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Gareth von Kallenbach (965 KP) rated Rage 2 in Video Games
Jun 19, 2019
In 2010 Bethesda released RAGE. The game was the next step in the Id Shooters as it combined the combat the company was known for with a story, outdoor locales, customization, and vehicle combat and racing. As if that was not enough; the game featured a large Post-Apocalypse world, tons of enemies, and several side missions.
The game was so large that it took several discs to contain the game and I remember our review unit arriving extra early so we had time to load the large game so we could be ready to play when it went online.
Nine years later we finally get the sequel as RAGE 2 has arrived from Avalanche Studios. The game picks up 20 years after the first game as players take on the character of Walker; a first generation offspring from the original Ark survivors.
After a deadly attack by the evil General Cross and his army of Mutants; Walker takes on the role as the last of the Rangers and travels the Wastelands to find new Ranger tech, make allies, gather loot, and fight Bandits, Mutants, and other enemies that arise.
Walker has a nice arsenal of pistols, Shotguns, Machine Guns, Rocket Launchers, Grenades, and his deadly Wingstick as well as a series of Nanotech powered abilities which can be improved and gained over time.
There are various towns for players to advance the main mission as well as gain side missions, trade, buy, and increase their vehicle and weapon abilities.
Players will need all this and more as the enemies are numerous and deadly. Just driving between two points on a mission can lead to roving bands and convoys attacking you; not to mention Road Blocks and other Bandit Dens that arise.
The game deftly combines first person combat and vehicle combat and offers some very fine graphics which really lead to the immersion. One issue I had is that some missions seem more like a back and forth between two points versus some of the more cohesive moments on other missions.
The NPC characters do not do as much as some may like as you will pretty much be a Lone Wolf but you will be able to chat with characters to advance the story and get side missions.
The game does require players to win a race in order to advance the story and it took many tries including some frustrating second place finishes before I was able to cross the Finish Line first ahead of the pack.
The game provides plenty of gameplay as I put in over 20 hours on it and there are still some areas I can wander to clean up but with DLC and new content coming; I am looking forward to seeing what is to come. I also look forward to fully loading out my vehicles and weapons as the three main weapons I have are amazing and I would love to see what the full loadout can do.
I was a bit disappointed over the lack of Multiplayer as it was included in the first game and I had hoped we would be able to get both vehicle and FPS combat this time out or at the least a Co-Op mode.
The music and sound effects are good although they can drop or fade now and then but this has become better with a recent patch.
RAGE 2 provided plenty of immersive entertainment and was a very entertaining and engaging game despite some frustrations along the way. The game clearly indicates more is coming to the story and I cannot wait to see what comes next.
http://sknr.net/2019/06/07/rage-2/
The game was so large that it took several discs to contain the game and I remember our review unit arriving extra early so we had time to load the large game so we could be ready to play when it went online.
Nine years later we finally get the sequel as RAGE 2 has arrived from Avalanche Studios. The game picks up 20 years after the first game as players take on the character of Walker; a first generation offspring from the original Ark survivors.
After a deadly attack by the evil General Cross and his army of Mutants; Walker takes on the role as the last of the Rangers and travels the Wastelands to find new Ranger tech, make allies, gather loot, and fight Bandits, Mutants, and other enemies that arise.
Walker has a nice arsenal of pistols, Shotguns, Machine Guns, Rocket Launchers, Grenades, and his deadly Wingstick as well as a series of Nanotech powered abilities which can be improved and gained over time.
There are various towns for players to advance the main mission as well as gain side missions, trade, buy, and increase their vehicle and weapon abilities.
Players will need all this and more as the enemies are numerous and deadly. Just driving between two points on a mission can lead to roving bands and convoys attacking you; not to mention Road Blocks and other Bandit Dens that arise.
The game deftly combines first person combat and vehicle combat and offers some very fine graphics which really lead to the immersion. One issue I had is that some missions seem more like a back and forth between two points versus some of the more cohesive moments on other missions.
The NPC characters do not do as much as some may like as you will pretty much be a Lone Wolf but you will be able to chat with characters to advance the story and get side missions.
The game does require players to win a race in order to advance the story and it took many tries including some frustrating second place finishes before I was able to cross the Finish Line first ahead of the pack.
The game provides plenty of gameplay as I put in over 20 hours on it and there are still some areas I can wander to clean up but with DLC and new content coming; I am looking forward to seeing what is to come. I also look forward to fully loading out my vehicles and weapons as the three main weapons I have are amazing and I would love to see what the full loadout can do.
I was a bit disappointed over the lack of Multiplayer as it was included in the first game and I had hoped we would be able to get both vehicle and FPS combat this time out or at the least a Co-Op mode.
The music and sound effects are good although they can drop or fade now and then but this has become better with a recent patch.
RAGE 2 provided plenty of immersive entertainment and was a very entertaining and engaging game despite some frustrations along the way. The game clearly indicates more is coming to the story and I cannot wait to see what comes next.
http://sknr.net/2019/06/07/rage-2/
Gareth von Kallenbach (965 KP) rated the PC version of Far Cry: New Dawn in Video Games
Jun 19, 2019 (Updated Jun 19, 2019)
Ubisoft certainly surprised the gaming community when they announced Far Cry: New Dawn and released it only a few weeks later. The fact that another Far Cry game was coming was certainly not a huge shock as the series has been phenomenally popular. However since the prior game had just completed its third and final DLC; many were caught aback by the announcement that this would be a direct follow-up to Far Cry 5.
