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BackToTheMovies (56 KP) rated Child's Play (2019) in Movies
Jun 21, 2019
After moving to a new city, young Andy Barclay receives a special present from his mother. A seemingly innocent Buddi doll that becomes his best friend. When the doll suddenly takes on a life of its own, Andy unites with other neighborhood children to stop the sinister toy from wreaking bloody havoc.
For months I’ve been hating on this reboot. Whilst I still don’t necessarily agree with the politics of how this film came to be. I left the theatre quite surprised at how much I enjoyed this movie. Child’s Play is reimagined for a modern generation. Whilst this film is an alternate timeline twist to the original it still manages to throw in that classic Chucky humor we all know and love. Here’s my Child’s Play 2019 review.
Lars Klevberg tells the story of Buddi, an artificial intelligence robot that can control your home appliances and become your best friend. He will play with you, interact with you like a real human being and you can do activities together. After a man is fired at the Buddi factory he reprograms one of the dolls to disobey its commands and the reign of Chucky begins when it falls into the hands of young Andy (Gabriel Bateman) given to him as a present by his mum Karen (Aubrey Plaza). What follows is a thoroughly enjoyable feature that flies by. Chucky’s murderous rage ramps up to artificial intelligence warfare with epic results.
Disregarding the original storyline of a serial killer whose soul inhabits a Good Guys doll the new Child’s Play tells a more chilling tale. The movie runs a very close to home social commentary about our reliance on technology and the implications that could follow. Buddi is your walking, talking Amazon Echo. Every home device is controlled at his fingertips from TV’s to telephones and even as far as automated cars. You can only imagine the terror that unfolds as Chucky learns to utilize his technological surroundings for evil.
Chucky starts off innocent enough. He’s programmed to be Andy’s best friend but what starts out as a unique interaction between boy and robot instantly changes when Chucky becomes sentient. Influenced by those around him and watching horror movies with Andy suddenly Buddi becomes more sinister in nature. Instead of a treasured companion, Chucky becomes possessive and will protect Andy by any means necessary. Quite the different approach from that of previous installments. Even when Chucky begins his reign of terror Andy is still loyal to him to some degree. Whilst he cannot understand why Chucky is doing the things he does there’s a loneliness about Andy’s character that almost seems to justify Chucky’s behavior. He doesn’t agree with it but at the same time, he has a friend, albeit a murderous little rampaging doll.
Child’s Play has some incredible humour mixed in throughout which allows the film to flow freely. Whilst Seed of Chucky and Bride of Chucky had free-speaking souls it’s harder to convey this type of humour within a robotic doll. Instead, the doll spills one-liners and is influenced by those around him leading to some comical results. Chucky’s infamous one-liners come to the fold and various facial expressions on the doll are hysterical.
The vocal work and comedic delivery from Mark Hamil is nothing short of wonderful. There is nothing this man cannot do. The force is strong with him even in a Chucky movie. Whilst more robotic in nature the way the lines are delivered with such dry-pan straight-faced edge is just brilliant. But once again we cannot compare this new Chucky to the sublime work of Brad Dourif. Brad is delivering dialogue as a human being whereas Mark is delivering lines as a robotic entity. They just cannot be compared and it would be a stupid comparison to make. All in all the voice work is great It’s just a shame I can’t take this ugly doll seriously for one second!
Whoever designed the Buddi doll in pre-production needs a serious talking to! I’m not quite sure what look they were going for with this but it certainly isn’t a good one. The film becomes even more of a comedy the more you look at it. The old dolls had that look of innocence in the originals, this one is just so damn weird. I can’t picture a production meeting where everyone in the room agreed that this is the final look of the doll without intense laughing involved. It’s like the production team are openly fucking with us. No one on this planet can take this doll seriously and for me, Child’s Play is way more of a comedy than it will ever be a horror movie.
For the most part, casting within Child’s Play is very strong. Gabriel Bateman (Andy) puts in a strong performance single-handedly carrying the film. Brian Tyree Henry (Mike) who plays a neighbor/detective is also a nice comedic relief within the feature. Ty Consiglio, Beatrice Kitsos and Carlease Burke also play strong supporting roles. Where casting failed for me however was Aubrey Plaza. I’ve seen Aubrey in comedies where her humor never really hits home in any roles she’s in.
