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Charlie Cobra Reviews (1840 KP) rated The Girl With All the Gifts (2017) in Movies
Nov 1, 2020
A unique concept that doesn't fail on delivery. (2 more)
Good acting from everyone including the little girl Senna Nanua/ Melanie.
Good action, good fight choreography and gun fight scenes.
Some of the make-up special effects weren't the best. (1 more)
Some things didn't make sense to me when thinking back to the walkie-talkie scene.
Surpasses Expectations and Surprisingly Good (7/10)
Contains spoilers, click to show
The Girl With All The Gifts is a 2016 British Sci-Fi Horror movie directed by Colm McCarthy and written by Mike Carey. It was produced by BFI Film Forever, Creative England, Altitude and Poison Chef and distributed by Warner Bros. Pictures and Saban Films. The movie stars Gemma Arterton, Glenn Close and Paddy Considine and Sennia Nanua.
In a post-apocalyptic future, that has been ravaged by a mysterious fungal disease, those infected have turned into fast, mindless zombies, called "hungries.” A small group of hybrid children who crave human flesh but retain the ability to think and feel, go to school at an army base in rural Britain. There they're subjected to cruel experiments by Dr. Caroline Caldwell (Glenn Close). An exceptional girl named Melanie (Sennia Nanua), grows particularly close to school teacher Helen Justineau (Gemma Arterton) and forms a special bond. When the base is invaded, the trio escape with the assistance of Sgt. Eddie Parks (Paddy Considine) and embark on a perilous journey of survival, during which Melanie must come to terms with who she and what she is.
This movie was really good. I really liked the concept and felt it delivered on the premise and didn't fall through. The little girl Melanie played by Sennia Nanua did an excellent job and I was surprised with how much I wound up liking her character. Gemma Arterton was very good as Helen too and Glenn Close just blew me away as the scientist Dr. Caroline Caldwell. Some of the zombie makeup and special effects weren't the best in certain scenes when they slow walk through some dormant zombies but nothing that horrible that I saw. And I didn't like a couple of scenes with another kind of zombies too but more of that in the spoilers section. The action was really spot on and this movie didn't shy away from blood or gore but also didn't seem to really overly depict any gruesome scenes. It did however show the aftermath of some particularly nasty kills. I have to say this was one of the better zombie movies I've seen and I give it a 7/10 as well as my "Must See Seal of Approval". Definitely check out this zombie movie.
Spoiler Section Review:
As I said above, I really liked this zombie movie. The whole concept intrigued me as it looked like they were a bunch of children prisoners in the trailer. And the part where they man puts his arm in front of them and they start chomping at it made me think that they were somehow part zombies or something; which they were. Really the little girl Melanie made the movie work because her character was so interesting. I enjoyed seeing her character growth and how she viewed the world and how they others interacted with her. It's so awkward in the beginning seeing how the soldiers and others react to them even though their children yet when you see the soldier make that point to the teacher you realize with the rest of the audience that these aren't normal children. I really like how they show she has these instincts that she tries really hard to fight against and how it's too hard sometimes. The action is pretty decent in this movie and some pretty cool fight scenes from some of the kid zombies was a cool surprise too and rather epic. The ending totally threw me off and I never thought It would end like that but now that I think about it, it did kind of foreshadow it by Glenn Close telling Melanie how the seed spores would open, still to end the world by lighting that spore tower on fire was shocking to say the least. Like I said I give this movie a 7/10 and it gets my "Must See Seal of Approval" and definitely see this movie if you haven't already.
In a post-apocalyptic future, that has been ravaged by a mysterious fungal disease, those infected have turned into fast, mindless zombies, called "hungries.” A small group of hybrid children who crave human flesh but retain the ability to think and feel, go to school at an army base in rural Britain. There they're subjected to cruel experiments by Dr. Caroline Caldwell (Glenn Close). An exceptional girl named Melanie (Sennia Nanua), grows particularly close to school teacher Helen Justineau (Gemma Arterton) and forms a special bond. When the base is invaded, the trio escape with the assistance of Sgt. Eddie Parks (Paddy Considine) and embark on a perilous journey of survival, during which Melanie must come to terms with who she and what she is.
This movie was really good. I really liked the concept and felt it delivered on the premise and didn't fall through. The little girl Melanie played by Sennia Nanua did an excellent job and I was surprised with how much I wound up liking her character. Gemma Arterton was very good as Helen too and Glenn Close just blew me away as the scientist Dr. Caroline Caldwell. Some of the zombie makeup and special effects weren't the best in certain scenes when they slow walk through some dormant zombies but nothing that horrible that I saw. And I didn't like a couple of scenes with another kind of zombies too but more of that in the spoilers section. The action was really spot on and this movie didn't shy away from blood or gore but also didn't seem to really overly depict any gruesome scenes. It did however show the aftermath of some particularly nasty kills. I have to say this was one of the better zombie movies I've seen and I give it a 7/10 as well as my "Must See Seal of Approval". Definitely check out this zombie movie.
Spoiler Section Review:
As I said above, I really liked this zombie movie. The whole concept intrigued me as it looked like they were a bunch of children prisoners in the trailer. And the part where they man puts his arm in front of them and they start chomping at it made me think that they were somehow part zombies or something; which they were. Really the little girl Melanie made the movie work because her character was so interesting. I enjoyed seeing her character growth and how she viewed the world and how they others interacted with her. It's so awkward in the beginning seeing how the soldiers and others react to them even though their children yet when you see the soldier make that point to the teacher you realize with the rest of the audience that these aren't normal children. I really like how they show she has these instincts that she tries really hard to fight against and how it's too hard sometimes. The action is pretty decent in this movie and some pretty cool fight scenes from some of the kid zombies was a cool surprise too and rather epic. The ending totally threw me off and I never thought It would end like that but now that I think about it, it did kind of foreshadow it by Glenn Close telling Melanie how the seed spores would open, still to end the world by lighting that spore tower on fire was shocking to say the least. Like I said I give this movie a 7/10 and it gets my "Must See Seal of Approval" and definitely see this movie if you haven't already.
Bob Mann (459 KP) rated The Mule (2018) in Movies
Sep 28, 2021
Eastwood is back, but is he hero or anti-hero?
It’s delightful to see Clint Eastwood back in front of the camera on the big screen. His last starring film was “Trouble with the Curve” in 2012 – a baseball-themed film that I don’t remember coming out in the UK, let alone remember seeing. Before that was 2008’s excellent “Gran Torino”.
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
RəX Regent (349 KP) rated Ben-Hur (2016) in Movies
Feb 20, 2019
Who thought it was a good idea to remake Ben-Hur? Well, on paper, it would seem to be a possibility. Ben-Hur has been hitting our cinema screens since 1907, with three other theatrical versions before this one; a short silent effort in 1907, the 1925 silent epic and the blockbusting MGM epic from 1959.
But this follows stage plays, TV movies and even animated movies, all based on General Lee Wallace's 1880 novel of the same name. But if a comparison is to be made, let us focus on the 1959 Charlton Heston movie. That, which ran for over three and half hours, takes its time to establish characters and situations, then takes us on a journey across the Roman Empire as we follow the turmoil of Judah Ben-Hur, betrayed by his best friend, a Roman who he considered to be a brother.
