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Kristy H (1252 KP) rated The You I've Never Known in Books
Feb 13, 2018
Ariel has spent her entire life drifting from place to place with her Dad, Mark. Abandoned by her Mom as a baby, Ariel and her father move often, leaving Ariel unable to form relationships and always feeling as if the latest place they touch down is just the next in a series of temporary stops. They've been living in Sonora long enough for Ariel to finish an entire year of school, and she's finally formed a few friendships. One of them is to her closest friend, Monica, to whom Ariel feels a deep friendship-- and attraction. Their friendship and potential relationship is complicated somewhat when Ariel meets Gabe, the nephew of her father's girlfriend, Zelda. Ariel is attracted to Gabe, too, and she isn't sure exactly what that means.
Meanwhile, Maya is trying to escape her hateful mother, and the only out she can see is Jason Ritter, an older man in the military. But now Maya is pregnant, and married life with Jason is turning out to be scary and lonely.
Told in both prose and verse, there's no doubt that Hopkins' story is often beautifully done. My biggest issue with the novel wasn't the book itself, but that the plot description reveals, in my opinion, a major spoiler that doesn't actually occur until past page 350. If you ask me, that's far too deep within the tale to reveal in the description, and I would have enjoyed figuring that twist out myself and getting there on my own. The story itself, as I mentioned, is told in various ways, and you need to be prepared for the verse, as it does take some getting used to. I haven't read many of Hopkins' books (in fact, Goodreads tells me I've just read [b:Tilt|11133791|Tilt|Ellen Hopkins|https://images.gr-assets.com/books/1346263814s/11133791.jpg|16057047], which I'll confess I don't recall at all), and I probably had to go at least 75 pages until I was sort of in the swing of the verse "thing." The book is told from both Ariel and Maya's point of view (though mostly Ariel) and most of Ariel's pieces are in verse.
So, combine the verse/prose aspect and the fact that I was constantly waiting for this plot twist to happen while reading, and it took a bit to get into the book. There's definitely a lot going on this novel, but it was nice that at least Ariel's sexuality wasn't always the main focus. It was also refreshing to find a bisexual teen heroine. Overall, the book seemed to handle it fairly well, too, without so much of the usual stereotyping you can find in other novels and/or the media. I think a teen struggling with similar issues could find some comfort in this book, and that's important. For me, I wasn't completely sure that all the threads of the book were truly fully formed. I'm not completely sure how to explain that fully; it's not that I expected resolution to everything, but there were some serious topics dealt with in in the novel (beyond Ariel's sexuality) and it sometimes felt like they all got glossed over or moved past rather quickly. Bisexuality, rape, abuse... those are serious topics, and I'm not sure they got the ultimate focus they always needed.
So, in the end, I find myself a bit stumped by THE YOU I'VE NEVER KNOWN. I was certainly intrigued by the book and enjoyed it. As a bisexual female, I greatly enjoyed the character of Ariel and welcomed finding her in literature. While parts of the book went on a bit for me (though perhaps that was the verse format, I'm not sure, or waiting for the aforementioned spoiler), I found it interesting. Still, in the end, something felt a tad off for me. However, much of the writing was lovely, and the storyline different and often engaging. Overall, I'd probably give this one 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 01/24/2017.
Meanwhile, Maya is trying to escape her hateful mother, and the only out she can see is Jason Ritter, an older man in the military. But now Maya is pregnant, and married life with Jason is turning out to be scary and lonely.
Told in both prose and verse, there's no doubt that Hopkins' story is often beautifully done. My biggest issue with the novel wasn't the book itself, but that the plot description reveals, in my opinion, a major spoiler that doesn't actually occur until past page 350. If you ask me, that's far too deep within the tale to reveal in the description, and I would have enjoyed figuring that twist out myself and getting there on my own. The story itself, as I mentioned, is told in various ways, and you need to be prepared for the verse, as it does take some getting used to. I haven't read many of Hopkins' books (in fact, Goodreads tells me I've just read [b:Tilt|11133791|Tilt|Ellen Hopkins|https://images.gr-assets.com/books/1346263814s/11133791.jpg|16057047], which I'll confess I don't recall at all), and I probably had to go at least 75 pages until I was sort of in the swing of the verse "thing." The book is told from both Ariel and Maya's point of view (though mostly Ariel) and most of Ariel's pieces are in verse.
