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    St. Josemaria for iPad

    St. Josemaria for iPad

    Reference and Lifestyle

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    This application helps you to do your daily “Plan of Life” or “The Norms of Piety”. ...

    Airport Scanner

    Airport Scanner

    Games and Travel

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    Try your skills as an Airport Baggage screener in Airport Scanner! Now featuring the ALL NEW R&D...

    Chestionare Auto DRPCIV

    Chestionare Auto DRPCIV

    Education and Productivity

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    Chestionare auto DRPCIV - Scoala auto Profita de solutia completa si compacta oferita de aplicatia...

The Gentlemen (2020)
The Gentlemen (2020)
2020 | Action, Crime
Ritchie back on form
It's about time Guy Ritchie went back to what he does best. After the terrible Aladdin and King Arthur over the past couple of years, and the ok but not great Man from UNCLE and Sherlock Holmes films, Ritchie really needs something good. And whilst for me this didn't quite meet the high expectations set by Snatch and Lock, Stock, it's by far the best thing he's done since 2000's Snatch.

This is the gangster film reimagined for the 21st century. Weed farms, chavvy kids and even Brexit gets a mention at one point, proving that the gangster flick has definitely been modernised. It's filmed in Ritchie's usual cut away style that works very well and the plot is interesting albeit maybe a tad predictable. The violence does is present although does appear to have been toned down. But the best thing about this is by far the stellar cast. The stars of the show are without doubt Hugh Grant, Charlie Hunham and Colin Farrell. Hunham plays a fairly unassuming and almost lovable and witty gangster, Farrell is the rather funny and Irish coach and Hugh Grant had me gobsmacked by his completely gobsmacked. I barely recognised him with that accent, which is miles away from the Grant we know as the foppish posh gent. These three are also responsible for the funniest moments of the film, either when there's more than one of them on screen together. I must also give a nod to Henry Golding who makes up for his dire performance in Last Christmas.

This film doesn't quite meet Ritchie's high gangster standards though. There are some funny and witty moments, however for me there wasn't enough. Especially not when you compare it with the likes of Snatch. And I think he has really overused the C-word - I'm not bothered by the word itself but there are a lot of other swear words he could've chosen to give it a less repetitive feel. Also the first 20 mins or so dragged a little for me and seemed slow, although I did get into it eventually. My only other gripe would be the opening credit sequence. It's been a while since I've seen a proper opening credits on a film, and this one just seemed ill-fitting with the film itself and the time. Or maybe I just wasn't expecting it.

Overall this is a good attempt at a modern gangster film, definitely enjoyable even if it doesn't quite match up to Ritchie's earlier efforts.
  
Riddick (2013)
Riddick (2013)
2013 | Action, Sci-Fi
Vin Diesel hits the silver screen in the third installment of the Chronicles of Riddick series. As you would expect, Diesel delivers on a role crafted solely for him.

Pitch Black opened in 2000, heralding a unique story with a compelling main character. Riddick was unique for his planning skills and killer instincts, and he possessed eyes with a “shine job,” which allowed him to see effectively in the dark. He was a convict — a killer — but he possessed enough of a conscience to be endearing and for the audience to identify with him.

In the second film (Chronicles of Riddick), an entirely different storyline unfolded. It showed Riddick as a hero, taking control of the Necromonger horde.

The third and newest film opens to show Riddick broken and stranded on a desolate planet. We watch as he ponders how he got into his current situation. After a brief flashback to the events of the second movie, the film segues into the new story — which feels very reminiscent of the first. This time around, Riddick is up against bounty hunters.

The beginning third of the film pits Riddick against nature itself. Later, the bounty hunters arrive, and the game of cat and mouse goes into overdrive.

I found the transition from the second film to the third adequate, but unsatisfying.

The script, acting, action, and cinematography are all top notch. I was happy with the production value. It didn’t feel cheap or cheesy at all; the effects seemed believable.

I enjoyed the humor. I also appreciated the complexity of the Riddick character, something fans of the series have all come to love.

There were a few plot holes, and a couple of inconsistencies, but overall it’s a great film.

One of the greatest parts of the film is Katee Sackhoff (“Starbuck” of Battlestar Galactica fame), and her bare breast. (I’m a hetero dude — sue me!) The other gratuitous nudity (including one shot of a woman’s shaved groin area) was appropriate and served as great icing on the filmography cake.

My main criticism is that this movie had almost nothing to do with the previous films. There were two great tie-ins, but it never felt like a true continuation of the story line, not in any meaningful way. It was very unsatisfying in that respect However, as a stand-alone action film featuring Riddick, it delivers.

This movie is well worth seeing, but it will dissapoint those looking for strong continuity with the other parts of the franchise.
  
    MetaTalkDE

    MetaTalkDE

    Education and Health & Fitness

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    MetaTalkDE is the German language version of MetaTalk - the vocabulary and voices are in German...