"This is Katharine Hepburn’s second movie, and it’s directed by a female director, Dorothy Arzner, who’s one of only a couple of prominent female film directors during the sound era of the 20th Century. It’s just a really interesting film about a supposedly liberated woman, and how she navigates a professional life and a personal life, and how she kind of stays trues to her ideals in a world where – while there may be rhetoric supporting the idea of a new woman – really what the world values is women being domestic. Katharine Hepburn plays basically an Amelia Earhart-type aviatrix who has never had a romance, and she ends up meeting and falling in love with a married man who has never been unfaithful to his wife, and disaster ensues. The name of the film is the name of the man that she falls in love with, but it’s definitely her story."

"My fourth favorite movie — I think every top five list has to have an Audrey Hepburn movie in it. Probably the greatest face of the 20th century, if not Sophia Loren and perhaps Monroe. Maybe Ingrid Bergman. But certainly she changed everything for the waif look, and the modern woman, and the non-buxom bosomy girl; and also always played smart. But this movie — I know I sound like a chorus boy here but, Funny Face is just… the choreography, the split-screen work, Kay Thompson, my God. Just try to stare at Audrey Hepburn dancing in her wedding attire and stepping onto a raft into an idyllic French stream with swans floating around. And perfect choreography and synchronization with the camera. And the swooping crane shots and the music. It’s just a wonderful, wonderful film. And smart and funny — and beatniks in Paris, and fashion, and color, and, yeah, I just really love the film. Ahead of it’s time."