Arrogant and annoying in many roles this cookie cutter casting has her playing the same role in every film she’s in. Playing Andy’s mum in this film doesn’t work for me whatsoever. There’s no conviction, no depth, no family dynamic feel of any sort. She almost plays an annoying older sister rather than a mother. Thankfully, she doesn’t play a key role as such to Andy’s arc and thus I can overlook her involvement as such. I think Aubrey should have played a sister role or similar, it would have played to her on-screen strengths.
When Chucky starts killing is when this movie comes into its own. It has nothing to compare it to previous Chucky films. Our new technologically manipulative little doll runs havoc on the millennial generation of mobile phone and gadget addicted humans. The death scenes are gory and for the most part, all have comedy elements to them. Whilst the kills are unimaginative it’s how Chucky delivers those kills that really add that star gore power to proceedings.
Endearing, gory and mostly hilarious. The contrast of tone in Child’s Play may even persuade the die-hard fans to enjoy this one. It shouldn’t really be compared to the originals in any way shape or form although it does have an 80’s flair to it. Child’s Play has taken a new direction but has stayed relevant to modern times and whilst it’s taking a different path than the upcoming TV series, it’s safe to say Chucky really is back!
Thanks for checking out my Child’s Play 2019 review. I hope you enjoy it as much as I did!
https://backtothemovies.com/childs-play-2019-review/
For months I’ve been hating on this reboot. Whilst I still don’t necessarily agree with the politics of how this film came to be. I left the theatre quite surprised at how much I enjoyed this movie. Child’s Play is reimagined for a modern generation. Whilst this film is an alternate timeline twist to the original it still manages to throw in that classic Chucky humor we all know and love. Here’s my Child’s Play 2019 review.
Lars Klevberg tells the story of Buddi, an artificial intelligence robot that can control your home appliances and become your best friend. He will play with you, interact with you like a real human being and you can do activities together. After a man is fired at the Buddi factory he reprograms one of the dolls to disobey its commands and the reign of Chucky begins when it falls into the hands of young Andy (Gabriel Bateman) given to him as a present by his mum Karen (Aubrey Plaza). What follows is a thoroughly enjoyable feature that flies by. Chucky’s murderous rage ramps up to artificial intelligence warfare with epic results.
Disregarding the original storyline of a serial killer whose soul inhabits a Good Guys doll the new Child’s Play tells a more chilling tale. The movie runs a very close to home social commentary about our reliance on technology and the implications that could follow. Buddi is your walking, talking Amazon Echo. Every home device is controlled at his fingertips from TV’s to telephones and even as far as automated cars. You can only imagine the terror that unfolds as Chucky learns to utilize his technological surroundings for evil.
Chucky starts off innocent enough. He’s programmed to be Andy’s best friend but what starts out as a unique interaction between boy and robot instantly changes when Chucky becomes sentient. Influenced by those around him and watching horror movies with Andy suddenly Buddi becomes more sinister in nature. Instead of a treasured companion, Chucky becomes possessive and will protect Andy by any means necessary. Quite the different approach from that of previous installments. Even when Chucky begins his reign of terror Andy is still loyal to him to some degree. Whilst he cannot understand why Chucky is doing the things he does there’s a loneliness about Andy’s character that almost seems to justify Chucky’s behavior. He doesn’t agree with it but at the same time, he has a friend, albeit a murderous little rampaging doll.
Child’s Play has some incredible humour mixed in throughout which allows the film to flow freely. Whilst Seed of Chucky and Bride of Chucky had free-speaking souls it’s harder to convey this type of humour within a robotic doll. Instead, the doll spills one-liners and is influenced by those around him leading to some comical results. Chucky’s infamous one-liners come to the fold and various facial expressions on the doll are hysterical.
The vocal work and comedic delivery from Mark Hamil is nothing short of wonderful. There is nothing this man cannot do. The force is strong with him even in a Chucky movie. Whilst more robotic in nature the way the lines are delivered with such dry-pan straight-faced edge is just brilliant. But once again we cannot compare this new Chucky to the sublime work of Brad Dourif. Brad is delivering dialogue as a human being whereas Mark is delivering lines as a robotic entity. They just cannot be compared and it would be a stupid comparison to make. All in all the voice work is great It’s just a shame I can’t take this ugly doll seriously for one second!
Whoever designed the Buddi doll in pre-production needs a serious talking to! I’m not quite sure what look they were going for with this but it certainly isn’t a good one. The film becomes even more of a comedy the more you look at it. The old dolls had that look of innocence in the originals, this one is just so damn weird. I can’t picture a production meeting where everyone in the room agreed that this is the final look of the doll without intense laughing involved. It’s like the production team are openly fucking with us. No one on this planet can take this doll seriously and for me, Child’s Play is way more of a comedy than it will ever be a horror movie.