The previous core series have been unrelated to each other in terms of storyline so the fact that this one takes place after the events of the prior game is a bit of a departure. Combined with the fact that the new release is $39.99 compared to the usual $59.99 price for new game; many had expected essentially glorified DLC versus an entire new game.
While the gameplay mechanics, combat, crafting, travel, resource gathering, and other aspects of the game are similar to how they were in the prior game; the storyline features a very engaging mix of new and old characters in a unique setting that easily captures your attention and expands on the story of the previous game although it is not necessary for you to have played it in order to appreciate this release.
I found that I had logged in over 16 hours of gameplay to complete New Dawn and this was sticking mainly to the core stories and only doing a few treasure hunts when needed as well as excursions.
The ability to hunt and fish remains in game and there is an abundance of ways to upgrade your vehicles, weapons, perks, and attire so players can find a look and style that best meets their needs.
Missions were actually quite engaging and had quite a bit of variety in them; and I especially liked the ones where I had to take part in races or a Demo Derby. I also loved flying my crafted helicopter over the vast map area to see the vast scope of the gameplay area.
Graphically the game looks very much like the previous game in that it has solid graphics and the detail level of the countryside of Hope County is abundant. My biggest issue is with the audio which dropped out frequently during the game at cut scenes but thankfully the captions allowed me to follow what was going on without having to retrace any of my steps.
The abundance of weapons and wildlife definitely creates plenty of opportunities for players to find their own comfort level and the enemies are plentiful which allows for some incredibly graphic but ultimately satisfying takedowns. I loved the saw blade launchers which literally cut an enemy down to size and had a Boomerang effect which was ideal for multiple targets.
The main enemies of the game are an interesting foe in that you have a pair of twins who are every bit as psychotic and dangerous is the best villains from the series. While they will not surpass Vaas in Far Cry 3; they are worthy adversaries.
While I would not say the game will bring new fans to the series; it does present a very satisfying extension to the Far Cry 5 storyline and as such; definitely kept my interest throughout.
Players do have the option to play the game in a Co-Op mode or to select various characters they encounter along the way to provide assistance when needed.
Far Cry: New Dawn is a satisfying entry in the series which should tide fans over until the next release and I cannot wait to see what they come up with next.
http://sknr.net/2019/03/10/far-cry-new-dawn/
The previous core series have been unrelated to each other in terms of storyline so the fact that this one takes place after the events of the prior game is a bit of a departure. Combined with the fact that the new release is $39.99 compared to the usual $59.99 price for new game; many had expected essentially glorified DLC versus an entire new game.
While the gameplay mechanics, combat, crafting, travel, resource gathering, and other aspects of the game are similar to how they were in the prior game; the storyline features a very engaging mix of new and old characters in a unique setting that easily captures your attention and expands on the story of the previous game although it is not necessary for you to have played it in order to appreciate this release.
I found that I had logged in over 16 hours of gameplay to complete New Dawn and this was sticking mainly to the core stories and only doing a few treasure hunts when needed as well as excursions.
The ability to hunt and fish remains in game and there is an abundance of ways to upgrade your vehicles, weapons, perks, and attire so players can find a look and style that best meets their needs.
Missions were actually quite engaging and had quite a bit of variety in them; and I especially liked the ones where I had to take part in races or a Demo Derby. I also loved flying my crafted helicopter over the vast map area to see the vast scope of the gameplay area.
Graphically the game looks very much like the previous game in that it has solid graphics and the detail level of the countryside of Hope County is abundant. My biggest issue is with the audio which dropped out frequently during the game at cut scenes but thankfully the captions allowed me to follow what was going on without having to retrace any of my steps.
The abundance of weapons and wildlife definitely creates plenty of opportunities for players to find their own comfort level and the enemies are plentiful which allows for some incredibly graphic but ultimately satisfying takedowns. I loved the saw blade launchers which literally cut an enemy down to size and had a Boomerang effect which was ideal for multiple targets.
The main enemies of the game are an interesting foe in that you have a pair of twins who are every bit as psychotic and dangerous is the best villains from the series. While they will not surpass Vaas in Far Cry 3; they are worthy adversaries.
While I would not say the game will bring new fans to the series; it does present a very satisfying extension to the Far Cry 5 storyline and as such; definitely kept my interest throughout.
Players do have the option to play the game in a Co-Op mode or to select various characters they encounter along the way to provide assistance when needed.
Far Cry: New Dawn is a satisfying entry in the series which should tide fans over until the next release and I cannot wait to see what they come up with next.
http://sknr.net/2019/03/10/far-cry-new-dawn/
Gareth von Kallenbach (965 KP) rated the PC version of Battlefield V in Video Games
Jun 19, 2019
The latest chapter in the long-running Battlefield series has arrived with the release of Battlefield V. The game looks to follow up the success of Battlefield 1 with a World War 2 based game that puts players directly into the action with large and highly-detailed maps.
The solo portion of the game has players battle in some diverse locales and focuses on situations form history where the participants were not well known and did not receive much glory or attention for their deeds.
After the introduction, players have the following options as described by E.A.
The stories were very enjoyable and thought provoking though I did get a few bugs while playing like a cut-scene lock up and some clipping issues where enemy characters were lodged in walls. Thankfully issues like this were few and I was able to complete the missions as they were engrossing and kept me riveted throughout.
I especially liked the Nordlys mission where I was able to don Skis and made my way around the frozen landscapes to complete my mission.
