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Lee (2222 KP) rated American Made (2017) in Movies
Aug 31, 2017
A fun, entertaining movie
Anytime I mention to my family that I'm going to see a Tom Cruise movie, they roll their eyes and take the piss. The words 'man crush' are used, and I just take it on the chin (sometimes). The truth is though, many of my favourite movies are Tom Cruise movies. I'm not a fan of his earlier stuff (my wife is the complete opposite), but I pretty much love anything after his Vanilla Sky/Magnolia days. And he's clearly a hell of a nice guy outside of the movies too, despite what anything thinks about his religious beliefs. But then he went and made The Mummy earlier this year - a serious dip in Cruise quality. Can American Made be the movie to get him back on track?
It certainly is an idea role for Cruise. Based on a true story, Cruise plays Barry Seal. Top pilot for TWA and bored of the same old routine day in, day out. When his co-pilot and passengers are all asleep during a flight, he relieves the monotony by faking some heavy turbulence in order to wake them all up, but it's not enough. So, when he's approached by CIA agent Schafer (Domhnall Gleeson) to work for them, flying exciting reconnaissance missions over South America, he jumps at the chance. And then during a refueling stop in Colombia, Seal is recruited by Pablo Escobar's drug cartel, who offer to pay him $2000 for each kilo of cocaine he can carry from Columbia to Louisiana. Then he begins flying guns from Arkansas to Nicaragua while still continuing the drugs runs. Seal finds himself with more money than he can spend, burying bags of it in his backyard and piling it up in wardrobes. He can't turn around without bumping into money, and all the while the stakes are getting higher, the potential consequences of his actions increasing.
Caught up in among all of this are Seals wife and kids. Finding themselves woken by him at 4am and being told they need to move home before their house is raided at 6am, before gradually adjusting to their new, increasingly expensive lifestyle. We never quite get to spend enough time with that part of Barry's life, taking a backseat instead to the roller coaster thrill seeking that he's got himself wrapped up in outside of home.
Cruise charms and grins his way through all of this perfectly. Obviously he did all of the flying scenes himself and he must have had a real blast making this movie. There's a good deal of humour throughout and the use of film grain, handheld cameras and Kodak style lighting help to give it a real 70s-80s feel to match the era it's set in. A fun, entertaining movie and a return to form for Mr Cruise!
It certainly is an idea role for Cruise. Based on a true story, Cruise plays Barry Seal. Top pilot for TWA and bored of the same old routine day in, day out. When his co-pilot and passengers are all asleep during a flight, he relieves the monotony by faking some heavy turbulence in order to wake them all up, but it's not enough. So, when he's approached by CIA agent Schafer (Domhnall Gleeson) to work for them, flying exciting reconnaissance missions over South America, he jumps at the chance. And then during a refueling stop in Colombia, Seal is recruited by Pablo Escobar's drug cartel, who offer to pay him $2000 for each kilo of cocaine he can carry from Columbia to Louisiana. Then he begins flying guns from Arkansas to Nicaragua while still continuing the drugs runs. Seal finds himself with more money than he can spend, burying bags of it in his backyard and piling it up in wardrobes. He can't turn around without bumping into money, and all the while the stakes are getting higher, the potential consequences of his actions increasing.
Caught up in among all of this are Seals wife and kids. Finding themselves woken by him at 4am and being told they need to move home before their house is raided at 6am, before gradually adjusting to their new, increasingly expensive lifestyle. We never quite get to spend enough time with that part of Barry's life, taking a backseat instead to the roller coaster thrill seeking that he's got himself wrapped up in outside of home.
Cruise charms and grins his way through all of this perfectly. Obviously he did all of the flying scenes himself and he must have had a real blast making this movie. There's a good deal of humour throughout and the use of film grain, handheld cameras and Kodak style lighting help to give it a real 70s-80s feel to match the era it's set in. A fun, entertaining movie and a return to form for Mr Cruise!