For the most part, casting within Child’s Play is very strong. Gabriel Bateman (Andy) puts in a strong performance single-handedly carrying the film. Brian Tyree Henry (Mike) who plays a neighbor/detective is also a nice comedic relief within the feature. Ty Consiglio, Beatrice Kitsos and Carlease Burke also play strong supporting roles. Where casting failed for me however was Aubrey Plaza. I’ve seen Aubrey in comedies where her humor never really hits home in any roles she’s in.
Arrogant and annoying in many roles this cookie cutter casting has her playing the same role in every film she’s in. Playing Andy’s mum in this film doesn’t work for me whatsoever. There’s no conviction, no depth, no family dynamic feel of any sort. She almost plays an annoying older sister rather than a mother. Thankfully, she doesn’t play a key role as such to Andy’s arc and thus I can overlook her involvement as such. I think Aubrey should have played a sister role or similar, it would have played to her on-screen strengths.
When Chucky starts killing is when this movie comes into its own. It has nothing to compare it to previous Chucky films. Our new technologically manipulative little doll runs havoc on the millennial generation of mobile phone and gadget addicted humans. The death scenes are gory and for the most part, all have comedy elements to them. Whilst the kills are unimaginative it’s how Chucky delivers those kills that really add that star gore power to proceedings.
Endearing, gory and mostly hilarious. The contrast of tone in Child’s Play may even persuade the die-hard fans to enjoy this one. It shouldn’t really be compared to the originals in any way shape or form although it does have an 80’s flair to it. Child’s Play has taken a new direction but has stayed relevant to modern times and whilst it’s taking a different path than the upcoming TV series, it’s safe to say Chucky really is back!
Thanks for checking out my Child’s Play 2019 review. I hope you enjoy it as much as I did!
https://backtothemovies.com/childs-play-2019-review/
Acanthea Grimscythe (300 KP) rated They Feed in Books
Feb 21, 2019
Jason Parent’s They Feed has been on my radar for quite some time. A few months ago I snagged a galley of it. Things got in the way, but I finally found the time to sit down and straight up devour this title.
Set in Galveston National Park in Kansas, They Feed is the terrifying story of a what goes bump in the night. When a few groups, for completely different reasons, end up stranded in the dark, they quickly find themselves pitted against an unknown enemy that seems almost invincible, and every bit vicious. Can they survive until sunrise?
Let’s face it. When it comes to horror books, characters are dispensable. It’s hard to really get attached to anyone because we expect them to die. Therefore I’m always pleasantly surprised when there’s any amount of character development–and Parent’s stuffed this book with it. We’ve got a loathsome woman that, despite not being able to stand, I found myself cheering for. An angsty, delinquent teenager with redeemable qualities. A former convict. A group of frat boys behaving stupidly. All of these are present in this book, and Parent writes them in a way that had me both loving and hating several of them. (I cheered more than once.)
Plotwise, the book is pretty straightforward. It does switch perspectives, but thankfully it doesn’t alternate between past and present. This made the story flow really well, alongside perfect pacing on Parent’s part. There were also times I found my heart racing as I hoped for certain outcomes, and having that edge-of-your-seat thrill is one of my favorite feelings.
This is the first book I’ve read by Jason Parent, but it definitely won’t be the last. Let me put it this way: I’m even less likely to go camping now than I would have been last week. I’d like to thank NetGalley and Sinister Grin Press for providing me with a copy of this book in exchange for an honest review.
http://theghastlygrimoire.com/2019/02/20/book-review-they-feed-by-jason-parent/
Set in Galveston National Park in Kansas, They Feed is the terrifying story of a what goes bump in the night. When a few groups, for completely different reasons, end up stranded in the dark, they quickly find themselves pitted against an unknown enemy that seems almost invincible, and every bit vicious. Can they survive until sunrise?
Let’s face it. When it comes to horror books, characters are dispensable. It’s hard to really get attached to anyone because we expect them to die. Therefore I’m always pleasantly surprised when there’s any amount of character development–and Parent’s stuffed this book with it. We’ve got a loathsome woman that, despite not being able to stand, I found myself cheering for. An angsty, delinquent teenager with redeemable qualities. A former convict. A group of frat boys behaving stupidly. All of these are present in this book, and Parent writes them in a way that had me both loving and hating several of them. (I cheered more than once.)
