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Emma @ The Movies (1786 KP) rated The Aeronauts (2019) in Movies
Oct 27, 2019
Firstly I'd like to address the accuracy of this film. As soon as I got out of the screening I looked up the story and it took the shine off a little. James Glaisher was indeed involved in these experiments but his companion was Henry Coxwell and not the fictional Amelia Wren. Wren is at least based on female aeronauts of the time, Sophie Blanchard and Margaret Graham, which is a slight comfort. I can of course understand why they did it, the film has a definite air of romance about it and the inclusion of a larger than life character and her backstory does give the film a boost that it might not have had on the original story.
The second thing I would also like to mention is that you need to see this in IMAX, it's been filmed for it and though that's not how I saw it I know it will be amazing.
There's a lot in The Aeronauts that makes you stop and collect your thoughts. The experience of being in the balloon is captured perfectly through shots of the city below and the vast expanses of clouds and sky... the word wonderous is the only thing that seems fitting.
I like that the story doesn't dwell on filling in the audience on history before the main event. During their flight we jump back for relevant snippets as needed and it adds to the emotion of the scenes as we return to the context. It also helps to pad out the timeline in what is almost in real-time. The record breaking flight was roughly 2.5 hours, the film runs for 1 hour 40 minutes, having watched it I don't think I'd mind seeing a 2.5 hour version.
Eddie Redmayne is high on my "nope" list when it comes to movies, I can't watch Fantastic Beasts without getting annoyed and as such I haven't gone back to watch any of his other films. In The Aeronauts though I found him to be much less of a frustrating watch, some of the mannerisms are still there but I was definitely won over by his performance. (Please do recommend your favourite films from him in the comments.) He really managed to capture the obsession for knowledge in a very natural way and I found it very engaging.
Felicity Jones as out fictional Amelia Wren makes a great show of the theatrics and transition smoothly to the seriousness needed to convey their situation once they were in flight. I thought her role was incredibly well crafted and she made every moment up in that balloon very real for the audience.
The pair work amazingly together on screen and that's not really surprising seeing as they've worked together before on The Theory Of Everything. I would say that the chemistry they'd already developed helped to make that tiny basket really come to life for the viewer.
A special shout out to Bella who played Posey the dog, I have to assume that she didn't do her own stunts but regardless it was a great performance.
I was very pleased that they didn't feel the need to fill those beautiful silences. As they soared higher into the sky I'm sure they could have filled the gap with peaceful classical music and still been impressive but the visuals are so good that they really didn't need anything.
I don't want to touch much of the second half of the film because it really does need to be seen but it certainly doesn't disappoint. Everything escalates with the ascent and from camera work to effects it all comes together for a finale that has you glued to the screen.
As you can tell I really enjoyed The Aeronauts and I'm looking forward to an Unlimited Screening of it again soon. I have one tip for you, go in your summer clothes when you see it. No, I haven't gone mad(der), it's a great way to get a free 4DX experience by sitting near the air conditioning. You'll get colder and colder as the film progresses and you'll really feel like you're in the balloon with them.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-aeronauts-movie-review.html
The second thing I would also like to mention is that you need to see this in IMAX, it's been filmed for it and though that's not how I saw it I know it will be amazing.
There's a lot in The Aeronauts that makes you stop and collect your thoughts. The experience of being in the balloon is captured perfectly through shots of the city below and the vast expanses of clouds and sky... the word wonderous is the only thing that seems fitting.
I like that the story doesn't dwell on filling in the audience on history before the main event. During their flight we jump back for relevant snippets as needed and it adds to the emotion of the scenes as we return to the context. It also helps to pad out the timeline in what is almost in real-time. The record breaking flight was roughly 2.5 hours, the film runs for 1 hour 40 minutes, having watched it I don't think I'd mind seeing a 2.5 hour version.
Eddie Redmayne is high on my "nope" list when it comes to movies, I can't watch Fantastic Beasts without getting annoyed and as such I haven't gone back to watch any of his other films. In The Aeronauts though I found him to be much less of a frustrating watch, some of the mannerisms are still there but I was definitely won over by his performance. (Please do recommend your favourite films from him in the comments.) He really managed to capture the obsession for knowledge in a very natural way and I found it very engaging.
Felicity Jones as out fictional Amelia Wren makes a great show of the theatrics and transition smoothly to the seriousness needed to convey their situation once they were in flight. I thought her role was incredibly well crafted and she made every moment up in that balloon very real for the audience.
The pair work amazingly together on screen and that's not really surprising seeing as they've worked together before on The Theory Of Everything. I would say that the chemistry they'd already developed helped to make that tiny basket really come to life for the viewer.
A special shout out to Bella who played Posey the dog, I have to assume that she didn't do her own stunts but regardless it was a great performance.
I was very pleased that they didn't feel the need to fill those beautiful silences. As they soared higher into the sky I'm sure they could have filled the gap with peaceful classical music and still been impressive but the visuals are so good that they really didn't need anything.
I don't want to touch much of the second half of the film because it really does need to be seen but it certainly doesn't disappoint. Everything escalates with the ascent and from camera work to effects it all comes together for a finale that has you glued to the screen.
As you can tell I really enjoyed The Aeronauts and I'm looking forward to an Unlimited Screening of it again soon. I have one tip for you, go in your summer clothes when you see it. No, I haven't gone mad(der), it's a great way to get a free 4DX experience by sitting near the air conditioning. You'll get colder and colder as the film progresses and you'll really feel like you're in the balloon with them.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-aeronauts-movie-review.html
Gareth von Kallenbach (980 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 9, 2019
I was introduced to Scary Stories to Tell in the Dark (the amazing book series written by Alvin Schwartz back in 1981) in my Junior High history class. An odd place for sure to listen to this amazing collection of stories, and yet it displayed how these stories are impactful even if you aren’t reading them around a campfire in the middle of the woods. Schwartz had written two additional sequels to his stories in 1984 and 1991 and the incredibly creepy illustrations (by Stephen Gammell) helped to complete a collection of books that are at home in anyone’s collection both young and old.
The 80’s was a decade obsessed with the occult and works of fiction that parents thought were written to corrupt the minds of the youth of the age. Before video games were blamed for all the evil in the world there was Heavy Metal music, the fantastical role-playing games such as Dungeons and Dragons and books such as these that parents rallied around and attempted to ban from schools and after school functions. Looking back now at the hysteria that this caused is almost laughable, but for those of us growing up in that time it was a very real threat to the imaginations of youth around the globe. Outside of this brief history lesson however, I wondered how the books would translate into a movie.
Our story begins on Halloween night, the year is 1968 and the Vietnam War and the upcoming presidential elections are on everyone’s mind. Stella (Zoe Colletti) and her nerd friends Chuck (Austin Zajur) and Auggie (Gabriel Rush) decide that this will be the year that they get revenge on the local bully Tommy (Austin Abrams) for all his years of stealing candy from them on Halloween. After things go predictably wrong, the young group of kids are pursued to a drive-in theater where they seek refuge in a car that is owned by another out-of-town youngster named Ramon (Michael Garza). As thanks for “saving” them from a certain beating, Stella and the group decide to take Ramon to a real-life haunted house. A place where a young Sarah Bellows would tell stories to frighten children only for them to end up dead days later. While exploring the house the young group discover the hidden room of young Sarah Bellows and come across her book of “Scary Stories”. Unable to contain her own curiosity, Stella takes the book home with her and watches as the words on the pages turn into living nightmares of their own darkest fears.
