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Andy K (10821 KP) rated Green Book (2018) in Movies
Jun 22, 2019
This generation's Driving Miss Daisy
The 2018 Academy Awards were interesting. On one hand, I was very happy boring, pointless Roma did not win Best Picture; however i was really pulling for The Favourite to win. Neither happened and Green Book snuck in and captured the top prize instead.
The modern Oscars are free of epics like Ben-Hur, The Sound of Music or West Side Story. Instead, character-driven stories seem to be in favor recently.
In this true story, recently unemployed Italian bouncer Tony "Lip" gets hired to drive an African American genius concert pianist throughout his fall tour of the deep southern United States in 1962.
As the two men get to know each other, they are exposed to the very different worlds and set of values the each possesses. Initial hesitation is replaced by eventual respect as the men grow a bond throughout their southern adventure as they confront racism in various threatening or nonchalant forms as is happens.
Tony comes to the aide of his client, Dr. Donald Shirley, several times revealing his bigotry and denial for his race has begun to wane. Dr. Shirley as well begins to understand Tony's rough exterior and even delights Tony's wife Cyrano de Bergerac style assistance in writing verbose and eloquent letters to her.
The acting is thorough and top notch by both Viggo Mortensen (one of the great working actors today) and Mahershala Ali (hot off of Moonlight) with a screenplay to match. The characters are flawed, vivid, well-rounded and interesting. I thoroughly enjoyed this memorable film and well deserved of the big prize.
The modern Oscars are free of epics like Ben-Hur, The Sound of Music or West Side Story. Instead, character-driven stories seem to be in favor recently.
In this true story, recently unemployed Italian bouncer Tony "Lip" gets hired to drive an African American genius concert pianist throughout his fall tour of the deep southern United States in 1962.
As the two men get to know each other, they are exposed to the very different worlds and set of values the each possesses. Initial hesitation is replaced by eventual respect as the men grow a bond throughout their southern adventure as they confront racism in various threatening or nonchalant forms as is happens.
Tony comes to the aide of his client, Dr. Donald Shirley, several times revealing his bigotry and denial for his race has begun to wane. Dr. Shirley as well begins to understand Tony's rough exterior and even delights Tony's wife Cyrano de Bergerac style assistance in writing verbose and eloquent letters to her.
The acting is thorough and top notch by both Viggo Mortensen (one of the great working actors today) and Mahershala Ali (hot off of Moonlight) with a screenplay to match. The characters are flawed, vivid, well-rounded and interesting. I thoroughly enjoyed this memorable film and well deserved of the big prize.
Merissa (12051 KP) rated Reaper (Birds of a Feather #5) in Books
Dec 19, 2018
Reaper (Birds of a Feather #5) by Lena North
Reaper is the fifth and final book in the Birds of a Feather series, and it goes out with a bang! Annie is spying on Wilder's ranch, with something to tell them, and not sure of her reception or the reaction once she does. It feels strange for her to mingle amongst people she feels like she already knows, and yet doesn't. Olly is his usual taciturn self, and yet Annie breaks through his barriers easy enough. Things don't go easy for the two of them though, and the whole gang gets involved to keep Annie safe until Olly retrieves his head out of his butt!
What a finale. Seriously, it was fantastic. I love Olly, I have done all the way through this series, but I will admit to enjoying seeing him make a fool of himself. I wasn't too impressed with some of his behaviour though, and was glad he was made to see the error of his ways.
So many characters, so many stories. I can't say out of all of them which are my favourites! Lena North has done an amazing job of making each of these characters and situations completely different, and yet maintaining the overall storyline. I wasn't sure at the beginning if I would like these as much as I did The Dreughan Trilogy. I can now confirm that yes, I did - absolutely!
For a fantastic coming-of-age story, then I can definitely recommend this whole series, and basically anything written by Lena North too!
* Verified Purchase ~ July 2018. *
Merissa
Archaeolibrarian - I Dig Good Books!
What a finale. Seriously, it was fantastic. I love Olly, I have done all the way through this series, but I will admit to enjoying seeing him make a fool of himself. I wasn't too impressed with some of his behaviour though, and was glad he was made to see the error of his ways.