This journey takes place and parallels the life and ultimate execution of Jesus Christ and with this parallel, Judah is gradually inspired to temper his vengeance against his friend turned enemy and after the famous chariot race and the hollow victory therein, he will witness the crucifixion and through several machinations, find solace in the fledgling Christian movement.
So, how does this version hold up? To the 1959 version; not very well. This two-hour action movie is centred around the chariot race from start to finish, something which happens in the second act of the 1959 version but this is NOT the conclusion, but a catalyst for the finale.
Here, even though the events play out in a similar fashion, they are rushed and none of the character moments are earned. It is as if the film was pitched soley on the concept of showing an action packed chariot race in the 21st century.
If you want to see a modern interpretation of this race, possibly cinema's greatest such sequence, then look at Star Wars: Episode I's Podrace which captures the spirit perfectly. The positioning of this race and its significance to the plot was the same in the 1925 version as well, yet the fifteen minute 1907 short pretty much cherry picked the same plot elements as this 2016 version, which is quite telling really.
There was little interest in the story, just a cynical desire to bring this iconic movie back to the big screen and milk it as they would any franchise. But Ben-Hur is a poisoned chalice, so iconic that it would have to have offered something new without losing the original feel to succeed, as this classic simply did not warrant a remake.
But if you are going to remake it, give it a mega budget, which they did not, an all star cast, again, not the case and bring on board a top director to lead this project.
Instead we have a cast of relative unknowns, with Morgan Freeman being the most notable cast member, the director of such movies as Wanted (2007) and a small budget of just $100,000,000, when a blockbuster these days is usually pushing $200,000,000.
The main selling point for the previous two Ben-Hurs was the scale. These were epics and pushed the technology, filmmaking styles and never shied away from the strong religious overtones. Here it looks like it is given little more than lip service hoping to pander to the religious right.
It failed. Darren Aronofsky's Noah (2013) made more of an impact and it divided audiences, but at least it was faithful to itself, pushed boundaries and left its mark on cinema.
But by the end, my jaw was literally on the floor as the maimed Massalia reconciled with Judah and the pair ride off into the sunset together, all forgiven....
WHAT!!!
And more importantly, what was the point? Jesus sacrified himself, (in the story) so that people like Judah would put down their swords and learn to forgive, yet in the end, Judah and Massalia sacrifice nothing as they both regain their friendship and live happily ever after. In the previous versions, Ben-Hur beat Massalia but he has the last laugh as his mother and sister have been left with leprosy, that is until Jesus' death sparks a miracle which cures them. This was his reward for seeing the error of his ways, not getting his family and his friend back.
In the end, this is not a bad action romp, very watchable and is an entertaining spectacle but ultimately forgettable. It will entertain for two hours but leaves you with nothing to think about, unlike the books, plays and films which have preceded this.
A real shame...
But this follows stage plays, TV movies and even animated movies, all based on General Lee Wallace's 1880 novel of the same name. But if a comparison is to be made, let us focus on the 1959 Charlton Heston movie. That, which ran for over three and half hours, takes its time to establish characters and situations, then takes us on a journey across the Roman Empire as we follow the turmoil of Judah Ben-Hur, betrayed by his best friend, a Roman who he considered to be a brother.
This journey takes place and parallels the life and ultimate execution of Jesus Christ and with this parallel, Judah is gradually inspired to temper his vengeance against his friend turned enemy and after the famous chariot race and the hollow victory therein, he will witness the crucifixion and through several machinations, find solace in the fledgling Christian movement.
So, how does this version hold up? To the 1959 version; not very well. This two-hour action movie is centred around the chariot race from start to finish, something which happens in the second act of the 1959 version but this is NOT the conclusion, but a catalyst for the finale.
Here, even though the events play out in a similar fashion, they are rushed and none of the character moments are earned. It is as if the film was pitched soley on the concept of showing an action packed chariot race in the 21st century.
If you want to see a modern interpretation of this race, possibly cinema's greatest such sequence, then look at Star Wars: Episode I's Podrace which captures the spirit perfectly. The positioning of this race and its significance to the plot was the same in the 1925 version as well, yet the fifteen minute 1907 short pretty much cherry picked the same plot elements as this 2016 version, which is quite telling really.
There was little interest in the story, just a cynical desire to bring this iconic movie back to the big screen and milk it as they would any franchise. But Ben-Hur is a poisoned chalice, so iconic that it would have to have offered something new without losing the original feel to succeed, as this classic simply did not warrant a remake.
But if you are going to remake it, give it a mega budget, which they did not, an all star cast, again, not the case and bring on board a top director to lead this project.
Instead we have a cast of relative unknowns, with Morgan Freeman being the most notable cast member, the director of such movies as Wanted (2007) and a small budget of just $100,000,000, when a blockbuster these days is usually pushing $200,000,000.
The main selling point for the previous two Ben-Hurs was the scale. These were epics and pushed the technology, filmmaking styles and never shied away from the strong religious overtones. Here it looks like it is given little more than lip service hoping to pander to the religious right.
It failed. Darren Aronofsky's Noah (2013) made more of an impact and it divided audiences, but at least it was faithful to itself, pushed boundaries and left its mark on cinema.
But by the end, my jaw was literally on the floor as the maimed Massalia reconciled with Judah and the pair ride off into the sunset together, all forgiven....
WHAT!!!
And more importantly, what was the point? Jesus sacrified himself, (in the story) so that people like Judah would put down their swords and learn to forgive, yet in the end, Judah and Massalia sacrifice nothing as they both regain their friendship and live happily ever after. In the previous versions, Ben-Hur beat Massalia but he has the last laugh as his mother and sister have been left with leprosy, that is until Jesus' death sparks a miracle which cures them. This was his reward for seeing the error of his ways, not getting his family and his friend back.
In the end, this is not a bad action romp, very watchable and is an entertaining spectacle but ultimately forgettable. It will entertain for two hours but leaves you with nothing to think about, unlike the books, plays and films which have preceded this.
A real shame...
Movie Metropolis (309 KP) rated Glass (2019) in Movies
Jun 10, 2019
An ambitious but flawed finale
M. Night Shyamalan is back behind the camera! Quick, run! Joking aside, Shyamalan’s career is as convoluted as his signature third-act twists. Starting off with the fabulous The Sixth Sense and then almost derailing his career with catastrophic failures like The Happening, After Earth and dare I mention it, The Last Airbender, it appeared we had all but lost that once promising directorial flair.
Thankfully in 2016’s Split, Shyamalan returned to form somewhat with a nicely paced, tense thriller starring James McAvoy as Kevin, a guy with multiple personality disorder. Of course, the infamous twist, possibly Shyamalan’s best, that this film was set in the same universe as the fabulous Unbreakable was almost too much to handle.
Fast-forward three years and Glass is the film that rounds out the surprise trilogy, bringing together McAvoy, Bruce Willis and Samuel L Jackson for the mother of all showdowns. Or that’s what the trailers would have you believe. But what’s the finished product like?
Three weeks after the conclusion of Split, Glass finds Bruce Willis’ David Dunn pursuing James McAvoy’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Elijah Price (Samuel L Jackson) emerges as an orchestrator who holds secrets critical to both men. Sandwiched in between this is Sarah Paulson’s Dr Ellie Staple who desperately wants to prove that these men simply hold delusions of grandeur.
As a rule, trilogy closers generally tend to the weakest of the three films with Spider-Man 3, Return of the Jedi and X-Men: Apocalypse cementing my point and Glass unfortunately follows a similar pattern. While by no means a bad film, Shyamalan desperately tries to add too many plot threads into the mix at the end resulting in a messy climax that trips all over itself.