So, combine the verse/prose aspect and the fact that I was constantly waiting for this plot twist to happen while reading, and it took a bit to get into the book. There's definitely a lot going on this novel, but it was nice that at least Ariel's sexuality wasn't always the main focus. It was also refreshing to find a bisexual teen heroine. Overall, the book seemed to handle it fairly well, too, without so much of the usual stereotyping you can find in other novels and/or the media. I think a teen struggling with similar issues could find some comfort in this book, and that's important. For me, I wasn't completely sure that all the threads of the book were truly fully formed. I'm not completely sure how to explain that fully; it's not that I expected resolution to everything, but there were some serious topics dealt with in in the novel (beyond Ariel's sexuality) and it sometimes felt like they all got glossed over or moved past rather quickly. Bisexuality, rape, abuse... those are serious topics, and I'm not sure they got the ultimate focus they always needed.
So, in the end, I find myself a bit stumped by THE YOU I'VE NEVER KNOWN. I was certainly intrigued by the book and enjoyed it. As a bisexual female, I greatly enjoyed the character of Ariel and welcomed finding her in literature. While parts of the book went on a bit for me (though perhaps that was the verse format, I'm not sure, or waiting for the aforementioned spoiler), I found it interesting. Still, in the end, something felt a tad off for me. However, much of the writing was lovely, and the storyline different and often engaging. Overall, I'd probably give this one 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 01/24/2017.
Kristy H (1252 KP) rated 13 Minutes in Books
Feb 13, 2018
When they pull Natasha out of the river, she's been dead for thirteen minutes. Thirteen dark, cold minutes. It's amazing the teenager even lives; in fact, it's just pure luck that a man and his dog stumble upon her and pull her from the river's icy clutches. Tasha, as she's known, has no memory of how she wound up in the river, but she knows it wasn't intentional on her part. In fact, she's pretty sure two of her closest friends, Hayley and Jenny, had something to do with it. The two seemed weird in the days leading up to the incident. The trio of beautiful, popular girls--known as "the Barbies" at school--were supposedly the best of friends. But after the accident, Tasha feels drawn to her former friend, Becca, whom she dropped in middle school. Becca isn't sure why Tasha is suddenly being so nice to her. Tasha isn't sure either. And no one is exactly sure how or why Tasha ended up in that river.
I've never read a novel by [a:Sarah Pinborough|457300|Sarah Pinborough|https://images.gr-assets.com/authors/1463056151p2/457300.jpg] before, and I was pretty impressed. She's a great writer, and <i>she certainly knows how to capture the voice of the teenagers within the pages of her novel</i>. I don't think I realized this book would be quite so YA, if that makes any sense. I <i>kept waiting for there to be a bit more to the story than teenage politics</i>, but it's truly sort of a <i>Pretty Little Liars</i>-type tale. That's not to say it's not well-done. It may have just been a tad bit young for me; still, <i>it's an excellent novel and would be a truly wonderful read for most teens</i>, too.
Part of the novel's brilliance comes in its format. It's told from the point of view of Becca and Tasha, but we also get excerpts from Tasha's diary; case files from the Inspector on Tasha's case; notes from Tasha's psychologist; texts between the teens; and more. <i>I enjoyed the format, and it was quite effective at building suspense and tension. </i>
Because,<i> wow, yes, the book is certainly tense and compelling.</i> You're constantly wondering how reliable our teenage narrators are and questioning everything that happens. Now, as mentioned, there's a lot of teenage drama. A LOT. <i>These teens are truly a little scary</i>, and this was yet another book that makes me a tiny bit frightened for my five-year-old daughters to grow up. My goodness. At times, I got a bit bogged down in all the teen antics, but it was still quite interesting.