Produced by Guillermo del Toro, Patrick Melton and Marcus Dunstan, Scary Stories takes a handful of fan favorites and weaves them into a “scary” story of their very own. Instead of simply being a collection of haunting tales, each one serves a purpose, whether it’s the “Red Dot” or “Harold”, each one is used to drive the story even further along. While at first, I was hoping that it would be a collection of short stories featuring these timeless classics, the way in which each individual story progresses the plot leads to a far more interesting experience overall.
Those looking for a movie filled with frightening tales that will have you reaching for the closest shoulder (whether you know who it belongs to or not) will be in for a bit of disappointment. That’s not to take away from the incredible amount of vision needed to bring these classic stories to life, but it takes on a far more contemporary feel, then the dark stories and supernatural visions of the books that came before it. The film comes away feeling more like Goosebumps and less like Freakshow which makes sense given its PG-13 rating and its obvious pre-teen to teen demographic. The movie is still fun however, particularly for those who fondly remember the stories from their youth and is one that will proudly sit beside the likes of Hocus Pocus when it comes to network television down the road as part of its likely Halloween line-up.
4 out of 5 stars
http://sknr.net/2019/08/08/scary-stories-to-tell-in-the-dark/
The 80’s was a decade obsessed with the occult and works of fiction that parents thought were written to corrupt the minds of the youth of the age. Before video games were blamed for all the evil in the world there was Heavy Metal music, the fantastical role-playing games such as Dungeons and Dragons and books such as these that parents rallied around and attempted to ban from schools and after school functions. Looking back now at the hysteria that this caused is almost laughable, but for those of us growing up in that time it was a very real threat to the imaginations of youth around the globe. Outside of this brief history lesson however, I wondered how the books would translate into a movie.
Our story begins on Halloween night, the year is 1968 and the Vietnam War and the upcoming presidential elections are on everyone’s mind. Stella (Zoe Colletti) and her nerd friends Chuck (Austin Zajur) and Auggie (Gabriel Rush) decide that this will be the year that they get revenge on the local bully Tommy (Austin Abrams) for all his years of stealing candy from them on Halloween. After things go predictably wrong, the young group of kids are pursued to a drive-in theater where they seek refuge in a car that is owned by another out-of-town youngster named Ramon (Michael Garza). As thanks for “saving” them from a certain beating, Stella and the group decide to take Ramon to a real-life haunted house. A place where a young Sarah Bellows would tell stories to frighten children only for them to end up dead days later. While exploring the house the young group discover the hidden room of young Sarah Bellows and come across her book of “Scary Stories”. Unable to contain her own curiosity, Stella takes the book home with her and watches as the words on the pages turn into living nightmares of their own darkest fears.
Produced by Guillermo del Toro, Patrick Melton and Marcus Dunstan, Scary Stories takes a handful of fan favorites and weaves them into a “scary” story of their very own. Instead of simply being a collection of haunting tales, each one serves a purpose, whether it’s the “Red Dot” or “Harold”, each one is used to drive the story even further along. While at first, I was hoping that it would be a collection of short stories featuring these timeless classics, the way in which each individual story progresses the plot leads to a far more interesting experience overall.
Those looking for a movie filled with frightening tales that will have you reaching for the closest shoulder (whether you know who it belongs to or not) will be in for a bit of disappointment. That’s not to take away from the incredible amount of vision needed to bring these classic stories to life, but it takes on a far more contemporary feel, then the dark stories and supernatural visions of the books that came before it. The film comes away feeling more like Goosebumps and less like Freakshow which makes sense given its PG-13 rating and its obvious pre-teen to teen demographic. The movie is still fun however, particularly for those who fondly remember the stories from their youth and is one that will proudly sit beside the likes of Hocus Pocus when it comes to network television down the road as part of its likely Halloween line-up.
4 out of 5 stars
http://sknr.net/2019/08/08/scary-stories-to-tell-in-the-dark/
Emma @ The Movies (1786 KP) rated Joker (2019) in Movies
Dec 8, 2019
Contains spoilers, click to show
Had this been released on any regular week I'd have seen Joker the day it came out and not been overly bothered by the Twitter frenzy that happened in the aftermath of the opening... but, Joker came out two days into the London Film Festival and that meant I couldn't see it straight away. I ended up taking a day off in the middle of it and going out to have a regular cinema outing, it was only 6 days after release but the barrage of feedback online was enough to make me bored at the thought of seeing it.
I do not know how to do this review. It's not that I don't have things to say about it, because I do, but there's a lot of grumbling. I'm going to try bullet pointing it as it covers things that cross audience feedback with moaning.
• What is real? We see the Sophie shots replayed without her in them and we realise he imagined it but we also know that he's imagined other things... everything could be a twist on reality.
• I did not assume that the man with Bruce at home was Alfred.
• I would not have found it unbelievable had Arthur and Sophie been a couple.
• This film could easily have been a pre-origin story for the Joker character.
• I know Arthur needs every push to make the story progress but I don't see that Thomas Wayne needed to be that aggressive.
• Wouldn't it have been good if this film made no reference to anything Batman/Joker related and the first time we're actually shown the connection is in that iconic alley scene?
So there are the things I had thoughts, they all have me waffling on for ages when I voice them out loud.
Joaquin Phoenix really commits to the journey of Arthur and it's an incredible depiction. I'm not so bothered about the violence in the movie, what disturbed me more was how Phoenix manages to laugh without it showing on his face... that was chilling. Everything crafted around him really shows his life, the way he's captured in the shots, the way you see the darker side taking over him, you can see it in every scene. It's uncomfortable to watch him sometimes, but that's the way it needs to be.
As an environment you can feel the dirt and the story of the city really comes through in everything you see. There's a very clear divide between rich and poor and I really thought the sets and costumes worked perfectly.
I'm going to mention the song... it worked perfectly in the scene, it had the right tone for it and I thought it was very effective. As you look down the rest of the tracklisting it was nice to see that everything had a very theatrical leaning.
When we get to the point where Arthur, now under the guise of Joker, appears on Murray's talk show there's an element of uncertainty about what's going to happen. The escalation is chilling and when he starts his speech you can feel the change in him. That speech had a moment of understanding in it before you remember everything we've just seen. I would happily have seen the film end with that test card.
What happens after this is a big piece that feels like hallucination moments rather than real ones. I really didn't need that... BUT... it did bring us to that iconic alleyway scene. It was perfectly captured and would have been amazing if we saw the clown slip into the alleyway and then... no pearls. I groaned when I saw that. I'm fed up with it, it took that tense moment and could have left you with that sense of knowing without hitting you with that now rather common slap in the face of an image.