Plotwise, the book is pretty straightforward. It does switch perspectives, but thankfully it doesn’t alternate between past and present. This made the story flow really well, alongside perfect pacing on Parent’s part. There were also times I found my heart racing as I hoped for certain outcomes, and having that edge-of-your-seat thrill is one of my favorite feelings.
This is the first book I’ve read by Jason Parent, but it definitely won’t be the last. Let me put it this way: I’m even less likely to go camping now than I would have been last week. I’d like to thank NetGalley and Sinister Grin Press for providing me with a copy of this book in exchange for an honest review.
http://theghastlygrimoire.com/2019/02/20/book-review-they-feed-by-jason-parent/
BookblogbyCari (345 KP) rated Rule of One in Books
Sep 23, 2018
Book review by Cari Mayhew. Rating 9/10.
With every chapter having its own climax, this YA dystopian novel is set to be a bestseller!
I had the opportunity to read this before its official release date thanks to Amazon First Reads. It’s set in the future in the USA. The country is deemed overpopulated, and the country follows the Rule of One, which is that couples can only have one child. Everyone has identity microchips implanted into their wrists, and rations of food are obtained from 3D printers.
Ava and Mira are hiding a secret. They are identical twins, who’ve been taking turns each day to live as one person. One day they are found out and they’re forced to go on the run! They had been well practised in pretending to be one person, but they were ill prepared to handle being discovered.
The plot is fraught with tension and there’s trouble at every turn. They leave with little more than a map and a name, and face plenty of obstacles along the way.
They eventually hear rumours of a resistance, and people who can help them, and they are given new identities. But, in turn, they are asked to help the cause directly. Meanwhile their father is taken into custody and tortured. At this point, the twins no longer see eye to eye.
Some scenes are a little cliché, but the fast pace more than makes up for it.
The blurb in the description says that it’s set in the near future. Technology-wise it could be, but not in terms of the USA becoming so over populated that it would need such a rule, although this was recently the case in China.
I loved this book - as I said, each chapter has its own climax, which makes it quite the page-turner! IMO, it’s exactly as a dystopian thriller should be – a tense but light read and not all dreary. I have already ordered the sequel, which is due to be released in 2019 – I can’t wait to see where the story goes from here!
For more book news and reviews, check out bookblogbycari.com
With every chapter having its own climax, this YA dystopian novel is set to be a bestseller!
I had the opportunity to read this before its official release date thanks to Amazon First Reads. It’s set in the future in the USA. The country is deemed overpopulated, and the country follows the Rule of One, which is that couples can only have one child. Everyone has identity microchips implanted into their wrists, and rations of food are obtained from 3D printers.
Ava and Mira are hiding a secret. They are identical twins, who’ve been taking turns each day to live as one person. One day they are found out and they’re forced to go on the run! They had been well practised in pretending to be one person, but they were ill prepared to handle being discovered.
The plot is fraught with tension and there’s trouble at every turn. They leave with little more than a map and a name, and face plenty of obstacles along the way.
They eventually hear rumours of a resistance, and people who can help them, and they are given new identities. But, in turn, they are asked to help the cause directly. Meanwhile their father is taken into custody and tortured. At this point, the twins no longer see eye to eye.
Some scenes are a little cliché, but the fast pace more than makes up for it.
The blurb in the description says that it’s set in the near future. Technology-wise it could be, but not in terms of the USA becoming so over populated that it would need such a rule, although this was recently the case in China.
I loved this book - as I said, each chapter has its own climax, which makes it quite the page-turner! IMO, it’s exactly as a dystopian thriller should be – a tense but light read and not all dreary. I have already ordered the sequel, which is due to be released in 2019 – I can’t wait to see where the story goes from here!
For more book news and reviews, check out bookblogbycari.com
Bong Mines Entertainment (15 KP) rated Magic - Single by ABC Dialect in Music
Jun 17, 2019
Abc Dialect is an electronic duo based in Barcelona, Spain. Not too long ago, they released a lovely music video for their “Magic” single.
The audiovisual tells an interesting tale of a young man who purchases a bird from a pet store.
Later, the video follows him as he adapts a loving companionship between him and his new pet.
‘Magic’ contains a relatable storyline, pleasing vocals, and groovy instrumentation flavored with funky synthesizers, glistening keys, clean guitar chords, and enchanting flute.
Also, the likable tune showcases the group’s harmonically bright production which evokes a sense of smooth laidback euphoria.
