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Kaz (232 KP) rated The Passage in Books
May 15, 2019
A really enjoyable read
Contains spoilers, click to show
I initially read this book in about 2000, so when I decided to re-read it, I couldn't remember much about it. I'm glad I had left it for so long before I read it again, as I was surprised how good this was.
The writing is very good, it reminded me very much of 'The Stand' by Stephen King, because of the dark writing, the way in which it builds up in suspense and also the plot's subject matter. However, I wouldn't say that this was a copy of 'The Stand', it has it's own identity too.
The characters are very believable and complex. I really liked the fact that the characters weren't simply 'Bad' or 'Good'. All of the characters had different sides to them, which made them all the more believable. One criticism I would make, would be that I did find that the more central characters, were better developed than the secondary ones. Actually, in the second section of the novel, I felt that there were too many characters to keep track of. However, as the novel progressed, it became clear which characters I should be paying more attention to.
I was also happy that the 'vampires' were not your stereotypical blood sucking beings allergic to garlic, that could be killed by stakes and crosses. I was also really glad that they were not the romantic, shiny vampires either. I really liked the fact Justin Cronin hadn't written them as just 'bad' either. There was a sensitivity, which made you as a reader, actually feel sorry for these beings.
The pace of the the novel was generally good. I found the first section of the book to be gripping. In fact, I found it very difficult to put the book down. During the second section of the book however, it kind of ground to a halt and I didn't enjoy reading that part as much as the others. However on reflection, I think that the slow build in tension, to the next exciting bit. was very clever. This was because I don't think I would have been able to cope with a fast paced book of 900 plus pages!
Being 900 pages I thought that by the time I got to the end of this book,I would have been desperate to finish and start something new.. However, I was actually sad when I had finished 'The Passage' . Even though this is a long book, I didn't notice how chunky it was and I was able to really get into the world that Justin Cronin had created.
I really liked this book and I'm looking forward to reading the next installment!
My Rating **** 1/2
The writing is very good, it reminded me very much of 'The Stand' by Stephen King, because of the dark writing, the way in which it builds up in suspense and also the plot's subject matter. However, I wouldn't say that this was a copy of 'The Stand', it has it's own identity too.
The characters are very believable and complex. I really liked the fact that the characters weren't simply 'Bad' or 'Good'. All of the characters had different sides to them, which made them all the more believable. One criticism I would make, would be that I did find that the more central characters, were better developed than the secondary ones. Actually, in the second section of the novel, I felt that there were too many characters to keep track of. However, as the novel progressed, it became clear which characters I should be paying more attention to.
I was also happy that the 'vampires' were not your stereotypical blood sucking beings allergic to garlic, that could be killed by stakes and crosses. I was also really glad that they were not the romantic, shiny vampires either. I really liked the fact Justin Cronin hadn't written them as just 'bad' either. There was a sensitivity, which made you as a reader, actually feel sorry for these beings.
The pace of the the novel was generally good. I found the first section of the book to be gripping. In fact, I found it very difficult to put the book down. During the second section of the book however, it kind of ground to a halt and I didn't enjoy reading that part as much as the others. However on reflection, I think that the slow build in tension, to the next exciting bit. was very clever. This was because I don't think I would have been able to cope with a fast paced book of 900 plus pages!
Being 900 pages I thought that by the time I got to the end of this book,I would have been desperate to finish and start something new.. However, I was actually sad when I had finished 'The Passage' . Even though this is a long book, I didn't notice how chunky it was and I was able to really get into the world that Justin Cronin had created.
I really liked this book and I'm looking forward to reading the next installment!
My Rating **** 1/2
Andy K (10823 KP) rated Dancer in the Dark (2000) in Movies
Nov 24, 2019
Selma is a simple woman leading a simple life. She lives with her only son in a trailer on the property of her friends the nice cop and his wife. She works at a metal factory making sinks and basins. She doesn't make a lot of money, so she holds on to almost every penny she earns for something secret. She can't even buy her son a present for his birthday, so her friends and landlords buy the boy the used bicycle he has been yearning for. Selma also enjoys musicals. She loves them. Especially The Sound of Music, She is actually cast in a local production and gets to play Maria. She can even hear rhythm through the common sounds of life like a train on its tracks or even the sounds of people walking. She creates melodies in her head to distract from the mundane events of life. Sometimes these melodies turn into full production numbers only visible in the confines of her cerebrum.
Now the problem.
Selma is going blind. She knows she is. She is trying to set her plans and set up her son for a better life than she is able before her illness runs its course. Out of nowhere, tragedy strikes from an unexpected source. She is petrified and acts in haste with dreadful results. Now she must deal with the consequences of her actions and let the pieces fall where they must.
Controversial writer/director Lars von Trier finds an unexpected leading lady in Icelandic alternative pop singer Björk. I guess maybe not so unexpected considering all the singing in the film which she also wrote. I was surprised to read only one of the songs was nominated for Best Song in 2000 and no nomination for her acting prowess. Her emotional turmoil is the spine of the film and her simple, yet powerful demeanor holds the film together through its humorous and tense, gripping melodrama. All Selma wants is to give a good life to her son and is content with a meager existence, which, unfortunately is ripped from her.
The songs are brilliant as most of the them begin with the random noises of life in Selma's brain and become a glorious, choreographed splendor which I found myself really loving. These events make the 2nd half of the film such a tragedy as her spirit is resilient always sees the lighter side of life.