Unlike other films I still don't have a very clear idea of how I feel about this film, there are lots of issues I had with it but then there's that brilliant performance from Joaquin Phoenix. I'm sure this needs another viewing, but even then I'm not sure I'd be totally certain about how I felt.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/joker-spoilers-movie-review.html
I do not know how to do this review. It's not that I don't have things to say about it, because I do, but there's a lot of grumbling. I'm going to try bullet pointing it as it covers things that cross audience feedback with moaning.
• What is real? We see the Sophie shots replayed without her in them and we realise he imagined it but we also know that he's imagined other things... everything could be a twist on reality.
• I did not assume that the man with Bruce at home was Alfred.
• I would not have found it unbelievable had Arthur and Sophie been a couple.
• This film could easily have been a pre-origin story for the Joker character.
• I know Arthur needs every push to make the story progress but I don't see that Thomas Wayne needed to be that aggressive.
• Wouldn't it have been good if this film made no reference to anything Batman/Joker related and the first time we're actually shown the connection is in that iconic alley scene?
So there are the things I had thoughts, they all have me waffling on for ages when I voice them out loud.
Joaquin Phoenix really commits to the journey of Arthur and it's an incredible depiction. I'm not so bothered about the violence in the movie, what disturbed me more was how Phoenix manages to laugh without it showing on his face... that was chilling. Everything crafted around him really shows his life, the way he's captured in the shots, the way you see the darker side taking over him, you can see it in every scene. It's uncomfortable to watch him sometimes, but that's the way it needs to be.
As an environment you can feel the dirt and the story of the city really comes through in everything you see. There's a very clear divide between rich and poor and I really thought the sets and costumes worked perfectly.
I'm going to mention the song... it worked perfectly in the scene, it had the right tone for it and I thought it was very effective. As you look down the rest of the tracklisting it was nice to see that everything had a very theatrical leaning.
When we get to the point where Arthur, now under the guise of Joker, appears on Murray's talk show there's an element of uncertainty about what's going to happen. The escalation is chilling and when he starts his speech you can feel the change in him. That speech had a moment of understanding in it before you remember everything we've just seen. I would happily have seen the film end with that test card.
What happens after this is a big piece that feels like hallucination moments rather than real ones. I really didn't need that... BUT... it did bring us to that iconic alleyway scene. It was perfectly captured and would have been amazing if we saw the clown slip into the alleyway and then... no pearls. I groaned when I saw that. I'm fed up with it, it took that tense moment and could have left you with that sense of knowing without hitting you with that now rather common slap in the face of an image.
Unlike other films I still don't have a very clear idea of how I feel about this film, there are lots of issues I had with it but then there's that brilliant performance from Joaquin Phoenix. I'm sure this needs another viewing, but even then I'm not sure I'd be totally certain about how I felt.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/joker-spoilers-movie-review.html
Ivana A. | Diary of Difference (1171 KP) rated Blood Shadow (Blood Never Lies 1) in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2401292193">Blood Shadow</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-25.png"/>;
<b><i>Blood Shadow (Blood Never Lies #1) is a companion novel for An Eye of The Storm Series.</i></b>
Blood Shadow can be read without reading the previous books. At the beginning, the author has included a recap of everything you need to know about the main character, before you start reading this book.
Blood Shadow was an interesting read, that is for certain. At the beginning I felt a bit lost in time and it took me awhile to understand what is going on, despite the recap that was provided by the author.
<i>A woman wakes up in a hospital and can't remember anything. Some anonymous person saved her life and gives her the name Jennifer, alongside with a whole new life.
She knows her real name is Selena. She also knows she was a werewolf but is not anymore. It seems she is human now, because her wounds are not healing as they usually would. Selena/Jennifer also remembers all the sexual abuse she went through before. Being tortured and raped and even persuaded to kill her brother. It feels like that was a lifetime ago.
And now, five years after her new life begun, she lives quietly and has a normal job and a boyfriend. The only thing that reminds her of her werewolf days are the sweaty nightmares. And now Jennifer has received a new note - on of those that her anonymous friend leaves for her now and then, advising her when she is in danger. But this time, the note says something different: a Supermoon is coming, and with that, a total lunar eclipse.</i>
This is the moment when things start to get confusing for me. There is an anonymous person, he sends her notes that have saved her life, he is always watching her, and now they need to meet, because she is in big danger and he has a secret to tell her. But he also doesn't want to reveal his true identity yet.
<b><i>[SPOILER ALERT]</i></b>
Long story short, he is one of the people that were there during her sexual abuse period. And he didn't do anything to help save her. Also, it turns out that she is also a mermaid, which is why she is able to do some things, but also doesn't have full powers.
And things keep being more and more confusing. From a werewolf story, we jump onto mermaids. The title also made me think that vampires bight be involved, which isn't the case. And we also might see dragons in the next book. I am not against having all these fantasy creatures into one place, but I felt that it needed to be explained better.
I felt for the girl - it must be extremely hard to live with such past and then to also have to constantly be hiding and never be truly happy. She tried to live a normal life as well, but just ended up hurting the people around her.
I am not sure that I connected enough with this book. The ending wasn't a conclusive one - it seemed as if it only was an opening for yet another book of the many. It didn't feel like any of the characters grew or learned from their past actions, which was slightly disappointing.
<b>It is a nice chill book to read in your spare time, if you like these types of books. But it is nothing out of the ordinary. I don't believe I will remember how it ended or what it was about in a few months.</b>
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#1 <a href="https://www.goodreads.com/review/show/2401292193">Blood Shadow</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-25.png"/>;
<b><i>Blood Shadow (Blood Never Lies #1) is a companion novel for An Eye of The Storm Series.</i></b>
Blood Shadow can be read without reading the previous books. At the beginning, the author has included a recap of everything you need to know about the main character, before you start reading this book.
Blood Shadow was an interesting read, that is for certain. At the beginning I felt a bit lost in time and it took me awhile to understand what is going on, despite the recap that was provided by the author.
<i>A woman wakes up in a hospital and can't remember anything. Some anonymous person saved her life and gives her the name Jennifer, alongside with a whole new life.
She knows her real name is Selena. She also knows she was a werewolf but is not anymore. It seems she is human now, because her wounds are not healing as they usually would. Selena/Jennifer also remembers all the sexual abuse she went through before. Being tortured and raped and even persuaded to kill her brother. It feels like that was a lifetime ago.
And now, five years after her new life begun, she lives quietly and has a normal job and a boyfriend. The only thing that reminds her of her werewolf days are the sweaty nightmares. And now Jennifer has received a new note - on of those that her anonymous friend leaves for her now and then, advising her when she is in danger. But this time, the note says something different: a Supermoon is coming, and with that, a total lunar eclipse.</i>
This is the moment when things start to get confusing for me. There is an anonymous person, he sends her notes that have saved her life, he is always watching her, and now they need to meet, because she is in big danger and he has a secret to tell her. But he also doesn't want to reveal his true identity yet.
<b><i>[SPOILER ALERT]</i></b>
Long story short, he is one of the people that were there during her sexual abuse period. And he didn't do anything to help save her. Also, it turns out that she is also a mermaid, which is why she is able to do some things, but also doesn't have full powers.