BankofMarquis (1832 KP) rated Memento (2000) in Movies
Feb 9, 2018
Heady Trip
Christopher Nolan first burst onto the scene (for me) with MEMENTO, a 2000 film about a man with a rare condition - he cannot store any short term memories - and is looking for the man that murdered his wife and hit him on the head, thus causing this condition. The twist of the film - and the "trick" that makes this film work -is that it is told backwards (the last scene is first, the 2nd to last scene is 2nd...the first scene is last) so we, the audience, have no memory of what happened just before this scene and, thus, are suffering from the same inability to access what has happened just before as the main character.
This "trick" works very well and holds the film together, we are peeling apart the onion (or, more appropriately, we are putting the peels back on the onion) as the film progresses, gaining greater knowledge as we go along and, with each new piece of "old" information, we gain a new - and in most cases different - view of the scene that we just saw, keeping the audience off-balance for the entire film.
Nolan shows a sure-handedness in his direction of this film. It is clear he had a vision that he wanted to put on the screen and with the screenplay written by Nolan and his long-time collaborator, his brother Jonathan Nolan, Christopher Nolan has a canvas to paint his off-kilter picture and play with the themes of time and memory - themes he would come back to over again.
As the man with the memory loss, Leonard, Guy Pearce solidified himself for me (at the time) as a fine actor that is worth watching (this, afterall, was just a few years after LA CONFIDENTIAL). His Leonard is earnest and straightforward and while he does have a "tick" to show that his memory is erasing (to clue us, the audience in), he marches (backward) through this film strongly.
Aiding Pearce is veteran character actor Joe Pantoliano as Teddy - a cop who is helping Leonard find his wife's killer (or is he?). "Joey Pants" (as he is known) is perfect for this type of ambiguous character, never really trusting him, but trusting him "just enough". Also jumping in is Trinity, herself, Carrie-Ann Moss - an actress that I thought was going to build on this (and the Matrix) and become quite the star. It didn't quite work out.
I enjoyed this mystery and was thinking about how well it works if you ran the scenes in chronological order - upon reflection, I realized that if you did that, holes get punched into things pretty quickly. So, don't do that, but do rent or stream or pull the old DVD of MEMENTO off your bookshelves, it is worth your time.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
This "trick" works very well and holds the film together, we are peeling apart the onion (or, more appropriately, we are putting the peels back on the onion) as the film progresses, gaining greater knowledge as we go along and, with each new piece of "old" information, we gain a new - and in most cases different - view of the scene that we just saw, keeping the audience off-balance for the entire film.
Nolan shows a sure-handedness in his direction of this film. It is clear he had a vision that he wanted to put on the screen and with the screenplay written by Nolan and his long-time collaborator, his brother Jonathan Nolan, Christopher Nolan has a canvas to paint his off-kilter picture and play with the themes of time and memory - themes he would come back to over again.
As the man with the memory loss, Leonard, Guy Pearce solidified himself for me (at the time) as a fine actor that is worth watching (this, afterall, was just a few years after LA CONFIDENTIAL). His Leonard is earnest and straightforward and while he does have a "tick" to show that his memory is erasing (to clue us, the audience in), he marches (backward) through this film strongly.
Aiding Pearce is veteran character actor Joe Pantoliano as Teddy - a cop who is helping Leonard find his wife's killer (or is he?). "Joey Pants" (as he is known) is perfect for this type of ambiguous character, never really trusting him, but trusting him "just enough". Also jumping in is Trinity, herself, Carrie-Ann Moss - an actress that I thought was going to build on this (and the Matrix) and become quite the star. It didn't quite work out.
I enjoyed this mystery and was thinking about how well it works if you ran the scenes in chronological order - upon reflection, I realized that if you did that, holes get punched into things pretty quickly. So, don't do that, but do rent or stream or pull the old DVD of MEMENTO off your bookshelves, it is worth your time.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Hazel (1853 KP) rated Stargirl (Stargirl, #1) in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Stargirl</i> is a popular young adult novel by Jerry Spinelli, originally published in 2000. But what is it that has kept it a favourite sixteen years later? The story is told by Leo Borlock, a student in the 11th grade at Mica Area High School. This year there is a new girl who calls herself Stargirl and, like her name, is completely different from everyone else. She has an outlandish dress sense, plays the ukele at lunchtimes, knows and celebrates everyone’s birthdays. The only word the school can think of to describe her is “HUH?”
