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Tom Turner (388 KP) rated Assassin's Apprentice in Books
Jun 11, 2021
This book is about 20 years in the reading. I first started reading Assassin's Apprentice in 2001 when on holiday with my parents. But for whatever reason I only got a few chapters in. Since then this book, asking with its various sequels has become one of the corner stones of Fantasy. It's just one of those books that any self respecting Fantasy fan has to have read or at least had on their TBR for forever and a day. Obviously it's been on my TBR (to at least try again) for 20 years, and I've finally got around to it!
Am I disappointed? Did the wait diminish my enjoyment? Does it live up to the hype? To the first two of these questions, the answer is an easy, Heck No! To the last one, the answer is a assured Heck Yes!
This book feels like it spans the gap between traditional fantasy and some of the modern fantasy we see published today, while at in your faux-medieval civilization, it brings different things to the table then what you might expect. It doesn't say away from putting your protagonist through hell, and I think its only a shame that the tension is slightly lessened because you know he might survive, as there are at least two future books featuring the character. Whether he keeps all his senses by book three however is highly debatable!
Am I disappointed? Did the wait diminish my enjoyment? Does it live up to the hype? To the first two of these questions, the answer is an easy, Heck No! To the last one, the answer is a assured Heck Yes!
This book feels like it spans the gap between traditional fantasy and some of the modern fantasy we see published today, while at in your faux-medieval civilization, it brings different things to the table then what you might expect. It doesn't say away from putting your protagonist through hell, and I think its only a shame that the tension is slightly lessened because you know he might survive, as there are at least two future books featuring the character. Whether he keeps all his senses by book three however is highly debatable!
Otway93 (567 KP) rated Harry Potter Trading Card Game in Tabletop Games
Dec 3, 2020
Gameplay (3 more)
Variety of Characters
Variety of Card
Game Length
Great game, but costs could add up.
Firstly, this is a great game, for seasoned gamers or beginners; very quick and easy to play and understand.
The aim of the game is a simple one, to empty your opponents deck. Simple as that. This is done by choosing a character (each with a unique special skill), and playing creature, spell and item cards to attack their deck.
The range of spells are superb, with everything from forgotten spells from the books, to flipendo, best remembered from the 2001 PS1 Philosophers Stone game. The range of beasts could be better, but as this is only based on the first book, the range could be considered excellent, including creatures including Devil's Snare, Fluffy, Fang, Hounds, Boa Constrictors, Wolves, Trolls and anything you can think of when it comes to the first film/book.
The only issue nowadays is potential costs. As this is out-of-print and nearly 20 years old, cards are a bit of a nuisance to find and expensive when you do find them. Small lots of cards can be found on ebay for a reasonable price, but if you're after individual cards, costs could easily mount up with cards starting at 99p and going up to £5 or more for some of the rarer cards.
Overall though, a great game, and well worth getting a starter set and a few extras :)
The aim of the game is a simple one, to empty your opponents deck. Simple as that. This is done by choosing a character (each with a unique special skill), and playing creature, spell and item cards to attack their deck.
The range of spells are superb, with everything from forgotten spells from the books, to flipendo, best remembered from the 2001 PS1 Philosophers Stone game. The range of beasts could be better, but as this is only based on the first book, the range could be considered excellent, including creatures including Devil's Snare, Fluffy, Fang, Hounds, Boa Constrictors, Wolves, Trolls and anything you can think of when it comes to the first film/book.
The only issue nowadays is potential costs. As this is out-of-print and nearly 20 years old, cards are a bit of a nuisance to find and expensive when you do find them. Small lots of cards can be found on ebay for a reasonable price, but if you're after individual cards, costs could easily mount up with cards starting at 99p and going up to £5 or more for some of the rarer cards.
Overall though, a great game, and well worth getting a starter set and a few extras :)
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You Say You Want a Revolution?: Records and Rebels 1966-1970: 2016
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JT (287 KP) rated Session 9 (2001) in Movies
Mar 10, 2020
Looking back I’ve written a number of horror film reviews which, probably highlights what my favourite genre is? I’ve not been into torture porn or serious amounts of gore. I don’t mind it in small doses, but I prefer films that get under your skin – case in point, Session 9.