“For this track, we’ve decided to go with a more organic approach. Recording live drums together with keyboards and bass and then adding some guitars, synths, flute, and vocals. We tried to keep the instrumental as simple and groovy as possible in order to give more space to the vocals and the flute which are the key elements on this track. The lyrics are simple but effective and relatable. The song had started being much more electronic and fast until we understood that it was meant to be much more real and pure.” – Abc Dialect
Abc Dialect formed in 2017 by London-based Argentinians, Tomás Susevich and Luca Oliva Knight.
The origin of their name was inspired by a trip to Japan, where they realized the dialect of their music was different than that of other cultures on the eastern side of the world.
This was a defining moment for the songwriters as they knew that they wanted their music to extend past the western hemisphere.
Therefore, they selected their name as a play on words addressing the dialect in which their music is created. Their goal is to have their music universally accepted by all.
Abc Dialect cites influences from both the past and present and draws inspiration from legacy acts such as Kool & The Gang, The Whispers, The Whitest Boy Alive, and Jamiroquai.
‘Magic’ is the first single from their upcoming EP, entitled, “Real Life”, available on June 13, 2019, via Casablanca Sunset.
https://www.bongminesentertainment.com/abc-dialect-magic/
The audiovisual tells an interesting tale of a young man who purchases a bird from a pet store.
Later, the video follows him as he adapts a loving companionship between him and his new pet.
‘Magic’ contains a relatable storyline, pleasing vocals, and groovy instrumentation flavored with funky synthesizers, glistening keys, clean guitar chords, and enchanting flute.
Also, the likable tune showcases the group’s harmonically bright production which evokes a sense of smooth laidback euphoria.
“For this track, we’ve decided to go with a more organic approach. Recording live drums together with keyboards and bass and then adding some guitars, synths, flute, and vocals. We tried to keep the instrumental as simple and groovy as possible in order to give more space to the vocals and the flute which are the key elements on this track. The lyrics are simple but effective and relatable. The song had started being much more electronic and fast until we understood that it was meant to be much more real and pure.” – Abc Dialect
Abc Dialect formed in 2017 by London-based Argentinians, Tomás Susevich and Luca Oliva Knight.
The origin of their name was inspired by a trip to Japan, where they realized the dialect of their music was different than that of other cultures on the eastern side of the world.
This was a defining moment for the songwriters as they knew that they wanted their music to extend past the western hemisphere.
Therefore, they selected their name as a play on words addressing the dialect in which their music is created. Their goal is to have their music universally accepted by all.
Abc Dialect cites influences from both the past and present and draws inspiration from legacy acts such as Kool & The Gang, The Whispers, The Whitest Boy Alive, and Jamiroquai.
‘Magic’ is the first single from their upcoming EP, entitled, “Real Life”, available on June 13, 2019, via Casablanca Sunset.
https://www.bongminesentertainment.com/abc-dialect-magic/
Gareth von Kallenbach (980 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 19, 2019
Picking up after the events of the previous film; “Godzilla: King of the Monsters” deals with a world trying to assess what to do with the presence of the giant Titans. The Monarch Corporation wants the creatures studied and has established locales to study the ones they have found currently hibernating. The U.S. Government wants them destroyed as they do not want repeats of the destruction that was previously caused by Godzilla.
Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies.
After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives.
This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son.
When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world.
While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film.
The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with.
The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy.
While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff.
http://sknr.net/2019/05/29/godzilla-king-of-the-monsters/
Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies.
After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives.
This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son.
When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world.
While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film.
The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with.
The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy.
While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff.
http://sknr.net/2019/05/29/godzilla-king-of-the-monsters/
Daniel Boyd (1066 KP) rated The Sisters Brothers (2018) in Movies
Jan 7, 2019 (Updated Jan 7, 2019)
Cast all give brilliant performances (1 more)
Quirky filming techniques
He Ain't Heavy, He's My Brother
I was dying to see this movie as soon as I saw the first trailer for it, but even though it dropped in the states months ago, it's not coming to UK cinemas until April 2019! However, if you mess around with the location settings on your on-demand website of choice, it is possible to legally watch this movie in Britain without having to wait another 4 months for it to release.
We seem to be at a point cinematically where traditional westerns that follow a gunslinger duelling his way across the west have all been done to death. Instead, it seems like modern westerns have to take a different, more unorthodox approach to the stories that they decide to tell. Take The Hateful Eight for example, as much as I loved that film, it was closer to the Clue movie than it was any of Sergio Leonne's Spaghetti Westerns. Or there is the very recent Ballad Of Buster Scruggs, which I personally enjoyed, but even within that movie, the tone and feel varied wildly throughout and none of it was what I would call a traditional western.