Unlike a lot of Von Trier's other work, no sex scenes and only one scene of violence in the film. The actions of the "normal" people here are the true horror.
Now the problem.
Selma is going blind. She knows she is. She is trying to set her plans and set up her son for a better life than she is able before her illness runs its course. Out of nowhere, tragedy strikes from an unexpected source. She is petrified and acts in haste with dreadful results. Now she must deal with the consequences of her actions and let the pieces fall where they must.
Controversial writer/director Lars von Trier finds an unexpected leading lady in Icelandic alternative pop singer Björk. I guess maybe not so unexpected considering all the singing in the film which she also wrote. I was surprised to read only one of the songs was nominated for Best Song in 2000 and no nomination for her acting prowess. Her emotional turmoil is the spine of the film and her simple, yet powerful demeanor holds the film together through its humorous and tense, gripping melodrama. All Selma wants is to give a good life to her son and is content with a meager existence, which, unfortunately is ripped from her.
The songs are brilliant as most of the them begin with the random noises of life in Selma's brain and become a glorious, choreographed splendor which I found myself really loving. These events make the 2nd half of the film such a tragedy as her spirit is resilient always sees the lighter side of life.
Unlike a lot of Von Trier's other work, no sex scenes and only one scene of violence in the film. The actions of the "normal" people here are the true horror.
Kirk Bage (1775 KP) rated Glass (2019) in Movies
Mar 3, 2020
This doesn’t need to be a long review; the film itself doesn’t merit a lot of reflection. But, I have set myself the task of recording every piece of cultural media I consume, and there is already a backlog. So, here come a few quickfire bits on things that I found less than impressive. There is some value in identifying why something failed. Especially, as in the case of Glass, when there was an expectation it might be quite exciting.
I am not the biggest M. Night Shyamalan fan, to be honest. I will give you The Sixth Sense and Signs (to an extent), but even those contain some dodgy direction, plotting and unforgivable dialogue that hasn’t weathered the test of time well. 75% of his output is so bad it becomes funny; I mean, The Happening and Lady in the Water – WTF!? And the less said about The Last Airbender the better. My favourite of his works would have to be Unbreakable, from 2000. At least there is a satisfying story arc and the “twist” makes sense. Often with him it is so preposterous or an non-event, it makes you wonder why he bothered.
Sixteen years later, and Split sprung a surprise by being not bad at all, largely thanks to James McAvoy’s performance as a man with multiple personality disorder – a striking, terrifying, turn that showcased his abilities as an actor superbly. So there was some anticipation that bringing those two film worlds together would yield something very interesting and at least fun. So, it is sad to say that, once again, he pretty much botched it.
Don’t get me wrong, it is watchable and entertaining, up to a point – that point being when the story tries to gel all its strands together in a cohesive new twist, and fails utterly to do so. McAvoy is yet again the standout. Here he pushes the split personalities at his command to a brain spinning degree, switching from one to the other effortlessly – I would much rather just have watched him talking and twitching for two hours, to be fair. Bruce Willis has little to do but brood, and Samuel L. Jackson becomes totally laughable as he strains with the script to find any grounding in real character, and descends into cartoon / pantomime villain very quickly, losing all validity carried over from Unbreakable.
It’s a shame, because there is an idea in there somewhere; this just wasn’t it. No doubt, he has left it open for further exploration with these characters, and will in time return to them. I just hope he takes his time to consider the script properly before diving headlong into another disappointment of cliche and bad plotting. I just feel sorry for McAvoy, who deserved much better.
I am not the biggest M. Night Shyamalan fan, to be honest. I will give you The Sixth Sense and Signs (to an extent), but even those contain some dodgy direction, plotting and unforgivable dialogue that hasn’t weathered the test of time well. 75% of his output is so bad it becomes funny; I mean, The Happening and Lady in the Water – WTF!? And the less said about The Last Airbender the better. My favourite of his works would have to be Unbreakable, from 2000. At least there is a satisfying story arc and the “twist” makes sense. Often with him it is so preposterous or an non-event, it makes you wonder why he bothered.
Sixteen years later, and Split sprung a surprise by being not bad at all, largely thanks to James McAvoy’s performance as a man with multiple personality disorder – a striking, terrifying, turn that showcased his abilities as an actor superbly. So there was some anticipation that bringing those two film worlds together would yield something very interesting and at least fun. So, it is sad to say that, once again, he pretty much botched it.
Don’t get me wrong, it is watchable and entertaining, up to a point – that point being when the story tries to gel all its strands together in a cohesive new twist, and fails utterly to do so. McAvoy is yet again the standout. Here he pushes the split personalities at his command to a brain spinning degree, switching from one to the other effortlessly – I would much rather just have watched him talking and twitching for two hours, to be fair. Bruce Willis has little to do but brood, and Samuel L. Jackson becomes totally laughable as he strains with the script to find any grounding in real character, and descends into cartoon / pantomime villain very quickly, losing all validity carried over from Unbreakable.
It’s a shame, because there is an idea in there somewhere; this just wasn’t it. No doubt, he has left it open for further exploration with these characters, and will in time return to them. I just hope he takes his time to consider the script properly before diving headlong into another disappointment of cliche and bad plotting. I just feel sorry for McAvoy, who deserved much better.
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