And things keep being more and more confusing. From a werewolf story, we jump onto mermaids. The title also made me think that vampires bight be involved, which isn't the case. And we also might see dragons in the next book. I am not against having all these fantasy creatures into one place, but I felt that it needed to be explained better.
I felt for the girl - it must be extremely hard to live with such past and then to also have to constantly be hiding and never be truly happy. She tried to live a normal life as well, but just ended up hurting the people around her.
I am not sure that I connected enough with this book. The ending wasn't a conclusive one - it seemed as if it only was an opening for yet another book of the many. It didn't feel like any of the characters grew or learned from their past actions, which was slightly disappointing.
<b>It is a nice chill book to read in your spare time, if you like these types of books. But it is nothing out of the ordinary. I don't believe I will remember how it ended or what it was about in a few months.</b>
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Ivana A. | Diary of Difference (1171 KP) rated The Devil's Apprentice (The Great Devil War, #1) in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2695415697">The Devil's Apprentice</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2695416625">The Die of Death</a> - ★★★★★
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/03/New-blog-banner-9.png?w=560&ssl=1"/>;
<b><i>Possibly the best Young-Adult Fantasy I have read this year. Enter and discover Hell and see how it works, meet the Devil and learn why we need evil in order to be good! A fantastic story and great adventures await in Hell. Read this at your own risk!</i></b>
I was lucky enough to receive the first two books of The Great Devil War Series by the author himself. I haven’t heard about Kenneth B. Andersen before, but after reading the synopsis, I knew I had to have these books - I knew I had to read the whole series.
Meet Phillip - he is a good boy. An angel. He helps his mum with the chores, he helps his friends with their homework, he loves and takes care of animals, and he never lies. But one day, he is sent to Hell by mistake, and he has to become the Devil’s Apprentice. The Devil is ill and before he dies he has to make sure to teach Phillip the worst tricks in Hell’s history, and teach him to be evil - but Phillip is simply terrible at being bad and keeps failing all his tests.
With very little time left for the Devil to teach Phillip everything, Phillip begins to make friends and enemies in this place. And on top of it all - someone might want the Devil’s throne for themselves…
I loved this book so much! The best thing about it is the setting. We enter a world and we get to see Hell through Phillip’s eyes. Everyone has their own place and role, there is a system of how they designate people and where they go - we meet Death and see the process of how he chooses who dies, and how they place people in either Heaven or Hell, depending on the actions people take throughout their lives, and also, how the Devil throws the dice as well.
Phillip is a typical boy, who goes to school, tries to be a good boy wherever he can. I loved Phillip’s character and could easily relate to him. When he gets in an unusual place, he begins to wonder, and discover and explore, and the way the author writes the scenes just keep you engaged in the book and you can’t put it down before you know what happens next.
The world in Hell is full of adventures, different creatures, lots of scenes where we can’t help but wonder what does ‘’EVIL’’ actually mean, and is it really true that we do need a little bit of evil in order to see the good in ourselves and others? Many moral messages are discovered through Phillip’s adventures, and I loved seeing him grow throughout the book. He keeps learning things and he kept growing. Do you really need to be evil to succeed in Hell?
I am so glad I have read this book, and I can’t wait to read the second book. <b>If you enjoy Young-Adult fantasy, and if you even enjoyed Dante’s Inferno, this book will probably be something you might enjoy. It will make you giggle, and even make you wonder, and it will leave you restless with all the adventures, page after page.</b>
Until next time! x
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#1 <a href="https://www.goodreads.com/review/show/2695415697">The Devil's Apprentice</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2695416625">The Die of Death</a> - ★★★★★
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<b><i>Possibly the best Young-Adult Fantasy I have read this year. Enter and discover Hell and see how it works, meet the Devil and learn why we need evil in order to be good! A fantastic story and great adventures await in Hell. Read this at your own risk!</i></b>
I was lucky enough to receive the first two books of The Great Devil War Series by the author himself. I haven’t heard about Kenneth B. Andersen before, but after reading the synopsis, I knew I had to have these books - I knew I had to read the whole series.
Meet Phillip - he is a good boy. An angel. He helps his mum with the chores, he helps his friends with their homework, he loves and takes care of animals, and he never lies. But one day, he is sent to Hell by mistake, and he has to become the Devil’s Apprentice. The Devil is ill and before he dies he has to make sure to teach Phillip the worst tricks in Hell’s history, and teach him to be evil - but Phillip is simply terrible at being bad and keeps failing all his tests.
With very little time left for the Devil to teach Phillip everything, Phillip begins to make friends and enemies in this place. And on top of it all - someone might want the Devil’s throne for themselves…
I loved this book so much! The best thing about it is the setting. We enter a world and we get to see Hell through Phillip’s eyes. Everyone has their own place and role, there is a system of how they designate people and where they go - we meet Death and see the process of how he chooses who dies, and how they place people in either Heaven or Hell, depending on the actions people take throughout their lives, and also, how the Devil throws the dice as well.
Phillip is a typical boy, who goes to school, tries to be a good boy wherever he can. I loved Phillip’s character and could easily relate to him. When he gets in an unusual place, he begins to wonder, and discover and explore, and the way the author writes the scenes just keep you engaged in the book and you can’t put it down before you know what happens next.
The world in Hell is full of adventures, different creatures, lots of scenes where we can’t help but wonder what does ‘’EVIL’’ actually mean, and is it really true that we do need a little bit of evil in order to see the good in ourselves and others? Many moral messages are discovered through Phillip’s adventures, and I loved seeing him grow throughout the book. He keeps learning things and he kept growing. Do you really need to be evil to succeed in Hell?
I am so glad I have read this book, and I can’t wait to read the second book. <b>If you enjoy Young-Adult fantasy, and if you even enjoyed Dante’s Inferno, this book will probably be something you might enjoy. It will make you giggle, and even make you wonder, and it will leave you restless with all the adventures, page after page.</b>
Until next time! x
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Ivana A. | Diary of Difference (1171 KP) rated Chroma Crossing Chronicles: Blood Moon in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2719945256">Blood Moon Part 1</a> - ★★★
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<b><i>A beautiful writing, but a confusing adventure, mixed with Out-Of-Earth creatures that don’t really appear until the end of the book, a very disturbing plot, however, a very promising ending as well. I can’t say I enjoyed this book, but it did leave me curious to read the next one.</i></b>
It is hard to put this book in a certain genre, as it’s quite diverse and quite specific in places. If this is the first time you encounter the book, please don’t read the synopsis. It is not accurate, and nothing that is placed there actually happens in this book.
It is important to mention straight ahead, that this book contains sexual abuse, assault, anxiety, panic attacks, various fears and paranoia and explicit contents.
We have Candy Cane, a woman with a weird name, who keeps telling us her name is weird. I found her slightly annoying, to be honest. She is one of those people that want to not be known about certain thing (in this case, she doesn’t want people to notice her name), but at the same time she keeps talking about it, and telling us how much she hates her name. After a couple times, it gets unbearable.