The missions were a mix of stealth, surviving waves of enemies, and capturing objectives which is what you would expect for a game of this type. The game does allow players to have a more diverse approach to completing missions as you can use vehicles and other objects found in the game to be creative. I was able to “borrow” a plane in Under No Flag to strafe the enemy locales. When my piloting skills were not up to snuff and I crashed in a lake; I redid the mission from a direct assault approach and things went much better for me.
The game uses a regenerative health system so should you take too much damage, simply take cover until you heal up and battle on. There is also an option to heal from time to time when battling online. Players will be able to pick up new weapons and ammunition off fallen enemies as well as at various points throughout the game.
Visually the game is very appealing from the open desert to the raging blizzard in the campaigns; there is plenty of eye candy to enjoy along with the action.
The online modes were very enjoyable as there were a variety of modes for players to enjoy.
The multiplay was good and what impressed me was how fair the hit detection was. You did not have to empty an entire clip into an enemy to take them down nor did glancing shots also produce a fatal result. The maps were large and highly detailed which allowed players to try a mixture of gameplay styles to best suit their needs.
It should be noted that additional content for the game will be coming as the menus made mention of solo missions and other features that were listed as “coming soon” and we know that the Battle Royale mode for the game is not due until 2019 as an example.
It should also be noted that I did not see the Female fighter with the prosthetic arm that was featured in the announcement trailers for the game and caused division amongst fans upon the reveal for the game. If she was edited out, planned for a later date, or simply included for demonstration purposes remains to be seen. What is clear is that although fans may expect more content and be disappointed in having to wait for parts of the game to release at a later date, the game is enjoyable for fans of the series and after my experiences with the Beta; even better than expected. I look forward to seeing what the game will look like in the future once the coming updates and patches are applied, but for now; Battlefield V is a solid WW2 game with solid visuals and sound and is a worthy entry into the series.
http://sknr.net/2018/11/12/battlefield-v/
The solo portion of the game has players battle in some diverse locales and focuses on situations form history where the participants were not well known and did not receive much glory or attention for their deeds.
After the introduction, players have the following options as described by E.A.
The stories were very enjoyable and thought provoking though I did get a few bugs while playing like a cut-scene lock up and some clipping issues where enemy characters were lodged in walls. Thankfully issues like this were few and I was able to complete the missions as they were engrossing and kept me riveted throughout.
I especially liked the Nordlys mission where I was able to don Skis and made my way around the frozen landscapes to complete my mission.
The missions were a mix of stealth, surviving waves of enemies, and capturing objectives which is what you would expect for a game of this type. The game does allow players to have a more diverse approach to completing missions as you can use vehicles and other objects found in the game to be creative. I was able to “borrow” a plane in Under No Flag to strafe the enemy locales. When my piloting skills were not up to snuff and I crashed in a lake; I redid the mission from a direct assault approach and things went much better for me.
The game uses a regenerative health system so should you take too much damage, simply take cover until you heal up and battle on. There is also an option to heal from time to time when battling online. Players will be able to pick up new weapons and ammunition off fallen enemies as well as at various points throughout the game.
Visually the game is very appealing from the open desert to the raging blizzard in the campaigns; there is plenty of eye candy to enjoy along with the action.
The online modes were very enjoyable as there were a variety of modes for players to enjoy.
The multiplay was good and what impressed me was how fair the hit detection was. You did not have to empty an entire clip into an enemy to take them down nor did glancing shots also produce a fatal result. The maps were large and highly detailed which allowed players to try a mixture of gameplay styles to best suit their needs.
It should be noted that additional content for the game will be coming as the menus made mention of solo missions and other features that were listed as “coming soon” and we know that the Battle Royale mode for the game is not due until 2019 as an example.
It should also be noted that I did not see the Female fighter with the prosthetic arm that was featured in the announcement trailers for the game and caused division amongst fans upon the reveal for the game. If she was edited out, planned for a later date, or simply included for demonstration purposes remains to be seen. What is clear is that although fans may expect more content and be disappointed in having to wait for parts of the game to release at a later date, the game is enjoyable for fans of the series and after my experiences with the Beta; even better than expected. I look forward to seeing what the game will look like in the future once the coming updates and patches are applied, but for now; Battlefield V is a solid WW2 game with solid visuals and sound and is a worthy entry into the series.
http://sknr.net/2018/11/12/battlefield-v/
Lucy Buglass (45 KP) rated Velvet Buzzsaw (2019) in Movies
Jun 20, 2019
Ever since Netflix have proven themselves as a fantastic streaming platform, everyone gets hyped about their ‘Originals’. Velvet Buzzsaw was no exception, and when the first trailer dropped I was so excited to watch it. Everything about it seemed great; it was written and directed by Dan Gilroy (the guy who gave us the fantastic Nightcrawler), and the cast was incredible. Who could say no to Jake Gyllenhaal, Rene Russo AND Toni Collette? Not me. Unfortunately, this wonderful mix didn’t live up to my expectations at all and left me feeling very disappointed.
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
Lucy Buglass (45 KP) rated Captain Marvel (2019) in Movies
Jun 20, 2019
An action-packed mix of super powers, solidarity and cats
Ever since Captain Marvel was announced, it dominated social media for a number of reasons. People were either hyped, or couldn’t wait to slag it off. As a casual superhero fan I was interested to see what all the fuss was about, and how Brie Larson would perform in the titular role. Ever since I saw her in Room, I’ve been so impressed by her talent and hoped she would deliver in this project too.