Thankfully, the first act, and the majority of the second live up to expectations. James McAvoy is absolutely exceptional as Kevin and his multiple personalities. Switching between them at the flash of a light, he is staggering to watch and is the highlight in a film that for the most part, gets the best out of its stars. Samuel L Jackson and Sarah Paulson are great with the former looking like he’s having an absolute blast reprising a role that’s been dormant for 19 years.
The less said about Bruce Willis the better. He seems to be sleepwalking through the entire film, so it’s probably for the best that he appears fleetingly every now and then as this is very much McAvoy’s film.
Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy
The script is typical Shyamalan. It’s clunky, filled with overly expositional dialogue and sometimes downright jarring, but the intriguing premise allows you to overlook this more often than not. There are some nice touches as Sarah Paulson’s character tries to explain away the powers of the main trio, making them and us as the audience doubt their superhuman abilities.
Those expecting a film packed with action will be disappointed. Glass is very much a character piece. The action that is there is well-filmed and realistic considering the film’s incredibly small budget, but it’s limited to the beginning and end of the movie, though the finale is such a mess that it’s really not worth mentioning.
Much of Glass takes place within the Raven Hill Memorial Hospital and follows Paulson’s daily studies of the trio and while this does dampen the pacing somewhat, it’s a refreshing change to the action-packed blockbusters that we have become accustomed to in the genre.
When it comes to cinematography, again, it’s typical Shyamalan. Long-tracking shots, super close-ups and peculiar camera angles are all present and correct. In Split, the impact of his unusual camerawork wasn’t too grating, but here it creates quite the distraction. There’s also another Shyamalan staple: the director’s cameo. The one in Glass is overly long and completely unnecessary, but it’s something we’ve come to expect over the last couple of decades.
Overall, Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy, the class brought by Samuel L Jackson and Sarah Paulson and a great sense of ambition. Unfortunately, budgetary restraints have resulted in a film that is subtle to the point of being dull and while praise should be given for effort, Glass proves to be just a little underwhelming.
https://moviemetropolis.net/2019/01/19/glass-review-an-ambitious-but-flawed-finale/
Thankfully in 2016’s Split, Shyamalan returned to form somewhat with a nicely paced, tense thriller starring James McAvoy as Kevin, a guy with multiple personality disorder. Of course, the infamous twist, possibly Shyamalan’s best, that this film was set in the same universe as the fabulous Unbreakable was almost too much to handle.
Fast-forward three years and Glass is the film that rounds out the surprise trilogy, bringing together McAvoy, Bruce Willis and Samuel L Jackson for the mother of all showdowns. Or that’s what the trailers would have you believe. But what’s the finished product like?
Three weeks after the conclusion of Split, Glass finds Bruce Willis’ David Dunn pursuing James McAvoy’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Elijah Price (Samuel L Jackson) emerges as an orchestrator who holds secrets critical to both men. Sandwiched in between this is Sarah Paulson’s Dr Ellie Staple who desperately wants to prove that these men simply hold delusions of grandeur.
As a rule, trilogy closers generally tend to the weakest of the three films with Spider-Man 3, Return of the Jedi and X-Men: Apocalypse cementing my point and Glass unfortunately follows a similar pattern. While by no means a bad film, Shyamalan desperately tries to add too many plot threads into the mix at the end resulting in a messy climax that trips all over itself.
Thankfully, the first act, and the majority of the second live up to expectations. James McAvoy is absolutely exceptional as Kevin and his multiple personalities. Switching between them at the flash of a light, he is staggering to watch and is the highlight in a film that for the most part, gets the best out of its stars. Samuel L Jackson and Sarah Paulson are great with the former looking like he’s having an absolute blast reprising a role that’s been dormant for 19 years.
The less said about Bruce Willis the better. He seems to be sleepwalking through the entire film, so it’s probably for the best that he appears fleetingly every now and then as this is very much McAvoy’s film.
Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy
The script is typical Shyamalan. It’s clunky, filled with overly expositional dialogue and sometimes downright jarring, but the intriguing premise allows you to overlook this more often than not. There are some nice touches as Sarah Paulson’s character tries to explain away the powers of the main trio, making them and us as the audience doubt their superhuman abilities.
Those expecting a film packed with action will be disappointed. Glass is very much a character piece. The action that is there is well-filmed and realistic considering the film’s incredibly small budget, but it’s limited to the beginning and end of the movie, though the finale is such a mess that it’s really not worth mentioning.
Much of Glass takes place within the Raven Hill Memorial Hospital and follows Paulson’s daily studies of the trio and while this does dampen the pacing somewhat, it’s a refreshing change to the action-packed blockbusters that we have become accustomed to in the genre.
When it comes to cinematography, again, it’s typical Shyamalan. Long-tracking shots, super close-ups and peculiar camera angles are all present and correct. In Split, the impact of his unusual camerawork wasn’t too grating, but here it creates quite the distraction. There’s also another Shyamalan staple: the director’s cameo. The one in Glass is overly long and completely unnecessary, but it’s something we’ve come to expect over the last couple of decades.
Overall, Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy, the class brought by Samuel L Jackson and Sarah Paulson and a great sense of ambition. Unfortunately, budgetary restraints have resulted in a film that is subtle to the point of being dull and while praise should be given for effort, Glass proves to be just a little underwhelming.
https://moviemetropolis.net/2019/01/19/glass-review-an-ambitious-but-flawed-finale/
Kristy H (1252 KP) rated Practicing Normal in Books
Feb 13, 2018
Poor Kate Turner. She lives in a beautiful home in Pine Estates with her family: husband, Everett; teenage daughter, Jenna; and tween son, JT. But things are not as lovely (and normal) as they appear from the outside. Everett works at a security firm, but he also disappears for hours on end, and Kate worries he's having (another) affair. Jenna learned to break into homes from her dad, and she's busy skipping school and putting that talent to good use. She also has no use for her father since his mistress appeared on their front doorstep. And JT is a wonderful, intelligent kid, but he is also dealing with Asperberger's and the fact that his father would love nothing more than for him to be "normal."
I just have to preface my review to say that <i>I don't understand why more people don't know of and read Cara Sue Achterberg.</i> I read her last novel, [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], and it was so good. She also has a great twitter, fosters dogs, and is just so fun. Darn you, world!
Anyway, I liked the characters of PRACTICING NORMAL (or at least was drawn into their worlds) immediately -- there was no way I was ever going to like Kate's husband, though. Kate is so real--she is flawed, she is tough, she is a loving mom. She is no stock character. Achterberg does spot-on coverage of Kate's mother, Mildred, a crotchety old woman with borderline dementia. Mildred's love of her backyard songbirds is just awesome: you will laugh (and perhaps cry). There are also touching (and probably pretty realistic) interactions with her son. Meanwhile, her husband is just a piece of work.
<i>Achterberg has a way of making you empathize so deeply with her characters.</i> I felt so badly for Kate. Other times I wanted to shake her, wake her up, and get her out of her life. No matter what, I was completely invested in her story. She's relatable and will certainly appeal to the overworked, stressed moms of the world. (There's a moment where Kate wishes she could just have a temporary health issue and wind up in the hospital for a moment - where people actually care for her for once. Oh yes. Haven't we all been there--guiltily--for a minute or two?)