So many characters, so many stories. I can't say out of all of them which are my favourites! Lena North has done an amazing job of making each of these characters and situations completely different, and yet maintaining the overall storyline. I wasn't sure at the beginning if I would like these as much as I did The Dreughan Trilogy. I can now confirm that yes, I did - absolutely!
For a fantastic coming-of-age story, then I can definitely recommend this whole series, and basically anything written by Lena North too!
* Verified Purchase ~ July 2018. *
Merissa
Archaeolibrarian - I Dig Good Books!
CI
Cameralism in Practice: State Administration and Economy in Early Modern Europe
Book
This book discusses the impact of cameralism on the practices of governance, early modern...
One Night (Night Series #1)
7.0
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Book
One night was all I asked for. For him to show me how good it can be. — Gabe One night was all I...
male/male romance short reads fan youself its a hot one darker/grittier hangover cures
Taboo - Season 2
8.0
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TV Season
BBC One and FX has announced that they will team up with producers Ridley Scott’s Scott Free...
LoganCrews (2861 KP) rated Fonzo (Capone) (2020) in Movies
Jul 4, 2021
What's the scariest thing to reckon with: mortality, humanity, or yourself? Tom Hardy plays a constipated bulldog with a pinch of Beetlejuice in this utterly beguiling Frankenstein's monster of a film which can only be described as 𝘎𝘰𝘵𝘵𝘪 (2018) hopped up on a bunch of prescription medication. I think the major takeaway from this is that Trank makes a tedious gangster movie - but a pretty fuckin' sweet horror/fantasy curio. Right off the bat I admire it for being so scene-to-scene fascinating based solely on how wholeheartedly unique it is; I expected no less from Trank than an auteurist stamp as big, original, and defined as this. Yes this is wonderfully experimental, yes this is very uncomfortable - seasoned with bodily fluids, a good amount of violence, and the sort of medical anguish which starts out grim and only gets more merciless as it continues... however, it also doesn't amount to too much. Hardy's grotesque turn here is memorable but 80% of the time it's reduced to staring off into the distance making various faces. It also has a similar issue to Barry Levinson's 𝘛𝘩𝘦 𝘞𝘪𝘻𝘢𝘳𝘥 𝘰𝘧 𝘓𝘪𝘦𝘴 in that the show-stealing macabre nightmare segments are just *crying* to break out more than the seemingly stock, incompetently structured narrative. However this was still super cool just on principle alone, and as someone who is sick of rote biopics it's nice to see one of them not be afraid to try something unquestionably different for a change (especially by dragging such a historic, opulent figure through the mud the whole time). Plus one of these are finally under an hour-45, go figure!
LoganCrews (2861 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Sep 21, 2020
Pick your poison: 𝘛𝘩𝘦 𝘓𝘢𝘴𝘵 𝘞𝘪𝘵𝘤𝘩 𝘏𝘶𝘯𝘵𝘦𝘳 meets 𝘖𝘶𝘵𝘭𝘢𝘸 𝘒𝘪𝘯𝘨, 300: 𝘙𝘪𝘴𝘦 𝘰𝘧 𝘢𝘯 𝘌𝘮𝘱𝘪𝘳𝘦 meets the 𝘈𝘴𝘴𝘢𝘴𝘴𝘪𝘯'𝘴 𝘊𝘳𝘦𝘦𝘥 movie, or 𝘎𝘰𝘥𝘴 𝘰𝘧 𝘌𝘨𝘺𝘱𝘵 meets 𝘙𝘰𝘣𝘪𝘯 𝘏𝘰𝘰𝘥 (2018) - you decide. Either way they all eventually mesh with 𝘙𝘰𝘤𝘬𝘯𝘳𝘰𝘭𝘭𝘢, too. As stupid and trashy as it needs to be, legit some of the dumbest stuff imaginable lmfao. Pure junky spectacle with jaw-dropping visuals and neurotic editing, felt like somebody laced my drink with crack while I was watching it. God-tier Law performance right here, chews the scenery so much that legend has it his jaw dislocated. Unmistakably Ritchie in areas but unfortunately often sacrifices auteur personality for genre convention (take a shot every time you see a side character you'll remember and you'll end up totally sober - and that stupid joke about the roundtable at the end was puh-thetic). To say this frankly disgraceful excuse of a screenplay is the exact same movie as all of these other edgy historical action-remakes for high school boys would be a severe understatement. Glad it didn't turn too much into jokey blockbuster corn or yet another over-emphasized failed origin story (most of this is wisely cut to montages with like nu-gothic heavy breathing scores lol). In short, the type of movie I'm *shocked* wasn't released in 2003/2004. I feel bad for those who love King Arthur and then saw this movie - but Jude Law cuts off a guy's ear then whispers into it and Charlie Hunnam full-on does the 𝘛𝘸𝘪𝘭𝘪𝘨𝘩𝘵: 𝘕𝘦𝘸 𝘔𝘰𝘰𝘯 angst-run through the woods. So of course I, for one, enjoyed the hell out of it.