This film follows pilot Carol Danvers, as her world is turned upside down and she has to discover the truth about herself whilst caught slap bang in the middle of a galactic war. Captain Marvel is an origin story, and for a large portion of the film Danvers is struggling with amnesia and frequent nightmares. I really sympathised with her throughout the entirety of the film, and most of this is a testament to Brie. Once again she knew exactly how to bring a character to life.
The film does have some flaws, and for me, most of them came in the first act. The pacing felt a bit off here, but thankfully by the time the second act rolls around, it settles down. It’s a shame that the first act didn’t do much for me, especially as it felt like a completely different film in terms of its tone and narrative. Once the film got going I had a great time with it, with the scenes on Earth being my personal favourites. From the moment she arrived on Earth, I became hooked.
By the time Carol meets Nick Fury, the film changed for me and I absolutely loved the dynamic between the two characters. It provided plenty of light relief when it was needed, and let’s face it, who doesn’t love Samuel L. Jackson? The rest of the cast is fun too. Special shout out to Goose the Cat who, as expected, completely stole the show. Scenes involving him and Nick Fury were particularly delightful, and I think I could’ve watched just that for hours. Jude Law and Gemma Chan take to their respective, badass roles effortlessly, and I enjoyed what they brought to the table despite not being on screen as much as I’d expected.
Overall, I thought it had the right mix of comedy and serious moments, in classic Marvel style. I’ve come to expect silly jokes and cringe worthy dialogue in between the action; it’s all part of the fun. I loved Danvers’ sarcastic personality, and how brilliantly it clashed with those around her to make the audience laugh out loud. Her level of sass is something that I can’t wait to see more of.
Like most Marvel films, this is best experienced on the big screen due to its impressive visual style. The scenes in space particularly stood out to me, and seeing that in the cinema was a real treat. There’s something about a good space setting that’s so hypnotic, and Captain Marvel was no exception. It is action packed, aesthetically appealing, and features a strong cast against this backdrop. There’s some genuinely heart-warming moments here, especially featuring significant people from Carol’s life on Earth. In an effort to keep this as spoiler free as possible, I won’t mention them, but I guarantee it’ll make you smile.
I’m excited to see where Captain Marvel goes next, particularly her appearance in Avengers: Endgame which is already generating a lot of excitement. Brie Larson is a welcome addition to the Marvel universe, and I see her as a strong, powerful woman who I’d love my future children to look up to.
https://lucygoestohollywood.com/2019/03/27/an-action-packed-mix-of-super-powers-solidarity-and-cats-my-thoughts-on-captain-marvel/
This film follows pilot Carol Danvers, as her world is turned upside down and she has to discover the truth about herself whilst caught slap bang in the middle of a galactic war. Captain Marvel is an origin story, and for a large portion of the film Danvers is struggling with amnesia and frequent nightmares. I really sympathised with her throughout the entirety of the film, and most of this is a testament to Brie. Once again she knew exactly how to bring a character to life.
The film does have some flaws, and for me, most of them came in the first act. The pacing felt a bit off here, but thankfully by the time the second act rolls around, it settles down. It’s a shame that the first act didn’t do much for me, especially as it felt like a completely different film in terms of its tone and narrative. Once the film got going I had a great time with it, with the scenes on Earth being my personal favourites. From the moment she arrived on Earth, I became hooked.
By the time Carol meets Nick Fury, the film changed for me and I absolutely loved the dynamic between the two characters. It provided plenty of light relief when it was needed, and let’s face it, who doesn’t love Samuel L. Jackson? The rest of the cast is fun too. Special shout out to Goose the Cat who, as expected, completely stole the show. Scenes involving him and Nick Fury were particularly delightful, and I think I could’ve watched just that for hours. Jude Law and Gemma Chan take to their respective, badass roles effortlessly, and I enjoyed what they brought to the table despite not being on screen as much as I’d expected.
Overall, I thought it had the right mix of comedy and serious moments, in classic Marvel style. I’ve come to expect silly jokes and cringe worthy dialogue in between the action; it’s all part of the fun. I loved Danvers’ sarcastic personality, and how brilliantly it clashed with those around her to make the audience laugh out loud. Her level of sass is something that I can’t wait to see more of.
Like most Marvel films, this is best experienced on the big screen due to its impressive visual style. The scenes in space particularly stood out to me, and seeing that in the cinema was a real treat. There’s something about a good space setting that’s so hypnotic, and Captain Marvel was no exception. It is action packed, aesthetically appealing, and features a strong cast against this backdrop. There’s some genuinely heart-warming moments here, especially featuring significant people from Carol’s life on Earth. In an effort to keep this as spoiler free as possible, I won’t mention them, but I guarantee it’ll make you smile.
I’m excited to see where Captain Marvel goes next, particularly her appearance in Avengers: Endgame which is already generating a lot of excitement. Brie Larson is a welcome addition to the Marvel universe, and I see her as a strong, powerful woman who I’d love my future children to look up to.
https://lucygoestohollywood.com/2019/03/27/an-action-packed-mix-of-super-powers-solidarity-and-cats-my-thoughts-on-captain-marvel/
Lucy Buglass (45 KP) rated Shazam! (2019) in Movies
Jun 20, 2019
Not as bad as I was expecting
I have to admit, when I first saw the trailer for Shazam!, I felt pretty underwhelmed. It didn’t seem like the kind of film I’d enjoy. I often get tired of cringey, over the top humour, which is basically what the trailer was packed full of. Having said all of this, I ended up being pleasantly surprised by the film after agreeing to go to a Limitless screening. I actually don’t think the trailer did it justice, if I’m perfectly honest.