The POV varies mainly between Kate and Jenna--and about a quarter way through the story, we hear from that "louse" (as Mildred would say) Everett. I enjoyed how Achterberg used shorter sentences and simpler words when speaking as Everett. I'm sorry, but I could just never warm up to that guy. (Read it, you'll understand.) Now Jenna? She's a gem. A spitfire of a teen with the ability to see through the pretend layers everyone puts on. I fiercely wanted to protect Jenna--a testament to Achterberg's writing and this character she had created.
I was a bit irritated by Kate's sister Evelyn and her constant focus on bringing their deadbeat father back into their life (though that storyline picks up later), but Evelyn certainly stood for yet another thing poor Kate must deal with. I mean, seriously. This poor woman.
<i>Overall, I really enjoyed this one.</i> Much like GIRLS' WEEKEND, I am just amazed at how well Achterberg writes her characters and how quickly she draws you into their lives. I might have enjoyed GIRLS just a tad more, but only because I am more at the point of those women in my life (with younger kids) than Kate. I still really liked this novel. I would find myself just smiling at parts while I read it, because I was so taken by the characters. I was rooting for Kate and Jenna (and JT!) and, often, very much against Everett and Evelyn. It's truly a lovely reflection on the different kinds of love we have for others, and yes, the spectrum of normal. Highly recommend with 4+ stars.
I received a copy of this book from the publisher and Netgalley (thank you!) in return for an unbiased review. It is available as of 06/06/17.
You can read my review of Achterberg's previous novel, GIRLS' WEEKEND, <a href="http://justacatandabookatherside.blogspot.com/2016/04/ive-got-sunshine-and-few-good-friends.html">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I just have to preface my review to say that <i>I don't understand why more people don't know of and read Cara Sue Achterberg.</i> I read her last novel, [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], and it was so good. She also has a great twitter, fosters dogs, and is just so fun. Darn you, world!
Anyway, I liked the characters of PRACTICING NORMAL (or at least was drawn into their worlds) immediately -- there was no way I was ever going to like Kate's husband, though. Kate is so real--she is flawed, she is tough, she is a loving mom. She is no stock character. Achterberg does spot-on coverage of Kate's mother, Mildred, a crotchety old woman with borderline dementia. Mildred's love of her backyard songbirds is just awesome: you will laugh (and perhaps cry). There are also touching (and probably pretty realistic) interactions with her son. Meanwhile, her husband is just a piece of work.
<i>Achterberg has a way of making you empathize so deeply with her characters.</i> I felt so badly for Kate. Other times I wanted to shake her, wake her up, and get her out of her life. No matter what, I was completely invested in her story. She's relatable and will certainly appeal to the overworked, stressed moms of the world. (There's a moment where Kate wishes she could just have a temporary health issue and wind up in the hospital for a moment - where people actually care for her for once. Oh yes. Haven't we all been there--guiltily--for a minute or two?)
The POV varies mainly between Kate and Jenna--and about a quarter way through the story, we hear from that "louse" (as Mildred would say) Everett. I enjoyed how Achterberg used shorter sentences and simpler words when speaking as Everett. I'm sorry, but I could just never warm up to that guy. (Read it, you'll understand.) Now Jenna? She's a gem. A spitfire of a teen with the ability to see through the pretend layers everyone puts on. I fiercely wanted to protect Jenna--a testament to Achterberg's writing and this character she had created.
I was a bit irritated by Kate's sister Evelyn and her constant focus on bringing their deadbeat father back into their life (though that storyline picks up later), but Evelyn certainly stood for yet another thing poor Kate must deal with. I mean, seriously. This poor woman.
<i>Overall, I really enjoyed this one.</i> Much like GIRLS' WEEKEND, I am just amazed at how well Achterberg writes her characters and how quickly she draws you into their lives. I might have enjoyed GIRLS just a tad more, but only because I am more at the point of those women in my life (with younger kids) than Kate. I still really liked this novel. I would find myself just smiling at parts while I read it, because I was so taken by the characters. I was rooting for Kate and Jenna (and JT!) and, often, very much against Everett and Evelyn. It's truly a lovely reflection on the different kinds of love we have for others, and yes, the spectrum of normal. Highly recommend with 4+ stars.
I received a copy of this book from the publisher and Netgalley (thank you!) in return for an unbiased review. It is available as of 06/06/17.
You can read my review of Achterberg's previous novel, GIRLS' WEEKEND, <a href="http://justacatandabookatherside.blogspot.com/2016/04/ive-got-sunshine-and-few-good-friends.html">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Alice (12 KP) rated The Promise of the Child (The Amaranthine Spectrum #1) in Books
Jul 3, 2018
<blockquote>How little is the promise of the child fulfilled in the man</blockquote>
The Promise of the Child was one of those impulse books bought because I’d attended a festival (Gollancz festival October 15th 2016 I think) with the author in attendance and I liked the sound of both him and his debut novel; I have no regrets for purchasing this book on impulse unlike some of my impulse buys.
I think, personally, that 100 pages is all you get to grab me, if your book fails to grab me by then there’s a likelihood that I’ll abandon it sooner rather than later and I will admit I came so incredibly close to abandoning at about 80 pages because the book hadn’t grabbed me enough to keep me interested – I am glad I didn’t and persevered to the 100 page mark as shortly after my thoughts to abandon the book picked up massively.
The book is understandably a little confusing in places, sometimes a touch frustrating also but the world building was brilliantly done. It’s the 147th century and there are so many species of creature as to overload a new reader – which I will admit, I am and yes, it did happen – but there’s a wonderful glossary at the back of the book which for the first 150 pages or so I kept flicking backwards and forwards between to understand what it was I was reading. Tom also kindly answered my random Twitter message about the Melius – a giant non-reptilian chameleon-esque creature that wear colours instead of clothes (can I get a hell yeah?) and he’s such a nice guy (Tom, not the Melius, though they are quite nice too) he also suggested that the glossary would basically be my new best friend and no truer words have ever been spoken.
The characters were great – three main characters and a few main side characters that got a little more page time that you’d expect a secondary character to get.
Lycaste – a Melius who has been blessed/cursed with good looks and a soft heart.
Sotiris – an Amaranthine approximately 12,000 years old who mourns the death of his sister and plots to stop the man determined to become Emperor.
Ghaldezuel – a Lacaille knight of the stars who must steal the object that the Pretender will stop at nothing to obtain.
Each character had their own little quirks which didn’t deter from their overall character view but merely added to it. Lycaste for example is really soft hearted in the beginning but then another male encroaches on what he considers his territory and he flips – he’s a totally different man from how I’d gotten used to him and what I liked was that this new Lycaste continued throughout the rest of the book – he became infinitely more “masculine” than the hermit Lycaste of the beginning of the book.
For a debut novel the writing style was fresh if just a touch wordy, a lot of new words and styles of words specifically designed for The Amaranthine Spectrum world and though they’re long, and do put a bit of potentially unnecessary wordage in the book, I think that without them, The Promise of the Child wouldn’t have been the book it was.
On occasion, the book didn’t quite flow as well as I would have thought but it was made better by the general flow of it and the overall world building, characters and the plot line. The plot line was at first a bit confusing (I’d like to point out that I knew this going into the book and that this is no detriment on the book as a whole) but once it hit past the 100 page mark the plots stabilised and became their own individual side plots mixed together to make the one big plot.
