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Final part in Timothy Zahn's newest Thrawn trilogy, which itself acts as a sort of a prequel to his earlier prequel Thrawn trilogy (in which Thrawn joins the Empire), which itself is a prequel - of sorts - to his appearance in the tv show 'Star Wars: Rebels', with the latter most likely a result of his immense popularity since he was first introduced in Zahn's own (now defunct) 'Heir to the Empire' trilogy from the early 1990s.

Anyway - and, as before for this trilogy - this is set 'A long time ago, beyond a galaxy far, far away ...' and finally completes the arc/narrative started in Chaos Rising (and continued on in Greater Good) with the Chiss Ascendency under attack from a shadowy figure who has been pulling the strings all along (now that I type that, sounding a bit like Palpatine (it's not) ) turning the Ascendency against itself and their neighbours also against them at the same time. It's actually only really in the epilogue, where Thrawn and another character discuss the Fall of the Republic and the Rise of the Empire that you really only get a sense of where and when these events happen, which is both the novels greatest strength (it's fresh! it's not beholden to what-has-come-before) and weakness (the setting may be too 'new' for more casual Star Wars fans).
  
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Awix (3310 KP) rated Godzilla: King of the Monsters (2019) in Movies

May 30, 2019 (Updated May 30, 2019)  
Godzilla: King of the Monsters (2019)
Godzilla: King of the Monsters (2019)
2019 | Action, Adventure, Fantasy
Japan's biggest movie star returns to the screen in a solid, entertaining sequel (and I'm not talking about Ken Watanabe). Eco-terrorists steal a new gadget that allows people to communicate with and control giant monsters, intending to use it to save the environment by getting the world's monsters to destroy industrial civilisation: possibly not the most thought-through plan in history, but it has originality on its side.

I am not the best person to be objective about a new Godzilla movie, but I had a good time with this film. Even so, it does have obvious flaws: Kyle Chandler is kind of useless as the supposed protagonist, and the story does have a very 1990s vibe to it which I expect some people may have an issue with. However, the tone of the film is just about perfect: the Toho monsters look and behave exactly as you'd hope, and the film incorporates lots of little details from the original movies, most obviously the classic musical themes for Godzilla and Mothra. If you like Japanese monster movies, I think you will enjoy this movie a lot - if not, well, it's about a dinosaur, a dragon, a moth and a pterodactyl doing all-in wrestling together; whether you think that is an outrageously cool idea or unbelievably stupid is a matter of personal taste, but the movie itself is unlikely to change your opinion. Bring on the big ape!