Nevertheless, her father passes away, leaves her an apartment, but he also leaves the house to his young new wife (now widow) and her extremely thick son.
<b>We spend about half of the book reading about their daily ongoings, and only a few things happen worth noticing, but not really quite related to the story. But even still, the writing is beautiful and witty, and kept me going, even though it was slow-paced at times. Even though nothing really happened for a while, I still enjoyed reading it. </b>
While Candy Cane and her step-mother Cherry Ann (I am not kidding, her name is Cherry Ann) don’t quite get along, but don’t argue either, they both go through a phase of grief and self-assessment in their lives. Candy Cane is an aspiring artist, but she has suffered a traumatic experience in the past and tries to cope with this on a daily basis.
On the other hand, we have Cherry Ann, who doesn’t really have a phase of grief. She wants men, and she does meet one, who doesn’t seem to be who she appears to be. He is willing to take her to an unpleasant journey and she is not even aware for it.
The very same man, seems to be out of this world, and keeps trying to find a missing object that belongs to him from a long time ago. He asks Candy Cane to do a portrait for him, while he dates Cherry Ann, but he wants to harm Candy as soon as he gets the chance.
Before we see any really meaningful action happening, the book is about to end. Very confusing and slow paced, with unnecessary characters and points of view – I have to mention that there were a few chapters where the house cat has her own point of view. I still don’t know how I feel about that, but I think I am slowly coping…
<b><i>The ending though, was quite promising and left me wanting to read the next book, which I have on my shelves already. I will be reading it soon, and I really hope it is better than this one. I am a bit sad that I didn’t enjoy this one, but hopeful for the second book.</i></b>
A huge thank you to the publisher, Book Publicity Services, who sent me a paperback copy of Blood Moon Part 1 by S. Yurvati in exchange for an honest review.
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#1 <a href="https://www.goodreads.com/review/show/2719945256">Blood Moon Part 1</a> - ★★★
<img src="https://gipostcards.files.wordpress.com/2019/03/new-blog-banner-20.png"/>;
<b><i>A beautiful writing, but a confusing adventure, mixed with Out-Of-Earth creatures that don’t really appear until the end of the book, a very disturbing plot, however, a very promising ending as well. I can’t say I enjoyed this book, but it did leave me curious to read the next one.</i></b>
It is hard to put this book in a certain genre, as it’s quite diverse and quite specific in places. If this is the first time you encounter the book, please don’t read the synopsis. It is not accurate, and nothing that is placed there actually happens in this book.
It is important to mention straight ahead, that this book contains sexual abuse, assault, anxiety, panic attacks, various fears and paranoia and explicit contents.
We have Candy Cane, a woman with a weird name, who keeps telling us her name is weird. I found her slightly annoying, to be honest. She is one of those people that want to not be known about certain thing (in this case, she doesn’t want people to notice her name), but at the same time she keeps talking about it, and telling us how much she hates her name. After a couple times, it gets unbearable.
Nevertheless, her father passes away, leaves her an apartment, but he also leaves the house to his young new wife (now widow) and her extremely thick son.
<b>We spend about half of the book reading about their daily ongoings, and only a few things happen worth noticing, but not really quite related to the story. But even still, the writing is beautiful and witty, and kept me going, even though it was slow-paced at times. Even though nothing really happened for a while, I still enjoyed reading it. </b>
While Candy Cane and her step-mother Cherry Ann (I am not kidding, her name is Cherry Ann) don’t quite get along, but don’t argue either, they both go through a phase of grief and self-assessment in their lives. Candy Cane is an aspiring artist, but she has suffered a traumatic experience in the past and tries to cope with this on a daily basis.
On the other hand, we have Cherry Ann, who doesn’t really have a phase of grief. She wants men, and she does meet one, who doesn’t seem to be who she appears to be. He is willing to take her to an unpleasant journey and she is not even aware for it.
The very same man, seems to be out of this world, and keeps trying to find a missing object that belongs to him from a long time ago. He asks Candy Cane to do a portrait for him, while he dates Cherry Ann, but he wants to harm Candy as soon as he gets the chance.
Before we see any really meaningful action happening, the book is about to end. Very confusing and slow paced, with unnecessary characters and points of view – I have to mention that there were a few chapters where the house cat has her own point of view. I still don’t know how I feel about that, but I think I am slowly coping…
<b><i>The ending though, was quite promising and left me wanting to read the next book, which I have on my shelves already. I will be reading it soon, and I really hope it is better than this one. I am a bit sad that I didn’t enjoy this one, but hopeful for the second book.</i></b>
A huge thank you to the publisher, Book Publicity Services, who sent me a paperback copy of Blood Moon Part 1 by S. Yurvati in exchange for an honest review.
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Ivana A. | Diary of Difference (1171 KP) rated The Recreators in Books
Feb 3, 2020
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I went into reading this book partially blind. The blurb doesn’t uncover much, and I was excited as to whether I would like it or not. The Recreators is a young-adult novel that happens in Medieval times and features characters who have God-like powers and are able to change a slight minimal portion of the world.
We follow three separate stories throughout this book:
<b><i>Filia’s story</i></b>
A princess who has disappeared and comes back years later to claim her throne. A fierce woman who is a Recreator, but chooses to use the powers for her own benefit. In this story we can see how Filia develops as a character, changes while learning new things, makes sacrifices and answers some of the most asked social questions… A powerful story of growing up, and definitely my favourite one of all three.
<b><i>Vepresila’s story</i></b>
She is chosen by the Goddess to serve her, but decides to take destiny in her own hands. This girl grew up with her family in a tribe with different moral and cultural values than what we know. Men and women don’t sleep under the same roof, and boys have to pass tests to become men, otherwise, they are stuck and disrespected. When the girl is chosen to go to the Goddess’ temple and serve her, she realises that the system doesn’t work, and tries to beat it. Finding her own destiny can prove to be a bouncy road, but she goes for it.
<b><i>Simmiolas’s story</i></b>
He is a Recreator and comes back to fixes a mistake he made in the past. While he travels, he settles with a circle of people, but they fail to believe he has powers and he doesn’t seem able to change their views on how they see nature and the world. Taking a dear friend with him, he is set on a mission to do what is right, before it is too late.
<b><i>'’Just because things don’t always go as planned, it doesn’t always mean the outcome will be for the worse.’’</i></b>
These three stories feature these three different characters, with a lot of characters surrounding them and supporting them. The three stories connect each other at a few points, some sooner, some later. They never fully connect though, which did bother me, as I was expecting a one big ending. The three stories remained separated, which made me think if it would’ve been better to not connect them at all, or create three separate books for them.
<b><i> ‘’But if all places have different ideas about what’s right and wrong, how do we know what really is right and wrong?’’</i></b>
Despite the story lines and the grammar errors I encountered, this book was truly amazing and I really enjoyed reading it. I loved the concept of the powers, loved the ethical lessons throughout the book, and I absolutely loved watching all of these characters grow in their own kind of way.