The plot of Shazam! is completely bonkers, but let’s face it, what did you expect from a superhero film? Most origin stories are implausible, but that’s the beauty of the genre for me. The film follows 14-year-old Billy Batson, after he is gifted superpowers by a wizard and is able to transform into the adult ‘Shazam’ simply by shouting his name. At first, it is a little weird seeing him transform from a kid into an adult and back again, but you do get used to it. I loved the performances by Zachary Levi and Asher Angel throughout, and they did a great job of mirroring each other.
The film’s antagonist Dr. Thaddeus Sivana (Mark Strong) gets his powers from the seven deadly sins; a group of terrifying, demonic spirits who lead him down a dark path. He’s full of anger, and wants to lash out at the world and the family who berated him his entire life. As far as antagonists go, he’s fairly standard, but fun to watch. He’s nothing revolutionary, but I enjoyed watching him fight Shazam at least. When Sivana is on screen, the film does take a much darker turn, so I would add a viewer discretion for any young children out there. I was even caught out by a pretty effective jump scare at one point.
Annoyingly the pacing is a little off in the third act, and the final fight scene between Sivana and Shazam could’ve easily been trimmed down by 15 minutes or so. I found myself getting a little restless here, which was disappointing given how much fun I had with the rest of the film. Having this sluggish scene follow so many hilarious, genuinely engaging moments was a shame. Don’t let that put you off though, the rest of the film works well. The relationship between Billy and his foster brother Freddy (Jack Dylan Grazer) is hilarious, and got the most laughs from me. Even when he’s in his adult form, Billy still acts like Billy, so there’s lots of teenage boy bickering throughout as you may expect.
I was also surprised at the emotional themes that run through the film. On the surface, it’s a goofy, laugh out loud superhero film, but it also deals with difficult scenarios. As a foster child, Billy has desperately been searching for his birth mother, and Dr. Sivana has loathed his own family ever since he was a child. Both are struggling with the concept of family, and there are frequent references to this throughout. Billy’s most recent foster family are delightful to watch, and I was impressed by the child actors in the film. They’re definitely the most engaging characters, who would go out of their way to help Billy and their other foster siblings.
Shazam! is not a brilliant film, but it’s also way better than I was expecting. The tone is all over the place, some of the jokes are stupid, and it’s super goofy. But it’s a perfect film to watch for a bit of escapism, if you don’t want to think too hard about what you’re watching. I was surprised at just how much fun I had.
https://lucygoestohollywood.com/2019/03/29/not-as-bad-as-i-was-expecting-my-thoughts-on-shazam/
The plot of Shazam! is completely bonkers, but let’s face it, what did you expect from a superhero film? Most origin stories are implausible, but that’s the beauty of the genre for me. The film follows 14-year-old Billy Batson, after he is gifted superpowers by a wizard and is able to transform into the adult ‘Shazam’ simply by shouting his name. At first, it is a little weird seeing him transform from a kid into an adult and back again, but you do get used to it. I loved the performances by Zachary Levi and Asher Angel throughout, and they did a great job of mirroring each other.
The film’s antagonist Dr. Thaddeus Sivana (Mark Strong) gets his powers from the seven deadly sins; a group of terrifying, demonic spirits who lead him down a dark path. He’s full of anger, and wants to lash out at the world and the family who berated him his entire life. As far as antagonists go, he’s fairly standard, but fun to watch. He’s nothing revolutionary, but I enjoyed watching him fight Shazam at least. When Sivana is on screen, the film does take a much darker turn, so I would add a viewer discretion for any young children out there. I was even caught out by a pretty effective jump scare at one point.
Annoyingly the pacing is a little off in the third act, and the final fight scene between Sivana and Shazam could’ve easily been trimmed down by 15 minutes or so. I found myself getting a little restless here, which was disappointing given how much fun I had with the rest of the film. Having this sluggish scene follow so many hilarious, genuinely engaging moments was a shame. Don’t let that put you off though, the rest of the film works well. The relationship between Billy and his foster brother Freddy (Jack Dylan Grazer) is hilarious, and got the most laughs from me. Even when he’s in his adult form, Billy still acts like Billy, so there’s lots of teenage boy bickering throughout as you may expect.
I was also surprised at the emotional themes that run through the film. On the surface, it’s a goofy, laugh out loud superhero film, but it also deals with difficult scenarios. As a foster child, Billy has desperately been searching for his birth mother, and Dr. Sivana has loathed his own family ever since he was a child. Both are struggling with the concept of family, and there are frequent references to this throughout. Billy’s most recent foster family are delightful to watch, and I was impressed by the child actors in the film. They’re definitely the most engaging characters, who would go out of their way to help Billy and their other foster siblings.
Shazam! is not a brilliant film, but it’s also way better than I was expecting. The tone is all over the place, some of the jokes are stupid, and it’s super goofy. But it’s a perfect film to watch for a bit of escapism, if you don’t want to think too hard about what you’re watching. I was surprised at just how much fun I had.
https://lucygoestohollywood.com/2019/03/29/not-as-bad-as-i-was-expecting-my-thoughts-on-shazam/
Lucy Buglass (45 KP) rated Dead In A Week (Or Your Money Back) (2018) in Movies
Jun 20, 2019
Dark comedy at its finest
This review discusses dark topics such as death and suicide. Reader discretion advised.
