books.) It's not really meta, more sort of peeved: peeved at critics of the show's shortcomings, but also peeved at the makers of the show for not doing a better job. As well as being dated, the relationship subplots of the book feel a bit proforma, but the depiction of the world slowly sliding out of human control and the end of modern civilisation is vividly presented in the usual compelling fashion. Whether it should all feel a bit more downbeat and bleak is probably a question of personal taste; Christopher's prose retains its good manners as well as its readability.
  
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Suswatibasu (1701 KP) rated A Kind of Freedom: A Novel in Books

Nov 6, 2017 (Updated Nov 6, 2017)  
A Kind of Freedom: A Novel
A Kind of Freedom: A Novel
Margaret Wilkerson Sexton | 2017 | Fiction & Poetry
A book rooted in hope and endurance
Margaret Wilkerson Sexton's beautiful debut novel explores four generations of a family, from the time of segregation to mass incarceration.

In A Kind of Freedom, Sexton pursues a family’s history in a downward spiral, with three alternating plot lines that echo one another along the way. It begins with the budding love of Evelyn, brought up in New Orleans and the daughter of a Creole mother and black doctor father. She is courted by Renard, a poor man who works menial jobs to get by but aspires to study medicine. Their courtship reveals the strictures of a class- and colour-driven society that suffocates ambition and distorts desire.

The second generation is about Jackie, a single mother in 1980s New Orleans who is in love with her child’s father but afraid he will succumb to his crack addiction.

Eventually, we get to know Jackie’s son, T.C., in 2010, a young man at a turning point in his life. Through T.C.'s eyes, Sexton portrays a post-Katrina New Orleans where the smell of mold still lingers and opportunities for fast cash in the streets abound, as do the chances of getting shot or arrested.

It's an unflinching portrayal, slightly detached and not overbearing in its rhetoric. It shows where links have been bruised and sometimes broken, but dwells on the endurance and not the damage. A moving read.