The Sisters Brothers follows this trajectory of oddity. It follows the titular brothers (played by John C. Reilly and Joaquin Pheonix,) who are essentially hitmen working for a Commodore (played by Rutger Hauer,) who have been sent to kill a chemist/gold prospector (played by Riz Ahmed,) with the help of a scout also working for the commodore, (played by Jake Gyllenhall.)
This movie is strange. It was directed by Jacques Audiard and there is a strange tone to the whole thing which feels distinctly French. There are an abundance of odd yet aesthetically pleasing shots that contribute to the film's odd tone and there are some comedic elements thrown in also. The whole thing is a mixing pot of different elements, yet it all strangely works.
Overall, I enjoyed The Sisters Brothers even if it was unconventional and not exactly the movie that I had expected going in and the performances all around are sublime.
We seem to be at a point cinematically where traditional westerns that follow a gunslinger duelling his way across the west have all been done to death. Instead, it seems like modern westerns have to take a different, more unorthodox approach to the stories that they decide to tell. Take The Hateful Eight for example, as much as I loved that film, it was closer to the Clue movie than it was any of Sergio Leonne's Spaghetti Westerns. Or there is the very recent Ballad Of Buster Scruggs, which I personally enjoyed, but even within that movie, the tone and feel varied wildly throughout and none of it was what I would call a traditional western.
The Sisters Brothers follows this trajectory of oddity. It follows the titular brothers (played by John C. Reilly and Joaquin Pheonix,) who are essentially hitmen working for a Commodore (played by Rutger Hauer,) who have been sent to kill a chemist/gold prospector (played by Riz Ahmed,) with the help of a scout also working for the commodore, (played by Jake Gyllenhall.)
This movie is strange. It was directed by Jacques Audiard and there is a strange tone to the whole thing which feels distinctly French. There are an abundance of odd yet aesthetically pleasing shots that contribute to the film's odd tone and there are some comedic elements thrown in also. The whole thing is a mixing pot of different elements, yet it all strangely works.
Overall, I enjoyed The Sisters Brothers even if it was unconventional and not exactly the movie that I had expected going in and the performances all around are sublime.
Hazel (2934 KP) rated The Rumour in Books
Jan 28, 2019
A great debut
What a great debut and yet another author to keep my eyes on and a British one too ?
As the blurb says, Joanna hears a rumour and ends up passing it on even though she knows it's probably not the best decision she has ever made however, she feels the need to fit in and make friends since moving to a small seaside town from London ... what harm can it do? Well as most of us know, rumours can be extremely damaging and this book is a pretty good example of that.
Well written with great characters and setting, a gripping and relevant story line written at a good pace and with excellent twists, this book is definitely one for lovers of books that draw you in, spin you around and spit you out leaving you feeling like you're on a rollercoaster but not wanting it to end and when it does, you want to go back and have another go.
I wish to express my thanks to Random House UK/Transworld Publishers for my copy via NetGalley in return for an honest review and for, once again, introducing me to another new author to follow.
Having just clicked on the publisher website, it appears Lesley Kara has a new book coming out called "Who Did You Tell?"; the blurb sounds great and I am so looking forward to reading it especially if it's as well written as "The Rumour".
Blurb taken from the publisher website:
"It’s been 192 days, seven hours and fifteen minutes since her last drink. Now Astrid is trying to turn her life around.
Having reluctantly moved back in with her mother, in a quiet seaside town away from the temptations and painful memories of her life before, Astrid is focusing on her recovery She's going to meetings. Confessing her misdeeds. Making amends to those she's wronged.
But someone knows exactly what Astrid is running from. And they won't stop until she learns that some mistakes can't be corrected.
Some mistakes, you have to pay for..."
BUT it's not out until December 2019!! Guess I'll just have to wait then ?
As the blurb says, Joanna hears a rumour and ends up passing it on even though she knows it's probably not the best decision she has ever made however, she feels the need to fit in and make friends since moving to a small seaside town from London ... what harm can it do? Well as most of us know, rumours can be extremely damaging and this book is a pretty good example of that.
Well written with great characters and setting, a gripping and relevant story line written at a good pace and with excellent twists, this book is definitely one for lovers of books that draw you in, spin you around and spit you out leaving you feeling like you're on a rollercoaster but not wanting it to end and when it does, you want to go back and have another go.
I wish to express my thanks to Random House UK/Transworld Publishers for my copy via NetGalley in return for an honest review and for, once again, introducing me to another new author to follow.