There were amazing scenes of what is wrong and right, what fear is and how to overcome it, how to keep going despite making mistakes in the past, and a lot of various life lessons worth reading. I recommend this book if this seems like the genre you might enjoy reading. It was the first book
I read by Desiree Nordlund and I can’t wait to read more books written by her.
<b><i>‘’The best way to cure fear of the unknown is to admit what caused the fear and watch it until it’s no longer something strange.’’</i></b>
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<img src="https://diaryofdifference.com/wp-content/uploads/2019/04/New-blog-banner-24.png"/>;
I went into reading this book partially blind. The blurb doesn’t uncover much, and I was excited as to whether I would like it or not. The Recreators is a young-adult novel that happens in Medieval times and features characters who have God-like powers and are able to change a slight minimal portion of the world.
We follow three separate stories throughout this book:
<b><i>Filia’s story</i></b>
A princess who has disappeared and comes back years later to claim her throne. A fierce woman who is a Recreator, but chooses to use the powers for her own benefit. In this story we can see how Filia develops as a character, changes while learning new things, makes sacrifices and answers some of the most asked social questions… A powerful story of growing up, and definitely my favourite one of all three.
<b><i>Vepresila’s story</i></b>
She is chosen by the Goddess to serve her, but decides to take destiny in her own hands. This girl grew up with her family in a tribe with different moral and cultural values than what we know. Men and women don’t sleep under the same roof, and boys have to pass tests to become men, otherwise, they are stuck and disrespected. When the girl is chosen to go to the Goddess’ temple and serve her, she realises that the system doesn’t work, and tries to beat it. Finding her own destiny can prove to be a bouncy road, but she goes for it.
<b><i>Simmiolas’s story</i></b>
He is a Recreator and comes back to fixes a mistake he made in the past. While he travels, he settles with a circle of people, but they fail to believe he has powers and he doesn’t seem able to change their views on how they see nature and the world. Taking a dear friend with him, he is set on a mission to do what is right, before it is too late.
<b><i>'’Just because things don’t always go as planned, it doesn’t always mean the outcome will be for the worse.’’</i></b>
These three stories feature these three different characters, with a lot of characters surrounding them and supporting them. The three stories connect each other at a few points, some sooner, some later. They never fully connect though, which did bother me, as I was expecting a one big ending. The three stories remained separated, which made me think if it would’ve been better to not connect them at all, or create three separate books for them.
<b><i> ‘’But if all places have different ideas about what’s right and wrong, how do we know what really is right and wrong?’’</i></b>
Despite the story lines and the grammar errors I encountered, this book was truly amazing and I really enjoyed reading it. I loved the concept of the powers, loved the ethical lessons throughout the book, and I absolutely loved watching all of these characters grow in their own kind of way.
There were amazing scenes of what is wrong and right, what fear is and how to overcome it, how to keep going despite making mistakes in the past, and a lot of various life lessons worth reading. I recommend this book if this seems like the genre you might enjoy reading. It was the first book
I read by Desiree Nordlund and I can’t wait to read more books written by her.
<b><i>‘’The best way to cure fear of the unknown is to admit what caused the fear and watch it until it’s no longer something strange.’’</i></b>
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Bob Mann (459 KP) rated Lucy in the Sky (2019) in Movies
Mar 9, 2020
Natalie Portman and Jon Hamm together (1 more)
Interesting premise
Mind. Blown - A thoughtful film that's hard to like.
Natalie Portman plays the eponymous Lucy Cola, a NASA astronaut who has achieved her ambition of reaching space and experienced the enormity of the universe first hand. Her mind is officially blown. Such that, on returning to earth, nothing seems ‘enough’ any more. Her family; her comfortable home; her life.
She becomes desperate to be selected for the next program… to get that literal) ‘high’ all over again. So desperate that her mind and morals burn up on trying to re-enter.
You look at the career choices of Natalie Portman, and they have often revolved around cool and detached woman: “Black Swan” and “Jackie” for example. Here, looking incredibly fit and strong (as you would expect from an astronaut at the peak of her powers) , she again plays something of an ice queen. She is – of course – brilliant at it.
Starring with her here is the ever-watchable Jon Hamm as fellow astronaut Mark Goodwin, the omni-present – at the moment – Zazie Beetz as a fellow program competitor and Dan Stevens (from “Downton”) as her exasperated colleague and husband Drew. (Stevens was COMPLETELY UNRECOGNISABLE to me in this movie…. just like in “Beauty and the Beast“! To the extent that I had to wind back the film from the end-titles after seeing his name to check!).
This was always a film that was going to struggle to identify its audience. Yes, it starts in space, but it is in NO WAY a “Sci-Fi” movie (which is one of its tags on IMDB. Shameful!). This is a drama about a woman progressively losing her grip on reality: almost a PTSD movie, but without the “S” being “T” in the normal sense of things.
Lucy’s ‘other-worldliness’ is reflected in the aspect ratio of the movie, which varies from a claustrophobic ‘old-TV’ format 4:3 ratio to a ratio bordering on ‘Cinemascope’. (This makes for a very challenging watch on a small airline TV screen, as I was doing!). It’s a motif that’s obviously meant to reflect Lucy’s drifting grip on reality. But it eventually gets irritating…. I had the sense that first-time feature director Noah Hawley was ‘trying too hard’ for something quirky and different.
Far more successful is a ‘green-screened’ trippy sequence seeing Lucy being transported to a hospital bedside to the rendition of The Beatles iconic song, performed by Lucy Hannigan (listen here). It’s dreamlike and unsettling. In fact, one of the high-spots of the movie for me was Jeff Russo‘s score, which I have made a mental note to make sure to listen to again on Spotify. It’s more electronica than orchestral but matches the mood of the film really well.
But, here’s the thing. I didn’t enjoy it. The problem is (and no spoilers here) that Portman’s Lucy is such a downright BITCH that it is impossible to warm to her as the movie’s star. There is, in fact, only one of the characters that you really side with, and she’s the one doing the most damage to them.
This shouldn’t be a problem to the story, since the film is reflecting (loosely) true events: the astronauts in question were Lisa Nowak and William Oefelein. And there are lots of ‘feel-bad’ films about mental illness (“One Flew over the Cuckoo’s Nest”, for example) that stand on their own merits. But this one just seemed to be a fairly miserable and destructive story that didn’t have enough of a payoff – either positive or negative – to merit the journey.
This was disappointing, since after hearing the premise, I’d been looking forward to this one.
For those who love movies, and the way movies are structured, it is an interesting watch. But it is not by any stretch an entertaining mainstream movie. The director Noah Hawley will need to do better in the “commercially-appealing” stakes for his next film: since he’s been (rather surprisingly) given the helm for the sequel to “Star Trek: Beyond“.
(For the full graphical review, check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/03/09/one-manns-movies-dvd-review-lucy-in-the-sky-2019/ ).
She becomes desperate to be selected for the next program… to get that literal) ‘high’ all over again. So desperate that her mind and morals burn up on trying to re-enter.
You look at the career choices of Natalie Portman, and they have often revolved around cool and detached woman: “Black Swan” and “Jackie” for example. Here, looking incredibly fit and strong (as you would expect from an astronaut at the peak of her powers) , she again plays something of an ice queen. She is – of course – brilliant at it.