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Lucy Buglass (45 KP) rated Rocketman (2019) in Movies
Jun 20, 2019
A dazzling, brutally honest biopic
Biopics are always challenging. Trying to condense the life of a public figure into a couple of hours is never easy, which is why it can go wrong. It must be even more intimidating when your subject is still alive, and in this case, Elton John is very much alive and kicking at the age of 72.
Rocketman was a project that was closely followed by a number of fans and media outlets, all of them keen to see how they brought his story to life on-screen. With Dexter Fletcher at the helm and a star-studded cast, the film certainly had potential. And boy did it deliver.
Something that took me by surprise was the fact the film was more of a musical, rather than a straight-up biopic. I must admit I’m not the biggest fan of musicals most of the time, but I was instantly charmed by the musical numbers in Rocketman. It felt appropriate to present someone so passionate about music in this way. The film is choreographed to perfection, with the key moments in Elton’s life brought to life through song and dance.
In the leading role, Taron Egerton absolutely shone as Elton. The fact he actually sang so many of his iconic songs, and did them well, is something that should be celebrated for years to come. But even beyond the music, the way he showcased Elton’s pain throughout his years brought me to tears several times, and I’d be as bold to say his performance was award worthy. I couldn’t take my eyes off him.
It was also refreshing to see the brutal honesty in the film. Elton John himself said he ‘hadn’t lived a PG-13 life’, so the inclusion of sex, drugs and depression was absolutely necessary. Elton suffered from a lot of addictions, which are unapologetically presented on screen. There were so many tragedies I was not aware of, and it was so awful to see how he’d been treated by those close to him.
His parents in particular, Sheila (Bryce Dallas Howard) and Stanley (Steven Mackintosh), weren’t accepting of him and created a toxic home environment for Elton. I wasn’t aware of these strained relationships so it was interesting to observe, and the performances felt incredibly raw and devastating.
Naturally, the film also explored Elton’s first relationship with music manager John Reid (Richard Madden). This was heartbreaking to witness, as there was a lot of abuse and manipulation from Reid throughout their relationship. I thought Madden was exceptional in this role; villainous yet charismatic, and he delivered some truly cutting lines that, again, made me cry.
The one constant good relationship in Elton’s life was, and still is, Bernie Taupin (Jamie Bell). The two worked closely over the years to write the lyrics we know and love, and have endured lots together. As a key figure in his life, it was essential he was played well, and I couldn’t be happier with Bell’s performance. The energy between him and Egerton was a powerful thing.
These great performances are set against a beautiful backdrop of glitz and glamour, with some seriously impressive live shows where Egerton gets the opportunity to really shine. The gorgeous set design, costume design and cinematography only broke my heart further, when it became apparent a lot of it was a lie, and deep down Elton was battling with many demons. Fame does not always equal happiness, and this film is the epitome of that message.
Whilst it’s not an easy film to watch at times, it’s a beautiful celebration of Elton’s life that I can’t wait to experience again. He has came such a long way, and the film does everything in its power to show both the lows and highs, and remind fans where he came from. My advice would be to bring tissues, you’re going to need them.
https://lucygoestohollywood.com/2019/05/27/rocketman-dazzling-brutally-honest-biopic/
Rocketman was a project that was closely followed by a number of fans and media outlets, all of them keen to see how they brought his story to life on-screen. With Dexter Fletcher at the helm and a star-studded cast, the film certainly had potential. And boy did it deliver.
Something that took me by surprise was the fact the film was more of a musical, rather than a straight-up biopic. I must admit I’m not the biggest fan of musicals most of the time, but I was instantly charmed by the musical numbers in Rocketman. It felt appropriate to present someone so passionate about music in this way. The film is choreographed to perfection, with the key moments in Elton’s life brought to life through song and dance.
In the leading role, Taron Egerton absolutely shone as Elton. The fact he actually sang so many of his iconic songs, and did them well, is something that should be celebrated for years to come. But even beyond the music, the way he showcased Elton’s pain throughout his years brought me to tears several times, and I’d be as bold to say his performance was award worthy. I couldn’t take my eyes off him.
It was also refreshing to see the brutal honesty in the film. Elton John himself said he ‘hadn’t lived a PG-13 life’, so the inclusion of sex, drugs and depression was absolutely necessary. Elton suffered from a lot of addictions, which are unapologetically presented on screen. There were so many tragedies I was not aware of, and it was so awful to see how he’d been treated by those close to him.
His parents in particular, Sheila (Bryce Dallas Howard) and Stanley (Steven Mackintosh), weren’t accepting of him and created a toxic home environment for Elton. I wasn’t aware of these strained relationships so it was interesting to observe, and the performances felt incredibly raw and devastating.
Naturally, the film also explored Elton’s first relationship with music manager John Reid (Richard Madden). This was heartbreaking to witness, as there was a lot of abuse and manipulation from Reid throughout their relationship. I thought Madden was exceptional in this role; villainous yet charismatic, and he delivered some truly cutting lines that, again, made me cry.
The one constant good relationship in Elton’s life was, and still is, Bernie Taupin (Jamie Bell). The two worked closely over the years to write the lyrics we know and love, and have endured lots together. As a key figure in his life, it was essential he was played well, and I couldn’t be happier with Bell’s performance. The energy between him and Egerton was a powerful thing.
These great performances are set against a beautiful backdrop of glitz and glamour, with some seriously impressive live shows where Egerton gets the opportunity to really shine. The gorgeous set design, costume design and cinematography only broke my heart further, when it became apparent a lot of it was a lie, and deep down Elton was battling with many demons. Fame does not always equal happiness, and this film is the epitome of that message.