The ending of the book threw me for a loop as I didn’t expect that ending in the slightest. It didn’t seem to match up with the beginning of the book where a random kid is taken by the Pretender and you don’t really hear about this child for the rest of the book. Then BAM! Dinosaur.
Yes. Dinosaur.
The book is perfectly spacey and sci/fi but it has that sweet touch of fantasy with the seemingly random designed creatures and alien species.
In all, this was a good book and I’d recommend it.
The Promise of the Child was one of those impulse books bought because I’d attended a festival (Gollancz festival October 15th 2016 I think) with the author in attendance and I liked the sound of both him and his debut novel; I have no regrets for purchasing this book on impulse unlike some of my impulse buys.
I think, personally, that 100 pages is all you get to grab me, if your book fails to grab me by then there’s a likelihood that I’ll abandon it sooner rather than later and I will admit I came so incredibly close to abandoning at about 80 pages because the book hadn’t grabbed me enough to keep me interested – I am glad I didn’t and persevered to the 100 page mark as shortly after my thoughts to abandon the book picked up massively.
The book is understandably a little confusing in places, sometimes a touch frustrating also but the world building was brilliantly done. It’s the 147th century and there are so many species of creature as to overload a new reader – which I will admit, I am and yes, it did happen – but there’s a wonderful glossary at the back of the book which for the first 150 pages or so I kept flicking backwards and forwards between to understand what it was I was reading. Tom also kindly answered my random Twitter message about the Melius – a giant non-reptilian chameleon-esque creature that wear colours instead of clothes (can I get a hell yeah?) and he’s such a nice guy (Tom, not the Melius, though they are quite nice too) he also suggested that the glossary would basically be my new best friend and no truer words have ever been spoken.
The characters were great – three main characters and a few main side characters that got a little more page time that you’d expect a secondary character to get.
Lycaste – a Melius who has been blessed/cursed with good looks and a soft heart.
Sotiris – an Amaranthine approximately 12,000 years old who mourns the death of his sister and plots to stop the man determined to become Emperor.
Ghaldezuel – a Lacaille knight of the stars who must steal the object that the Pretender will stop at nothing to obtain.
Each character had their own little quirks which didn’t deter from their overall character view but merely added to it. Lycaste for example is really soft hearted in the beginning but then another male encroaches on what he considers his territory and he flips – he’s a totally different man from how I’d gotten used to him and what I liked was that this new Lycaste continued throughout the rest of the book – he became infinitely more “masculine” than the hermit Lycaste of the beginning of the book.
For a debut novel the writing style was fresh if just a touch wordy, a lot of new words and styles of words specifically designed for The Amaranthine Spectrum world and though they’re long, and do put a bit of potentially unnecessary wordage in the book, I think that without them, The Promise of the Child wouldn’t have been the book it was.
On occasion, the book didn’t quite flow as well as I would have thought but it was made better by the general flow of it and the overall world building, characters and the plot line. The plot line was at first a bit confusing (I’d like to point out that I knew this going into the book and that this is no detriment on the book as a whole) but once it hit past the 100 page mark the plots stabilised and became their own individual side plots mixed together to make the one big plot.
The ending of the book threw me for a loop as I didn’t expect that ending in the slightest. It didn’t seem to match up with the beginning of the book where a random kid is taken by the Pretender and you don’t really hear about this child for the rest of the book. Then BAM! Dinosaur.
Yes. Dinosaur.
The book is perfectly spacey and sci/fi but it has that sweet touch of fantasy with the seemingly random designed creatures and alien species.
In all, this was a good book and I’d recommend it.
Gareth von Kallenbach (971 KP) rated the PC version of Call of Duty: Infinite Warfare in Video Games
Jun 19, 2019
The latest in the highly-popular Call of Duty series has arrived and with
it comes a bold new direction for the series that mixes the familiar with
the new.
Infinite Warfare is set in the future but unlike the recent Advanced
Warfare, this is a future where space travel has become the norm and the
people of Earth find themselves in an ongoing battle with a Mars based
faction who have amassed a very large and powerful fleet of warships.
Players take on the role of Lt. Reyes who finds himself forced into
command when a surprise attack devastates much of the Earths forces and
at the mercy of the ruthless leader of the opposing forces (Kit
Harrington).
Like with last years Black Ops 3 players have a staging area and the
ability to select their weapon configurations for each mission. There is
also a Captains room where players can view newsreels and other items
should they want to take a break from the combat and explore.
Players can also select which missions to take based on the recommended
story missions or they can select side missions. In my first run through I
stuck mainly to suggested missions and was amazed at how fast I got to the
final battle, so those looking to prolong their solo campaign will want to
select some of the additional missions.
Mission play is what you would expect from Call of Duty with missions
mixing stealth and waves of enemies for players to mow down. This time out
several missions involve space combat as players will take on fighters and
enemy ships in their fighter plane which also allows for some interesting
missions where players will leave their ship to battle in Zero-G before
resuming the attack on foot.
Players also will have access to energy and ballistic weapons and can pick
up weapons and ammunition along the way.
Using futuristic grenades that cause gravity to disrupt as well as spider
like seekers is a nice touch as is the protective shield players can
deploy when the action becomes heated.
Multiplayer has always been the strong point of the series and Infinite
Warfare is no exception to this trend. There are fewer modes than in the
past, but the customization and rankings that players expect are still in
place. There are also the popular kill streak rewards that can turn the
tide of any battle.
Although some may not like the inclusion of jump packs in multiplayer, it
did not harm Advanced Warfare and the levels where fallen players float
away in Zero-G were also a very nice touch. I did briefly think I was
playing DOOM with some of the maps set on a planet exterior at first, but
soon found myself caught up in the action. Like with Black Ops 3, a
special weapon is on a timer and allows players to deploy a wide angle
machine gun called a Claw which mows down enemies with ease.
The maps like the solo portion of the game are highly detailed and
stunning to behold and the composition for the game has some very
compelling music. I played the game on an NVIDIA 960 then moved to a
NVIDIA 1060 Founders Edition card and found that the game looked and ran
amazingly well even on the highest settings.
The real treat of the game for me was the Zombie mode set at Spaceland, an
80s themed amusement park. The mode had plenty of 80s nostalgia as well as
an 80s soundtrack of hits from the era as well as a campy tone that
invoked the best of 80s horror films.
The detail level was so good that you can even take a ride on an
attraction, use some rides as weapons, and use tickets you gain to gain
power ups. For me it was simply the best initial Zombie offering of any
Call of Duty game ever.
In the end, Infinite Warfare offers one of the best campaigns in recent
years and blends old and new to create a Call of Duty experience that is
fresh yet familiar. Fans of the series should not be put off by the space
setting and should give the game a try as it is a very enjoyable and
winning combination that is as fun to play as it is great to look at.
http://sknr.net/2016/11/08/call-duty-infinite-warfare/
it comes a bold new direction for the series that mixes the familiar with
the new.
Infinite Warfare is set in the future but unlike the recent Advanced
Warfare, this is a future where space travel has become the norm and the
people of Earth find themselves in an ongoing battle with a Mars based
faction who have amassed a very large and powerful fleet of warships.
Players take on the role of Lt. Reyes who finds himself forced into
command when a surprise attack devastates much of the Earths forces and
at the mercy of the ruthless leader of the opposing forces (Kit
Harrington).