Starring with her here is the ever-watchable Jon Hamm as fellow astronaut Mark Goodwin, the omni-present – at the moment – Zazie Beetz as a fellow program competitor and Dan Stevens (from “Downton”) as her exasperated colleague and husband Drew. (Stevens was COMPLETELY UNRECOGNISABLE to me in this movie…. just like in “Beauty and the Beast“! To the extent that I had to wind back the film from the end-titles after seeing his name to check!).
This was always a film that was going to struggle to identify its audience. Yes, it starts in space, but it is in NO WAY a “Sci-Fi” movie (which is one of its tags on IMDB. Shameful!). This is a drama about a woman progressively losing her grip on reality: almost a PTSD movie, but without the “S” being “T” in the normal sense of things.
Lucy’s ‘other-worldliness’ is reflected in the aspect ratio of the movie, which varies from a claustrophobic ‘old-TV’ format 4:3 ratio to a ratio bordering on ‘Cinemascope’. (This makes for a very challenging watch on a small airline TV screen, as I was doing!). It’s a motif that’s obviously meant to reflect Lucy’s drifting grip on reality. But it eventually gets irritating…. I had the sense that first-time feature director Noah Hawley was ‘trying too hard’ for something quirky and different.
Far more successful is a ‘green-screened’ trippy sequence seeing Lucy being transported to a hospital bedside to the rendition of The Beatles iconic song, performed by Lucy Hannigan (listen here). It’s dreamlike and unsettling. In fact, one of the high-spots of the movie for me was Jeff Russo‘s score, which I have made a mental note to make sure to listen to again on Spotify. It’s more electronica than orchestral but matches the mood of the film really well.
But, here’s the thing. I didn’t enjoy it. The problem is (and no spoilers here) that Portman’s Lucy is such a downright BITCH that it is impossible to warm to her as the movie’s star. There is, in fact, only one of the characters that you really side with, and she’s the one doing the most damage to them.
This shouldn’t be a problem to the story, since the film is reflecting (loosely) true events: the astronauts in question were Lisa Nowak and William Oefelein. And there are lots of ‘feel-bad’ films about mental illness (“One Flew over the Cuckoo’s Nest”, for example) that stand on their own merits. But this one just seemed to be a fairly miserable and destructive story that didn’t have enough of a payoff – either positive or negative – to merit the journey.
This was disappointing, since after hearing the premise, I’d been looking forward to this one.
For those who love movies, and the way movies are structured, it is an interesting watch. But it is not by any stretch an entertaining mainstream movie. The director Noah Hawley will need to do better in the “commercially-appealing” stakes for his next film: since he’s been (rather surprisingly) given the helm for the sequel to “Star Trek: Beyond“.
(For the full graphical review, check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/03/09/one-manns-movies-dvd-review-lucy-in-the-sky-2019/ ).
Charlie Cobra Reviews (1840 KP) rated The Order in TV
Jul 6, 2020 (Updated Jul 6, 2020)
Don't Call Them Witches - 7/10
The Order is a 2019 supernatural horror/drama tv series created by Dennis Heaton and a team of writers including: Dennis Heaton, Shelley Eriksen, Rachel Langer, Jennica Harper, Penny Gummerson and Jason Filiatrault. The show was produced by Nomadic Pictures with producers Petros Danabassis, Jay Daniel Beechinor, and Morris Chapdelaine and released on Netflix in March. The shows stars Jake Manley, Sarah Grey, Matt Frewer, and Max Martini.
Thrust into a world of magic and monsters (werewolves), Jack Morten (Jake Manley) must pledge himself to a secret society so that he can avenge the death of his mother by their leader, Edward Coventry (Max Martini). His only family is his grandfather, "Pops" (Matt Frewer), the genius behind their plan for him to infiltrate the order and learn what he can to bring them down from the inside. Things go from bad to worse as he uncovers The Hermetic Order of the Blue Rose are practitioners of magic and someone or something is killing their pledges on campus. And more complications arise as he becomes enamoured with a higher ranking member Alyssa Drake (Sarah Grey) and a group of Knights whose mission is to stop evil magic users.
The Order is a decent show. I liked it alot but it was hard for me to get behind. It definitely has a lot of flaws and I can see a lot of people (like critics) tearing this show apart. That being said, I can't believe it has 100% on rotten tomatoes at this point or that it has been renewed for a second season. It was pretty slow building to me especially because I thought it was only going to be a secret society type show like the movie The Skulls but with a werewolf angle to it. I was very surprised when it was more about a magic secret society and later had a werewolf element to it. What I really didn't care for so much was the love theme to it that made me want to compare it to Twilight. You'll know what I'm talking about if you give it a chance. I really wanted to give this show a 6. There was a lot to hate in this show but it did get better towards the end. One thing the dialogue was full of cussing, which I didn't mind at all but it felt very amateurish. It made me laugh a lot but it also made me feel like the writers were in high school still. And I believe it's the main reason for the TV-MA rating. Which is another complaint I had. I don't think that for a rated TV-MA show, particularly a horror one, did they have enough violence, blood or gore. It felt very watered down to me in those respects. To me it seems like it was a cool idea, they had good actors who suffered from poor script and dialogue with a decent enough plot but a director(s) who were going for more of a Twilight vibe. As it gets farther into it did get better but barely got a 7 from me. As I write this I'm still contemplating whether to change my rating. It did do somethings quite well. They didn't mess up on the werewolves and even did them in a unique way and I appreciated the world building and
lore that they brought to them. Even the way they portrayed magic in the series was well done. I also generally liked the second half of the seasons' story arc and plot. I give this show a 7/10. I don't recommend it to anyone unless you were a big fan of the Twilight films or if you are just someone who watches anything with magic or werewolves.
Thrust into a world of magic and monsters (werewolves), Jack Morten (Jake Manley) must pledge himself to a secret society so that he can avenge the death of his mother by their leader, Edward Coventry (Max Martini). His only family is his grandfather, "Pops" (Matt Frewer), the genius behind their plan for him to infiltrate the order and learn what he can to bring them down from the inside. Things go from bad to worse as he uncovers The Hermetic Order of the Blue Rose are practitioners of magic and someone or something is killing their pledges on campus. And more complications arise as he becomes enamoured with a higher ranking member Alyssa Drake (Sarah Grey) and a group of Knights whose mission is to stop evil magic users.
