Search

Search only in certain items:

Black Widow (2021)
Black Widow (2021)
2021 | Action
The first Marvel movie out of the stables since the start of the Worldwide Covid-19 pandemic; I believe this was originally to be released before the likes of even WandaVision (shown on Disney+).

This was alos released concurrently on Disney+ (behind a paywall) and in the cinema: indeed, this is the very reason for ScarJo's lawsuit against Disney (she says she was told it would be theatres first, then Disney+ and that she only gets a percentage of box office takings).

Anyway, all that aside: this is actually set pre-snap; the majority of it back just after the events of 'Captain America: Civil War' (and thus before 'Avengers: Infinty War'), with Natasha on the run from the US government having broken the Sokovia Accords. It's not long, however, before she receives a package from a previous safe-house (Budapest. Yes, the Budapest mentioned before with Hawkeye: 'remember Budapest?') that leads her into a further adventure, this time involving her surrogate 'family' from when she was undercover in America as a kid in the mid 1990s.

Her 'dad' (David Harbour) 'Red Guardian' steals the show, while Florence Pugh (as her younger 'sister') and Rachel Weisz (as her 'mum') also provide sterling back-up.

Plenty of action, but the film does, perhaps, fall into the common Marvel trap of having a CGI-heavy ending ...
  
Final part in Timothy Zahn's newest Thrawn trilogy, which itself acts as a sort of a prequel to his earlier prequel Thrawn trilogy (in which Thrawn joins the Empire), which itself is a prequel - of sorts - to his appearance in the tv show 'Star Wars: Rebels', with the latter most likely a result of his immense popularity since he was first introduced in Zahn's own (now defunct) 'Heir to the Empire' trilogy from the early 1990s.

Anyway - and, as before for this trilogy - this is set 'A long time ago, beyond a galaxy far, far away ...' and finally completes the arc/narrative started in Chaos Rising (and continued on in Greater Good) with the Chiss Ascendency under attack from a shadowy figure who has been pulling the strings all along (now that I type that, sounding a bit like Palpatine (it's not) ) turning the Ascendency against itself and their neighbours also against them at the same time. It's actually only really in the epilogue, where Thrawn and another character discuss the Fall of the Republic and the Rise of the Empire that you really only get a sense of where and when these events happen, which is both the novels greatest strength (it's fresh! it's not beholden to what-has-come-before) and weakness (the setting may be too 'new' for more casual Star Wars fans).
  
40x40

Awix (3310 KP) rated Godzilla: King of the Monsters (2019) in Movies

May 30, 2019 (Updated May 30, 2019)  
Godzilla: King of the Monsters (2019)
Godzilla: King of the Monsters (2019)
2019 | Action, Adventure, Fantasy
Japan's biggest movie star returns to the screen in a solid, entertaining sequel (and I'm not talking about Ken Watanabe). Eco-terrorists steal a new gadget that allows people to communicate with and control giant monsters, intending to use it to save the environment by getting the world's monsters to destroy industrial civilisation: possibly not the most thought-through plan in history, but it has originality on its side.

I am not the best person to be objective about a new Godzilla movie, but I had a good time with this film. Even so, it does have obvious flaws: Kyle Chandler is kind of useless as the supposed protagonist, and the story does have a very 1990s vibe to it which I expect some people may have an issue with. However, the tone of the film is just about perfect: the Toho monsters look and behave exactly as you'd hope, and the film incorporates lots of little details from the original movies, most obviously the classic musical themes for Godzilla and Mothra. If you like Japanese monster movies, I think you will enjoy this movie a lot - if not, well, it's about a dinosaur, a dragon, a moth and a pterodactyl doing all-in wrestling together; whether you think that is an outrageously cool idea or unbelievably stupid is a matter of personal taste, but the movie itself is unlikely to change your opinion. Bring on the big ape!
  
The Dark Knight Rises (2012)
The Dark Knight Rises (2012)
2012 | Action, Drama, Mystery
The final part of Christopher Nolan's Christian Bale starring Batman trilogy (after both Batman Begins and The Dark Knight) that takes a large part of its inspiration from the 1990s Knightfall series of graphic novels in introducing the character of Bane: the man who (quote unquote) 'Breaks the Bat'.

As portrayed by Tom Hardy, this version of the character is nothing at all like you might remember from the Batman and Robin abomination: there's no mention of venom (the drug) in this movie, nor is it overstuffed with villains like that earlier movie/portrayal of the character was.

Instead, we have Bane as the primary antagonist throughout, although - in the tradition of Batman Begins - he is later revealed to be but a pawn, with deliberate call-backs to that first movie. While Jonathan Crane/Scarecrow does make a return (in what largely amounts as a camoe) alongside Ra's Al-Ghul (again, largely as a cameo in flashbacks), there's no Joker this time round - probably as a result of the real-world death of Heath Ledger (although I might have preferred even a throw-away line saying why the character wasn't in this!)

We also have Anne Hathaway's take on Catwoman/Selina Kyle, here portrayed more as a cat burglar than the Michelle Pfeiffer version from Batman Returns, and the 'passing on' of the mantle of Gotham's protector to another very-familiar character (who doesn't use his given name until the very end).