Like with last years Black Ops 3 players have a staging area and the
ability to select their weapon configurations for each mission. There is
also a Captains room where players can view newsreels and other items
should they want to take a break from the combat and explore.
Players can also select which missions to take based on the recommended
story missions or they can select side missions. In my first run through I
stuck mainly to suggested missions and was amazed at how fast I got to the
final battle, so those looking to prolong their solo campaign will want to
select some of the additional missions.
Mission play is what you would expect from Call of Duty with missions
mixing stealth and waves of enemies for players to mow down. This time out
several missions involve space combat as players will take on fighters and
enemy ships in their fighter plane which also allows for some interesting
missions where players will leave their ship to battle in Zero-G before
resuming the attack on foot.
Players also will have access to energy and ballistic weapons and can pick
up weapons and ammunition along the way.
Using futuristic grenades that cause gravity to disrupt as well as spider
like seekers is a nice touch as is the protective shield players can
deploy when the action becomes heated.
Multiplayer has always been the strong point of the series and Infinite
Warfare is no exception to this trend. There are fewer modes than in the
past, but the customization and rankings that players expect are still in
place. There are also the popular kill streak rewards that can turn the
tide of any battle.
Although some may not like the inclusion of jump packs in multiplayer, it
did not harm Advanced Warfare and the levels where fallen players float
away in Zero-G were also a very nice touch. I did briefly think I was
playing DOOM with some of the maps set on a planet exterior at first, but
soon found myself caught up in the action. Like with Black Ops 3, a
special weapon is on a timer and allows players to deploy a wide angle
machine gun called a Claw which mows down enemies with ease.
The maps like the solo portion of the game are highly detailed and
stunning to behold and the composition for the game has some very
compelling music. I played the game on an NVIDIA 960 then moved to a
NVIDIA 1060 Founders Edition card and found that the game looked and ran
amazingly well even on the highest settings.
The real treat of the game for me was the Zombie mode set at Spaceland, an
80s themed amusement park. The mode had plenty of 80s nostalgia as well as
an 80s soundtrack of hits from the era as well as a campy tone that
invoked the best of 80s horror films.
The detail level was so good that you can even take a ride on an
attraction, use some rides as weapons, and use tickets you gain to gain
power ups. For me it was simply the best initial Zombie offering of any
Call of Duty game ever.
In the end, Infinite Warfare offers one of the best campaigns in recent
years and blends old and new to create a Call of Duty experience that is
fresh yet familiar. Fans of the series should not be put off by the space
setting and should give the game a try as it is a very enjoyable and
winning combination that is as fun to play as it is great to look at.
http://sknr.net/2016/11/08/call-duty-infinite-warfare/
Darren (1599 KP) rated A Lonely Place to Die (2011) in Movies
Jun 20, 2019
Story: A Lonely Place to Die starts as we three climbers Rob (Newman), Ed (Speleers) and Alison (George) showing just how extreme their love for climber is when we see them avoid disaster following an accident. Returning to their holiday trip the friends meet up with fellow climbers Jenny (Magowan) and Alex (Sweeney) to prepare for the biggest climb of their trip.
Heading out on the next day of climbing the friends find a mysterious breathing pipe where they discover a young girl Anna (Boyd) locked in a hole in the ground. Deciding to do the right thing they split up to get help with Alison and Rob heading to Devil’s Drop to get to the village quicker while the rest take Anna for a safe place to wait for rescue.
When one of their own is killed the remaining friends find themselves being hunted down by Mr Kidd (Harris) & Mr Mcrae (McCole) who are after Anna, the friends have to use all their climbing and survival skills to escape this deadly situation.
A Lonely Place to Die is a thriller that goes on to keep the storyline twists coming, the idea of finding a girl trapped in the woods and being hunted down is an easy story and would easily have been enough but adding in the idea of kidnapping hand over works really well. This does mean the introduction too all of the original characters comes off almost pointless because most of them are just disposable but it does get saved with the final act tension. This is one I do feel people will enjoy and with this many twists it never actually gets confusing.
Actor Review
Melissa George: Allison is the experienced climber on a climbing holiday with friends, we see how she can handle herself in the extreme conditions early on but when we see her and her friends find a young girl in the middle of the forest she must find a way out of the mountain range to save the girl. Melissa is always a strong lead in film but I was never sure of her accent in this one.
Ed Speleers: Ed is the least experienced member of the friends that Allison has bought along on the trip, he is reckless but we see how he will do the right thing when needed. Ed is a solid supporting choice but lacks that final moment.
Sean Harris: Mr Kidd is one of the two men hunting the friends down, he is very psychotic as we see him happily watch people die. This is a very good villain because we see his greed and complete lack of care showing through. Sean is good in this role where we see just how twisted his character gets.
Karel Roden: Darko is dealing with Mr Kidd, he is a victim as it is Anna that has been kidnapped for a ransom. He has come prepared to get revenge on the people involved. Karel is good in this role as we see his change as we learn his real position in the situation.
Support Cast: A Lonely Place to Die has a good supporting cast that all do their jobs to make this an edge of your seat ride.
Director Review: Julian Gilbey –
Action: A Lonely Place to Die has a lot of survival action with chasing, climbing and gun fights happening.
Crime: A Lonely Place to Die puts us in the middle of the kidnapping so we actually feel like the one of the climbers stuck in the middle.
Thriller: A Lonely Place to Die keeps us on edge through the whole film as we wonder who will make it out alive.
Settings: A Lonely Place to Die has the first half in the middle of the Scottish Highlands with no means on communication while being chased really does work and the festival finale is a good close for the chaos.
Special Effects: A Lonely Place to Die has good effects when needed but isn’t a film that turns to them.
Suggestion: A Lonely Place to Die is one I think people should watch, I think it is intense thriller with nicely handled twists. (Watch)
Best Part: The twists.
Worst Part: A few loose ends at the end.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $4 Million
Runtime: 1 Hour 39 Minutes
Tagline: Out there, there’s nowhere to hide
Overall: Enjoyable thriller that keeps us on edge throughout.
https://moviesreview101.com/2016/08/06/melissa-george-weekend-a-lonely-place-to-die-2011/
Heading out on the next day of climbing the friends find a mysterious breathing pipe where they discover a young girl Anna (Boyd) locked in a hole in the ground. Deciding to do the right thing they split up to get help with Alison and Rob heading to Devil’s Drop to get to the village quicker while the rest take Anna for a safe place to wait for rescue.
When one of their own is killed the remaining friends find themselves being hunted down by Mr Kidd (Harris) & Mr Mcrae (McCole) who are after Anna, the friends have to use all their climbing and survival skills to escape this deadly situation.
A Lonely Place to Die is a thriller that goes on to keep the storyline twists coming, the idea of finding a girl trapped in the woods and being hunted down is an easy story and would easily have been enough but adding in the idea of kidnapping hand over works really well. This does mean the introduction too all of the original characters comes off almost pointless because most of them are just disposable but it does get saved with the final act tension. This is one I do feel people will enjoy and with this many twists it never actually gets confusing.
Actor Review
Melissa George: Allison is the experienced climber on a climbing holiday with friends, we see how she can handle herself in the extreme conditions early on but when we see her and her friends find a young girl in the middle of the forest she must find a way out of the mountain range to save the girl. Melissa is always a strong lead in film but I was never sure of her accent in this one.