Having just clicked on the publisher website, it appears Lesley Kara has a new book coming out called "Who Did You Tell?"; the blurb sounds great and I am so looking forward to reading it especially if it's as well written as "The Rumour".
Blurb taken from the publisher website:
"It’s been 192 days, seven hours and fifteen minutes since her last drink. Now Astrid is trying to turn her life around.
Having reluctantly moved back in with her mother, in a quiet seaside town away from the temptations and painful memories of her life before, Astrid is focusing on her recovery She's going to meetings. Confessing her misdeeds. Making amends to those she's wronged.
But someone knows exactly what Astrid is running from. And they won't stop until she learns that some mistakes can't be corrected.
Some mistakes, you have to pay for..."
BUT it's not out until December 2019!! Guess I'll just have to wait then ?
Natari (73 KP) rated Brave the Tempest (Cassandra Palmer #9) in Books
Jul 15, 2019 (Updated Aug 1, 2019)
Fun, frisky and full of feminine power!
This book has been such a joy to read. I am a huge fan of Karen Chance and her work and she has really outdone herself with Brave The Tempest. Where some ongoing series can go away from their original plots and start to fill their shine, I have never had that problem with the Cassie Palmer Series. Quite the opposite! The plot grows ever larger. Little hints you would never pick up in the first few books reveal themselves to be groundbreaking twists to a much larger storyline in the later books. This is book none of the series but I can tell I would be as excited to read the 18th book, it's that kind of world that you just have to visit and visit again.
I consumed this book quickly, wherever there was a spare moment between my chores. It is fast paced like the others and I found it difficult to find times to put it down to eat and sleep because I just wanted to keep reading.
Cassie, our main character, has really blossomed and matured. But she's still so human and relatable and I think that is one of the main things I love about the series.
I'm lying. The main things I love are Pritkin and Mircea. Their own lives and how they interact with Cassie has had a dramatic overturn for this book. It's fun, fresh and always leaves you wanting more. The things that happen to Cassie are unbelievable yet the book is written in a way that just makes you think "of course, it is Cassie afterall".
Returning characters from previous books get much more attention and my love for the wider Cassie world really grew with this book. Seeing sides of characters we know and love from sister series like the Dorina Basarab books (greatest stories ever) offer fascinating insight aswell.
So when in book 10 ready? Oh, December 2019. Not long 😃
I consumed this book quickly, wherever there was a spare moment between my chores. It is fast paced like the others and I found it difficult to find times to put it down to eat and sleep because I just wanted to keep reading.
Cassie, our main character, has really blossomed and matured. But she's still so human and relatable and I think that is one of the main things I love about the series.
I'm lying. The main things I love are Pritkin and Mircea. Their own lives and how they interact with Cassie has had a dramatic overturn for this book. It's fun, fresh and always leaves you wanting more. The things that happen to Cassie are unbelievable yet the book is written in a way that just makes you think "of course, it is Cassie afterall".
Returning characters from previous books get much more attention and my love for the wider Cassie world really grew with this book. Seeing sides of characters we know and love from sister series like the Dorina Basarab books (greatest stories ever) offer fascinating insight aswell.
So when in book 10 ready? Oh, December 2019. Not long 😃
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Crash Team Racing: Nitro Fueled in Video Games
Jul 9, 2019
Rev Your Engines
Rev up your engines as your favorite gaming Marsupial is back with Crash Team Racing Nitro-Fueled. The game is a remastered version of a prior release and like the amazing N Sane Trilogy; gives a new life to the game by taking advantage of the better graphics and framerates offered by the new systems.
Playing in a campaign or online mode, players can pick which character they wish to use and unlike the previous release; are not locked into completing a series with that character as they can change up as they wish.
Players must win a track in order to move on to the next track which is accessed by driving a portal located on an island which also serves as a practice area and a way to access Boss Races and other areas when key objectives have been reached.
The tracks are very detailed and great fun. From an intense sewer track to some exotic locales and temples; there are plenty of locales for everyone to enjoy.
If you have played a racing game before you will soon get the hang of the controls and mechanics of the game. Of course there are plenty of traps and obstacles for players to deal with and there are power ups with weapons and other enhancements to give player an edge which will be needed as the competition is intense; even on the lower difficulty settings.
There are also crates of fruit which can be collected and will allow players to customize their vehicles beyond cosmetic changes which will be needed as player’s progress.
The multiplayer aspects of the game were great as it was very easy to connect and play and aside from some loading screen waits, the game moves fast and looks and sounds amazing.
