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Gaspar Noe recommended Angst (2006) in Movies (curated)
JT (287 KP) rated Richard Jewell (2019) in Movies
Mar 10, 2020
Richard Jewell (Paul Walter Hauser) is a softly spoken, overzealous university campus security guard whose heart is in the right place and is dedicated to his job – maybe a little too much.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
David McK (3361 KP) rated Death to the Emperor (Macro and Cato #21) in Books
Apr 10, 2023
The Year 2001.
I wondered into a local branch of Eason's, and saw Under the Eagle on offer, sold for an introductory price (which I can't even remember), and with a blurb that sounded interesting. That, and a quote from the king of historical action-adventure fiction Bernard Cornwell that 'I really don't need this kind of competition ... a great read'.
Jump forward just over 20 years, and we're now onto book #20 in the series, and back in the Roman province of Brittania after the intervening books have had us all over the Roman Empire.
The series has also lost the 'Eagle' that was always included somewhere in the earlier titles (Under the Eagle, The Eagle's Conquest, The Eagle and the Wolves etc), with that word last used in the title in entry # 7 (The Eagle in the Sand).
That's not all that has changed: Cato is no longer the scared young man he had been in the first entries; Macro no longer the seasoned Centurion. Now, Macro is retired from active service whilst Cato - who now has a family of his own - has risen in rank above that that Macro ever reached but is still firm friends with the latter.
We've now also reached a pivotal moment in Roman Britain history, with the Boudicean revolt just about to kick off (as it does here) and as the Romans finally capture and raze the Druid stronghold of Mona.
Those two events form the backbone of this novel, with Cato involved in the attack on Mona whilst Macro is charged with the defence of Camulodunum (Colchester) and in charge of the Roman Reserves there whilst the main army is away on campaign, just after the Governor of Britain has further alienated their Icenian allies.
As with all of the Simon Scarrow books I've read, the history is worn lightly enough to make an enjoyable read: this is not a dry, stuffy retelling of events but rather uses the real historical events as the backbone for the story being built around it.
This, I have to say, is also the first in the series that I can remember ending in a definite cliffhanger ...
(I might have to go back and re-read the previous now)
I wondered into a local branch of Eason's, and saw Under the Eagle on offer, sold for an introductory price (which I can't even remember), and with a blurb that sounded interesting. That, and a quote from the king of historical action-adventure fiction Bernard Cornwell that 'I really don't need this kind of competition ... a great read'.
Jump forward just over 20 years, and we're now onto book #20 in the series, and back in the Roman province of Brittania after the intervening books have had us all over the Roman Empire.
The series has also lost the 'Eagle' that was always included somewhere in the earlier titles (Under the Eagle, The Eagle's Conquest, The Eagle and the Wolves etc), with that word last used in the title in entry # 7 (The Eagle in the Sand).
That's not all that has changed: Cato is no longer the scared young man he had been in the first entries; Macro no longer the seasoned Centurion. Now, Macro is retired from active service whilst Cato - who now has a family of his own - has risen in rank above that that Macro ever reached but is still firm friends with the latter.
We've now also reached a pivotal moment in Roman Britain history, with the Boudicean revolt just about to kick off (as it does here) and as the Romans finally capture and raze the Druid stronghold of Mona.
Those two events form the backbone of this novel, with Cato involved in the attack on Mona whilst Macro is charged with the defence of Camulodunum (Colchester) and in charge of the Roman Reserves there whilst the main army is away on campaign, just after the Governor of Britain has further alienated their Icenian allies.
As with all of the Simon Scarrow books I've read, the history is worn lightly enough to make an enjoyable read: this is not a dry, stuffy retelling of events but rather uses the real historical events as the backbone for the story being built around it.
This, I have to say, is also the first in the series that I can remember ending in a definite cliffhanger ...
(I might have to go back and re-read the previous now)
Alison Pink (7 KP) rated Extremely Loud and Incredibly Close in Books
Jan 15, 2018
I have never been a big fan of history. There have been events in history which have captured my attention...the Holocaust, JFK's assassination, the Civil Rights movement, the Beatles. I think my issue with history is just that, its history. I had no connection to it. All of that changed on September 11, 2001, my generation's version of the day that will live in infamy. Like most everyone who was old enough to remember, I remember that day like it were yesterday...where I was when I heard, what it was like to watch those massive building collapse, the fear, the uncertainty, the need to have those I loved close to me, how I knew it was real but just not being able to comprehend that I was watching the news & not some movie. I didn't have a personal connection with losing someone that day thank God.