Ed Speleers: Ed is the least experienced member of the friends that Allison has bought along on the trip, he is reckless but we see how he will do the right thing when needed. Ed is a solid supporting choice but lacks that final moment.
Sean Harris: Mr Kidd is one of the two men hunting the friends down, he is very psychotic as we see him happily watch people die. This is a very good villain because we see his greed and complete lack of care showing through. Sean is good in this role where we see just how twisted his character gets.
Karel Roden: Darko is dealing with Mr Kidd, he is a victim as it is Anna that has been kidnapped for a ransom. He has come prepared to get revenge on the people involved. Karel is good in this role as we see his change as we learn his real position in the situation.
Support Cast: A Lonely Place to Die has a good supporting cast that all do their jobs to make this an edge of your seat ride.
Director Review: Julian Gilbey –
Action: A Lonely Place to Die has a lot of survival action with chasing, climbing and gun fights happening.
Crime: A Lonely Place to Die puts us in the middle of the kidnapping so we actually feel like the one of the climbers stuck in the middle.
Thriller: A Lonely Place to Die keeps us on edge through the whole film as we wonder who will make it out alive.
Settings: A Lonely Place to Die has the first half in the middle of the Scottish Highlands with no means on communication while being chased really does work and the festival finale is a good close for the chaos.
Special Effects: A Lonely Place to Die has good effects when needed but isn’t a film that turns to them.
Suggestion: A Lonely Place to Die is one I think people should watch, I think it is intense thriller with nicely handled twists. (Watch)
Best Part: The twists.
Worst Part: A few loose ends at the end.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $4 Million
Runtime: 1 Hour 39 Minutes
Tagline: Out there, there’s nowhere to hide
Overall: Enjoyable thriller that keeps us on edge throughout.
https://moviesreview101.com/2016/08/06/melissa-george-weekend-a-lonely-place-to-die-2011/
Darren (1599 KP) rated A Time to Kill (1996) in Movies
Jun 20, 2019
Story: A Time to Kill starts a we see 10-year-old Tonya beaten and raped by Billy Ray Cobb (Katt) and James Louis Willard (Hutchison) and with the case taken to court it looks like they will get off the charge, her father Carl Lee Hailey (Jackson) takes matters into his own hands.
Carl Lee facing a double murder charge Jake Tyler Brigance (McConaughey) takes the case having to go up against powerful DA Rufus Buckley (Spacey) in what is a case fuelled with racial tension.
When the case brings the Ku Klux Klan back from grave Jake puts his own family in danger but thanks to young law student Ellen Roark (Bullock) and his mentor Lucien Wilbanks (D.Sutherland) to help him keep his business a float and win this case.
A Time to Kill is a racial driven courtroom crime thriller that touches on everything with the nice amount of time. We get left to question what you would do if you were in any of the position between the case which is a huge plus for the film. The idea that we get the racial tension going on because of how the case could be treated differently depending on the skin colour of a character also helps drive the story. when it comes to courtroom drama this is by fair one of the best out there.
Actor Review
Matthew McConaughey: Jake Tyler Brigance is a young lawyer who has taken over a small law firm from his mentor who struggles to keep the business afloat. When this case comes his way he wants to do the right thing because he knows how this can be a difficult decision and believe he can win the case against the odds. Matthew shows early on in his career he could handle the serious films in leading role.
Sandra Bullock: Ellen Roark is a young law student who has helped on many murder cases and wants to help Jake with this case to help clear Carl Lee from the charges. She has different political beliefs to him which they do class on but their passion together can drive the case. Sandra shines in this role in her early career showing how she can pull of the serious roles too.
Samuel L Jackson: Carl Lee Hailey is the man that finds his daughter beaten and raped and decides to take justice into his own hands by killing the men involved. He doesn’t care what happens to him just as long as he makes these men pay but not faces a double murder charge. Samuel is great in this role as a man who got pushed to his limits.
Kevin Spacey: D A Rufus Buckley is the cocky DA who thinks this case is a slam dunk as he knows he can get the white man’s vote on the jury and questions Jake ability in a courtroom. Kevin while playing a standard character for the villain of the courtroom hit it ot the park in every scene.
Support Cast: A Time to Kill has a supporting cast which is filled with stars in nearly every scene and each one gives a brilliant performance throughout the film.
Director Review: Joel Schumacher – Joel gives us one of his best films that balance the racial tension with the crime case perfectly.
Crime: A Time to Kill leaves us in the middle of a court case handle a sensitive subject which poses us questions on where you would stand on such a case.
Thriller: A Time to Kill does keep us one edge wondering where the next twist will come in the story be it in the courtroom or the tension building outside the courts.
Settings: A Time to Kill keeps nearly all the settings within the Louisiana town where racial tension is still strong and you can see the difference in both sides even with the same struggles.
Suggestion: A Time to Kill is one of the most must watch courtroom dramas out there with such a sensitive subject. (Must Watch)
Best Part: Closing speech.
Worst Part: Slightly long if you are being picky.
Believability: Parts could be.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $40 Million
Runtime: 2 Hours 29 Minutes
Tagline: A lawyer and his assistant fighting to save a father on trial for murder. A time to question what they believe. A time to doubt what they trust. And no time for mistakes.
Overall: One of the all-time best courtroom drams out there
https://moviesreview101.com/2016/11/06/matthew-mcconaughey-weekend-a-time-to-kill-1996/
Carl Lee facing a double murder charge Jake Tyler Brigance (McConaughey) takes the case having to go up against powerful DA Rufus Buckley (Spacey) in what is a case fuelled with racial tension.
When the case brings the Ku Klux Klan back from grave Jake puts his own family in danger but thanks to young law student Ellen Roark (Bullock) and his mentor Lucien Wilbanks (D.Sutherland) to help him keep his business a float and win this case.
A Time to Kill is a racial driven courtroom crime thriller that touches on everything with the nice amount of time. We get left to question what you would do if you were in any of the position between the case which is a huge plus for the film. The idea that we get the racial tension going on because of how the case could be treated differently depending on the skin colour of a character also helps drive the story. when it comes to courtroom drama this is by fair one of the best out there.
Actor Review
Matthew McConaughey: Jake Tyler Brigance is a young lawyer who has taken over a small law firm from his mentor who struggles to keep the business afloat. When this case comes his way he wants to do the right thing because he knows how this can be a difficult decision and believe he can win the case against the odds. Matthew shows early on in his career he could handle the serious films in leading role.
Sandra Bullock: Ellen Roark is a young law student who has helped on many murder cases and wants to help Jake with this case to help clear Carl Lee from the charges. She has different political beliefs to him which they do class on but their passion together can drive the case. Sandra shines in this role in her early career showing how she can pull of the serious roles too.
Samuel L Jackson: Carl Lee Hailey is the man that finds his daughter beaten and raped and decides to take justice into his own hands by killing the men involved. He doesn’t care what happens to him just as long as he makes these men pay but not faces a double murder charge. Samuel is great in this role as a man who got pushed to his limits.
Kevin Spacey: D A Rufus Buckley is the cocky DA who thinks this case is a slam dunk as he knows he can get the white man’s vote on the jury and questions Jake ability in a courtroom. Kevin while playing a standard character for the villain of the courtroom hit it ot the park in every scene.
Support Cast: A Time to Kill has a supporting cast which is filled with stars in nearly every scene and each one gives a brilliant performance throughout the film.