In order to satisfy the millennials the majority of horror films today get their thrills from cheap jump scares. But real terror comes from the things that we can relate to. Things that go ‘bump‘ in the night or the sense that we are being watched. This for me, is real terror. Directed by Brad Anderson, Session 9 embodies all of that to perfection.
Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
An asbestos cleaning crew are set the task of clearing the abandoned Danvers State Hospital, a job that needs to be done within a week. Company owner Gordon (Peter Mullan) has put a lot of pressure on his team, consisting of Mike (Stephen Gevedon), Phil (David Caruso), Hank (Josh Lucas), and Jeff (Brendan Sexton III), to meet the deadline and collect a bonus. It’s pressure that starts to spill over right from the off.
The hospital is creepy as hell and even in the daylight the crew are plunged into darkness, which doesn’t sit well with Jeff who has a serious case of nyctophobia. They also have to deal with in-fighting amongst the group. On top of the tight deadline Gordon is struggling with the stress of raising a newborn child and arguments with his wife have not helped matters and slowly he becomes dissociated from the group. Meanwhile Mike stumbles across some tapes (nine of them) which are session interviews with a former patient called Mary Hobbes who has multiple personalities, that over the course of each session start to come out.
Phil (David Caruso) & Jeff (Brendan Sexton III) investigate the depths of the hospital
Like Stanley Kubrick’s The Shining – the location starts to take hold of each of the men, sending them spiraling into a world of personal madness. A number of subplots become interconnected the longer the film goes on and the pacing, while slow for some horror fans, is brilliantly orchestrated for those with patience. Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
What makes the film even more terrifying is the setting. The film was shot in the actual Danvers State Hospital so it needed little doing to it in terms of effects. The hospital was said to be the birth place of the prefrontal lobotomy (something which is referenced in the film), and part of me thinks that the fear on the actors faces as they walk the halls was in fact genuine terror. If that is the case then it only adds to the horror.
Session 9 will stay with you long after the credits. It doesn’t rely on heavy gore or CGI and builds tension with what you think you can see and at times – what you can’t.
In order to satisfy the millennials the majority of horror films today get their thrills from cheap jump scares. But real terror comes from the things that we can relate to. Things that go ‘bump‘ in the night or the sense that we are being watched. This for me, is real terror. Directed by Brad Anderson, Session 9 embodies all of that to perfection.
Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
An asbestos cleaning crew are set the task of clearing the abandoned Danvers State Hospital, a job that needs to be done within a week. Company owner Gordon (Peter Mullan) has put a lot of pressure on his team, consisting of Mike (Stephen Gevedon), Phil (David Caruso), Hank (Josh Lucas), and Jeff (Brendan Sexton III), to meet the deadline and collect a bonus. It’s pressure that starts to spill over right from the off.
The hospital is creepy as hell and even in the daylight the crew are plunged into darkness, which doesn’t sit well with Jeff who has a serious case of nyctophobia. They also have to deal with in-fighting amongst the group. On top of the tight deadline Gordon is struggling with the stress of raising a newborn child and arguments with his wife have not helped matters and slowly he becomes dissociated from the group. Meanwhile Mike stumbles across some tapes (nine of them) which are session interviews with a former patient called Mary Hobbes who has multiple personalities, that over the course of each session start to come out.
Phil (David Caruso) & Jeff (Brendan Sexton III) investigate the depths of the hospital
Like Stanley Kubrick’s The Shining – the location starts to take hold of each of the men, sending them spiraling into a world of personal madness. A number of subplots become interconnected the longer the film goes on and the pacing, while slow for some horror fans, is brilliantly orchestrated for those with patience. Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
What makes the film even more terrifying is the setting. The film was shot in the actual Danvers State Hospital so it needed little doing to it in terms of effects. The hospital was said to be the birth place of the prefrontal lobotomy (something which is referenced in the film), and part of me thinks that the fear on the actors faces as they walk the halls was in fact genuine terror. If that is the case then it only adds to the horror.
Session 9 will stay with you long after the credits. It doesn’t rely on heavy gore or CGI and builds tension with what you think you can see and at times – what you can’t.
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