Whilst it’s not an easy film to watch at times, it’s a beautiful celebration of Elton’s life that I can’t wait to experience again. He has came such a long way, and the film does everything in its power to show both the lows and highs, and remind fans where he came from. My advice would be to bring tissues, you’re going to need them.
https://lucygoestohollywood.com/2019/05/27/rocketman-dazzling-brutally-honest-biopic/
Darren (1599 KP) rated 20,000 Leagues Under the Sea (1954) in Movies
Jun 20, 2019
Story: 20,000 Leagues Under the Sea starts when scientist professor Pierre Aronnax (Lukas) gets assigned to investigate a large number of sinkings in the open ocean, joined by his trusted sidekick Conseil (Lorre). When the ship they are travelling on gets sunk by the creature, Peirre, Conseil and sailor Ned Land (Douglas) go in search of rescue finding the Nautilus seemingly abandoned on the ocean.
The Nautilus captained by Nemo (Mason) tests the men before letting them stay aboard learning the wonders from beneath the ocean and taking on the creatures that have been lurking in the deep.
Thoughts on 20,000 Leagues Under the Sea
Characters – Captain Nemo is the mysterious captain of the Nautilus, he doesn’t follow any over the rules of the ocean as he plans his own way to clean it up with his loyal men, he reluctantly lets the three survivors onboard knowing Professor Aronnax could help his work. He does get frustratingly tired of Ned’s behaviour which puts his crew in danger at times. Ned Land is a sailor that is one of the few survivors from the shipwreck, he doesn’t like Nemo and wants to focus on collecting treasure over learning from the ocean. Professor Pierre Aronnax is one of the most famous scientist in the world, he is welcomed on board the ship because of his reputation which impress Nemo, he jumps at the chance to make huge waves in science onboard the ship. Conseil is the assistant to the professor who quickly starts to side with ned when it comes to the methods being shown onboard the vessel.
Performances – This is a strange way to bill the cast, because James Mason is the main character and he is great to watch when it comes to his speeches and ideas for what his character wants. Kirk Douglas is mostly the comic relief which is fun to see for the most part. Paul Lukas fits the posh scientist role in the film which is the one that can simplify things for the audience. Peter Lorre makes for a good sidekick figure for whoever his character helps.
Story – The story here follows the character of Captain Nemo that must educate three new crew members of the wonders of the ocean, showing them the answers are here instead of in how the world is acting. This is one that shows us science need exploring rather than questioning which takes out characters across the world to see things never imagined for the 1800s. While the story does give us entertainment, it would have been nice to see them ship take on a real creature for more than five minutes instead of going into the science versus sailing talk we most explore.
Adventure/Fantasy/Sci-Fi – The adventure side of this film takes our crew around the world to places they would have never seen to see places only few would have, make new discoveries. The fantasy mixes into the sci-fi because of the films setting in the 1800s where the technology isn’t like anything imaginable.
Settings – The film keep sus out at sea for most of the film, it is the interior of the Nautilus which is fantastic creation here show us just what was in the minds of the people.
Special Effects – The effects for the time were great, they show us what could have been achieved with practical effects and clever camera work.
Scene of the Movie – Squid battle.
That Moment That Annoyed Me – Not much creature action.
Final Thoughts – This is a must watch classic of cinema, it reaches levels you might not have expected for the time only to become something you need to admire.
Overall: Must watch classic
https://moviesreview101.com/2019/03/20/20000-leagues-under-the-sea-1954/
The Nautilus captained by Nemo (Mason) tests the men before letting them stay aboard learning the wonders from beneath the ocean and taking on the creatures that have been lurking in the deep.
Thoughts on 20,000 Leagues Under the Sea
Characters – Captain Nemo is the mysterious captain of the Nautilus, he doesn’t follow any over the rules of the ocean as he plans his own way to clean it up with his loyal men, he reluctantly lets the three survivors onboard knowing Professor Aronnax could help his work. He does get frustratingly tired of Ned’s behaviour which puts his crew in danger at times. Ned Land is a sailor that is one of the few survivors from the shipwreck, he doesn’t like Nemo and wants to focus on collecting treasure over learning from the ocean. Professor Pierre Aronnax is one of the most famous scientist in the world, he is welcomed on board the ship because of his reputation which impress Nemo, he jumps at the chance to make huge waves in science onboard the ship. Conseil is the assistant to the professor who quickly starts to side with ned when it comes to the methods being shown onboard the vessel.
Performances – This is a strange way to bill the cast, because James Mason is the main character and he is great to watch when it comes to his speeches and ideas for what his character wants. Kirk Douglas is mostly the comic relief which is fun to see for the most part. Paul Lukas fits the posh scientist role in the film which is the one that can simplify things for the audience. Peter Lorre makes for a good sidekick figure for whoever his character helps.
Story – The story here follows the character of Captain Nemo that must educate three new crew members of the wonders of the ocean, showing them the answers are here instead of in how the world is acting. This is one that shows us science need exploring rather than questioning which takes out characters across the world to see things never imagined for the 1800s. While the story does give us entertainment, it would have been nice to see them ship take on a real creature for more than five minutes instead of going into the science versus sailing talk we most explore.
Adventure/Fantasy/Sci-Fi – The adventure side of this film takes our crew around the world to places they would have never seen to see places only few would have, make new discoveries. The fantasy mixes into the sci-fi because of the films setting in the 1800s where the technology isn’t like anything imaginable.
