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The Best Of Oum Kalsoum by Oum Kalsoum
The Best Of Oum Kalsoum by Oum Kalsoum
(0 Ratings)
Album Favorite

"Around the time of Poses, which is 2001, and a bit earlier, I discovered Oum Kalsoum. The song itself, 'Poses' is based on her kind of vocal sensibility; the end of the choruses [he sings 'Poses'] is this Egyptian moment. I didn't rip it off – I was just influenced by her. I would say that arguably of all the singers on this list – and we're talking some heavy hitters with Caballé, Domingo and Callas – I think she would probably 'win', in terms of the voice. She sang for a long time, and is basically to this day considered the greatest Middle Eastern singer that ever lived. And she only performed in the Middle East – I think she did one concert in Paris and that was the only time she ever sang in the Western world. There's just stuff she could do with her voice which is just mind-boggling, and also soulful at the same time. It's very sacred. I don't know if she's a religious singer per se, but it's obviously in the music she sings. It's traditional so I guess it's religious. There's a sacred quality to it that is pretty frightening, but also beautiful at the same time. She was also a real character, and not a nice person. She dominated the scene for her entire career and no one else was allowed to eclipse her. In fact, there's some story where some young beautiful singer started to become well known, and she very quickly and mysteriously died in a car crash."

Source
  
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Kristin (149 KP) rated Survivors in Books

Dec 7, 2018  
S
Survivors
Ken Kaye | 2013
8
8.0 (1 Ratings)
Book Rating
Disclaimer: I received an e-copy in exchange for an honest review.

Robert is an ex-FBI agent who's now the VP of Security for a foreign market firm in NYC. On September 11, 2001, he finds himself in side one of the Twin Towers as they are attacked, and he helps guide people down the stairs to safety. He's hailed as a hero, even has his picture shown all of the media, but this is just the start of a major turn of events for him.

All Robert wants to do is move past that day, but nobody will let him. Not even himself, considering he's now found himself infatuated with a woman he helped that day. She's half his age, has two kids, and he's married, for Christ's sake, but that doesn't stop the growing bond between them. How will all these new feelings affect Robert, especially when, whether he wants to admit it or not, he's still dealing with the stress of the attacks?

I must say, this story provides an insightful perspective on September 11th, as you get to see it through the eyes of someone who was not only there, but who also had to deal with the constant praise and pats on the back, even though so many others died around him. Not to mention, it's the start of what is probably a mid-life crisis; probably not such a great time to have it. The characters are interesting, as is the story, and you can definitely tell when Robert's starting to crack under everything going on. An interesting read, and I look forward to other works by this author.

4 stars
  
2001: A Space Odyssey (1968)
2001: A Space Odyssey (1968)
1968 | Classics, Sci-Fi
Long scenes of drifting through space. Amazing on an IMAX screen. (0 more)
Plot sometimes seems like an afterthought (see above long images of drifting through space.) This is not a neat ending. You will most likely be confused. (0 more)
Visit space at your local IMAX
This review is specifically about the IMAX re-release in 2018.

Never having seen this film before, I was psyched to hear it was coming to IMAX. Raised in museums, I have a strong predisposition to watch movies set in space or in the ocean on IMAX screens. In that respect, this movie does not disappoint. If your idea of a great time is watching space craft drift through space to classical music on a screen so big you feel like you’re there, you will LOVE this movie. The cinematography is stunning, and I found myself enjoying shifting back and forth between space and 1960’s set design. 2001 is, if nothing else, a feast on for the eyes.
This movie has a reputation for being confusing, and it does earn it. This is particularly true of the last half our or so.
Because this was originally made for Cinerama (a style that was projected onto a heavily curved screen using 3 synchronized projectors) a few scenes looked a little squished or bent in places. It’s barely noticable, and probably unavoidable in translating from the curved to flat screen. Still, this was remarkably well done.
Still, regardless what you think of the story and meaning of this film, you will be doing yourself a favor to see it in IMAX before it leaves!