The Order is a decent show. I liked it alot but it was hard for me to get behind. It definitely has a lot of flaws and I can see a lot of people (like critics) tearing this show apart. That being said, I can't believe it has 100% on rotten tomatoes at this point or that it has been renewed for a second season. It was pretty slow building to me especially because I thought it was only going to be a secret society type show like the movie The Skulls but with a werewolf angle to it. I was very surprised when it was more about a magic secret society and later had a werewolf element to it. What I really didn't care for so much was the love theme to it that made me want to compare it to Twilight. You'll know what I'm talking about if you give it a chance. I really wanted to give this show a 6. There was a lot to hate in this show but it did get better towards the end. One thing the dialogue was full of cussing, which I didn't mind at all but it felt very amateurish. It made me laugh a lot but it also made me feel like the writers were in high school still. And I believe it's the main reason for the TV-MA rating. Which is another complaint I had. I don't think that for a rated TV-MA show, particularly a horror one, did they have enough violence, blood or gore. It felt very watered down to me in those respects. To me it seems like it was a cool idea, they had good actors who suffered from poor script and dialogue with a decent enough plot but a director(s) who were going for more of a Twilight vibe. As it gets farther into it did get better but barely got a 7 from me. As I write this I'm still contemplating whether to change my rating. It did do somethings quite well. They didn't mess up on the werewolves and even did them in a unique way and I appreciated the world building and
lore that they brought to them. Even the way they portrayed magic in the series was well done. I also generally liked the second half of the seasons' story arc and plot. I give this show a 7/10. I don't recommend it to anyone unless you were a big fan of the Twilight films or if you are just someone who watches anything with magic or werewolves.
Hadley (567 KP) rated Soul Drinker in Books
Jul 25, 2020
The writing (2 more)
No character development
No ending
One of the classic horror tropes is Heaven versus Hell, angels versus demons, good versus evil (like a boogeyman versus an innocent child, or a killer versus a group of teenagers, or even an evil spirit versus an exorcist) and we always know how it's going to end: good triumphs evil, every time. Some of the most well known films with this trope are Constantine (2005), the Exorcist (1973) and more recently, Stephen King's IT : Chapter 2 (2019).
That, along with a little romance, mystery, and historical elements make up this novel that features three main characters who are stuck in a struggle between good and evil while having to face mistakes from the past.
Welcome to the hellish world of Soul Drinker by newcomer, Matthew Yard.
Deep description is what makes up Yard's storytelling, so much so that the book is extremely hard to read. Only 132 pages long, Yard spends most paragraphs describing one single thing in many different ways, such as a young woman's hair, which only needs one sentence to tell such a detail, but instead, took an entire paragraph.
During an ancient civilization, a deity appeared named Destroyer, it found a way to break through the boundaries that separates realms and universes - - - finding our realm, Destroyer leaves his son Luther to build powerful followings through cults run by Pagans.
The novel's villain, Luther, isn't present enough to feel like a real threat for the reader. And the three main characters, other than their physical descriptions, are lifeless because of the extreme lack of character development.
Our main character, Devin, is a college student who constantly has nightmares of his best friend's murder. He also lives at house in the woods which he has no idea how he attained it and this is never explained. After Devin and a classmate named Vic have an encounter with a supernatural cloud, they end up at this house, where readers find out that Devin isn't the only one who has been having nightmares.
Vic is a beautiful, young woman, who Devin seems to be enamoured with, but she is still busy getting over her first love. A few chapters in, readers get flashbacks of Vic's father and mother before she was born. Vic's father was also haunted by this supernatural cloud, which seems to have had a tighter grip on him than Vic - - - her father's flashbacks are the most interesting part of this story.
Vic's father, Jacob, is fast asleep next to his wife when a giant face wakes him up, telling him that there is work to do. Jacob follows the face out into the hallway, when it begins to sway, as if through the eyes of a drunk. Jacob fights the urge to continue to the stairs, wanting to turn back and protect his sleeping wife.
A little while later, we find out that Jacob is psychic: he can see the dead and/or the past. But for anymore development on that interesting piece of information, readers get one glimpse of what Jacob sees - - - and that's it. Jacob's wife, Nina, is an even flatter character, which we only get to see in bed either asleep or waking up. Even Jacob's mental and spiritual fight with the 'face' is disappointingly short with no real tension, no climax, or feelings of betrayal when something finally happens in the end of that scene.
Love, the supernatural, and Pagan cults are what make up the plot of this book. The story jumps between Devin, Vic and Jacob, but the story gets caught up in moments that shouldn't be more than a paragraph, which caused me to become bored with the story. And Yard's writing made this book read like a fan fiction: a lot of inconsistencies throughout, tons of misspellings, and a major overuse of the same words, sometimes even in the same sentence.
Unfortunately, this book was almost unreadable, and the heavy descriptions were extremely off-putting, as was the end of the story- - - the book ended suddenly, and with no sequel in sight. I can't recommend this book to anyone.
That, along with a little romance, mystery, and historical elements make up this novel that features three main characters who are stuck in a struggle between good and evil while having to face mistakes from the past.
Welcome to the hellish world of Soul Drinker by newcomer, Matthew Yard.
Deep description is what makes up Yard's storytelling, so much so that the book is extremely hard to read. Only 132 pages long, Yard spends most paragraphs describing one single thing in many different ways, such as a young woman's hair, which only needs one sentence to tell such a detail, but instead, took an entire paragraph.
During an ancient civilization, a deity appeared named Destroyer, it found a way to break through the boundaries that separates realms and universes - - - finding our realm, Destroyer leaves his son Luther to build powerful followings through cults run by Pagans.
The novel's villain, Luther, isn't present enough to feel like a real threat for the reader. And the three main characters, other than their physical descriptions, are lifeless because of the extreme lack of character development.
Our main character, Devin, is a college student who constantly has nightmares of his best friend's murder. He also lives at house in the woods which he has no idea how he attained it and this is never explained. After Devin and a classmate named Vic have an encounter with a supernatural cloud, they end up at this house, where readers find out that Devin isn't the only one who has been having nightmares.
Vic is a beautiful, young woman, who Devin seems to be enamoured with, but she is still busy getting over her first love. A few chapters in, readers get flashbacks of Vic's father and mother before she was born. Vic's father was also haunted by this supernatural cloud, which seems to have had a tighter grip on him than Vic - - - her father's flashbacks are the most interesting part of this story.
Vic's father, Jacob, is fast asleep next to his wife when a giant face wakes him up, telling him that there is work to do. Jacob follows the face out into the hallway, when it begins to sway, as if through the eyes of a drunk. Jacob fights the urge to continue to the stairs, wanting to turn back and protect his sleeping wife.
A little while later, we find out that Jacob is psychic: he can see the dead and/or the past. But for anymore development on that interesting piece of information, readers get one glimpse of what Jacob sees - - - and that's it. Jacob's wife, Nina, is an even flatter character, which we only get to see in bed either asleep or waking up. Even Jacob's mental and spiritual fight with the 'face' is disappointingly short with no real tension, no climax, or feelings of betrayal when something finally happens in the end of that scene.
Love, the supernatural, and Pagan cults are what make up the plot of this book. The story jumps between Devin, Vic and Jacob, but the story gets caught up in moments that shouldn't be more than a paragraph, which caused me to become bored with the story. And Yard's writing made this book read like a fan fiction: a lot of inconsistencies throughout, tons of misspellings, and a major overuse of the same words, sometimes even in the same sentence.
Unfortunately, this book was almost unreadable, and the heavy descriptions were extremely off-putting, as was the end of the story- - - the book ended suddenly, and with no sequel in sight. I can't recommend this book to anyone.