Jonathan Safran Foer's book gave me that personal connection. While I know it is fiction, it felt SO incredibly real. His writing was very heartfelt...funny, depressing, hopeful, and heartbreaking all at once. It tells the story of Oskar Schell who lost his father on that horrible day. It tells the tale of the aftermath for those left behind, those who still today stuggle to get a handle on wrapping their minds around their loved one being gone, even though there is nothing to put closure to their loss.
Oskar spends months a searching for an explanation to a key he found at the bottom of a vase in his father's closet after he died. He embarks on the search hoping to feel close to his dad, if only for a little while longer. That search leads him all through New York and into the homes of a very eclectic group of people who are all dealing with some kind of tragedy. In the end, what he finds surprises Oskar, but also manages to pull him back to his mother and deal with his anger at the same time.
I'm not sure what I was expecting, but this book was a pleasant surprise. I laughed & cried, often times all from just one page of text. The story is accompanied by photos that just add to the personal nature of the story. I don't do this often if ever really, but I think this is a book I will read more than once.
Jonathan Safran Foer's book gave me that personal connection. While I know it is fiction, it felt SO incredibly real. His writing was very heartfelt...funny, depressing, hopeful, and heartbreaking all at once. It tells the story of Oskar Schell who lost his father on that horrible day. It tells the tale of the aftermath for those left behind, those who still today stuggle to get a handle on wrapping their minds around their loved one being gone, even though there is nothing to put closure to their loss.
Oskar spends months a searching for an explanation to a key he found at the bottom of a vase in his father's closet after he died. He embarks on the search hoping to feel close to his dad, if only for a little while longer. That search leads him all through New York and into the homes of a very eclectic group of people who are all dealing with some kind of tragedy. In the end, what he finds surprises Oskar, but also manages to pull him back to his mother and deal with his anger at the same time.
I'm not sure what I was expecting, but this book was a pleasant surprise. I laughed & cried, often times all from just one page of text. The story is accompanied by photos that just add to the personal nature of the story. I don't do this often if ever really, but I think this is a book I will read more than once.
Sassy Brit (97 KP) rated Become The Force: 9 Lessons on Living as a Master Jedi in Books
Jun 5, 2019
Become the Force: 9 Lessons on How to Live as a Jediist Master (For Everyone Who Loves Star Wars) is written by Daniel M. Jones, Theresa Cheung.
Yes, I know what you are thinking! On the surface this does seem a bit of a giggle, but underneath it’s full of light goodness and that is simply a mix of being a good person over a bad person, and seeing the light side as opposed to the dark.
Disclosure: I am a Star Wars fan and I admit to taking a stand and putting my religion down as a Jedi Knight back in the last census of 2001. (Yep, I was one of those naughty people). Partly because of the protest but also partly because I’d always fancied myself as a Jedi Knight and it seemed a bit of a laugh at the time to say my religion was Jediism.
But that’s just it, whether you can truly classify it as a religion or not, this is more about a philosophy of being kind to yourself and each other. Many such teachings have been clearly taken from a mixture of Zen like “religions” as a way to understand your ‘self’ and to help make positive changes in our fast-moving, often stressful world.
In many ways I’d love to follow this path, yet I do see how some may never actually take this seriously, purely on account that some of these philosophies are based on the films, although not as heavily as some groups are. Yes there are other sects that differ and are more about the films than the mindfulness.
And that’s just what it is, mindfulness, living in the present and CBT techniques.
Believing in an energy force which surrounds us and is in all living things may sound like something out of a science fiction book, but it’s not. We are all living, breathing energy.
The author discusses spiritualist principles and ideas from great thinkers throughout history – from Plato to modern day Alan Watts (who proposed that Buddhism could be thought of as a form of psychotherapy and not a religion), and of course it goes without saying, our great philosopher Yoda, too!
I’m impressed at how this book has been put together, and that it is not as crazy as I first thought it might be! lol
Yes, I know what you are thinking! On the surface this does seem a bit of a giggle, but underneath it’s full of light goodness and that is simply a mix of being a good person over a bad person, and seeing the light side as opposed to the dark.
Disclosure: I am a Star Wars fan and I admit to taking a stand and putting my religion down as a Jedi Knight back in the last census of 2001. (Yep, I was one of those naughty people). Partly because of the protest but also partly because I’d always fancied myself as a Jedi Knight and it seemed a bit of a laugh at the time to say my religion was Jediism.
But that’s just it, whether you can truly classify it as a religion or not, this is more about a philosophy of being kind to yourself and each other. Many such teachings have been clearly taken from a mixture of Zen like “religions” as a way to understand your ‘self’ and to help make positive changes in our fast-moving, often stressful world.