Settings – The film keep sus out at sea for most of the film, it is the interior of the Nautilus which is fantastic creation here show us just what was in the minds of the people.
Special Effects – The effects for the time were great, they show us what could have been achieved with practical effects and clever camera work.
Scene of the Movie – Squid battle.
That Moment That Annoyed Me – Not much creature action.
Final Thoughts – This is a must watch classic of cinema, it reaches levels you might not have expected for the time only to become something you need to admire.
Overall: Must watch classic
https://moviesreview101.com/2019/03/20/20000-leagues-under-the-sea-1954/
Darren (1599 KP) rated A Star Is Born (2018) in Movies
Jun 20, 2019
Story: A Star is Born starts when rock star Jackson (Cooper) looking for another drink stumbles into a drag bar, he sees working class woman Ally (Gaga) perform on stage, instantly he knows she has talent and learns more about her, bring her on stage for his latest show.
When Ally becomes an overnight success story the two-start performing together which only attractions more record labels who come calling to make Ally the next biggest star in the music world which soon sees her become more famous than Jack whose own problems could bring an end to his fame.
Thoughts on A Star is Born
Characters – Ally is a hotel worker that performers in a local drag bar after being rejected by record labels before. She meets rock star Jack who encourages to perform, first with him and soon the world wants to see her become the biggest star in the music industry. Ally must learn about the world around her, one she has never stepped foot in before or become consumed by it. Jack is the rock star who sees Ally believing she could become a star, he offers her a chance to perform which sets her on her way, Jack however has his own problems with drinks and drugs would could finish his own career just as Ally’s is about to take off. These two characters do take centre stage for the most part, we do see family that support as well as friends who see their friend get to levels of fame they never thought they could.
Performances – Bradley Cooper gives one of his best performances of his career here, not just on front of the camera, but behind it too. He manages to make us feel like his problems are real, which are problem many musicians could be facing. Lady Gaga was always going to be a wonderful choice for the singing side of the film, it was the acting side people wanted to see if she could handle, she does a good job through the film managing to show the bond the two have throughout the film. the supporting cast are good without needing to be challenged to reach the levels of the lead two actors.
Story – The story follows the rise of a musician after being discovered by an alcoholic rock star. We know this is a remake, so we know this had been modernised to tell an old story which deals with the modern problems of fame for musicians. We see how one side is taking every opportunity thrown her way and the other than has been watching his career fade away because of alcoholism and drug abuse. This is a great story of how important taking chances are and how success can ruin lives. The story does however become slightly slow paced because we just jump into a song to cover up anything that needs to be talked about more.
Music/Romance – The music in the film is good with songs that Gaga performs with ease. The romance between the two shows how they can support each other through the lives they didn’t know they would be going through.
Settings – The film uses the settings to show the journey that Ally takes from the small venue to awards ceremony showing here rise to fame.
Scene of the Movie – First song.
That Moment That Annoyed Me – The rise feels too fast.
Final Thoughts – This is a great look at how the fame can affect lives in the music industry, we get strong performances from Cooper and Gaga who both shine through the film.
Overall: Great Music based movie.
https://moviesreview101.com/2019/01/01/abc-film-challenge-best-of-2018-a-a-star-is-born-2018/
When Ally becomes an overnight success story the two-start performing together which only attractions more record labels who come calling to make Ally the next biggest star in the music world which soon sees her become more famous than Jack whose own problems could bring an end to his fame.
Thoughts on A Star is Born
Characters – Ally is a hotel worker that performers in a local drag bar after being rejected by record labels before. She meets rock star Jack who encourages to perform, first with him and soon the world wants to see her become the biggest star in the music industry. Ally must learn about the world around her, one she has never stepped foot in before or become consumed by it. Jack is the rock star who sees Ally believing she could become a star, he offers her a chance to perform which sets her on her way, Jack however has his own problems with drinks and drugs would could finish his own career just as Ally’s is about to take off. These two characters do take centre stage for the most part, we do see family that support as well as friends who see their friend get to levels of fame they never thought they could.
Performances – Bradley Cooper gives one of his best performances of his career here, not just on front of the camera, but behind it too. He manages to make us feel like his problems are real, which are problem many musicians could be facing. Lady Gaga was always going to be a wonderful choice for the singing side of the film, it was the acting side people wanted to see if she could handle, she does a good job through the film managing to show the bond the two have throughout the film. the supporting cast are good without needing to be challenged to reach the levels of the lead two actors.
Story – The story follows the rise of a musician after being discovered by an alcoholic rock star. We know this is a remake, so we know this had been modernised to tell an old story which deals with the modern problems of fame for musicians. We see how one side is taking every opportunity thrown her way and the other than has been watching his career fade away because of alcoholism and drug abuse. This is a great story of how important taking chances are and how success can ruin lives. The story does however become slightly slow paced because we just jump into a song to cover up anything that needs to be talked about more.
Music/Romance – The music in the film is good with songs that Gaga performs with ease. The romance between the two shows how they can support each other through the lives they didn’t know they would be going through.
Settings – The film uses the settings to show the journey that Ally takes from the small venue to awards ceremony showing here rise to fame.
Scene of the Movie – First song.
That Moment That Annoyed Me – The rise feels too fast.
Final Thoughts – This is a great look at how the fame can affect lives in the music industry, we get strong performances from Cooper and Gaga who both shine through the film.
Overall: Great Music based movie.
https://moviesreview101.com/2019/01/01/abc-film-challenge-best-of-2018-a-a-star-is-born-2018/