Becca was definitely a bit of a kid, but I still liked her (for the most part). She was well-written, just a little young for me. Pinborough is truly amazing at getting in the head of these teenagers--capturing the pettiness, meanness, and honestly, sometimes the dumbness, of their mindset. But she also caught the brutal neediness behind some of their actions: that raw need of kids that age to fit in with their peers.
I had a decent idea how this one was going to play out pretty early on, but that didn't stop me from reading (as mentioned, I tore through this in about 24 hours). There's something oddly compelling about this book and its characters. Pinborough weaves in <i>The Crucible</i> as a backdrop--it's the school play--which is a really clever move, as there are a lot of parallels between said drama and the melodrama unfolding among Tasha, Hayley, and Jenny.
Overall, this novel really just hinges on the duality of the hatefulness and vulnerability of teenagers. It may come across as a little too YA and predictable for some adults, but I can't deny that it's well-written and crisp. It's hard to like some of the characters, but I think it would make a great book for teens (albeit it's rather freaking scary). I was leaning toward 3.5 stars before writing this review, but I think I'll do 3.75 and bump up to 4 stars here on Goodreads (that's not complicated at all, right? Perhaps fitting for this complicated and twisty novel).
I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 10/03/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a> ~ <a href="https://twitter.com/mwcmoto">Twitter</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a> ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a> ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a> </center>
I've never read a novel by [a:Sarah Pinborough|457300|Sarah Pinborough|https://images.gr-assets.com/authors/1463056151p2/457300.jpg] before, and I was pretty impressed. She's a great writer, and <i>she certainly knows how to capture the voice of the teenagers within the pages of her novel</i>. I don't think I realized this book would be quite so YA, if that makes any sense. I <i>kept waiting for there to be a bit more to the story than teenage politics</i>, but it's truly sort of a <i>Pretty Little Liars</i>-type tale. That's not to say it's not well-done. It may have just been a tad bit young for me; still, <i>it's an excellent novel and would be a truly wonderful read for most teens</i>, too.
Part of the novel's brilliance comes in its format. It's told from the point of view of Becca and Tasha, but we also get excerpts from Tasha's diary; case files from the Inspector on Tasha's case; notes from Tasha's psychologist; texts between the teens; and more. <i>I enjoyed the format, and it was quite effective at building suspense and tension. </i>
Because,<i> wow, yes, the book is certainly tense and compelling.</i> You're constantly wondering how reliable our teenage narrators are and questioning everything that happens. Now, as mentioned, there's a lot of teenage drama. A LOT. <i>These teens are truly a little scary</i>, and this was yet another book that makes me a tiny bit frightened for my five-year-old daughters to grow up. My goodness. At times, I got a bit bogged down in all the teen antics, but it was still quite interesting.
Becca was definitely a bit of a kid, but I still liked her (for the most part). She was well-written, just a little young for me. Pinborough is truly amazing at getting in the head of these teenagers--capturing the pettiness, meanness, and honestly, sometimes the dumbness, of their mindset. But she also caught the brutal neediness behind some of their actions: that raw need of kids that age to fit in with their peers.
I had a decent idea how this one was going to play out pretty early on, but that didn't stop me from reading (as mentioned, I tore through this in about 24 hours). There's something oddly compelling about this book and its characters. Pinborough weaves in <i>The Crucible</i> as a backdrop--it's the school play--which is a really clever move, as there are a lot of parallels between said drama and the melodrama unfolding among Tasha, Hayley, and Jenny.
Overall, this novel really just hinges on the duality of the hatefulness and vulnerability of teenagers. It may come across as a little too YA and predictable for some adults, but I can't deny that it's well-written and crisp. It's hard to like some of the characters, but I think it would make a great book for teens (albeit it's rather freaking scary). I was leaning toward 3.5 stars before writing this review, but I think I'll do 3.75 and bump up to 4 stars here on Goodreads (that's not complicated at all, right? Perhaps fitting for this complicated and twisty novel).
I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 10/03/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a> ~ <a href="https://twitter.com/mwcmoto">Twitter</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a> ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a> ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a> </center>