In many ways I’d love to follow this path, yet I do see how some may never actually take this seriously, purely on account that some of these philosophies are based on the films, although not as heavily as some groups are. Yes there are other sects that differ and are more about the films than the mindfulness.
And that’s just what it is, mindfulness, living in the present and CBT techniques.
Believing in an energy force which surrounds us and is in all living things may sound like something out of a science fiction book, but it’s not. We are all living, breathing energy.
The author discusses spiritualist principles and ideas from great thinkers throughout history – from Plato to modern day Alan Watts (who proposed that Buddhism could be thought of as a form of psychotherapy and not a religion), and of course it goes without saying, our great philosopher Yoda, too!
I’m impressed at how this book has been put together, and that it is not as crazy as I first thought it might be! lol
Darren (1599 KP) rated 2001: A Space Odyssey (1968) in Movies
Jun 20, 2019
Story: You may spend most of this film scratching you head trying to figure out what the hell is going on, but once you get the reveal you will see how good the story is. Giving the audience plenty of questions makes this something many of the new modern film fail to do with all the spoon feed answers. (10/10)
Actor Review: Keir Dullea – Doctor Dave Bowman who has to react to stop H.A.L taking over the space shuttle and fulfil the mission. Top performance on how to convince with expression and body language. (10/10)
david
Actor Review: Gary Lockwood – Doctor Frank Poole who goes on the spacewalk mission before starting to question the methods of the computer H.A.L. Great performance using more action than words to signify his motives. (9/10)
Director Review: Stanley Kubrick – Brilliant piece of directing from a man who redefined a generation of film makers. (10/10)
Sci-Fi: wonderful creation of a space like atmosphere. (10/10)
Special Effects: Stunning special effects that have hardly aged a day. (10/10)
Music: Excellent use of music. (10/10)
Cinematography: Amazing usage of cinematography throughout the film. (10/10)
Believability: Space is still a wife unknown so this is down to what you believe is out there or could happen out there. (5/10)
Chances of Tears: (0/10)
Settings: Set mostly in the middle of space, with nowhere to turn for help perfectly for the creation of the edge of your seat atmosphere created. (10/10)
Oscar Chances: Won one Oscar for Special effects.
Chances of Sequel: Nope
Suggestion: All film fans should watch this as it really is a masterpiece. The casual film fan will struggle to get into the film with the drawn out opening 25 minutes of no dialogue and strong use of music. If you were to look back and see where some of the best films come from this is where it is, this is a true history lesson in film watching this. (Watch)
Best Part: The mystery of what is going on.
Worst Part: May be hard to grab the attention of a casual film fan.
Trivia: There is 88minutes with no dialogue.
Overall: A masterpiece that stands the test of time
https://moviesreview101.com/2013/12/18/2001-a-space-odyssey-1968/
Actor Review: Keir Dullea – Doctor Dave Bowman who has to react to stop H.A.L taking over the space shuttle and fulfil the mission. Top performance on how to convince with expression and body language. (10/10)
david
Actor Review: Gary Lockwood – Doctor Frank Poole who goes on the spacewalk mission before starting to question the methods of the computer H.A.L. Great performance using more action than words to signify his motives. (9/10)
Director Review: Stanley Kubrick – Brilliant piece of directing from a man who redefined a generation of film makers. (10/10)
Sci-Fi: wonderful creation of a space like atmosphere. (10/10)
Special Effects: Stunning special effects that have hardly aged a day. (10/10)
Music: Excellent use of music. (10/10)
Cinematography: Amazing usage of cinematography throughout the film. (10/10)
Believability: Space is still a wife unknown so this is down to what you believe is out there or could happen out there. (5/10)
Chances of Tears: (0/10)
Settings: Set mostly in the middle of space, with nowhere to turn for help perfectly for the creation of the edge of your seat atmosphere created. (10/10)
Oscar Chances: Won one Oscar for Special effects.
Chances of Sequel: Nope
Suggestion: All film fans should watch this as it really is a masterpiece. The casual film fan will struggle to get into the film with the drawn out opening 25 minutes of no dialogue and strong use of music. If you were to look back and see where some of the best films come from this is where it is, this is a true history lesson in film watching this. (Watch)
Best Part: The mystery of what is going on.
Worst Part: May be hard to grab the attention of a casual film fan.
Trivia: There is 88minutes with no dialogue.
Overall: A masterpiece that stands the test of time
https://moviesreview101.com/2013/12/18/2001-a-space-odyssey-1968/
LeftSideCut (3778 KP) rated Jay and Silent Bob Reboot (2019) in Movies
Mar 7, 2020
To put it simply, if you're not too keen on anything related to Jay & Silent Bob or Kevin Smith, then this entry is not going to change your mind!
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?