If you are a fan of Crash Bandicoot and love a good racing game then this is simply a must own as it is not only fun to play; but is one of the most entertaining and enjoyable games in
the genre.
http://sknr.net/2019/07/09/crash-team-racing-nitro-fueled-2/
Playing in a campaign or online mode, players can pick which character they wish to use and unlike the previous release; are not locked into completing a series with that character as they can change up as they wish.
Players must win a track in order to move on to the next track which is accessed by driving a portal located on an island which also serves as a practice area and a way to access Boss Races and other areas when key objectives have been reached.
The tracks are very detailed and great fun. From an intense sewer track to some exotic locales and temples; there are plenty of locales for everyone to enjoy.
If you have played a racing game before you will soon get the hang of the controls and mechanics of the game. Of course there are plenty of traps and obstacles for players to deal with and there are power ups with weapons and other enhancements to give player an edge which will be needed as the competition is intense; even on the lower difficulty settings.
There are also crates of fruit which can be collected and will allow players to customize their vehicles beyond cosmetic changes which will be needed as player’s progress.
The multiplayer aspects of the game were great as it was very easy to connect and play and aside from some loading screen waits, the game moves fast and looks and sounds amazing.
If you are a fan of Crash Bandicoot and love a good racing game then this is simply a must own as it is not only fun to play; but is one of the most entertaining and enjoyable games in
the genre.
http://sknr.net/2019/07/09/crash-team-racing-nitro-fueled-2/
ClareR (5779 KP) rated The End of the Ocean in Books
Nov 6, 2019
The End of the Ocean by Maja Lunde is Climate Fiction (Cli-Fi) at its best and most stark. At its best, because everything that happens feels as though they are the reasonable consequences of what we are predicted now; most stark, because this is truly a terrible version of the future.
In the present day(2019), 69 year old environmental activist Signe discovers that her home town, and in particular her ex-boyfriend, is responsible for cutting up and shipping off ice from their glacier to sell to the rich, so that they can have glacial ice in their expensive cocktails. She decides to sabotage the shipment, and steals some of it - or what she can carry in her boat. She sails her ship through a terrible storm with the intention of taking it to the person responsible.
In 2041, David and his daughter Lou, arrive at a refugee camp after escaping from war and fire in their French home. There is little water and food, but David is hopeful that his wife and infant son (who they’ve been separated from) will be there or arrive soon.
The two stories are linked when David and Lou find Signe’s boat in the garden of one of the abandoned houses.
This is such a powerful book. It takes current scientific research and arrives at the extreme end of its prediction: drought, famine and war. I had to read it in short chunks, because I found the story so moving and intensely depressing, to be honest. It doesn’t feel exaggerated: I didn’t read it thinking “Well that would NEVER happen”. It’s all too plausible, in fact. I really liked how the two stories ran parallel to one another and joined up in the latter half of the book, with the boat as some sort of symbol of hope.
It’s not all depressing though. There is an element of hope, and we see the enduring strength of the human spirit. I have The History of Bees on my bookshelf, which I will read now - and I’ll definitely look out for the third in this quartet of books.
Many thanks to NetGalley and Simon and Schuster UK for my copy of this book.
In the present day(2019), 69 year old environmental activist Signe discovers that her home town, and in particular her ex-boyfriend, is responsible for cutting up and shipping off ice from their glacier to sell to the rich, so that they can have glacial ice in their expensive cocktails. She decides to sabotage the shipment, and steals some of it - or what she can carry in her boat. She sails her ship through a terrible storm with the intention of taking it to the person responsible.
In 2041, David and his daughter Lou, arrive at a refugee camp after escaping from war and fire in their French home. There is little water and food, but David is hopeful that his wife and infant son (who they’ve been separated from) will be there or arrive soon.
The two stories are linked when David and Lou find Signe’s boat in the garden of one of the abandoned houses.
This is such a powerful book. It takes current scientific research and arrives at the extreme end of its prediction: drought, famine and war. I had to read it in short chunks, because I found the story so moving and intensely depressing, to be honest. It doesn’t feel exaggerated: I didn’t read it thinking “Well that would NEVER happen”. It’s all too plausible, in fact. I really liked how the two stories ran parallel to one another and joined up in the latter half of the book, with the boat as some sort of symbol of hope.
It’s not all depressing though. There is an element of hope, and we see the enduring strength of the human spirit. I have The History of Bees on my bookshelf, which I will read now - and I’ll definitely look out for the third in this quartet of books.
Many thanks to NetGalley and Simon and Schuster UK for my copy of this book.