Director Review: Joel Schumacher – Joel gives us one of his best films that balance the racial tension with the crime case perfectly.
Crime: A Time to Kill leaves us in the middle of a court case handle a sensitive subject which poses us questions on where you would stand on such a case.
Thriller: A Time to Kill does keep us one edge wondering where the next twist will come in the story be it in the courtroom or the tension building outside the courts.
Settings: A Time to Kill keeps nearly all the settings within the Louisiana town where racial tension is still strong and you can see the difference in both sides even with the same struggles.
Suggestion: A Time to Kill is one of the most must watch courtroom dramas out there with such a sensitive subject. (Must Watch)
Best Part: Closing speech.
Worst Part: Slightly long if you are being picky.
Believability: Parts could be.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $40 Million
Runtime: 2 Hours 29 Minutes
Tagline: A lawyer and his assistant fighting to save a father on trial for murder. A time to question what they believe. A time to doubt what they trust. And no time for mistakes.
Overall: One of the all-time best courtroom drams out there
https://moviesreview101.com/2016/11/06/matthew-mcconaughey-weekend-a-time-to-kill-1996/
Darren (1599 KP) rated Aftershock (2013) in Movies
Jun 20, 2019
Story: Aftershock starts as Gringo (Roth), Ariel (Levy) and Pollo (Martinez) travelling around Chile, they party over all night where they meet three girls Monica (Osvart), Irina (Yarovenko) and Kylie (Izzo). Going for one last party the six new friends find themselves in the middle of an earthquake, one seriously injured and an impending tsunami heading towards them.
The friends must race against time in a country none of them call home to make it out alive but the natural disaster isn’t the only threat when the prison is damaged leading to the prisoners being released upon the streets.
Aftershock gives us something very different because we get a disaster movie which comes off realistic and sudden which is a big plus but it doesn’t stop there by giving us a survival horror when the group have to survive from prisoners. It would be fair to say there is a negative with the building up to the disaster but this does help give us small character development. When we deal with the aftershock of the earthquake we have to deal with non-stop action throughout. This was a real surprise because I thought there would have been more hype about the film.
Actor Review
Eli Roth: Gringo is the single father on the trip, he is friends with Ariel which shows that he isn’t the closet with Pollo. He is using this holiday as a chance to get over the recently divorce but when the quake hits he finds himself having to pull Pollo out of his daze. Eli does well but it becomes clear he really should be behind the camera.
Andrea Osvart: Monica is the stricter older sister to Kylie who tries her best to keep her sister safe on their adventure but she has a secret from the rest which is very important for the aftershock side of the story. Andrea is good in this leading role being the sensible one during the situation.monica
Nicolas Martinez: Pollo is the Spanish talking member of the group, he has gotten by because the money his family has. He finds himself having to step up after the quake to do the things normal men wouldn’t. his final moments are slightly stupid but otherwise a good character. Nicolas is good in this role as the man who needs to step up.
Natasha Yarovenko: Irina is one of the girls who is very similar to Gringo being a single parent and also a success. She starts off thinking she is more but soon becomes the strongest one during the situation. Natasha is good in this role and the sympathy between her and Gringo’s character comes through strong.
Lorenza Izzo: Kylie is the younger party animal of the two sisters, she just wants to have fun on her trip but with her old sister trying to protect her she finds herself being held back until the quake hits and she wants her sister to help her. Lorenza is good in this bratty like character which put her on the map for a future horror scream queen.
Support Cast: Aftershock has the basic supporting cast that all help with the survival side of the story.
Director Review: Nicolas Lopez – Nicolas gives us a film that keeps pulling us in once the earthquake hits.
Action: Aftershock use the action for the destruction side of the story which helps us with mother nature side of the story.
Horror: Aftershock comes from the human side of the story as we see just how twisted they can become in a situation our characters find themselves in.
Thriller: Aftershock keeps us on edge from start to finish.
Settings: Aftershock uses Chile for the settings which works for a different location and shows our characters lost during a disaster.
Special Effects: Aftershock has good effects to create what happens to the characters in the disaster.
Suggestion: Aftershock is one to watch especially is you like disaster movies. (Watch)
Best Part: Earthquake.
Worst Part: Slightly too much before the quake.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $2 Million
Runtime: 1 Hour 29 Minutes
Tagline: The only thing more terrifying than Mother Nature is human nature.
Overall: Surprisingly intense film that blends two great genres.
https://moviesreview101.com/2016/08/19/movie-reviews-101-midnight-horror-aftershock-2012/
The friends must race against time in a country none of them call home to make it out alive but the natural disaster isn’t the only threat when the prison is damaged leading to the prisoners being released upon the streets.
Aftershock gives us something very different because we get a disaster movie which comes off realistic and sudden which is a big plus but it doesn’t stop there by giving us a survival horror when the group have to survive from prisoners. It would be fair to say there is a negative with the building up to the disaster but this does help give us small character development. When we deal with the aftershock of the earthquake we have to deal with non-stop action throughout. This was a real surprise because I thought there would have been more hype about the film.
Actor Review
Eli Roth: Gringo is the single father on the trip, he is friends with Ariel which shows that he isn’t the closet with Pollo. He is using this holiday as a chance to get over the recently divorce but when the quake hits he finds himself having to pull Pollo out of his daze. Eli does well but it becomes clear he really should be behind the camera.
Andrea Osvart: Monica is the stricter older sister to Kylie who tries her best to keep her sister safe on their adventure but she has a secret from the rest which is very important for the aftershock side of the story. Andrea is good in this leading role being the sensible one during the situation.monica
Nicolas Martinez: Pollo is the Spanish talking member of the group, he has gotten by because the money his family has. He finds himself having to step up after the quake to do the things normal men wouldn’t. his final moments are slightly stupid but otherwise a good character. Nicolas is good in this role as the man who needs to step up.
Natasha Yarovenko: Irina is one of the girls who is very similar to Gringo being a single parent and also a success. She starts off thinking she is more but soon becomes the strongest one during the situation. Natasha is good in this role and the sympathy between her and Gringo’s character comes through strong.
Lorenza Izzo: Kylie is the younger party animal of the two sisters, she just wants to have fun on her trip but with her old sister trying to protect her she finds herself being held back until the quake hits and she wants her sister to help her. Lorenza is good in this bratty like character which put her on the map for a future horror scream queen.
Support Cast: Aftershock has the basic supporting cast that all help with the survival side of the story.
Director Review: Nicolas Lopez – Nicolas gives us a film that keeps pulling us in once the earthquake hits.
Action: Aftershock use the action for the destruction side of the story which helps us with mother nature side of the story.
Horror: Aftershock comes from the human side of the story as we see just how twisted they can become in a situation our characters find themselves in.
Thriller: Aftershock keeps us on edge from start to finish.
Settings: Aftershock uses Chile for the settings which works for a different location and shows our characters lost during a disaster.
Special Effects: Aftershock has good effects to create what happens to the characters in the disaster.
Suggestion: Aftershock is one to watch especially is you like disaster movies. (Watch)
Best Part: Earthquake.
Worst Part: Slightly too much before the quake.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $2 Million
Runtime: 1 Hour 29 Minutes
Tagline: The only thing more terrifying than Mother Nature is human nature.
Overall: Surprisingly intense film that blends two great genres.
https://moviesreview101.com/2016/08/19/movie-reviews-101-midnight-horror-aftershock-2012/