Despite the weirdness surrounding her, Stargirl quickly becomes popular. People are entertained by her, want to be with her, want to be her. Leo is equally fascinated by her and is shocked when she begins to pay him attention. However, after a while the novelty of Stargirl wears off. Students begin to despise her and shun her. Stargirl does not care, but Leo does. He tries to change Stargirl, tries to make her act normal like everyone else.
<i>Stargirl</i>, like the titular character, is a breath of fresh air. It is quick and easy to read with the benefit of added humour. It also contains a powerful message. Although Stargirl is not affected by the behaviour of her fellow students, it is shocking the extent that the entire student body goes to in shunning her. This is a form of bullying, something that a child in the real world faces everyday. And that child will be bothered by it, will be hurt, and will be upset. It will probably affect their future.
Leo’s behaviour is something that everyone will be able to recognize in themself. Conforming to the norm. Leo wanted Stargirl to change, to go by her real name, Susan. To stop wearing eccentric clothing. To stop drawing attention to herself. Ultimately, what Leo was asking was for Stargirl to stop being herself. And that is really sad. I have lost count of the times people have said to me “Just be yourself,” but do they mean that? Perhaps they are really saying, “behave like everyone else, and you’ll fit in”?
Spinelli’s most important message in <i>Stargirl</i> is that we should not be afraid to be ourselves. It is unlikely that anyone is as bizarre as Stargirl, yet if everyone stopped being so scared to reveal their true feelings, likes and dislikes etc, perhaps schools would become less intimidating places?
<i>Stargirl</i> is suitable for teenage and adult readers who want something quick to devour. It will entertain, and, although it has a rather ambiguous ending, nothing disastrous happens in the book. It will hopefully leave you feeling as care free as its main character.
Stargirl</i> is a popular young adult novel by Jerry Spinelli, originally published in 2000. But what is it that has kept it a favourite sixteen years later? The story is told by Leo Borlock, a student in the 11th grade at Mica Area High School. This year there is a new girl who calls herself Stargirl and, like her name, is completely different from everyone else. She has an outlandish dress sense, plays the ukele at lunchtimes, knows and celebrates everyone’s birthdays. The only word the school can think of to describe her is “HUH?”
Despite the weirdness surrounding her, Stargirl quickly becomes popular. People are entertained by her, want to be with her, want to be her. Leo is equally fascinated by her and is shocked when she begins to pay him attention. However, after a while the novelty of Stargirl wears off. Students begin to despise her and shun her. Stargirl does not care, but Leo does. He tries to change Stargirl, tries to make her act normal like everyone else.
<i>Stargirl</i>, like the titular character, is a breath of fresh air. It is quick and easy to read with the benefit of added humour. It also contains a powerful message. Although Stargirl is not affected by the behaviour of her fellow students, it is shocking the extent that the entire student body goes to in shunning her. This is a form of bullying, something that a child in the real world faces everyday. And that child will be bothered by it, will be hurt, and will be upset. It will probably affect their future.
Leo’s behaviour is something that everyone will be able to recognize in themself. Conforming to the norm. Leo wanted Stargirl to change, to go by her real name, Susan. To stop wearing eccentric clothing. To stop drawing attention to herself. Ultimately, what Leo was asking was for Stargirl to stop being herself. And that is really sad. I have lost count of the times people have said to me “Just be yourself,” but do they mean that? Perhaps they are really saying, “behave like everyone else, and you’ll fit in”?
Spinelli’s most important message in <i>Stargirl</i> is that we should not be afraid to be ourselves. It is unlikely that anyone is as bizarre as Stargirl, yet if everyone stopped being so scared to reveal their true feelings, likes and dislikes etc, perhaps schools would become less intimidating places?
<i>Stargirl</i> is suitable for teenage and adult readers who want something quick to devour. It will entertain, and, although it has a rather ambiguous ending, nothing disastrous happens in the book. It will hopefully leave you feeling as care free as its main character.