LoganCrews (2861 KP) rated The Story of Our Times (2018) in Movies
Sep 19, 2020
Trevor Moore is one of the most underrated comedic forces on the planet and this is singlehandedly elevated in its weaker bits solely on his presence as an entertainer alone. That is to say - while this still does paint a pretty sound picture of 2018 America - a lot of (but not all) targets in the middle portion (the Kardashians, "I identify as [insert weird thing here]" people, social media influencers) are low-hanging fruits to say the least. But his songs about them are supremely catchy, ripe with Moore's winning personality, and routinely hilarious (e.g. bronies? old news. making them a target in a pro-bullying ballad? gold). This still pretty much feels very warmly nostalgic like an extended episode of WKUK but I still wish this was more in vein of that outlandish and lovingly juvenile content he excels so much at a la the first two songs here - which rank among some of the best comedy album material of all time - rather than the old man/neckbeard-esque complaining it eventually becomes. Though even then, it still seems relatively self-aware ("It must be tough for a white male having to deal with all this stuff." "No, it's not that... okay maybe it is.") much moreso than some Joe Rogan type shit which has also tackled material like this; and it saves itself in the bottom of the 9th with that uproarious final song. Plus this looks amazing and also gets bonus points for featuring one of the most accurate cinematic DMT trips, penis 9/11 in Minecraft, *and* the funniest DaddyOFive joke
Joe Goodhart (27 KP) rated Paper Girls: Volume 1 in Books
Nov 30, 2020
Okay, as I wrote in my Comments for Reading Progress, this was a re-read, as I recently purchased Vol 4 as part of the SDCC Sale this past weekend on Comixology. I may have run through it first time out, because so much of what I read seemed as if this were my beginning go-round instead of a re-read. Hmm.. Time Slip anyone?
So, yes, just as with other BKV-helmed series, the characters are well-defined, given depth that is a progressional unfolding. Each issue allowed for me to see each of the main characters - Erin, KJ. Tiffany and Mac - for who they were and some of their moral fibers, if you will.
As good as Vaughn was at the writing, equally impressive was Cliff Chiang's art. The muted colors (except where needed, as deep red for a wound) really helped the story, making me feel like it was really the eighties instead of 2018! From the cars driven to the newspaper headlines to the housing developments layouts, it felt just like the time frame as the setting!
The easiest way to sum up this series is it is like Netflix's STRANGER THINGS but with all-girl main characters. I recall the later volumes being more science fiction-y as the series progress, but, yeah, definitely like STRANGER THINGS.
All I can say in closing is this is an awesome series! It is a lot of fun, and it is clear during reading it that BKV and Chiang had as good a time making it as I did reading! DEFINITELY CHECK IT OUT!
So, yes, just as with other BKV-helmed series, the characters are well-defined, given depth that is a progressional unfolding. Each issue allowed for me to see each of the main characters - Erin, KJ. Tiffany and Mac - for who they were and some of their moral fibers, if you will.
As good as Vaughn was at the writing, equally impressive was Cliff Chiang's art. The muted colors (except where needed, as deep red for a wound) really helped the story, making me feel like it was really the eighties instead of 2018! From the cars driven to the newspaper headlines to the housing developments layouts, it felt just like the time frame as the setting!
The easiest way to sum up this series is it is like Netflix's STRANGER THINGS but with all-girl main characters. I recall the later volumes being more science fiction-y as the series progress, but, yeah, definitely like STRANGER THINGS.
All I can say in closing is this is an awesome series! It is a lot of fun, and it is clear during reading it that BKV and Chiang had as good a time making it as I did reading! DEFINITELY CHECK IT OUT!
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NOTE! We're closing this app on January 1st 2018, the data will not be updated since then. ...