David McK (3496 KP) rated Rambo: Last Blood (2019) in Movies
May 8, 2022
1: Rocky Balboa
2: John Rambo.
While the Rocky films have been having something of a renaissance of sorts ever since 2006's Rocky Balboa (and the Creed films), Rambo has been left on the sidelines somewhat - perhaps as a result of the increasingly cartoony (and violent) films ever since the 1982 original.
I haven't seen all the Rocky films - I gave up partway through Rocky III, before having to force myself to sit through Rocky Balboa and the first Creed film - but I have seen all the Rambo films.
There's still no doubt that the original Rambo film is far and away the best: indeed, I would strugglt to remember much of the plots of part II (other than there's a fight scene heavily ripped off in Charlie Sheen's 'Hot Shots: Part Deux'), or even part III (starting with Rambo helping to build a temple in Vietnam) or 2008's 'Rambo' (which ends with Rambo coming home as the credits roll)
This one picks up from the end of that film, with Rambo now running the horse ranch that belonged to his family, and with the plot kicking into drive when the daughter of a friend runs away to Mexico in search of her absentee father, and is promptly kidnapped by a Mexican drug cartel.
Cue an extraordinarily violent last act when, for reasons, members of that cartel decide to attack Rambo on his home turf ...
Andy K (10823 KP) rated The Quiet Man (1952) in Movies
May 11, 2019
When a man returns to his Irish roots looking to purchase his former family homestead, some of the locals are not too keen on the idea. After the purchase, he begins to court the sister of the man who was also interested in the property. After things are worked out, they are married; however, her brother still hold her dowry and she holds to her traditional family values o not being truly happy until she acquires her family fortune.
The two men must work out their differences so the couple can make a life together for themselves and their families.
A film from 1952 can hardly be called anything except "classic", so some of the values expressed by characters in the film reflect those of the times they were made. Traditional is also probably a word to describe the situations and relationships here.
I could see how this could turn off some today who hold more progressive opinions.
Whatever your values, this film has some fantastic moments and watching the two leads together onscreen is just magic. Director Ford takes full advantage of the sprawling Irish countrysides and thy feel like characters themselves.
I thoroughly enjoyed viewing this film and it left me with a warm feeling in my heart.
P.S. does anyone know which 1982 film recreated the most famous scene in The Quiet Man for an unforgettable moment in that film as well?
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