Darren (1599 KP) rated Alien: Covenant (2017) in Movies
Jun 20, 2019
Story: Alien Covenant starts with the colony ship the Covenant heading towards a new planet, a crew of 15 and over 2000 colonist on board with just Walter (Fassbender) the android running the ship. When the ship encounters a freak storm in space leads the crew suffering loses they need to let the new captain Oram (Crudup) guide them through the damage to the systems.
When the repairs find a ghost transmission from a planet which appears perfectly habitable Oram goes against first mate Daniels’ (Waterston) opinion to continue their mission and takes a crew to this planet.
While on the planet the crew learn, this planet isn’t as safe as they had thought as they learn the deadly species waiting to be awoken along with a discovery which will give them answers about one of the mysterious of space.
Thoughts on Alien: Covenant
Characters/Performance – Walter is the latest model of the androids that joins the mission to do the jobs humans can’t manage he is good natured and understands his mission. Daniels is the second in command after the early tragedy, she doesn’t want to investigate the new planet but soon becomes the one we must rout for once she decides to fight. Oram is your standard captain trying to take the role with his own stamp, also he is meant to be religious. The rest of the crew are what you expect.
Performance wise, well this is where things get interesting, Fassbender is fine but let’s face it he is wasting his talent in movies like these. Waterston struggles to follow in the strong leading action heroine footsteps with Crudup being easily forgettable. This does have known names but nothing that comes off truly memorable in the performances.
Story – The story looks to follow up what happened after the Prometheus in what just feels like a complete rip off, of plenty of films, we have horribly written characters that just do panic instead of being professional in the role that would remain calm through each situation. This is a rinse, repeat film that ends up being one of the most predictable movies you have ever seen.
Horror/Sci-Fi – There is little to no horror in a movie that has ALIENS in which is the whole point. The sci-fi side of the story is all what you have come to expect from the genre without being anything fresh.
Settings – The film looks beautiful and stunning throughout but they also don’t have anything looking original though.
Special Effects – The special effects show us the settings looking almost flawless, it is the aliens which come off weak in places.
Final Thoughts – This is a poor addition to the franchise of aliens, we barely see them and the science versus religion question doesn’t end up getting discussed enough.
Overall: Poor franchise addition that is weak in every single aspect.
https://moviesreview101.com/2017/05/16/alien-covenant-2017/
When the repairs find a ghost transmission from a planet which appears perfectly habitable Oram goes against first mate Daniels’ (Waterston) opinion to continue their mission and takes a crew to this planet.
While on the planet the crew learn, this planet isn’t as safe as they had thought as they learn the deadly species waiting to be awoken along with a discovery which will give them answers about one of the mysterious of space.
Thoughts on Alien: Covenant
Characters/Performance – Walter is the latest model of the androids that joins the mission to do the jobs humans can’t manage he is good natured and understands his mission. Daniels is the second in command after the early tragedy, she doesn’t want to investigate the new planet but soon becomes the one we must rout for once she decides to fight. Oram is your standard captain trying to take the role with his own stamp, also he is meant to be religious. The rest of the crew are what you expect.
Performance wise, well this is where things get interesting, Fassbender is fine but let’s face it he is wasting his talent in movies like these. Waterston struggles to follow in the strong leading action heroine footsteps with Crudup being easily forgettable. This does have known names but nothing that comes off truly memorable in the performances.
Story – The story looks to follow up what happened after the Prometheus in what just feels like a complete rip off, of plenty of films, we have horribly written characters that just do panic instead of being professional in the role that would remain calm through each situation. This is a rinse, repeat film that ends up being one of the most predictable movies you have ever seen.
Horror/Sci-Fi – There is little to no horror in a movie that has ALIENS in which is the whole point. The sci-fi side of the story is all what you have come to expect from the genre without being anything fresh.
Settings – The film looks beautiful and stunning throughout but they also don’t have anything looking original though.
Special Effects – The special effects show us the settings looking almost flawless, it is the aliens which come off weak in places.
Final Thoughts – This is a poor addition to the franchise of aliens, we barely see them and the science versus religion question doesn’t end up getting discussed enough.
Overall: Poor franchise addition that is weak in every single aspect.
https://moviesreview101.com/2017/05/16/alien-covenant-2017/
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